Sea of Poppies (15 page)

Deeti allowed the words to roll around and away from her, until she was once again impatient to deal with the errand at hand. Come, she said, let's go. They rose to their feet and he led her diagonally across the courtyard, into yet another gigantic shed, every bit as large as the weighing room – with the difference that where the latter had been filled with the clamour of altercation, this one was sepulchrally quiet, as if it were some cavernous shrine in the high Himalayas, chilly, damp and dimly lit. Stretching away, on either side, reaching all the way to the lofty ceiling, were immense shelves, neatly arranged with tens of thousands of identical balls of opium, each about the shape and size of an unhusked coconut, but black in colour, with a glossy surface. Deeti's escort whispered in her ear: This is where the afeem is brought in to dry, after it's been assembled. She noticed now that the shelves were joined by struts and ladders; glancing around, she saw troops of boys clinging to the timber scaffolding, climbing as nimbly as acrobats at a fair, hopping from shelf to shelf to examine the balls of opium. Every now and again, an English overseer would call out an order and the boys would begin to toss spheres of opium to each other, relaying them from hand to hand until they had come to rest safely on the floor.
How could they throw so accurately with one hand, while holding on with the other – and that too at a height where the slightest slip would mean certain death? The sureness of their grip seemed amazing to Deeti, until suddenly one of them did indeed drop a ball, sending it crashing to the floor, where it burst open, splattering its gummy contents everywhere. Instantly the offender was set upon by cane-wielding overseers and his howls and shrieks went echoing through the vast, chilly chamber. The screams sent her hurrying after her relative and she caught up with him on the threshold of yet another of the factory's chambers. Here he lowered his voice reverentially, in the manner of a pilgrim who is about to step into the innermost sanctum of a temple. This is the assembly room, he whispered. It is not for everyone to work here – but your husband Hukam Singh, is one such.

It could indeed have been a temple that Deeti had entered now, for the long, well-aired passage ahead was lined with two rows of dhoti-clad men, sitting cross-legged on the floor, like Brahmins at a feast, each on his own woven seat, with an array of brass cups and other equipment arranged around him. Deeti knew, from her husband's tales, that there were no fewer than two hundred and fifty men working in that room, and twice that number of running-boys – yet such was the assemblers' concentration that there was very little noise, apart from the pattering of the runners' feet, and periodic shouts announcing the completion of yet another ball of opium. The assemblers' hands moved with dizzying speed as they lined hemispherical moulds with poppy-leaf rotis, moistening the wrappers with lewah, a light solution of liquid opium. Hukam Singh had told Deeti that the measure for every ingredient was precisely laid down by the Company's directors in faraway London: each package of opium was to consist of exactly one seer and seven-and-a-half chittacks of the drug, the ball being wrapped in five chittacks of poppy-leaf rotis, half of fine grade and half coarse, the whole being moistened with no more and no less than five chittacks of lewah. So finely honed was the system, with relays of runners carrying precise measures of each ingredient to each seat, that the assemblers' hands never had cause to falter: they lined the moulds in such a way as to leave half the moistened rotis hanging over the edge. Then, dropping
in the balls of opium, they covered them with the overhanging wrappers, and coated them with poppy-trash before tapping them out again. It remained only for runners to arrive with the outer casing for each ball – two halves of an earthenware sphere. The ball being dropped inside, the halves were fitted into a neat little cannonshot, to hold safe this most lucrative of the British Empire's products: thus would the drug travel the seas, until the casing was split open by a blow from a cleaver, in distant Maha-Chin.

Dozens of the black containers passed through the assemblers' hands every hour and were duly noted on a blackboard: Hukam Singh, who was not the most skilled among them, had once boasted to Deeti of having put together a hundred in a single day. But today Hukam Singh's hands were no longer working and nor was he at his usual seat: Deeti spotted him as she entered the assembly room – he was lying on the floor with his eyes closed and he looked as if he had had some kind of seizure, for a thin line of bubbling spit was dribbling out of the corner of his mouth.

Suddenly, Deeti was assailed by the sirdars who supervised the packaging room. What took you so long? . . . Don't you know your husband is an afeemkhor? . . . Why do you send him here to work? . . . Do you want him to die?

Despite the shocks of the day, Deeti was not of a mind to ignore these attacks. From the shelter of her sari, she snapped back: And who are you to speak to me like that? How would you earn your living if not for afeemkhors?

The altercation drew the attention of an English agent, who waved the sirdars aside. Glancing from Hukam Singh's prone body to Deeti, he said, quietly:
Tumhara mard hai?
Is he your husband?

Although the Englishman's Hindi was stilted, there was a kindly sound to his voice. Deeti nodded, lowering her head, and her eyes filled with tears as she listened to the sahib berating the sirdars: Hukam Singh was a sepoy in our army; he was a balamteer in Burma and was wounded fighting for the Company Bahadur. Do you think any of you are better than him? Shut your mouths and get back to work or I'll whip you with my own chabuck.

The cowed sirdars fell silent, stepping aside as four bearers stooped to lift Hukam Singh's inert body off the floor. Deeti was
following them out when the Englishman turned to say: Tell him he can have his job back whenever he wants.

Deeti joined her hands together, to express her gratitude – but in her heart she knew that her husband's days in the Carcanna had come to an end.

On the way home, in Kalua's cart, with her husband's head in her lap and her daughter's fingers in her hand, she had eyes neither for Ghazipur's forty-pillared palace nor for its memorial to the departed Laat-Sahib. Her thoughts were now all for the future and how they would manage without her husband's monthly pay. In thinking of this, the light dimmed in her eyes; even though nightfall was still a couple of hours away, she felt as if she were already enveloped in darkness. As if by habit she began to chant the prayer-song for the end of the day:

Sãjh bhailé
Sãjha ghar ghar ghumé
Ke mora sãjh
manayo ji

Twilight whispers
at every door:
it's time
to mark my coming.

Just beyond the boundaries of Calcutta, to the west of the dockside neighbourhoods of Kidderpore and Metia Bruz, lay a length of gently sloping bank that overlooked a wide sweep of the Hooghly River: this was the verdant suburb of Garden Reach, where the leading white merchants of Calcutta had their country estates. Here, as if to keep watch over the ships that bore their names and their goods, stood the adjacent properties of the Ballards, Fergusons, McKenzies, MacKays, Smoults and Swinhoes. The mansions that graced these estates were as varied as the owners' tastes would allow, some being modelled on the great manors of England and France, while others evoked the temples of classical Greece and Rome. The grounds of the estates were extensive
enough to provide each mansion with a surrounding park, and these were, if anything, even more varied in design than the houses they enclosed – for the malis who tended the gardens, no less than the owners themselves, vied to outdo each other in the fancifulness of their plantings, creating here a little patch of topiary and there an avenue of trees, trimmed in the French fashion; and between the stretches of greenery, there were artfully placed bodies of water, some long and straight, like Persian qanats, and some irregular, like English ponds; a few of the gardens could even boast of geometrical Mughal terraces, complete with streams, fountains and delicately tiled bowries. But it was not by these extravagant extensions that the values of the properties were judged; it was rather by the view that each manse commanded – for a patch of garden, no matter how pretty, could not be held to materially affect the owner's prospects, while to be able to keep an eye on the comings-and-goings on the river had an obvious and direct bearing on the fortunes of all who were dependent on that traffic. By this criterion it was generally acknowledged that the estate of Benjamin Brightwell Burnham was second to none, no matter that it was an acquisition of relatively recent date. In some respects the estate's lack of a pedigree could even be counted as an advantage, for it had allowed Mr Burnham to give it a name of his choice, Bethel. What was more, having himself been responsible for the founding of his estate, Mr Burnham had felt no constraint in shaping the grounds to his needs and desires, ordering, without hesitation, the clearing of every unseemly weed and growth that obscured his view of the river – among them several ancient mango trees and a heathenish thicket of fifty-foot bamboo. Around Bethel, nothing interrupted the lines of sight between house and water, other than the chamber that stood perched on the lip of the river, looking down on the estate's landing ghat and jetty. This shapely little gazebo differed from those on the neighbouring estates in that it was topped by a roof of Chinese design, with upturned eaves and curved green-glazed tiles.

Recognizing the pavilion from the coksen's description, Jodu plunged his oar into the mud and leant on the handle, to hold the dinghy stationary against the river's current. In passing the other
estates of Garden Reach, he had come to realize that the problem of finding Putli would not be resolved by locating the house in which she lived: each of these mansions was a small fortress, guarded by servants who were certain to perceive all interlopers as possible competitors against whom their jobs would have to be defended. To Jodu's eye, it seemed that the garden with the green-roofed pavilion was the largest, and most impregnable, of all the neighbouring estates: deployed across its lawn was an army of malis and ghaskatas, some of whom were engaged in digging new beds, while others were weeding or mowing the grass with scythes. Dressed as he was, in a torn lungi and banyan, with a faded gamchha tied around his head, Jodu knew that his chances of penetrating these defences were very small; in all likelihood within moments of setting foot on the grounds, he would be captured and handed over to the chowkidars, to be thrashed as a thief.

Already, the stationary dinghy had attracted the attention of one of the estate's boatmen – evidently a calputtee, for he was busy caulking the bottom of a sleek-looking caique, applying liquid tar with a palm-leaf brush. Now, leaving his brush in the bucket, the caulker turned to frown at Jodu. What's the matter? he shouted. What's your business here?

Jodu gave him a disarming smile. Salam mistry-ji, he said, flattering the calputtee by raising him a rank or two in the grades of artisanship: I was just admiring the house. It must be the biggest around here?

The calputtee nodded: What else? Zaroor. Of course it is.

Jodu decided to chance his luck: It must be a large family that lives in it then?

The calputtee's lips curled into a sneer: Do you think a house like this would belong to the kind of people who'd live in a crowd? No; it's just the Burra Sahib, the Burra BeeBee and the Burra Baby.

That's all? No one else?

There's a young missy-mem, said the caulker, with a dismissive shrug. But she's not a part of the family. Just a charity-case they've taken in, from the goodness of their hearts.

Jodu would have liked to know more, but he saw that it would be imprudent to press the man any further – it might well get Putli into
trouble if word got out that a boatman had come looking for her in a dinghy. But how then was he to get a message to her? He was puzzling over this when he noticed a sapling, growing in the shade of the green-tiled pavilion: he recognized it as a chalta tree, which produced fragrant white flowers and a fruit that had an unusual, sour flavour, vaguely reminiscent of unripe apples.

He assumed a voice like that of his rustic half-siblings, who seemed never to be able to walk past a field without asking questions about the crops; in a tone of innocent inquiry, he said to the calputtee: Has that chalta tree been recently planted?

The caulker looked up and frowned. That one? He made a face and shrugged, as if to distance himself from the misbegotten growth. Yes, that's the new missy-mem's handiwork. She's always interfering with the malis in the garden, moving things around.

Jodu made his salams and turned the boat around, to head back the way he had come. He had guessed at once that the sapling had been planted by Putli: she had always craved the mouth-puckering taste of its fruit. At home, in the Botanical Gardens, a chalta tree had stood beside the window of her bedroom and every year, during its brief season, she had gathered handfuls of the fruit, to make into chutneys and pickles. She loved them so much that she even ate them raw, to the disbelief of others. Being thoroughly familiar with Putli's gardening habits, Jodu knew that she would be down to water the sapling early in the morning: if he spent the night somewhere nearby, then he might well be able to catch her before the servants were up and about.