Rabbit is rich (7 page)

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Authors: John Updike

Tags: #Psychological, #Middle Class Men, #Romance, #Fiction, #Literary, #Harry (Fictitious character), #Angstrom, #Fiction - General, #General

BOOK: Rabbit is rich
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Bitter lemon fading in his mouth, an aluminum colander pleasantly light in his hand, he goes down the brick back steps into grateful space. He feels the neighborhood filter through to him and the voices in his brain grow still. Dark green around him is damp with coming evening, though this long day's lingering brightness surprises his eye above the shadowy masses of the trees. Rooftops and dormers notch the blue as it begins to blush brown; here also electric wires and television aerials mar with their scratches the soft beyond, a few swallows dipping as they do at day's end in the middle range of air above the merged back yards, where little more than a wire fence or a line of hollyhocks marks the divisions of property. When he listens he can hear the sounds of cooking clatter or late play, alive in this common realm with a dog's bark, a bird's
weep weep,
the rhythmic far tapping of a hammer. A crew of butch women has moved in a few houses down and they're always out in steel-toed boots and overalls with ladders and hammers fixing things, they can do it all, from rain gutters to cellar doors: terrific. He sometimes waves to them when he jogs by in twilight but they don't have much to say to him, a creature of another species.

Rabbit swings open the imperfect little gate he constructed two springs ago and enters the fenced rectangle of silent vegetable presences. The lettuce flourishes between a row of bean plants whose leaves are badly bug-eaten and whose stems collapse at a touch and a row of feathery carrot tops all but lost in an invasion of plantain and chickweed and purselane and a pulpy weed with white-and-yellow flowers that grows inches every night. It is easy to pull, its roots let go docilely, but there are so many he wearies within minutes of pulling and shaking the moist earth free from the roots and laying bundles of the weed along the chicken-wire fence as mulch and as barrier to the invading grasses. Grass that won't grow in the lawn where you plant it comes in here wild to multiply. Seed, so disgustingly much of it, Nature such a cruel smotherer. He thinks again of the dead he has known, the growingly many, and of the live child, if not his then some other father's, who visited him today with her long white legs propped up on cork heels, and of the other child, undoubtedly his, the genes show even in that quick scared way he looks at you, who has threatened to return. Rabbit pinches off the bigger lettuce leaves (but not the ones at the base so big as to be tough and bitter) and looks into his heart for welcome, welcoming love for his son. He finds instead a rumple of apprehensiveness in form and texture like a towel tumbled too soon from the dryer. He finds a hundred memories, some vivid as photographs and meaningless, snapped by the mind for reasons of its own, and others mere facts, things he knows are true but has no snapshot for. Our lives fade behind us before we die. He changed the boy's diapers in the sad apartment high on Wilbur Street, he lived with him for some wild months in an apple-green ranch house called 26 Vista Crescent in Penn Villas, and here at 89 Joseph he watched him become a high-school student with a wispy mustache that showed when he stood in the light, and a headband like an Indian's instead of getting a haircut, and a fortune in rock records kept in the sunny room whose drawn shades are above Harry's head now. He and Nelson have been through enough years together to turn a cedar post to rot and yet his son is less real to Harry than these crinkled leaves of lettuce he touches and plucks. Sad. Who says? The calm eyes of the girl who showed up at the lot today haunt the growing shadows, a mystery arrived at this time of his own numb life, death taking his measure with the invisible tapping of that neighborhood hammer: each day he is a little less afraid to die. He spots a Japanese beetle on a bean plant leaf and with a snap of his fingernail - big fingernails, with conspicuous cuticle moons - snaps the iridescent creature off: Die.

Back in the house, Janice exclaims, "You've picked enough for six of us!"

"Where'd Ma go?"

"She's in the front hall, on the telephone to Grace Stuhl. Really, she's impossible. I really think senility is setting in. Harry, what shall we do?"

"Ride with the punches?"

"Oh, great."

"Well honey it is her house, not ours and Nelson's."

"Oh, drop dead. You're no help." An illumination rises sluggishly within her sable, gin-blurred eyes. "You don't want to be any help," she announces. "You just like to see us fight."

* * *

The evening passes in a stale crackle of television and suppressed resentment.
Waitin' for some lover to call
.... Ma Springer, having condescended to share with them at the kitchen table some lumpy mushroom soup Janice has warmed and the cold cuts slightly sweaty from waiting too long in the refrigerator and all that salad he picked, stalks upstairs to her own room and shuts the door with a firmness that must carry out into the neighborhood as far as the butch women's house. A few cars, looking for hot stuff, prowl by on Joseph Street, with that wet-tire sound that makes Harry and Janice feel alone as on an island. For supper they opened a halfgallon of Gallo Chablis and Janice keeps drifting into the kitchen to top herself up, so that by ten o'clock she is lurching in that way he hates. He doesn't blame people for many sins but he does hate uncoórdination, the root of all evil as he feels it, for without coordination there can be no order, no connecting. In this state she bumps against doorframes coming through and sets her glass on the sofa arm so a big translucent lip of contents slops up and over into the fuzzy gray fabric. Together they sit through
Battlestar Galactica
and enough of
The Love Boat
to know it's not one of the good cruises. When she gets up to fill her glass yet again he switches to the Phillies game. The Phillies are being held to one hit by the Expos, he can't believe it, all that power. On the news, there is rioting in Levittown over gasoline, people are throwing beer bottles full of gasoline; they explode, it looks like old films of Vietnam or Budapest but it is Levittown right down the road, north of Philadelphia. A striking trucker is shown holding up a sign saying To HELL WITH SHELL. And Three-Mile Island leaking radioactive neutrons just down the road in the other direction. The weather for tomorrow looks good, as a massive high continues to dominate from the Rocky Mountain region eastward all the way to Maine. Time for bed.

Harry knows in his bones, it has been borne in on him over the years, that on the nights of the days when Janice has fought with her mother and drunk too much she will want to make love. The first decade of their marriage, it was hard to get her to put out, there were a lot of things she wouldn't do and didn't even know were done and these seemed to be the things most on Rabbit's mind, but then with the affair with Charlie Stavros opening her up at about the time of the moon shot, and the style of the times proclaiming no holds barred, and for that matter death eating enough into her body for her to realize it wasn't such a precious vessel and there wasn't any superman to keep saving it for, Harry has no complaints. Indeed what complaints there might be in this line would come from her about him. Somewhere early in the Carter administration his interest, that had been pretty faithful, began to wobble and by now there is a real crisis of confidence. He blames it on money, on having enough at last, which has made him satisfied all over; also the money itself, relaxed in the bank, gets smaller in real value all the time, and this is on his mind, what to do about it, along with everything else: the Phils, and the dead, and golf. He has taken the game up with a passion since they joined the Flying Eagle, without getting much better at it, or at least without giving himself any happier impression of an absolute purity and power hidden within the coiling of his muscles than some lucky shots in those first casual games he played once did. It is like life itself in that its performance cannot be forced and its underlying principle shies from being permanently named. Arms
like ropes,
he tells himself sometimes, with considerable success, and then, when that goes bad,
shift the weight.
Or,
Don't chicken-wing it,
or,
Keep the angle,
meaning the angle between club and arms when wrists are cocked. Sometimes he thinks it's all in the hands, and then in the shoulders, and even in the knees. When it's in the knees he can't control it. Basketball was somehow more instinctive. If you thought about merely walking down the street the way you think about golf you'd wind up falling off the curb. Yet a good straight drive or a soft chip stiff to the pin gives him the bliss that used to come thinking of some woman, imagining if only you and she were alone on a warm island.

Naked, Janice bumps against the doorframe from their bathroom back into their bedroom. Naked, she lurches onto the bed where he is trying to read the July issue of
Consumer Reports
and thrusts her tongue into his mouth. He tastes Gallo, baloney, and toothpaste while his mind is still trying to sort out the virtues and failings of the great range of can openers put to the test over five close pages of print. The Sunbeam units were most successful at opening rectangular and dented cans and yet pierced coffee cans with such force that grains of coffee spewed out onto the counter. Elsewhere, slivers of metal were dangerously produced, magnets gripped so strongly that the contents of the cans tended to spatter, blades failed to reach deep lips, and one small plastic insert so quickly wore away that the model (Ekco C865K) was judged Not Acceptable. Amid these fine discriminations Janice's tongue like an eyeless eager eel intrudes and angers him. Ever since in her late thirties she had her tubes burned to avoid any more bad side effects from the Pill, a demon ofloss (never any more children never ever) has given her sexuality a false animation, a thrust somehow awry. Her eyes as her face backs off from the kiss he has resisted, squirming, have in them no essential recognition of him, only a glaze of liquor and blank unfriendly wanting. By the light by which he had been trying to read he sees the hateful aged flesh at the base of her throat, reddish and tense as if healed from a bum. He wouldn't see it so clearly if he didn't have his reading glasses on. "Jesus," he says, "at least let's wait till I turn out the light."

"I like it on." Her insistence is slurred. "I like to see all the gray hair on your chest."

This interests him. "Is there much?" He tries to see, past his chin. "It's not gray, it's just blond, isn't it?"

Janice pulls the bedsheet down to his waist and crouches to examine him hair by hair. Her breasts hang down so her nipples, bumply in texture like hamburger, sway an inch above his belly. "You do here, and here." She pulls each gray hair.

"Ouch. Damn you, Janice.
Stop."
He pushes his stomach up so her nipples vanish and her breasts are squashed against her own frail ribs. Gripping the hair of her head in one fist in his rage at being invaded, the other hand still holding the magazine in which he was trying to read about magnets gripping, he arches his spine so she is thrown from his body to her side of the bed. In her boozy haze mistaking this for love play, Janice tugs the sheet down still lower on him and takes his prick in a fumbling, twittering grip. Her touch is cold from having just washed her hands in the bathroom. The next page of
Consumer Reports is
printed on blue and asks,
Summer cooling, 1979: air-conditioner orfan?
He tries to skim the list of advantages and disadvantages peculiar to each
(Bulky and heavy to install
as opposed to
Light and portable, Expensive to run
as against
Inexpensive to run,
the fan seems to be scoring all the points) but can't quite disassociate himself from the commotion below his Waist, where Janice's anxious fingers seem to be asking the same question over and over, without getting the answer they want. Furious, he throws the magazine against the wall behind which Ma Springer sleeps. More carefully, he removes his reading glasses and puts them in his bedside table drawer and switches off the bedside lamp.

His wife's importunate flesh must then compete with the sudden call to sleep that darkness brings. It has been a long day. He was awake at six-thirty and got up at seven. His eyelids have grown too thin to tolerate the early light. Even now near midnight he feels tomorrow's early dawn rotating toward him. He recalls again the blue-eyed apparition who seemed to be his and Ruth's genes mixed; he is reminded then from so long ago of that Ruth whom he fucked upwards the first time, saying "Hey" in his surprise at her beauty, her body one long underbelly erect in light from the streetlamp outside on Summer Street, his prick erect in her ripe, ripe loveliness above him,
Hey,
it seems a melancholy falling that an act so glorious has been dwindled to this blurred burrowing of two old bodies, one drowsy and one drunk. Janice's rummaging at his prick has become hostile now as it fails to rise; her attention burns upon it like solar rays focused by a magnifying glass upon a scrap of silk, kids used to kill ants that way. Harry watched but never participated. We are cruel enough without meaning to be. He resents that in her eagerness for some dilution of her sense of being forsaken, having quarrelled with her mother, and perhaps also afraid of their son's return, Janice gives him no space of secrecy in which blood can gather as it did behind his fly in ninth-grade algebra sitting beside Lotty Bingaman who in raising her hand to show she had the answers showed him wisps of armpit hair and pressed the thin cotton of her blouse tighter against the elastic trusswork of her bra, so its salmon color strained through. Then the fear was the bell would ring and he would have tó stand with this hard-on.

He resolves to suck Janice's tits, to give himself a chance to pull himself together, this is embarrassing. A pause at the top, you need a pause at the top to generate momentum. His spit glimmers within her dark shape above him; the headboard of their bed is placed between two windows shaded from the light of sun and moon alike by a great copper beech whose leaves yet allow a little streetlight through.

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