Authors: Elly Griffiths
It is a body, he is sure. He hears how heavily it falls and he knows, without any doubt, that the body will be dead when it hits the water. For a moment, he feels nothing. His entire body, his entire self, is numb. Even as he swims towards the dark shape in the water, he knows that it is all over. He knows that she is dead.
*
Max has been desperately following in the electric boat. He
sees Nelson reach the
Lady Annabelle
and try to get a handhold on her side. Max swings the smaller boat round, attempting to get alongside. Next to him, Cathbad is silent for once. He had shouted âHarry!' when Nelson went overboard. Once, Max had thought that Cathbad loved Ruth. Now he isn't so sure.
The
Lady Annabelle
is still coming towards them and Max has to act quickly to save his boat from being rammed. He can see Nelson bobbing in the water and then he hears a splintering crash and sees a body falling.
âOh no,' Cathbad whispers.
âHold tight,' says Max. He swings the electric boat round almost at a right angle and somehow he is beside Nelson, who is supporting the body in a lifeguard's hold, barely keeping his head above water.
âHang on, Nelson,' Max shouts, âI'm here.'
With Cathbad's help, he hauls the body into the boat. It is frighteningly heavy; a dead weight. Then Cathbad helps Nelson in; he is shivering and crying, he seems to have completely taken leave of his senses.
Max is bending over the body. He looks up and suddenly the mist clears, revealing a full moon like a baleful eye.
âIt's not her,' he says gently.
It is June the twenty-first, the longest day. In the evening Max is holding a party at the Roman site to celebrate both the summer solstice and the end of the dig. Cathbad will be there, complete with dowsing rod, mistletoe crown and oak staff. Ruth is also invited, along with most of the staff from the archaeology department. But Nelson, though invited, is instead on his way to Sussex to visit Father Patrick Hennessey.
He is not quite sure why. Over the phone, he told Hennessey that he wanted to âclear up some loose ends' but, in truth, all the loose ends in the case of Bernadette McKinley have been well and truly laid to rest. Two weeks ago, Father Hennessey himself conducted the funeral service for the little girl who died over fifty years ago, at the hands of her father.
Bernadette's mother was not at the funeral. When Judy turned up at the convent, on the morning after her interview with Sister Immaculata, she was told that the nun had died in the night. âDid she see a priest?' Father Hennessey asked urgently when he was told. Yes, Judy said, Father Connor was with her at the end and administered the last rites. Judy knows, and Nelson knows too, the importance of
this. Sister Immaculata may have confessed to Judy but this is not the confession that would matter most.
Although neither parent could be present, the little dusty church was not quite empty for the short ceremony. Nelson was there, as were Clough and the newly promoted Detective Sergeant Judy Johnson. Ruth, Max and Cathbad also attended, the latter dressed quite conservatively in a black shirt and jeans. Irish Ted and Trace were also there, Trace wiping her eyes on the sleeve of her lacy purple top.
Edward and Marion Spens sat in the front row, staring straight in front of them. âAfter all,' said Edward afterwards, rather unsteadily, to Nelson, âshe was my half-sister. It just seems unbelievable that â¦' His voice trailed off. Nelson sympathised with the unspoken words. Almost unbelievable that Edward's father turned out to be a murderer who killed a child while in his teens and attempted murder again as a seventy-year-old? Almost unbelievable that the crime lay buried for over half a century, while the killer's son planned to dig up the land for profit? Almost unbelievable that, on the same site, a children's home would provide a refuge for hundreds of children and yet two would run away, one dying soon afterwards? All of it is unbelievable, yet all of it is only too true. Nelson grasped Edward Spens' hand briefly then walked away through the tombstones. There was nothing else left to say.
At the church gate he stopped and spoke to Trace, who was still mopping her eyes.
âI've just been speaking to your uncle.'
She looked up at him. âHow did you know?'
âIt wasn't difficult,' said Nelson though, in truth, the connection
escaped him for a long time, even after he saw the names on Judy's family tree. Charlotte Spens, children Tracy and Luke. Though, of course, Trace's surname isn't Spens, which made it less obvious. Still, her presence explained why Sir Roderick was able to know so much about what went on both at the Swaffham dig and at Woolmarket Road.
Trace looked shell shocked, much as her uncle had done. âI can't believe that Grandad ⦠Mum quarrelled with Uncle Edward, you see, so we didn't really see the rest of the family. But I'd always liked Grandad. He always seemed such a sweet old thing. We used to talk about history, about the Romans. It was something we had in common.'
âLet's hope it's the only thing,' said Nelson soberly, turning away to talk to Ruth.
Ruth had looked pale and tired but otherwise in good enough health. Her pregnancy was now obvious, even in the unflatteringly baggy black suit.
âAre you OK?' he asked.
âFine,' she smiled rather shakily. âI'm glad we had this funeral. It feels right.'
âYes,' Nelson agreed, âit feels right.'
He was about to say more when Clough bore down on them, suggesting a visit to a nearby pub. âIt's the proper thing to do after a funeral. Ask any Irishman.' In the background, Irish Ted was nodding vigorously.
âI'd better get back to work,' said Ruth. âGoodbye, Nelson.'
And she had leaned over and kissed him on the cheek. It was their first physical contact since their child had been conceived.
When the police boarded the
Lady Annabelle
that night in
early June, they had found Ruth sitting huddled on the deck, holding the gun. âI killed him,' she kept saying, âI killed him.' Nelson, had he been there, would have told her to keep this thought to herself. But Nelson was, at the time, sitting in an ambulance wrapped in a silver foil blanket and babbling about his daughters. The reinforcements, two police cars and an ambulance, had arrived almost as soon as Max pulled Sir Roderick's dead body out of the water. The
Lady Annabelle
had drifted harmlessly onto the river bank. The policemen, local boys, boarded the boat easily, leaving their squad car parked in the reeds, its lights flashing eerily in the mist.
Ruth was convinced that she had killed Sir Roderick Spens. After all, didn't she pull the trigger and see him fall, arms flailing helplessly, through the wooden railing of the boat? But the post-mortem (performed by an indecently cheery Chris Stevenson) showed that there were no bullet wounds on Sir Roderick's body. Cause of death was a blow to the head, probably sustained when he fell. The bullet was later found, wedged into one of the
Lady Annabelle
's bench seats. Ruth was relieved but the verdict does not alter her fundamental belief that she was the cause of the old man's death. She had wanted to kill him. Isn't intent to kill the same as murder?
This is something that Nelson could discuss with Father Patrick Hennessey. He knows, as he joins the traffic edging over the Dartford Bridge, that his visit is about more than police business. The Woolmarket Street case is closed. Whitcliffe is, if not happy, at least satisfied that none of the details have made it to the press (though the local papers did report the death of Sir Roderick Spens in a boating accident).
Edward Spens is going ahead with the building development. âLife must go on,' he said sententiously to Nelson, as if Nelson might be about to dispute the fact. He plans to call the apartment block âBernadette House'.
But Nelson knows, in his heart, that nothing is over. They may know who killed Bernadette, they may know what happened to Elizabeth Black (forensics have uncovered the bones buried in the school playground â Father Hennessey will have another funeral to conduct) but the feelings stirred up by the deaths of these little girls (Annabelle Spens too) are not so easily buried. Fathers and daughters, this is the phrase that keeps running through Nelson's head. He will shortly be the father of three daughters. This is the thought that now keeps him awake at night, the thought that has sent him speeding down the motorway towards the retired Catholic priest.
Confession? He hasn't said the word aloud to himself but when he greets Father Hennessey and the older man suggests a walk in the secluded part of the garden, he knows that this is what he has come for. Once a Catholic ⦠he smiles grimly to himself. Father Damian would be proud of him.
At first they discuss the Woolmarket Street case.
âHave you any idea why Sir Roderick Spens did this terrible thing?' asks Father Hennessey.
âEdward Spens found his diaries,' says Nelson, following the priest down a path overgrown with lavender and lemon balm. âHe kept a diary from when he was a child. It's all there, the murder and everything. Weirdest thing you ever read. Like a cross between Adrian Mole and Jack the Ripper.'
âHe must have been a very troubled soul.'
âTroubled? Yes.' Nelson gives a bark of humourless laughter. âBut he managed to go through life without anyone suspecting. I mean, Edward Spens knew his father was odd. That was why he lived with them, to keep him out of trouble. But he never suspected that he was a murderer.'
âAnd yet it came to light in the end,' murmurs Hennessey. âEvil can't stay hidden for ever.'
They have reached a sunken garden, out of sight of the house. They sit on a low bench, still warm from the sun. In front of them is a fountain, a mere trickle of water descending from the mouth of a stone fish. The dappled light overhead turns the spray into a hazy rainbow, yellow, green and blue.
Father Hennessey turns to face Nelson. âWhy did you want to see me, my son?'
Nelson takes a deep breath. âI wanted to ask your advice.'
Hennessey inclines his head but says nothing. The silence trick. Nelson recognises it but that doesn't stop him from falling into the trap and singing like a bird.
âI'm a married man, Father. I love my wife and I love our two daughters.' He pauses. Those terrible few hours when he thought his daughters were in danger have impressed on him just how much he does love them. He would do anything for them, even (at Michelle's insistence) invite Laura's boyfriend for Sunday lunch.
âI love my wife,' he repeats, âbut a few months ago I ⦠slept with someone else. I'm not making excuses, I knew it was wrong, but it was at a very difficult time ⦠for me and for the other woman. We just came together, didn't think about the consequences. But now she's pregnant. She's
expecting my baby, a girl. And I don't know what to do.'
Nelson stares at the fountain, the water falling endlessly into the stone bowl. Father Hennessey's voice is calm.
âYou say you love your wife. Do you love this other woman?'
Nelson is silent for a moment and then he says, âI don't know. I care about her. I care about her and the baby. I want to look after her.' He laughs, rather harshly. âMy wife does too. That's the weirdest thing. She knows this woman and wants to help her. With the baby and everything. My wife wants to befriend the woman who's having my baby. You couldn't make it up.'
âLove is always a force for good,' says Hennessey gently. âYour love for your wife and daughters, for this woman and her unborn baby. Even your wife's kindness towards her. These are all good things.'
Nelson turns towards him, his eyes are wet. âHow can it be good? If my wife finds out, our marriage will be over.'
âAre you sure about that?'
âYou think I should tell her then?'
âI can't give you advice,' says Hennessey, âalthough I know that's what you want. I can only tell you that a baby is always a blessing, love is always a blessing. You care about these people, you will find a way.'
Nelson nods. He stares ahead, watching the light play on the water. He hardly notices when Father Hennessey puts his hand gently on his head and murmurs a blessing before walking away, back to the house.
*
Evening and Max's party is in full swing. The lonely hill, where once the Roman occupiers had huddled together
against the cold Norfolk wind, is now full of people. Someone has set up speakers by one of the trenches and Leah's uncle has brought barrels of beer and cider from the pub. Irish Ted and Trace are dancing amongst the mounds of soil and stones. Ruth sees Clough, wearing a Manchester United shirt, cut in and dance with Trace, showing surprisingly good hip action. If Clough has come, why isn't Nelson here?
Ruth wanders away. She feels tired and wishes there was somewhere to sit down. Another five months of this! At least the baby seems to have suffered no adverse effects from that terrible night on the
Lady Annabelle
. Ruth has had a checkup and another scan and the baby was fine, dancing happily in the grey clouds of Ruth's womb. âA large baby,' the technician had said. Typical. Nelson gets her pregnant with a giant baby and then buggers off. She will definitely insist that she supports Arsenal.
Ruth herself has recovered rather more slowly. She still can't shake the idea that she killed Roderick Spens. In her dreams, she sees herself pulling the trigger and Roderick's face disintegrating in a horrific shower of blood and bone. The actual events, with Roderick falling almost in slow motion, the wooden rail splintering and the long wait before the body hit the water, seem less real than the nightmare. She didn't kill him but she wanted to. And this, she knows, is the reality. She knows that she would have killed a man to save herself and to save her baby.
âRuth!' She looks up to see Max approaching. So far he has been circulating, showing the ability to schmooze required of any successful archaeologist (one reason, perhaps, why Ruth will never reach the top in the profession). He has
chatted heartily with Phil, hand in hand with a glowing Shona (the deadline of the final examiners' meeting is still a month away), grasped the hands of all the volunteers and spent an intense fifteen minutes with the local press. He will go far, there's no doubt about it.