Authors: Garr Reynolds
haiku,
42
Heath, Chip,
78
Heath, Dan,
78
Ichiun, Odagiri,
9
imagery, storytelling through,
22
iStockphoto.com,
51
,
152
,
208
,
292
Japanese Streets,
152
jazz,
232–235
Jobs, Steve,
46
,
117–118
,
217–219
,
239
,
267–271
judo,
223–224
Kaku, Michio,
258
kamishibai,
88
Kamishibai Classroom
,
88
kanso,
119
.
See also
simplicity
Kawamura, Sachiko,
39
Kawana, Dr. Koichi,
119
Kennedy, John F.,
79
Klein, Astrid,
41
Kumar, Sangeeta,
200
Landry, Chris,
196
languages, combining,
158–159
laughter,
237
Laws of Simplicity, The
,
39
lecterns,
241
,
264–265
,
272–273
,
279
length, presentation,
248–249
,
270
lighting,
276–277
limitations, working with,
39–42
live talks,
25
logos,
141
Loori, John Daido,
140
Lucas, George,
107
Made to Stick
,
78
Maeda, John,
39
Mann, Merlin,
208
McGowan, Tara,
88
McKee, Robert,
85
McLeod, Scott,
194
meaning aptitude,
19
Medina, Dr. John,
254
meditation,
215
Meerheimb, Jasper von,
39
memory,
254
Memory and Imagination
,
46
message
making it stick,
78–81
microphones,
242–243
mindfulness,
215–216
mirror neurons,
254–256
Mogi, Kenichiro,
259
Morgue File,
152
Moxie Software,
104–105
multimedia presentations,
9
,
10
,
13
,
246
,
267
Naked Presenter, The
,
236
NASA Image Exchange,
152
negative space,
161
Non-Designer’s Design Book, The
,
133
,
177
notes, presentation,
69
novelty,
237
numbers,
268
.
See also
statistics
Okazaki, H. Seichiro,
223
“one-corner” style,
125
online video, power of,
12
passion,
226–227
Perera, Gihan,
262
performance, art of,
225
,
231–232
personal stories,
236
photo credits,
292–293
picture superiority effect,
144–159
planning presentations,
45–75
,
95–101
playfulness,
18
podiums,
264
,
279
.
See also
lecterns
Powell, Richard,
42
PowerPoint
cognitive style to,
46
creating storyboards in,
95
creators of,
10
as document-creation tool,
5
,
22
,
71
unconventional approach to,
41
presentation design,
131–185
,
286
,
288
presentation generation,
12
presentation handouts.
See
handouts
presentations
characteristics of effective,
11
,
12
,
25
,
43
in “Conceptual Age,”
14–23
crafting story for,
77
creativity in,
31–37
deciding on message for,
64–66
delivering,
223–224
editing,
107–108
length considerations,
248–249
Pecha Kucha method for,
41
planning (
See
planning presentations)
reading,
244–245
rules for improving,
20–21
showing structure of,
239
text
vs.
visuals in,
20
three components of,
69
using lectern for,
264–265
varying pace of,
270
presentation software,
11
,
46
.
See also
PowerPoint
presentation techniques,
11
presentation technology,
11
,
260
Presentation Zen
and beginner’s mind,
33–35
letting go of the past,
23
Web site,
286
presenter(s)
how to become better,
286–288
and judo,
223–224
for TED conference,
246–247
traits of good,
215–216
,
225
,
231–232
,
267–271
for webinars,
262–263
Prezi,
11
professional designers,
48
projecting yourself,
240–245
PUNCH,
236–238
quotations,
153–157
Really Bad PowerPoint
,
10
remote control devices,
274
restrictions, working with,
39–42
Reynolds, Garr, contact information,
297
right-brain thinking,
14
,
19
,
20
,
31
,
35
,
287
Rose, David S.,
68
royalty-free images,
152
rule of thirds,
169
Saad, Dr. Aisyah,
198
Seligman, Martin,
256
shibumi,
120
Shimizu, Eiji Han,
260
shizen,
119
.
See also
naturalness
Shutter Stock,
152
signal-to noise ratio,
134–141
,
185
simplicity,
115–129
amplification through,
125–127
and clear communications,
102
and comics,
125–127
and Presentation Zen,
7
,
9
,
11
,
25
and time considerations,
128
why it matters,
115–116
and Zen aesthetic,
119
slide presentations.
See also
presentations
creating good,
209
distributing printed version of,
68
number of slides for,
62
Presentation Zen approach to,
7–9
reading,
244–245
sample,
187–208
tools for creating,
11
vs.
written documents,
70–71
for webinars,
262–263
when to use,
267
slideuments,
70–72
Slim, Pam,
205
solitude,
57
speeches, reading,
244–245
Stevens, John,
223
“sticky” messages,
78–81
story,
77–109
and authenticity,
90–91
in “Conceptual Age,” 16
conflict in,
85
contrasts in,
86
elements to include in,
86–87
finding voice for,
93
making message stick with,
81
vs.
information,
92
storytelling.
See also
story
digital,
94
learning from masters of,
107
marginalization of,
16
principles,
86–87
surprise,
236
Sweller, John,
10
symmetrical designs,
166–168
symphony aptitude,
17
Takahashi, Masayoshi,
206
technology, presentation,
11
,
260
TED
archives,
246
events Web site,
286
templates,
46
,
100
,
141
,
143
,
175
,
209
text size,
244
time constraints,
39
,
128
,
246
,
248–249
time-saving features, software,
128
Toastmasters,
286
Toogood, Granville N.,
236
Turner, Mark,
16
Understanding Comics
,
125
unexpectedness,
78
,
79
,
125
,
236
,
270
Universal Principles of Design
,
144
video, power of online,
12
Visual Explanations
,
134
visual literacy,
22
visuals
bilingual,
158–159
characteristics of good,
187
power of,
144–147
sample,
187–208
visual storytelling,
88
Wabi Sabi Simple
,
42
wabi-sabi simplicity,
121–122
,
125
Wabi-Sabi Style
,
120
Webinar Smarts
,
262
Weismann, Jerry,
100
Why Business People Speak Like Idiots
,
253
wizards,
46
You’ve Got to Be Believed,
244
Zander, Benjamin,
225
,
226–227
,
228
,
278
Zen
and art of connection,
232–233