River of Shadows: A Commissario Soneri Mystery (Commissario Soneri 1) (22 page)

After he had left, Soneri said: “An unexpected visitor.”

Barigazzi said nothing, but got to his feet and took the bottle away. He came back for the glasses.

“The split in the Left has been resolved, then?” the commissario said.

The old man shrugged and tried to make light of the issue. “He drops in every so often. He’s required to inform us about what he’s doing at the jetty. That’s what the regulations say. And then he pays a fee for the boat.”

The commissario got up. It seemed to him pointless to go on. It was enough for him that evidently Melegari had come to speak to Barigazzi, perhaps about matters which concerned the Tonna brothers. He felt his distrust of him increasing, and this told him that he was getting close to something important.

He gave a curt nod to Barigazzi and went out, walking
along the pebbly track which led to the jetty, where half of the boats had been left. On a large
magano
he saw Melegari testing the current with an oar. Melegari saw Soneri too, but pretended not to.

He crossed the river at Torricella, then turned on to the wrong road, but made it to Gussola by lunchtime. There was no great difference between the two banks of the river: the same low houses in rows, the same churches with that distinctive, blood-red Baroque typical of the Po valley. Juvara interrupted Soneri’s contemplation of a kind of cathedral with
salame-
coloured bricks, on which almost half a century of humidity had left its deposits. “There’s no Kite in our part of the valley,” he said. “There are two of them, and they both fought on the Apennines along the Gothic line.”

Soneri thought this over for a few minutes. “Cast your net wider. Check with the Resistance archives in Mantua, Cremona and Reggio. He must have been somewhere, this Kite.”

“Do you want me to look on the internet?”

“Look anywhere you like. Maybe the killer will pop up on your screen.”

It was not Juvara’s idleness which annoyed him as much as the intrusion of these new-fangled investigative techniques. He detected some vague threat in them, even though he knew perfectly well that it was the fear of feeling redundant which really upset him. At his age, this had become a matter of some delicacy.

He found a seat at a very ordinary restaurant, which did however promise a
stracotto d’asinina
with genuine credentials. The television was talking about what journalists were now calling “the murder on the Po”. A roomful of lorry drivers,
office workers and shopkeepers had stopped eating and were glued to the screen, but Soneri was beginning to feel some unease at not being where logic dictated he should be. He saw the questore behind a microphone, with four officers in yellow jackets marked “Polizia” – worn especially for the cameras – and a group of journalists with their notebooks, and there he was in a country
trattoria
which had nothing to do with the investigation, along the misty banks of the Po, searching for a phantom village which had long since been swallowed up by the waters. Once again, he was overwhelmed by a feeling of insecurity arising from his invariable role as an outsider, but he comforted himself with the thought that perhaps that was why he was able to see things from the correct angle.

The riverbank was now one long beach littered with the flotsam and jetsam of the flood. He approached, hoping to see if the first stone or the first wall of the sunken village might be emerging. Perhaps it was too early. Barigazzi had said that it would take another couple of days’ freeze to bring the waters right down. He walked along the stretch of sand where he saw trails of old footsteps and the tracks of dogs which had been sniffing out the faint scents left by the encroaching water.

His intuition suggested to him that there was an uneven section of riverbed at the point where the ruins of San Quirico ought to be. There the surface of the water broke up into eddies and curled and twisted like a lazy reptile. He stood a few moments peering into the deeper solitude until it occurred to him that if he really wanted to give some sense to his wanderings, he should make his way inland and go from house to house making inquiries, risking the wrath of guard dogs.

New San Quirico, a soulless place without a centre, thrown up haphazardly across a defunct road, was far worse than anything he could have imagined. He would have sooner owned
an underwater house than one of those anonymous villas prematurely aged by the mists. He wandered for a few minutes among shut-up houses, past huts with rusty steel roofs containing only odds and ends no longer useful in city dwellings. The village appeared to be deserted, but at least half a dozen dogs barked somewhere in the mist, though there was no way of knowing where exactly they were. For ten minutes he did not come across a single trace of another human being, but then he noticed a low house with a woodshed under the balcony and a garden covered with sheets of plastic as protection against the frost. Outside it, half-concealed by a glass-fronted veranda framed by gilt aluminium, an old man sat on a wooden bench looking out on to the roadway. He was wearing a heavy overcoat and leaned both hands on a walking stick. He had plainly been there for some time, but it was not clear what he was looking at, unless it was the mist itself as it deposited a sprinkling of ice particles.

Soneri got out of his car and gestured to him, but the old man made no move. He rang the bell, causing the man to turn towards the door to see if anyone in the house had heard. A small dog, which must have been sleeping behind the house, came scampering towards the commissario, growling. He waited until a light was switched on inside. The old man remained motionless, as though under a glass case in a museum. The front door opened and an old woman came out. She exchanged some words with the man. The man gave a start and rose to his feet. The veranda window opened and the commissario introduced himself.

“My husband doesn’t see too well,” the woman said. “He’s got cataracts.”

The dry heat of the wood fire greeted him and the old man’s eyes began to follow him, picking up his voice and tracking his passage across the veranda.

“I’m looking for someone who once lived in San Quirico on the Po,” the commissario began.

The man nodded and his wife explained that he had been the miller.

“When did you come here?”

“Immediately after the war, when the reclamation schemes got under way.”

“The Fascists had excluded you from their reconstruction programmes …”

“They knew things were bad for us and left us up to our arses in the water.”

“Were you sorry to come here?”

“No, here you can live like a human being.” It was the wife who spoke.

“You can’t see the Po,” the man said with heart-felt regret.

Soneri guessed that, in his lonely afternoons on that veranda, the cataracts and the mist forced him to imagine the banks of the river, the flat lands, the inlets and even the fish.

“Were they all communists in San Quirico?”

“For the most part,” the man said, as his pupils stopped roaming and he cast his clouded gaze towards the floor.

A silence fell over the kitchen, now in half-light, the best conditions for cataract sufferers. The commissario felt embarrassed. He was not making a favourable impression, asking for information from two elderly people who had little inclination to dwell on a grim past. The woman came to his rescue. Breaking the silence in which the two men sat facing each other, she said: “We paid a heavy price for that.”

The Fascists. She could not be talking of anything else.

“What did they do to you?”

“Reprisals, round-ups. Fortunately we could always hear them coming from a long way off and we were able to make our escape along the Po. Sometimes they burned down houses,
although there was not much to burn. They even set fire to my home, but we managed to get there just in time. There being no shortage of water.”

“Were there any partisans among you?”

“Yes, but they stayed away so as not to get their families involved. All that were left were women, old folk and children.”

The man made an effort to focus on the commissario, but his eyes were too weak and stared up towards the ceiling, having been misled by the shadows.

“So there were not many people killed, is that so?” Soneri said cautiously, thinking of what San Quirico must have been like, a mass of grey stone suspended over the water, at the mercy of the currents.

“Life’s hardships took many more,” the woman said.

There followed another silence which seemed all the more profound in that house with its dimmed lights, oppressed by a cellar-like darkness. Just as it was becoming embarrassing and Soneri was about to take their unwillingness to speak as a sign that it was time for him to leave, the man said: “The worst thing was when they burned the Ghinelli house, and the women …” The sentence was moving to its climax, but he stopped. His wife made a gesture expressing her displeasure, turned her face away, overcome by the horror brought on by the recollections.

“Was he a partisan?” Soneri said.

“He was killed near Parma. In ’44, I think.”

“And the women?”

The old couple looked at each other, and something like a reproach came into the woman’s eyes. Memories from a far-distant time, long buried and now being hauled out, must have been bitter.

“They … I don’t know how to say it. They used them,” the
man said. “There were so many of them. One of the women couldn’t bear the shame and threw herself in the Po near the whirlpools. The rest of them disappeared and were never seen again.”

“What was left for them there?” the old woman wondered. “Their house had been pulled down, and the little they had was destroyed.”

“What about the brother in the partisans?”

“A brave man who was afraid of nothing. Always in the thick of things, whatever the danger. But nothing more was heard of the Ghinelli family after the war.”

“Was there anyone in the partisans from San Quirico who was called ‘the Kite’?”

The old man looked up, trying to locate Soneri’s face, but he turned the wrong way and ended up peering at the lamp, whose light forced him to look down. Instead, palms upwards, he stretched out hands as calloused as hard clay. “There were so many names. The Resistance fighters …the partisans in that formation, what was it called, the Gruppo di Azione Patriottica, kept changing names all the time.”

They heard the sound of a car drawing up outside. It seemed extraordinary that anyone would willingly come back so late to such a place, but a middle-aged, rather stocky man smelling of iron and oil made his entrance. “My son,” the woman said.

The commissario looked closely at him and formed a picture of a deeper solitude yet: two old people with an unmarried son destined to remain on his own and to grow old in a place like this. No-one had invested anything in the future of San Quirico.

As he was taking his leave, all three came out on to the veranda with its glass front and gilt aluminium frame, and from behind the glass the old man gazed at things that were not there. From the window of his car, Soneri kept his eyes on
them, still together, until the mist swallowed them up.

The darkness fell quickly as he tried to find his way back on to the main road. After a while, he fell in behind a lorry and resolved to return to the police station. When he entered the office, Juvara looked up in surprise. “Did you turn off your mobile to avoid the journalists?”

Soneri took out his telephone and saw it had no battery left. He must have switched it on by mistake. “Have you been trying for long?”

“Three hours,” Juvara said timidly.

The commissario would have apologized but could not find the words.

“I wanted to reach you to let you know,” the ispettore said, “that I’ve found out who the Kite was.”

“Where?”

“In the Resistance archive in Mantua. He was from Viadana and a member of the Garibaldi Brigade.”

“What was his real name?”

“Libero Gorni. Born 1924, died aged twenty.”

“Where?”

Juvara consulted his notebook, running an eye down the page. “Captured during a skirmish on the banks of the Po, province of Parma, near Torricella,” he said, reading word for word the note he had copied out exactly as he had found it. “He was shot at Sissa four days later, in spite of an attempt to save him by a prisoner exchange.”

“Nothing else?”

“In the original exchange of fire, two partisans fell: Ivan Varoli and Spartaco Ghinelli.”

“Get back on to the archive and see if these two or any other members of the partisan group had relatives among the combatants. Ask if they are known to be still alive and if so, where they can be found.”

Seated in front of the commissario’s desk, his great belly wedged between the arms of the chair, the ispettore favoured his superior with a puzzled glance. “You don’t really think,” he stuttered. “It’s more than sixty years ago …”

Soneri made no reply. He was not sure himself about what he had just told Juvara he wanted done.

“It’s because of the note. The one that referred to this Kite. It has to mean something.”

The moment Soneri was left on his own, the telephone rang. He lifted the receiver impatiently and heard the voice of the questore. The attention lavished on him by the television crews had obviously acted on him like amphetamines. His ego had swelled, as was clear from the waves of rounded rhetorical frills, each as neatly finished as an embroidered quilt. There were even grand words of praise for Soneri, more for having left the stage to him alone than for his having had the intuition to conduct an investigation along the banks of the Po in the first place.

When he put the telephone down Soneri should have been pleased, but instead he was nagged by a sense of unease. No-one was more aware than he that the conclusion was not yet within sight. He lit a cigar and tried to calm himself, but at that moment the strains of “Aida” rang out. He sat indecisively for a moment, the mobile in his hand, until the noise irritated him so much that he decided to press the button.

“Commissario, I’m ready to collect payment of your debt.”

“Angela, could we not just spend the evening in town? I’ll take you to dinner.”