Authors: John Updike
Tags: #Psychological, #Middle Class Men, #Romance, #Fiction, #Literary, #Harry (Fictitious character), #Angstrom, #Fiction - General, #General
"You loved your granddad, didn't you Nelson?" When she's high on pot her voice gets husky and kind of trancy, like one of these oracles sitting over her tripod they talked about in anthro at Kent. Kent: more sand rubbing in his stomach.
"He liked
me,"
Nelson insists, writhing a little and noticing with his hand that his erection has slightly wilted, possessing no longer the purity of ivory but the compromised texture of flesh and blood. "He wasn't always criticizing me because I wasn't some great shakes athlete and ten feet tall."
"I've never heard your father criticize you," she says, "except when you cracked up his car."
"Goddam it I
didn't crack
it up, I just dented the bastard and he's going through this whole big deal, weeks in the body shop while I'm supposed to feel guilty or inept or something. And there was an animal in the road, some little thing I don't know what it was, a woodchuck, I would have seen the stripes if it had been a skunk, I don't know why they don't make these dumb animals with longer legs, it
waddled. Right
into the headlights. I wish I'd killed it. I wish I'd smashed up all Dad's cars, the whole fucking inventory."
"This is really crazy talk Nelson," Melanie says from within her amiable trance. "You need your father. We all need fathers. At least yours is where you can find him. He's not a bad man."
"He is bad, really bad. He doesn't know what's up, and he doesn't care, and he thinks he's so great. That's what gets me, his happiness. He is so fucking happy." Nelson almost sobs. "You think of all the misery he's caused. My little sister dead because of him and then this Jill he let die."
Melanie knows these stories. She says in a patient singsong, "You mustn't forget the circumstances. Your father's not God." Her hand follows down inside the bedsheet where his has been exploring. She smiles. Her teeth are perfect. She's had orthodontia, and poor Pru never did, her people were too poor, so she hates to smile, though the irregularity isn't really that noticeable, just a dog tooth slightly overlapping on one side. "You're feeling frustrated right now," Melanie tells him, "because of your situation. But your situation is not your father's fault."
"It is," Nelson insists. "Everything's his fault, it's his fault I'm so fucked up, and he enjoys it, the way he looks at me sometimes, you can tell he's really eating it up, that I'm fucked up. And then the way Mom waits on him, like he's actually
done
something for her, instead of the other way around."
"Come on Nelson, let it go," Melanie croons. "Forget everything for now. I'll help you." She flips down the sheet and turns her back. "Here's my ass. I love being fucked from behind when I have a buzz on. It's like I'm occupying two planes of being."
Melanie hardly ever tries to come when they make love, takes it for granted she is serving the baby male and not herself. With Pru, though, the woman was always trying, breathing "Wait" in his ear and squirming around with her pelvis for the right contact, and even when he couldn't wait and failed, this was somehow more flattering. Remembering Pru this way he feels the nibble of guilt in the depths of his stomach take a sharper bite, like the moment in Jaws when the girl gets pulled under.
Water. Rabbit distrusts the element though the little brown hourglass-shaped lake that laps the gritty beach in front of the Springers' old cottage in the Poconos seems friendly and tame, and he swims in it every day, taking a dip before breakfast, before Janice is awake, and while Ma Springer in her quilty bathrobe fusses at the old oil stove to make the morning coffee. On weekdays when there aren't so many people around he walks down across the coarse imported sand wrapped in a beach towel and, after a glance right and left at the cottages that flank theirs back in the pines, slips into the lake naked. What luxury! A chill silver embrace down and through his groin. Gnats circling near the surface shatter and reassemble as he splashes through them, cleaving the plane of liquid stillness, sending ripples right and left toward muddy rooty banks city blocks away. A film of mist sits visible on the skin of the lake if the hour is early enough. He was never an early-to-rise freak but sees the point of it now, you get
into
the day at the start, before it gets rolling, and roll with it. The film of mist tastes of evening chill, of unpolluted freshness in a world waking with him. As a kid Rabbit never went to summer camps, maybe Nelson is right they were too poor, it never occurred to them. The hot cracked sidewalks and dusty playground of Mt. Judge were summer enough, and the few trips to the Jersey Shore his parents organized stick up in his remembrance as almost torture, the hours on poky roads in the old Model A and then the mudbrown Chevy, his sister and mother adding to the heat the vapors of female exasperation, Pop dogged at the wheel, the back of his neck sweaty and scrawny and freckled while the flat little towns of New Jersey threw back at Harry distorted echoes of his own town, his own life, for which he was homesick after an hour. Town after town numbingly demonstrated to him that his life was a paltry thing, roughly duplicated by the millions in settings where houses and porches and trees mocking those in Mt. Judge fed the illusions of other little boys that their souls were central and important and invisibly cherished. He would look at the little girls on the sidewalks they drove alongside wondering which of them he would marry, for his idea of destiny was to move away and marry a girl from another town. The traffic as they neared the Shore became thicker, savage, metropolitan. Cars, he has always found cars, their glitter, their exhalations, cruel. Then at last arriving in a burst of indignities - the parking lot full, the bathhouse attendant rude - they would enter upon a few stilted hours on the alien beach whose dry sand burned the feet and scratched in the crotch and whose wet ribs where the sea had receded had a deadly bottomless smell, a smell of vast death. Every found shell had this frightening faint stink. His parents in bathing suits alarmed him. His mother didn't look obscenely fat like some of the other mothers but bony and long and hard, and as she stood to call him or little Mim back from the suspect crowds of strangers or the dangerous rumor of undertow her arms seemed to be flapping like featherless wings. Not Rabbit then, he would be called as "Hassy! Hassy!" And his father's skin where the workclothes always covered it seemed so tenderly white. He loved his father for having such whiteness upon him, secretly, a kind of treasure; in the bathhouse he and Pop changed together rapidly, not looking at one another, and at the end of the day changed again. The ride back to Diamond County was always long enough for the sunburn to start hurting. He and Mim would start slapping each other just to hear the other yell and to relieve the boredom of this wasted day that could have been spent among the fertile intrigues and perfected connections of the Mt. Judge playground.
In his memory of these outings they always seem to be climbing toward the ocean as toward a huge blue mountain. Sometimes at night before falling to sleep he hears his mother say with a hiss, "Hassy." He sees now that he is rich that these were the outings of the poor, ending in sunburn and stomach upset. Pop liked crabcakes and baked oysters but could never eat them without throwing up. When the Model A was tucked into the garage and little Mim tucked into bed Harry could hear his father vomiting in a far corner of the yard. He never complained about vomiting or about work, they were just things you had to do, one more regularly than the other.
So as a stranger to summer places Rabbit had come to this cottage Fred Springer had bought rather late in his life, after the Toyota franchise had made him more than a used-car dealer, after his one child was married and grown. Harry and Janice used to come for just visits of a week. The space was too small, the tensions would begin to rub through, with Nelson bored and bugeaten after the first day or so. You can only go visit Bushkill Falls so often, climbing up and down those steps admiring the ferns.
When old man Springer died Harry became the man of the place and at last understood that Nature isn't just something that pushes up through the sidewalk cracks and keeps the farmers trapped in the sticks but is an elixir, a luxury that can be bought and fenced off and kept pure for the more fortunate, in an impure age. Not that this five-room, dark-shingled cottage, which Ma Springer rents for all but these three weeks of August, taking the Labor Day gravy and renting into hunting season if she can, was in any league with the gabled estates and lodges and resort hotels that are all around them tumbling down or being broken up by developers; but it has two acres ofwoods behind it and a dock and rowboat of its own, and holds out to Harry the possibility that life can be lived selectively, as one chooses from a menu, or picks a polished fruit from a bowl. Here in the Poconos food, exercise, and sleep, no longer squeezed into the margins of the day, swell to a sumptuous importance. The smell of fresh coffee drifting to greet him as he walks still wet back from his swim; the kiss of morning fog through a rusted window screen; the sight of Janice with bare brown feet wearing the same tennis shorts and kid's black T-shirt day after day; the blue jay switching stances on the porch rail; the smooth rose-veined rock holding shut the upstairs door that has lost its latch; the very texture of root-riddled mud and reeds where the fresh cedar dock pilings have been driven: he feels love for each phenomenon and not for the first time in his life seeks to bring himself into harmony with the intertwining simplicities that uphold him, that were woven into him at birth. There must be a good way to live.
He eases off on the gin and snacks. He swims and listens to Ma Springer reminisce over the morning coffee and goes down into the village with Janice each day to shop. At night they play threehanded pinochle by the harsh light of bridge lamps, the light feeling harsh because when he had first come to this place they lit kerosene lamps, with fragile interior cones of glowing ash, and went to bed soon after dark, the crickets throbbing. He does not like to fish, nor does he much like playing tennis with Janice against one of the other couples that have access to the lake community's shared court, an old rectangle of clay in the pines, the edges coated with brown needles and the chicken-wire fencing drooping like wet wash. Janice plays every day at the Flying Eagle, and beside her efficient grace he feels cumbersome and out of it. The ball hops at him with a speed his racket cannot match. Her black T-shirt has on it in faded 3-D script the word Phillies; it is a shirt he bought Nelson on one of their excursions to Veterans Stadium, and the boy left it behind when he went away to Kent, and Janice in her middle-aged friskiness found it and made it hers. Typical of the way things have gone, that the kid's growing up should seem a threat and a tragedy to him and to her an excuse to steal a T-shirt. Not that it would fit Nelson anymore. It fits her fine; he feels her beside him in the corner of his eye nimbler and freer than he in her swarthy thick-middled old girl's shape with her short hair and bouncing bangs. The ball arcs back steadily from her racket while he hits it too hard or else, trying to "stroke" it like she tells him, pops it weakly into the net. "Harry, don't try to
steer
it," she says. "Keep your knees bent. Point your hip toward the net." She has had a lot of lessons. The decade past has taught her more than it has taught him.
What has he done, he wonders as he waits to receive the serve, with this life of his more than half over? He was a good boy to his mother and then a good boy to the crowds at the basketball games, a good boy to Tothero his old coach, who saw in Rabbit something special. And Ruth saw in him something special too, though she saw it winking out. For a while Harry had kicked against death, then he gave in and went to work. Now the dead are so many he feels for the living around him the camaraderie of survivors. He loves these people with him, penned in among the lines of the tennis court. Ed and Loretta: he's an electrical contractor from Easton specializing in computer installations. Harry loves the treetops above their heads, and the August blue above these. What does he know? He never reads a book, just the newspaper to have something to say to people, and then mostly human interest stories, like where the Shah is heading next and how sick he really is, and that Baltimore doctor. He loves Nature, though he can name almost nothing in it. Are these pines, or spruces, or firs? He loves money, though he doesn't understand how it flows to him, or how it leaks away. He loves men, uncomplaining with their pot bellies and cross-hatched red necks, embarrassed for what to talk about when the game is over, whatever the game is. What a threadbare thing we make of life! Yet what a marvellous thing the mind is, they can't make a machine like it, though some of these computers Ed was telling about fill rooms; and the body can do a thousand things there isn't a factory in the world can duplicate the motion. He used to love screwing, though more and more he's willing just to think about it and let the younger people mess with it, meeting in their bars and cars, amazing how many of them there are now, just walking down the street or getting into a movie line he often seems to be the oldest guy in sight. At night when he's with Janice, she needing a touch of cock to lead her into sleep, he tries to picture what will turn him on, and he's running out of pictures; the last that works is of a woman on all fours being fucked by one man while she blows another. And it's not clear in the picture if Harry is doing the fucking or is the man being blown, he is looking at all three from the outside, as if up on a screen at one of these movie theaters on upper Weiser with titles like Harem Girls and All
the
Way, and the woman's sensations seem nearer to him than the man's, the prick in your mouth like a small wet zucchini, plus the other elsewhere, in and out, in and out, a kind of penance at your root. Sometimes he prays a few words at night but a stony truce seems to prevail between himself and God.
He begins to run. In the woods, along the old logging roads and bridle trails, he ponderously speeds in tennis shoes first, orange with clay dust, and then in gold-and-blue Nikes bought at a sporting goods shop in Stroudsburg especially for this, running shoes with tipped-up soles at toe and heel, soles whose resilient circlets like flattened cleats lift him powerfully as, growing lighter and quicker and quieter, he runs. At first he feels his weight like some murderous burden swaddled about his heart and lungs and his thigh muscles ache in the morning so that he staggers in leaving the bed and laughs aloud in surprise. But as over the days, running after supper in the cool of the early evening while all the light has not ebbed from the woods, he accustoms his body to this new demand, his legs tighten, his weight seems less, his chest holds more air, the twigs fly past his ears as if winged on their own, and he extends the distance he jogs, eventually managing the mile and a half to the waist of the hourglass, where the gates of an old estate bar the way. Carbon Castle the locals call the estate, built by a coal baron from Scranton and now little utilized by his scattered and dwindled descendants, the swimming pool drained, the tennis courts overgrown, energy gone. The glass eyes of the stuffed deer heads in the hunting lodge stare through cobwebs; the great main house with its precipitous slate roofs and diamond-paned windows is boarded up, though ten years ago one of the grandsons tried to 'make of it a commune, the villagers say. The young people vandalized the place, the story runs, and sold off everything they could move, including the two bronze brontosaurs that guarded the main entrance, emblems of the Coal Age. The heavy iron gates to Carbon Castle are double-chained and padlocked; Rabbit touches the forbidding metal, takes a breath for a still second while the world feels still to be rushing on, pouring through the tremble of his legs, then turns and jogs back, casting his mind wide, so as to become unconscious of his heaving body. There is along the way an open space, once a meadow, now spiked with cedars and tassle-headed weeds, where swallows dip and careen, snapping up insects revived in the evening damp. Like these swallows Rabbit, the blue and gold of his new shoes flickering, skims, above the earth, above the dead. The dead stare upwards. Mom and Pop are lying together again as for so many years on that sway-backed bed they'd bought second-hand during the Depression and never got around to replacing though it squeaked like a tricycle left out in the rain and was so short Pop's feet stuck out of the covers. Paperywhite feet that got mottled and marbled with veins finally: if he'd ever have exercised he might have lived longer. Tothero down there is all eyes, eyes big as saucers staring out of his lopsided head while his swollen tongue hunts for a word. Fred Springer, who put Harry where he is, eggs him on, hunched over and grimacing like a man with a poker hand so good it hurts. Skeeter, who that newspaper clipping claimed had fired upon the Philly cops first even though there were twenty of them in the yard and hallways and only some pregnant mothers and children on the commune premises, Skeeter black as the earth turns his face away. The meadow ends and Harry enters a tunnel, getting dark now, the needles a carpet, he makes no sound, Indians moved without sound through trees without end where a single twig snapping meant death, his legs in his fatigue cannot be exactly controlled but flail against the cushioned path like arms of a loose machine whose gears and joints have been bevelled by wear. Becky, a mere seed laid to rest, and Jill, a pale seedling held from the sun, hang in the earth, he imagines, like stars, and beyond them there are myriads, whole races like the Cambodians, that have drifted into death. He is treading on them all, they are resilient, they are cheering him on, his lungs are burning, his heart hurts, he is a membrane removed from the hosts below, their filaments caress his ankles, he loves the earth, he will never make their mistake and die.