Running Blind (53 page)

"But he wouldn't leave it too late," Harper said. "He's got a target, he'd want to hit it before anything unraveled, right?"

"I agree," Reacher said again.

"So it's the third or the fourth."

Reacher nodded. Said nothing.

"But which one?" Harper asked. "What's the key?"

"Everything," Reacher said. "Same as it always was. The clues. The geography, the paint, the lack of violence."

Lunch was a cold wrinkled apple and a square of Swiss cheese, which was about all her refrigerator had to offer. She served it to herself on a plate, to preserve some semblance of order. Then she washed the plate and put it back in the cupboard and walked through the hallway and unlocked the front door. Stood in the cold for a second and walked down her path to the driveway. The police car was still parked right across the opening. The cop saw her coming and buzzed his passenger window down.

"I came to apologize," she said. She kept it as sweet as she could. "I shouldn't have said what I said. It's just getting to me a little, is all. Of course you should come in, anytime you need to."

The guy was staring at her, half puzzled, like he was thinking 'women' to himself. She kept her smile going and lifted her eyebrows and tilted her head like she was reinforcing her invitation.

"Well, I'll come in right now," the guy said. "If you're sure it's OK."

She nodded and waited for him to get out. She noticed he left the passenger window down. The car would be cold when he got back. She led him back up the path. He was hurrying behind her. Poor guy must be desperate, she thought.

"You know where it is," she said.

She waited in the hallway. He came back out of the powder room with a relieved expression on his face. She held the front door for him.

"Anytime," she said. "Just ring the bell."

"OK, ma'am," he said. "If you're sure."

"I'm sure," she said. "I appreciate what you're doing for me."

"What we're here for," the guy said, proud and shy.

She watched him all the way back to the car. Locked the door again and stepped into the parlor. Stood and looked at the piano and decided to give it another forty-five minutes. Maybe an hour.

That's better. And the timing might be about right. You can't be sure. You're an expert in a lot of things, but you're not a urologist. You watch him on the way back to the car, and you figure he's too young to be into prostate trouble, so all that's going to count is the fullness of his bladder balanced against his natural reluctance to bother her again. Two-thirty now, he's bound to want to go at least twice more before eight. Probably once before and once after she's dead.

The cloud cleared over North Dakota. The ground was visible seven miles below them. The copilot wandered back into the cabin and pointed down to where he was born. A little town south of Bismarck. The Missouri River ran through it, a tiny silver thread. Then the guy wandered back again and left Reacher puzzling over navigation. He knew nothing about it. Virginia to Oregon, he'd have flown across Kentucky, Illinois, Iowa, Nebraska, Wyoming, Idaho. He wouldn't have gone up to North Dakota. But something called great circle routes made it shorter to go way out of your way. He knew that. But he didn't understand it. How could it be quicker to go way out of your way?

"Lorraine Stanley stole the paint," Harper said. "The lack of violence proves the guy is faking it. But what does the geography prove?"

"We talked about that," Reacher said.

"It demonstrates scope."

He nodded. "And speed."

She nodded in turn.

"And mobility," he added. "Don't forget mobility."

In the end, she played for an hour and a half. The cop stayed away and she relaxed and her touch improved, better than it had ever been. Her mind locked onto the notes and she brought the speed higher and higher, right to the point where the forward motion got a little ragged. Then she backed it off and settled at a point just a little slower than the tempo was marked. But what the hell, it sounded magnificent. Maybe even better than it would played at exactly the right speed. It was involving, logical, stately. She was pleased with it.

She pushed back on the stool and knitted her fingers and flexed them above her head. Then she closed the keyboard lid and stood up. Stepped out to the hallway and skipped up the stairs to her bathroom. Stood at the mirror and brushed her hair. Then she went back down to the coat closet and took out her jacket. It was short enough to be comfortable in the car and warm enough for the weather. She changed her shoes for her heavier pair. Unlocked the door to the basement stairs and went down. Unlocked the door to the garage and used the key-chain remote to open her car. The light came on inside. She switched the power on for the opener and slid into the car and started the engine while the garage door rumbled upward.

She backed onto the driveway and hit the button to close the door again. Twisted in her seat and saw the police cruiser parked in her way. She left the motor running and got out and walked down toward it. The cop was watching her. He buzzed the window open.

"I'm going to the store," she said.

The guy looked at her for a second, like this was outside the range of permissible scenarios.

"How long you going to be gone?" he asked.

She shrugged.

"Half hour, an hour," she said.

"The store?" he said.

She nodded. "I need some things."

He stared some more, and arrived at a decision.

"OK, but I wait here," he said. "We're watching the house, not you personally. Domicile-based crimes, that's what we do."

She nodded again. "That's fine. Nobody's going to grab me at the store."

The cop nodded back. Said nothing. He started his engine and backed up the slope far enough that she could maneuver out past him. He watched her roll away down the hill, and then he eased back into position.

You see the garage door open, you see the car come out, you see the door close again. You see her stop on her driveway, and you see her get out. You watch the conversation through the Crown Vic's window. You see the cop back up, you see her reverse out onto the roadway. The cop moves back into position, she takes off down the hill. You smile to yourself and ease backward under the cover of the rocks. You stand up. You go to work.

She made the left at the bottom of her hill, and then the right onto the through road toward the city of Portland. It was cold. Another week of falling temperatures, and it would be snowing. Then her choice of automobile would start to look a little silly. Everybody else had big four-wheel-drives, either jeeps or pickup trucks. She had gone for a swoopy low-slung sedan, about four times longer than it was high. Gold paint, chrome wheels, butter-soft tan leather inside. It looked like a million dollars, but it was front-wheel-drive only, no traction control. Ground clearance was enough for a decent-sized snowball and not much more. The rest of the winter, she'd be walking or begging rides from her neighbors.

But it was smooth and quiet and it rode like a dream. She drove the two miles west and slowed for the left into the shopping center. Waited for an oncoming truck to labor past and swooped into the lot. Turned tight and drove around behind the right-hand arm of stores and parked up alone in the overspill lane. Pulled the key and dropped it in her bag. Got out and walked through the cold toward the supermarket.

It was warmer inside. She took a cart and walked every aisle, using time. There was no system in her shopping. She just looked at everything and took what she figured she was out of. Which was not very much, because the market didn't sell the things she was really interested in. No music books, no garden plants. She ended up with little enough in the cart to get her into the express line at the checkout.

The girl put it all into one paper sack and she paid cash for it and walked out with the sack cradled in her arms. Turned right on the narrow sidewalk and window-shopped her way along the row. Her breath hung in the air. She stopped outside the hardware store. It was an old-fashioned place. It carried a little bit of everything. She had shopped there before, for sacks of bonemeal and ericaceous fertilizer to help her azaleas.

She juggled the grocery sack into one arm and pulled the door. A bell rang. There was an old guy in a brown coat at the register. He nodded a greeting. She moved forward into the crowded aisles. Walked past the tools and the nails and found the decorating section. There were rolls of cheap wallpaper and packets of paste. Paintbrushes and paint rollers. And cans of paint. A display as tall as she was. Color charts were held in racks clipped to the shelves. She put her groceries on the floor and took a chart from a rack and opened it up. It was banded into colors like a huge rainbow. A big variety of shades.

"Help you, miss?" a voice said.

It was the old guy. He'd crept up behind her, helpful and anxious for a sale.

"Does this stuff mix with water?" she asked.

The old guy nodded.

"They call it latex," he said. "But that just means water-based. You can thin it with water, clean the roller with water."

"I want a dark green," she said.

She pointed at the chart.

"Maybe like this olive," she said.

"The avocado is attractive," the old guy said.

"Too light," she said.

"You going to thin it with water?" he asked.

She nodded. "I guess."

"That'll make it lighter still."

"I think I'll take the olive," she said. "I want it to look kind of military."

"OK," the old guy said. "How much?"

"One can," she said. "A gallon."

"Won't go far," he said. "Although if you thin it, that'll help."

He carried it back to the register for her and rang up the sale. She paid cash and he put it in a bag with a free wooden stirring stick. The store's name was printed off-center on the stick.

"Thank you," she said.

She carried the grocery sack in one hand and the hardware bag in the other. Walked along the row of stores. It was cold. She looked up and checked the sky. It was blackening with clouds. They were scurrying in from the west. She looped around behind the last store. Hurried to her car. Dumped her bags on the back seat and climbed in and slammed her door and started the engine.

The cop was cold, which kept his attention focused. Summertime, sitting and doing nothing could make him sleepy, but there was no chance of that with the temperature as low as it was now. So he saw the approaching figure when it was still about a hundred yards away down the hill. The crest of the slope meant he saw the head first, then the shoulders, then the chest. The figure was walking purposefully toward him, rising up over the foreshortened horizon, revealing more and more of itself, getting bigger. The head was gray, thick hair neatly trimmed and brushed. The shoulders were dressed in Army uniform. Eagles on the shoulder boards, eagles through the lapels, a colonel. A clerical collar where the shirt and tie should be. A padre. A military chaplain, approaching fast up the sidewalk. His face bobbed up and down with every stride. The white band of the collar moved below it. The guy was walking quickly. Practically marching.

He stopped suddenly a yard from the cop's right headlight. Just stood on the sidewalk with his neck craned, looking up at Scimeca's house. The cop buzzed the passenger window down. He didn't know what to say. Some local citizen, he'd call, Sir, step this way, with enough tone in there to cancel out the sir. But this was a padre and a bird colonel. Practically a gentleman.

"Excuse me?" he called.

The colonel looked around and stepped the length of the fender. Bent down. He was tall. He put one hand on the Crown Vic's roof and the other on the door. Ducked his head and looked straight in through the open window.

"Officer," he said.

"Help you?" the cop asked.

"I'm here to visit with the lady of the house," the padre said.

"She's not home, temporarily," the cop said. "And we've got a situation here."

"A situation?"

"She's under guard. Can't tell you why. But I'm going to have to ask you to step inside the car and show me some ID."

The colonel hesitated for a second, like he was confused. Then he straightened up and opened the passenger door. Folded himself into the seat and put his hand inside his jacket. Came out with a wallet. Flipped it open and pulled a worn military ID. Passed it across to the cop. The cop read it over and checked the photograph against the face next to him. Handed it back and nodded.