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Authors: Michael Ondaatje

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Riding back on August 13, 1947, they heard the wild thunder and she knew someone was going to die. Death, however, not to
be read out there. She gazed and listened but there seemed to be no victim or parabola end beyond her. It rained hard during the last mile to the house and they went indoors to drink for the rest of the evening. The next day the rains continued and she refused Vere’s offer of a ride knowing there would be death soon. “Cannot wreck this perfect body, Vere. The police will spend hours searching for my breast thinking it was lost in the crash.” So they played two-handed Ajoutha and drank. But now she could not sleep at all, and they talked as they never had about husbands, lovers, his various possible marriages. She did not mention her readings of the thunder to Vere, who was now almost comatose on the bluebird print sofa. But she could not keep her eyes closed like him and at 5
A.M.
on August 15, 1947, she wanted fresh air, needed to walk, a walk to Moon Plains, no motorcycle, no danger, and she stepped out towards the still dark night of almost dawn and straight into the floods.

For two days and nights they had been oblivious to the amount of destruction outside their home. The whole country was mauled by the rains that year. Ratmalana, Bentota, Chilaw, Anuradhapura, were all under water. The forty-foot-high Peradeniya Bridge had been swept away. In Nuwara Eliya, Galways’s Land Bird Sanctuary and the Golf Course were ten feet under water. Snakes and fish from the lake swam into the windows of the Golf Club, into the bar, and around the indoor badminton court. Fish were found captured in the badminton nets when the flood receded a week later. Lalla took one step off the front porch and was immediately hauled away by an arm of water, her handbag bursting open. 208 cards moved ahead of her like a disturbed nest as she was thrown downhill still comfortable and drunk, snagged for a few moments on the railings of the Good Shepherd Convent and then lifted away towards the town of Nuwara Eliya.

It was her last perfect journey. The new river in the street moved her right across the race course and park towards the bus station. As the light came up slowly she was being swirled fast, “floating” (as ever confident of surviving this too) alongside branches and leaves, the dawn starting to hit flamboyant trees as she slipped past them like a dark log, shoes lost, false breast lost. She was free as a fish, travelling faster than she had in years, fast as Vere’s motorcycle, only now there was this
roar
around her. She overtook Jesus lizards that swam and ran in bursts over the water, she was surrounded by tired half-drowned fly-catchers screaming
tack tack tack tack
, frogmouths, nightjars forced to keep awake, brain-fever birds and their irritating ascending scales, snake eagles, scimitar-babblers, they rode the air around Lalla wishing to perch on her unable to alight on anything except what was moving.

What was moving was rushing flood. In the park she floated over the intricate fir tree hedges of the maze—which would always continue to terrify her grandchildren—its secret spread out naked as a skeleton for her. The symmetrical flower beds also began to receive the day’s light and Lalla gazed down at them with wonder, moving as lazily as that long dark scarf which trailed off her neck brushing the branches and never catching. She would always wear silk, as she showed us, her grandchildren, would pull the scarf like a fluid through the ring removed from her finger, pulled sleepily through, as she moved now, awake to the new angle of her favourite trees, the Syzygium, the Araucaria Pine, over the now unnecessary iron gates of the park, and through the town of Nuwara Eliya itself and its shops and stalls where she had haggled for guavas, now six feet under water, windows smashed in by the weight of all this collected rain.

Drifting slower she tried to hold onto things. A bicycle hit her across the knees. She saw the dead body of a human. She began
to see the drowned dogs of the town. Cattle. She saw men on roofs fighting with each other, looting, almost surprised by the quick dawn in the mountains revealing them, not even watching her magic ride, the alcohol still in her—serene and relaxed.

Below the main street of Nuwara Eliya the land drops suddenly and Lalla fell into deeper waters, past the houses of “Cranleigh” and “Ferncliff.” They were homes she knew well, where she had played and argued over cards. The water here was rougher and she went under for longer and longer moments coming up with a gasp and then pulled down like bait, pulled under by something not comfortable any more, and then there was the great blue ahead of her, like a sheaf of blue wheat, like a large eye that peered towards her, and she hit it and was dead.

THE PRODIGAL

HARBOUR

I arrived in a plane but love the harbour. Dusk. And the turning on of electricity in ships, portholes of moon, the blue glide of a tug, the harbour road and its ship chandlers, soap makers, ice on bicycles, the hidden anonymous barber shops behind the pink dirt walls of Reclamation Street.

One frail memory dragged up out of the past—going to the harbour to say goodbye to a sister or mother, dusk. For years I loved the song, “Harbour lights,” and later in my teens danced disgracefully with girls, humming “Sea of Heartbreak.”

There is nothing wise about a harbour, but it is real life. It is as sincere as a Singapore cassette. Infinite waters cohabit with flotsam on this side of the breakwater and the luxury liners and Maldive fishing vessels steam out to erase calm sea. Who was I saying goodbye to? Automatically as I travel on the tug with my brother-in-law, a pilot in the harbour, I sing “the lights in the
harbour don’t shine for me …” but I love it here, skimming out into the night anonymous among the lazy commerce, my nieces dancing on the breakwater as they wait, the lovely swallowing of thick night air as it carves around my brain, blunt, cleaning itself with nothing but this anonymity, with the magic words.
Harbour. Lost ship. Chandler. Estuary
.

MONSOON NOTEBOOK (ii)

The bars across the windows did not always work. When bats would invade the house at dusk, the beautiful long-haired girls would rush to the corner of rooms and hide their heads under dresses. The bats suddenly drifting like dark squadrons through the house—for never more than two minutes—arcing into the halls over the uncleared dining room table and out along the verandah where the parents would be sitting trying to capture the cricket scores on the BBC with a shortwave radio.

BOOK: Running in the Family
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