Safe Harbor (64 page)

Her daughter waved through the open window and unbuckled her seat belt in a very grown-up way, then got out and skipped over into her mother's waiting arms for a hug.

"Aunty Tori let me get a milkshake for dessert!"

"And you were able to drink it all?" asked Liz, glancing at
Victoria
with amazement.

"Well, no," Susy confessed. "Aunty Tori had to help me a little."

Victoria
reassured Liz by holding her thumb and forefinger two inches apart. Two inches of milkshake wasn't so awful; Susy'd have her appetite back by suppertime. "Well, just so you know you can't have a special dessert like that
every
day," Liz said gravely.

"Oh,
Mommy,"
said Susy, as if she were well aware that she didn't have a prayer.

For Liz, one of the the hardest things about sharing Susy with her parents and Victoria on a regular basis was trying to keep Susy's diet honest. It was so tempting to let them ply her with treats, so tempting for Liz herself to bribe Susy whenever she had to farm her out on a sunny weekend or a big holiday, which was inevitably when Liz had to work.

Life would've been so much easier if Keith had chosen to stick around.

Susy was peeking into the shopping bag that sat on the ground next to her mother. "What's this, Mommy? A present for someone?"

Liz smiled at her daughter's subtle fishing expedition and rumpled her dark-brown hair. "It's a box I found in the attic," she said, lifting it out for her daughter and Victoria to see. "It's locked, so I'm going to take it to someone who can open it for me. Do you want to come?"

While Susy considered her options,
Victoria
asked, "For heaven's sake, how did you get into the attic?"

"Jigsaw," said Liz, rolling her eyes at the memory. "I made an ungodly mess; I haven't even swept it up yet. I found a trunk of old letters sealed away, and this was in with them." -

"No kidding?"

Susy was tugging at her mother's hand. "Mommy? I think maybe I don't want to go. I think. . . maybe I should have some quiet time," she said with a tentative look in her big brown eyes.

Stomachache, dammit.
Liz threw
Victoria
a scolding glance, then said to her daughter, "Okay, sweetie. I'll take the box to the locksmith some other time."

"Liz, just go; I'll stay with Susy," said
Victoria
amiably. She held out her hand to the little girl and said, "You can have quiet time while I tell you another adventure of the Princess and the Magic Petunia."

Susy was all for that, which left Liz with mixed feelings. Her daughter's early years were precious ones, and on Liz's deathbed she was going to want every lost moment of them. She felt guilty for wanting to open the box ... but she wanted desperately to open the box.

"Okay, then, sunshine. I'll be right back."

****

Jimmy's Lock and Key was located in a peeling colonial house, one of the many historic buildings, most of them updated, that lined both sides of downtown
Thames Street
. The concept of gentrification, however, had not yet occurred to Jimmy; his ancient, tattered shop was a jumble of new brass hardware, carousels of key blanks, and boxes of mysterious metal innards. Liz laid the red-lacquered box on the painted plywood counter and said, "Can you get it open without damaging it?"

Jimmy, a bulldozer of a man who could probably pry open a locked safe with one arm tied behind his back, picked up the box in his thick, stubby hands and said, "Shouldn't be too hard. Where'd you get it — flea market, or antique shop?"

"Neither. It was in the sealed-in attic of the house I've just bought, along with a bunch of old letters. Isn't that weird? If this box were bigger, I'd be afraid of finding someone's bones in it," Liz said with a self-conscious laugh.

"Or ashes," said Jimmy, shaking it back and forth the way Liz had.

Ashes! She hadn't thought of ashes. "Can you pick the lock?" she asked with more dread than before.

Jimmy shrugged and reached under the counter. "Won't need to, maybe." He brought out an El Producto cigar box and flipped open the cardboard top. "Let's see what we got in here," he said, pushing an assortment of tiny keys around in the box. "Sometimes we get lucky."

His eye lit on a little brass key that must've looked promising. He picked it up and tried inserting it. No luck. He tried another. Ditto. Liz's hopes began to sag. Then he pulled out a third key, a tiny key turned dark with age, and tried that one.

"Well, well," he said, obviously pleased as the key turned smoothly in the lock. "Nothin's frozen."

What Jimmy did next showed he had an instinct either for chivalry or for caution, Liz never did figure out which:  he turned the box around to face her so that she could open it herself.

Liz bit her lower lip and laid both her hands gently on the lid. She'd half convinced herself that there was an important letter wedged inside, or a map, a treasure map left behind by Captain Kidd. But she did not want ashes.

Slowly, expectantly, she raised the lid. Almost at once her ears seemed to ring, as though somewhere in the far, far distance, someone were playing an instrument. A chime, perhaps: a single-noted chime whose echo began to fill the room with its extraordinary tone.

She was confused; she thought perhaps the box was some sort of music box or that — bizarrely — it was rigged to sound an alarm when opened. But the tone stayed with her, filling her head with its melodious note.

"Well? What've we got?" asked Jimmy.

"I ... what?" Liz asked, hardly registering the question.

The inside of the box was lined with rich black satin, and on the satin sat a heart-shaped pin. The heart itself was open and gold, shaped into a twining leafy pattern. The inside point of the heart ended in a tiny red stone sitting on five gold petals. It was very pretty, but worth less, probably, than the box it was pinned to.

"Are you all right, miss?"

The single, chiming note became more intense as Liz reached into the box and gently released the heart from its satin anchor. "A pin," she murmured. Her own heart had taken off at a flyaway rate; her hands began unaccountably to tremble. The silvery ringing in her ears ... was she about to faint? "It's a pin," she repeated in a whisper, unbelievably distressed.

"Oh, yeah," said Jimmy with a sideways tilt of his balding head. "Very nice. Got any idea how long it was sealed away?" he asked.

"I ... do not. The house was built in the thirties," Liz said, shaking her head, trying to rid herself of the ringing sound. She took a deep breath or two and looked around the shop in confusion, then said, "Do you have an appliance somewhere that makes some kind of high-pitched sound?"

"The fridge out back drives me nuts," Jimmy volunteered.

"No, no ...  this is more ... beautiful, than that."

"Beautiful?"

"And scary."

"Scary?" He frowned and said, "An
appliance?"

"Maybe your neighbors have chimes hanging outside?" she asked him without much hope.

"Chimes! Don't get me started on chimes," Jimmy said, snorting. "Damned clanging pipes. As if we don't have enough noise blastin' outta car speakers all summer long. The traffic eventually dies down; you can catch an hour or two of quiet at night. But chimes! All day, all night ... chimes just keep chiming. Chimes in the city," he said pontifically, "are not a good idea."

"Yes, like that," Liz whispered, ignoring his speech. "You have some nearby?"

"No," he answered grimly. "Not anymore."

She needed some air. She slid the pin back into its satin cushion and closed the red box. The silvery, penetrating sound ceased at once.

That left Liz more disturbed than before. She wanted to lift up the lid, just to test the box, but she was so grateful for the quiet, the peace, that she let it stay closed.

"I guess my ears
were
ringing," she said in a clumsy lie. "How much do I owe you for the key, then?"

Jimmy flapped a beefy hand at her and said, "Ah, nothin'. It's just an old key."

"Thank you," Liz said, still in a subdued voice. "That's awfully nice." Afraid that she wasn't seeming properly grateful, she took a business card from her purse and handed it to the locksmith. "If I can ever return the favor. . ."

Jimmy read the card. "Parties, eh? Well, I got grandkids, and no mistake. Do you have one of them Barney getups available?"

Liz smiled wanly and left with her red box and her new old key.

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This is a work of fiction.
 
Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, is entirely coincidental.
Safe
Harbor

Copyright ©
2000
by Antoinette Stockenberg