Read Rebels in Paradise Online
Authors: Hunter Drohojowska-Philp
 Â
9
. Warhol and Hackett,
POPism
, 277.
10
. Ibid., 274.
11
. Ibid., 279.
Chapter Twenty-four. The End of the Innocence
 Â
1
. Babs Altoon, interview with author, June 16, 2006.
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2
. Christopher Knight, interview with author, November 8, 2010.
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Acknowledgments
Despite the cliché that those who remember the sixties weren't really there, I found I could rely on the memories of any number of people who definitely were. Walter Hopps had a few memories to share with me just days before his death on March 20, 2005. Irving Blum offered many stories about this glittering era. Ed Ruscha, the first Ferus artist I met after moving to Los Angeles, was and is an inspiration. Others who offered encouragement at the outset of this project were Dave Hickey, Peter Plagens, Lawrence Weschler and Christopher Knight, all of whom have written astutely about these artists and this period.
I am grateful to all the artists, dealers, collectors, their friends and family: Robert Irwin, Ed Moses, Larry Bell, Billy Al Bengston, Ken Price, John Mason, Frank Gehry, Joe Goode, Jerry McMillan, Mason Williams, John Baldessari, Dennis Hopper, Dean Stockwell, Mark Di Suvero, Claes Oldenburg, Don Bachardy, David Hockney, Gregory Evans, Doug Wheeler, James Turrell, Peter Alexander, DeWain Valentine, Helen Pashgian, Judy Chicago, Vija Celmins, Virginia Dwan, Cecilia Dan, James Corcoran, Dagny Corcoran, Babs Altoon, Rosamund Felsen, Sidney Felsen, Stanley and Elyse Grinstein, James Demetrion, Hal Glicksman, Lyn Kienholz, Mary Lynch Kienholz, Vivian Rowan, Penny Little Hawks, Happy Price, Bridget Johnson, Doreen Nelson, Shirley Hopps Blum, Danna Ruscha, Eve Babitz, Julian Wasser, Zazu Faure, Paul Ruscha, Robert Dean, Mary Dean, Larry Gagosian, Margo Leavin, Frank Lloyd, Craig Krull, Renato Danese, Arnold Glimcher, Michael Kohn, Jean Milant, Ulrike Kantor, Shoshana Blank, Patricia Hamilton, Charles Cowles, Doug Chrismas, Kimberly Davis, Elizabeth East, Peter Goulds, Ronnie and Vidal Sassoon, Sally Drennon, Peggy Moffitt, Chris Claxton, Ann Marshall, Teri Garr, Michelle Phillips, and the beat goes on.â¦
A moment here to remember those who have died with their boots on in recent years: Henry Hopkins, Dennis Hopper, Craig Kauffman, Betty Freeman, and Patricia Faure.
I'm indebted to the colleagues who have contributed to a deeper understanding of L.A.'s cultural history including Cécelie Whiting, Michael Duncan, Thomas Crow, Kristine McKenna, James Meyers, David Pagel, Leah Ollmann, Richard Hertz, Pamela Burton, Barbara Rose, Barbara Haskell, Gail Levin, Naomi Sawelson-Gorse, Debra Burchette Lere, Calvin Tomkins, Kevin Starr, Lars Nittve, Robert Berman, Suzanne Muchnic, and Barbara Isenberg. At the Los Angeles County Museum of Art, Carol Eliel, Stephanie Barron, and Toby Tannenbaum; at the Orange County Museum of Art, Karen Moss and Elizabeth Armstrong (now at Walker Art Center); at the Museum of Contemporary Art: Paul Schimmel and Ann Goldstein (now at the Stedelijk Museum); and at Scripps College: Mary McNaughton. Thanks also to Lisa Fung and Kelly Scott at the
Los Angeles Times
, Robin Cembalest at
ARTnews
, Walter Robinson at
Artnet
and rock and roll writers Michael Walker and Barney Hoskins. Bill Lasarow's Artscene Visual Radio aired interviews with many of the artists, which are still on the internet. I thank Gail Eichenthal and Sheila Tepper at KUSC and Karen Huang, who helped with my early research thanks to the support of ArtTable. The Getty Research Institute as a whole, and Andrew Perchuk and Rani Singh in particular have been invaluable, as have David Rodes at UCLA and Liza Kirwin at the Archives of American Art. Special thanks to Catherine Grenier for the landmark exhibition of Los Angeles art at the Pompidou Centre in Paris and the invaluable catalog. Of course, this book would not be possible without my agents, Eric and Maureen Lasher, and my thoughtful and supportive editors, Jack Macrae and Kirsten Reach. I thank them for their faith in this project. A special thank-you goes to my amazing husband, David Philp, as always.
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Index
The index that appeared in the print version of this title does not match the pages in your eBook. Please use the search function on your eReading device to search for terms of interest. For your reference, the terms that appear in the print index are listed below.
Abstract Expressionism
Ace Gallery: Los Angeles; Vancouver
Action I (Santa Monica Pier)
Action
2
(Now Gallery)
action painting
Adams, John
Aesthetic Research Center
African Americans
Ahmanson, Howard
airbrushing
Alan Gallery (New York)
Albers, Josef
Alexander, Brooke
Alexander, Peter;
Green Wedge
Alexander, Robert
Allen, Terry
Alloway, Lawrence
Altoon, Babs Lunine
Altoon, John
Amaya, Mario
Amend, Richard
American Vanguard Art (Paris)
Ames, Nancy
Andre, Carl
Andrews, Oliver
Anger, Kenneth;
Fireworks
(film)
Anthony, Barney
Anthony, Fern
Antin, David
Apple, Billy
Arensberg, Louise
Arensberg, Walter
Arman
Armory Show
Arnstein, Nicky
Art After Philosophy and After
(Kosuth)
Art and Architecture
Artforum
; moves to New York
Art in America
Art International
Artists Protest Committee
ARTNews
Art of Light and Space, The
(Butterfield)
Art Workers Coalition
Asher, Betty
Asher, Dr. Leonard
Asher, Michael
Auden, W.H.
automobile aesthetic
Avedon, Richard
Axelrod, George
Babbs, Ken
Babitz, Eve
Babitz, May
Babitz, Mirandi
Babitz, Saul
Bachardy, Don; Hockney portrait of; portrait of Bengston; portrait of Hockney
Bachardy, Ted
Bacon, Francis
Bagley, C.
Baldessari, Carol Wixom
Baldessari, John;
Econ-o-washâ¦;
Quality Material
Ball, F. Carlton
Balzar, Fran
Banham, Reyner
Barnes, Molly
Barney's Beanery; Kienholz
The Beanery
Barris, George
Barrymore, John
Bart, Peter
Bartosh, Ben
Bartosh, Betty
Basil, Toni
Batterton, Wally
Bauhaus Modernists
Beach Boys
Beard, The
(McClure)
Beat Generation, The
(film)
Beatles
Beats
Beauvoir, Simone de
Becket, Welton
Bell, Gloria Neilsen
Bell, Larry; glass boxes; London shows
Bellamy, Richard
Bengston, Billy Al; Bachardy portrait of; chevron stripes series; LACMA retrospective; Valentine and Dracula motifs
Benjamin, Karl
Bereal, Ed
Berlant, Tony
Berman, Shirley Morand
Berman, Tosh
Berman, Wallace;
Semina
;
Temple
Bertoia, Harry
Biberman, Ed
Biller, Les
Bing, Anna
Bing, Léon
Bing, Leo S.
Bishop, Katherine
Blackwell, Patrick;
Royal Road Test
Blair, Streeter
Blake, Peter:
Sgt. Pepper
album cover
Blankfort, Dorothy and Michael
Block, Sherman
Blood of a Poet
(film)
Bloomingdale, Betsy
Blum, Irving; Common Objects and; Ferus and; Irving Blum Gallery opened by; marries Shirley Hopps
Blum, Jason Ferus
Bolles Gallery (Palo Alto)
Boshier, Derek
Boy with Green Hair, The
(film)
Brach, Paul
Breton, André
Brice, William
Bright, David
Brittin, Charles
Broad, Eli
Brockman Gallery
Brogan, Jack
Brown, Edmund “Pat”
Brown, Richard Fargo
Browner, Juliet
Bruce, Lenny
Buffalo Springfield
Butler, Eugenia
Butterfield, Jan
Butterfield, Paul
Byrds
Byrnes, James
Caesar, Sid
Cage, John
California College of Arts and Crafts
California Institute of Technology
California Institute of the Arts (CalArts,
formerly
Chouinard); Feminist Art Program; The Last Plastics Show
California Painting and Sculpture Awards
California Women in the Arts
Cameron, Marjorie:
Temple
Card, Greg
Caron, Leslie
Carter, Edward W.
Case Study House Program
Castelli, Leo
Cavafy, C. P.
Cedars-Sinai Medical Center
Ceeje Gallery
Celmins, Vija;
Time Magazine Cover
censorship
ceramics
Chamberlain, John
Chamberlain, Wynn
Chandler, Dorothy Buffum
Chandler, Norman
Chandler, Otis
Chicago, Judy Cohn (
formerly
Gerowitz);
Car Hood
;
Dry Ice Environment
;
Rainbow Pickett
;
10 Part Cylinders
Chouinard, Nelbert Murphy
Chouinard Art Institute; renamed California Institute of the Arts
Chrismas, Douglas
Cinquième Biennale de Paris
City of Night
(Rechy)
Clark, Gene
Clark, Ossie
Clarke, Michael
Clarkson, Lana
Claxton, William; Ferus yacht
Clean Slate
(Mucha)
Clert, Iris (Paris)
Clift, Montgomery
Cocteau, Jean;
Blood of a Poet
Cohen, Mickey
Cohn, Harry, Jr.
Collins, Jess
color-field art
combines
Common Objects (PAM New Painting of Common Objects)
Conceptual art
“Conformity in the Arts” (Longman)
Conner, Bruce
Contemporary Bazaar
Cooder, Ry
“Cool School, The” (Leider)
Cooper, Paul
Cooper, Ron
Coplans, John
Copley, William
Corcoran, Dagny Janss
Corcoran Gallery
Corman, Roger
Cornell, Joseph
Cornwall-Jones, Paul
Coronet Theatre Cinema
Corse, Mary
Cotten, Joseph
Cowles, Charles
Crosby, David
Cubism
Cunningham, Merce
Curtis, Jamie Lee
Curtis, Tony
Dadaism
Danieli, Fidel
Danziger, Lou and Dorothy; Studio by Gehry
Darrin, Howard “Dutch”
Daughters of Bilitis (DOB)
Davie, Alan
Davis, Alonzo
Davis, Dale
Davis, Ron; Gehry house for
Davis, Sammy, Jr.
Davis, Susan
Dean, James
DeFeo, Jay;
The Death Rose
de Kooning, Willem
DeLap, Tony
De Maria, Walter
Demetrion, James
Dern, Bruce
Des Barres, Pamela
Dickson, Jim
Didion, Joan
Diebenkorn, Richard
Dilexi Gallery; San Francisco
Dill, Laddie John
Dine, Jim
Disney, Walt
di Suvero, Mark
Dixon, Dane
Documenta 4 (Germany)
Donahue, Troy
Donoghue, Mary Agnes
Donohue, Kenneth
Doors
Dorment, Richard
Dorn, Warren
Dowd, Robert
drugs
Dubuffet, Jean
Duchamp, Alexina “Teeny”
Duchamp, Marcel;
The Bride Stripped Bare by Her Bachelors, Even
; chess poster;
Fountain
;
Green Box
; Hotel Green “Signed Sign”;
Large Glass
;
L.H.O.O.Q.
(
Mona Lisa
);
Network of Stoppages
;
Nude Descending a Staircase
; PAM retrospective;
Tu M'
Dunne, John Gregory
Duveen, Lord Joseph
Dwan, Candace
Dwan, June
Dwan, Virginia; Collection of, at UCLA; L.A. gallery closed; moves to New York; My Country Tis of Thee; New York gallery
Dylan, Bob
Dzubas, Friedel
Easy Rider
(film)
Edge, Don
Edwards, Melvin
Ellin, Everett
Elliot, James
Elliot, Mama Cass
Ãluard, Paul
Engelberg, Freddy
Entenza, John
Ernst, Max
Ertegun, Nesuhi
Esquire
Eucalyptus School
Evans, Rex
Eversley, Fred
Eve's Hollywood
(Babitz)
Experiments in Art and Technology
Factor, Betty
Factor, Donald
Factor, Lynn
Factor, Monte
Falkenstein, Claire
Faure, Patricia
Feitelson, Lorser
Feitelson on Art
(TV show)
Felsen, Rosamund Faibish
Felsen, Sidney
Felsen, Suzanne
feminism
Ferus Gallery; Altoon and; artists' camaraderie; Baldessari and; Bell and; Bengston and; Berman and; Blum as partner in; Blum takes over; closed; collectors and; Cool School and; Dwan and; Hopper photos and; Hopps and Kienholz found; Johns and; Kauffman and; Kienholz
Roxy's
show; Kienholz leaves; LACMA exhibit celebrates; London and; Mason and; Moses and; Moss share in; New York artists and; Objects on the New Landscape; Price and; Ruscha and; San Francisco artists and; Schwitters and; Shirley Hopps and; Stella and; Studs show; Warhol and; women artists and
Ferus/Pace Gallery
“finish fetish”