Rabbit, Run (36 page)

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Authors: John Updike

Tags: #General, #Fiction, #Men, #Psychological, #Modern fiction, #Literary, #Harry (Fictitious character), #Angstrom, #Angstrom; Harry (Fictitious character)

BOOK: Rabbit, Run
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Outside in the air his fears condense. Globes of ether, pure nervousness, slide down his legs. The sense of outside space scoops at his chest. Standing on the step he tries to sort his worries, tries to analyze the machinery behind him in the house, put his finger on what makes it so loud. Two thoughts comfort him, let a little light through the dense pack of impossible alternatives. Ruth has parents, and she will let his baby live: two thoughts that are perhaps the same thought, the vertical order of parenthood, a kind of thin tube upright in time in which our solitude is somewhat diluted. Ruth and Janice both have parents: with this thought he dissolves both of them. Nelson remains: here is a hardness he must carry with him. On this small fulcrum he tries to balance the rest, weighing opposites against each other: Janice and Ruth, Eccles and his mother, the right way and the good way, the way to the delicatessen—gaudy with stacked fruit lit by a naked bulb—and the other way, down Summer Street to where the city ends. He tries to picture how it will end, with an empty baseball field, a dark factory, and then over a brook into a dirt road, he doesn’t know. He pictures a huge vacant field of cinders and his heart goes hollow.

Afraid, really afraid, he remembers what once consoled him by seeming to make a hole where he looked through into underlying brightness, and lifts his eyes to the church window. It is, because of church poverty or the late summer nights or just carelessness, unlit, a dark circle in a stone facade.

There is light, though, in the streetlights; muffled by trees their mingling cones retreat to the unseen end of Summer Street. Nearby, to his left, directly under one, the rough asphalt looks like dimpled snow. He decides to walk around the block, to clear his head and pick his path. Funny, how what makes you move is so simple and the field you must move in is so crowded. Goodness lies inside, there is nothing outside, those things he was trying to balance have no weight. He feels his inside as very real suddenly, a pure blank space in the middle of a dense net. I don’t know, he kept telling Ruth; he doesn’t know, what to do, where to go, what will happen, the thought that he doesn’t know seems to make him infinitely small and impossible to capture. Its smallness fills him like a vastness. It’s like when they heard you were great and put two men on you and no matter which way you turned you bumped into one of them and the only thing to do was pass. So you passed and the ball belonged to the others and your hands were empty and the men on you looked foolish because in effect there was nobody there.

Rabbit comes to the curb but instead of going to his right and around the block he steps down, with as big a feeling as if this little side-street is a wide river, and crosses. He wants to travel to the next patch of snow. Although this block of brick three-stories is just like the one he left, something in it makes him happy; the steps and window sills seem to twitch and shift in the corner of his eye, alive. This illusion trips him. His hands lift of their own and he feels the wind on his ears even before, his heels hitting heavily on the pavement at first but with an effortless gathering out of a kind of sweet panic growing lighter and quicker and quieter, he runs. Ah: runs. Runs.

THE END.

A Note on the Author

JOHN UPDIKE
was born in 1932, in Shillington, Pennsylvania. He attended the public schools of that town, Harvard College, and the Ruskin School of Drawing and Fine Art, in Oxford, England, where he spent a year on a Knox Fellowship. From 1955 to 1957 he was a member of the staff of
The New Yorker
, to which he has contributed short stories, humorous essays, light verse, and poems. A novel,
The Poorhouse Fair
, was published early in 1959, and won the Richard and Hinda Rosenthal Foundation Award, administered by the National Institute of Arts and Letters. The author and his wife live in Ipswich, Massachusetts, with their three children.

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