Sense of Wonder: A Century of Science Fiction (178 page)

“The Gorgon, Medusa, a beautiful woman with—with snakes for hair, and a gaze that turned men to stone, and Perseus finally killed her—I remembered this just by accident, N. W., and it saved your life and mine. Perseus killed her by using a mirror as he fought to reflect what he dared not look at directly. I wonder what the old Greek who first started that legend would have thought if he’d known that three thousand years later his story would save the lives of two men on another planet. I wonder what that Greek’s own story was, and how he met the thing, and what happened.…

“Well, there’s a lot we’ll never know. Wouldn’t the records of that race of—of things, whatever they are, be worth reading! Records of other planets and other ages and all the beginnings of mankind! But I don’t suppose they’ve kept any records. I don’t suppose they’ve even any place to keep them—from what little I know, or anyone knows about it, they’re like the Wandering Jew, just bobbing up here and there at long intervals, and where they stay in the meantime, I’d give my eyes to know! But I don’t believe that terribly hypnotic power they have indicates any superhuman intelligence. It’s their means of getting food—just like a frog’s long tongue or a carnivorous flower’s odor. Those are physical because the frog and the flounder eat physical food. The Shambleau uses a—a mental reach to get mental food. I don’t quite know how to put it. And just as a beast that eats the bodies of other animals acquires with each meal greater power over the bodies of the rest, so the Shambleau, stoking itself up with the life-forces of men, increases its power over the minds and the souls of other men. But I’m talking about things I can’t define—things I’m not sure exist.

“I only know that when I felt—when those tentacles closed around my legs—I didn’t want to pull loose. I felt sensations that—that—oh, I’m fouled and filthy to the very deepest part of me by that—
pleasure
—and yet —”

“I know,” said Smith slowly. The effect of the segir was beginning to wear off, and weakness was washing back over him in waves, and when he spoke he was half meditating in a low voice, scarcely realizing that Yarol listened. “I know it much better than you do—and there’s something so indescribably awful that the thing emanates, something so utterly at odds with everything human—there aren’t any words to say it. For a while, I was a part of it, literally, sharing its thoughts and memories and emotions and hungers, and—well, it’s over now, and I don’t remember very clearly, but the only part left free was that part of me that was all but insane from the—the obscenity of the thing. And yet it was a pleasure so sweet—I think there must be some nucleus of utter evil in me—in everyone—that needs only the proper stimulus to get complete control; because even while I was sick all through from the touch of those—things—there was something in me that was—was simply gibbering with delight.…Because of that, I saw things—and knew things—horrible, wild things I can’t quite remember—visited unbelievable places, looked backward through the memory of that creature I was one with, and saw—God, I wish I could re member!”

“You ought to thank your God you can’t,” said Yarol soberly.

His voice roused Smith from the half trance he had fallen into, and he rose on his elbow, swaying a little from weakness. The room was wavering before him, and he closed his eyes, not to see it, but he asked, “You say they—don’t turn up again? No way of finding—another?”

Yarol did not answer for a moment. He laid his hands on the other man’s shoulders and pressed him back, and then sat staring down into the dark, ravaged face with a new, strange, undefinable look upon it that he had never seen there before—whose meaning he knew too well.

“Smith,” he said finally, and his black eyes for once were steady and serious, and the little grinning devil had vanished from behind them. “Smith, I’ve never asked your word on anything before, but I’ve —I’ve earned the right to do it now, and I’m asking you to promise me one thing.”

Smith’s colorless eyes met the black gaze unsteadily. Irresolution was in them, and a little fear of what that promise might be. And for just a moment, Yarol was looking not into his friend’s familiar eyes, but into a wide gray blankness that held all horror and delight—a pale sea with unspeakable pleasures sunk beneath it.

“Go ahead. I’ll promise.”

“That if you ever should meet a Shambleau again—ever, anywhere—you’ll draw your gun and burn it to hell the instant you realize what it is. Will you promise me that?”

There was a long silence. Yarol’s somber black eyes bored relentlessly into the colorless ones of Smith, not wavering. And the veins stood out on Smith’s tanned forehead. He never broke his word—he had given it perhaps half a dozen times in his life, but once he had given it, he was incapable of breaking it. And once more the gray seas flooded in a dim tide of memories, sweet and horrible beyond dreams. Once more Yarol was staring into blankness that hid nameless things. The room was very still.

The gray tide ebbed. Smith’s eyes, pale and resolute an steel, met Yarol’s levelly.

“I’ll—try,” he said. And his voice wavered.

* * * *

Copyright © 1933 by Popular Fiction Publishing Co.

(1912-2005)

Andre Norton was one of those magical writers who I
discovered as a kid and read over and over. Although she was more known for her fantasy and
Witch World
novels by that time, it was her SF that I loved the most: books like
Star Man’s Son
and
Iron Cage
and
Huon of the Horn
are still on my shelves and I still revisit them. When I began working in publishing, I got to work a bit on some of her books, but by then Norton was in poor health and I never got to meet her. We had plenty of mutual friends though, who assured me she really was everybody’s fantasy of a sweet elderly librarian who produced magical books and mentored many other writers. Andre Norton continued to write past her ninetieth birthday, although health problems slowed her down in the last few years before her death in 2005.

Forced to drop out of college to support her family during the Depression, Norton went to work for the Cleveland Public Library. She’d started her first novel while in high school, and the library proved to be fertile ground for a developing writer. She sold her first novel (a historical fantasy called
The Prince Commands
) at age twenty-two, followed by
Ralestone Luck
, the book she had started in high school. She left library work for the publishing industry in 1950 (Norton had nine novels out at this point) and in 1958 began writing full time. Early in her career she often wrote under male pseudonyms like Andrew North and Allen Weston, but as she became more successful Norton used her own name exclusively. (Actually her own name was a bit of a pseudonym, since she changed it from Alice Mary Norton to the more writerly Andre Norton in 1934, the same year her first book came out.) Norton’s first SF novel was Star Man’s Son in 1952, and she wrote mostly science fiction through the 1950s before gradually drifting into science fantasy with the success of the Witch World novels in the 1960s. She wrote more than 100 books in all.

Norton moved to Florida for health reasons in 1966, then to Tennessee in 1996. There she paid homage to her library roots by founding the High Hallack Library (named for a
Witch World
character), designed to be a reference library specifically geared to genre writers. She was named a grandmaster by the World Science Fiction society in 1977, and by the Science Fiction and Fantasy Writer’s Association (SFWA) in 1983. Just before her death from congestive heart failure in 2005, the Andre Norton Award for Young Adult Science Fiction and Fantasy was created; it’s given by SFWA at the Nebula Awards banquet every year.

Although Norton was known primarily as a children’s writer, many of her early stories used all the conventions of space opera. The title of this story is a pun on the expression “all cats are gray in the dark”—a bit racy for the 1950s, when morality crusades were eliminating a lot of the more lurid imagery that had been common through the pulp era. On the other hand, the cat and the gray both play a major part in the story, so it’s not just a throwaway line. Incidentally, cats play a major role in much of Norton’s writing.

First published in
Fantastic Universe Science Fiction
, August-September 1953 by “Andrew North”

Steena of the spaceways—that sounds just like a corny title for one of the Stellar-Vedo spreads. I ought to know, I’ve tried my hand at writing enough of them. Only this Steena was no glamour babe. She was as colorless as a Lunar plant—even the hair netted down to her skull had a sort of grayish cast and I never saw her but once draped in anything but a shapeless and baggy gray space-all.

Steena was strictly background stuff and that is where she mostly spent her free hours—in the smelly smoky background corners of any stellar-port dive frequented by free spacers. If you really looked for her you could spot her—just sitting there listening to the talk—listening and remembering. She didn’t open her own mouth often. But when she did spacers had learned to listen. And the lucky few who heard her rare spoken words—these will never forget Steena.

She drifted from port to port. Being an expert operator on the big calculators she found jobs wherever she cared to stay for a time. And she came to be something like the master-minded machines she tended—smooth, gray, without much personality of her own.

But it was Steena who told Bub Nelson about the Jovan moon-rites—and her warning saved Bub’s life six months later. It was Steena who identified the piece of stone Keene Clark was passing around a table one night, rightly calling it unworked Slitite. That started a rush which made ten fortunes overnight for men who were down to their last jets. And, last of all, she cracked the case of the
Empress of Mars
.

All the boys who had profited by her queer store of knowledge and her photographic memory tried at one time or another to balance the scales. But she wouldn’t take so much as a cup of Canal water at their expense, let alone the credits they tried to push on her. Bub Nelson was the only one who got around her refusal. It was he who brought her Bat.

About a year after the Jovan affair he walked into the Free Fall one night and dumped Bat down on her table. Bat looked at Steena and growled. She looked calmly back at him and nodded once. From then on they traveled together—the thin gray woman and the big gray tom-cat. Bat learned to know the inside of more stellar bars than even most spacers visit in their lifetimes. He developed a liking for Vernal juice, drank it neat and quick, right out of a glass. And he was always at home on any table where Steena elected to drop him.

This is really the story of Steena, Bat, Cliff Moran and the
Empress of Mars
, a story which is already a legend of the spaceways. And it’s a damn good story too. I ought to know, having framed the first version of it myself.

For I was there, right in the Rigel Royal, when it all began on the night that Cliff Moran blew in, looking lower than an antman’s belly and twice as nasty. He’d had a spell of luck foul enough to twist a man into a slug-snake and we all knew that there was an attachment out for his ship. Cliff had fought his way up from the back courts of Venaport. Lose his ship and he’d slip back there—to rot. He was at the snarling stage that night when he picked out a table for himself and set out to drink away his troubles.

However, just as the first bottle arrived, so did a visitor. Steena came out of her corner, Bat curled around her shoulders stole-wise, his favorite mode of travel. She crossed over and dropped down without invitation at Cliff’s side. That shook him out of his sulks. Because Steena never chose company when she could be alone. If one of the man-stones on Ganymede had come stumping in, it wouldn’t have made more of us look out of the corners of our eyes.

She stretched out one long-fingered hand and set aside the bottle he had ordered and said only one thing, “It’s about time for the
Empress of Mars
to appear again.”

Cliff scowled and bit his lip. He was tough, tough as jet lining—you have to be granite inside and out to struggle up from Venaport to a ship command. But we could guess what was running through his mind at that moment. The
Empress of Mars
was just about the biggest prize a spacer could aim for. But in the fifty years she had been following her queer derelict orbit through space many men had tried to bring her in—and none had succeeded.

A pleasure-ship carrying untold wealth, she had been mysteriously abandoned in space by passengers and crew, none of whom had ever been seen or heard of again. At intervals thereafter she had been sighted, even boarded. Those who ventured into her either vanished or returned swiftly without any believable explanation of what they had seen—wanting only to get away from her as quickly as possible. But the man who could bring her in—or even strip her clean in space—that man would win the jackpot.

“All right!” Cliff slammed his fist down on the table. “I’ll try even that!”

Steena looked at him, much as she must have looked at Bat the day Bub Nelson brought him to her, and nodded. That was all I saw. The rest of the story came to me in pieces, months later and in another port half the System away.

Cliff took off that night. He was afraid to risk waiting—with a writ out that could pull the ship from under him. And it wasn’t until he was in space that he discovered his passengers—Steena and Bat. We’ll never know what happened then. I’m betting that Steena made no explanation at all. She wouldn’t.

It was the first time she had decided to cash in on her own tip and she was there—that was all. Maybe that point weighed with Cliff, maybe he just didn’t care. Anyway the three were together when they sighted the
Empress
riding, her dead-lights gleaming, a ghost ship in night space.

She must have been an eerie sight because her other lights were on too, in addition to the red warnings at her nose. She seemed alive, a Flying Dutchman of space. Cliff worked his ship skillfully alongside and had no trouble in snapping magnetic lines to her lock. Some minutes later the three of them passed into her. There was still air in her cabins and corridors. Air that bore a faint corrupt taint which set Bat to sniffing greedily and could be picked up even by the less sensitive human nostrils.

Cliff headed straight for the control cabin but Steena and Bat went prowling. Closed doors were a challenge to both of them and Steena opened each as she passed, taking a quick look at what lay within. The fifth door opened on a room which no woman could leave without further investigation.

I don’t know who had been housed there when the
Empress
left port on her last lengthy cruise. Anyone really curious can check back on the old photo-reg cards. But there was a lavish display of silks trailing out of two travel kits on the floor, a dressing table crowded with crystal and jeweled containers, along with other lures for the female which drew Steena in. She was standing in front of the dressing table when she glanced into the mirror—glanced into it and froze.

Over her right shoulder she could see the spider-silk cover on the bed. Right in the middle of that sheer, gossamer expanse was a sparkling heap of gems, the dumped contents of some jewel case. Bat had jumped to the foot of the bed and flattened out as cats will, watching those gems, watching them and—something else!

Steena put out her hand blindly and caught up the nearest bottle. As she unstoppered it she watched the mirrored bed. A gemmed bracelet rose from the pile, rose in the air and tinkled its siren song. It was as if an idle hand played.…Bat spat almost noiselessly. But he did not retreat. Bat had not yet decided his course.

She put down the bottle. Then she did something which perhaps few of the men she had listened to through the years could have done. She moved without hurry or sign of disturbance on a tour about the room. And, although she approached the bed she did not touch the jewels. She could not force herself to that. It took her five minutes to play out her innocence and unconcern. Then it was Bat who decided the issue.

He leaped from the bed and escorted something to the door, remaining a careful distance behind. Then he mewed loudly twice. Steena followed him and opened the door wider.

Bat went straight on down the corridor, as intent as a hound on the warmest of scents. Steena strolled behind him, holding her pace to the unhurried gait of an explorer. What sped before them both was invisible to her but Bat was never baffled by it.

They must have gone into the control cabin almost on the heels of the unseen—if the unseen had heels, which there was good reason to doubt—for Bat crouched just within the doorway and refused to move on. Steena looked down the length of the instrument panels and officers’ station-seats to where Cliff Moran worked. On the heavy carpet her boots made no sound and he did not glance up but sat humming through set teeth as he tested the tardy and reluctant responses to buttons which had not been pushed in years.

To human eyes they were alone in the cabin. But Bat still followed a moving something with his gaze. And it was something which he had at last made up his mind to distrust and dislike. For now he took a step or two forward and spat—his loathing made plain by every raised hair along his spine. And in that same moment Steena saw a flicker—a flicker of vague outline against Cliff’s hunched shoulders as if the invisible one had crossed the space between them.

But why had it been revealed against Cliff and not against the back of one of the seats or against the panels, the walls of the corridor or the cover of the bed where it had reclined and played with its loot? What could Bat see?

The storehouse memory that had served Steena so well through the years clicked open a half-forgotten door. With one swift motion she tore loose her spaceall and flung the baggy garment across the back of the nearest seat.

Bat was snarling now, emitting the throaty rising cry that was his hunting song. But he was edging back, back toward Steena’s feet, shrinking from something he could not fight but which he faced defiantly. If he could draw it after him, past that dangling spaceall.… He had to—it was their only chance.

“What the.…” Cliff had come out of his seat and was staring at them.

What he saw must have been weird enough. Steena, bare-armed and shouldered, her usually stiffly-netted hair falling wildly down her back, Steena watching empty space with narrowed eyes and set mouth, calculating a single wild chance. Bat, crouched on his belly, retreating from thin air step by step and wailing like a demon.

“Toss me your blaster.” Steena gave the order calmly—as if they still sat at their table in the Rigel Royal.

And as quietly Cliff obeyed. She caught the small weapon out of the air with a steady hand—caught and leveled it.

“Stay just where you are!” she warned. “Back, Bat, bring it back!”

With a last throat-splitting screech of rage and hate, Bat twisted to safety between her boots. She pressed with thumb and forefinger, firing at the spacealls. The material turned to powdery flakes of ash—except for certain bits which still flapped from the scorched seat—as if something had protected them from the force of the blast. Bat sprang straight up in the air with a scream that tore their ears.

“What…?” began Cliff again.

Steena made a warning motion with her left hand. “
Wait!
”

She was still tense, still watching Bat. The cat dashed madly around the cabin twice, running crazily with white-ringed eyes and flecks of foam on his muzzle. Then he stopped abruptly in the doorway, stopped and looked back over his shoulder for a long silent moment. He sniffed delicately.

Steena and Cliff could smell it too now, a thick oily stench which was not the usual odor left by an exploding blaster-shell.

Bat came back, treading daintily across the carpet, almost on the tips of his paws. He raised his head as he passed Steena and then he went confidently beyond to sniff, to sniff and spit twice at the unburned strips of the spaceall. Having thus paid his respects to the late enemy he sat down calmly and set to washing his fur with deliberation. Steena sighed once and dropped into the navigator’s seat.

“Maybe now you’ll tell me what in the hell’s happened?” Cliff exploded as he took the blaster out of her hand.

“Gray,” she said dazedly, “it must have been gray—or I couldn’t have seen it like that. I’m colorblind, you see. I can see only shades of gray—my whole world is gray. Like Bat’s—his world is gray too—all gray. But he’s been compensated for he can see above and below our range of color vibrations and—apparently—so can I!”

Her voice quavered and she raised her chin with a new air Cliff had never seen before—a sort of proud acceptance. She pushed back her wandering hair, but she made no move to imprison it under the heavy net again.

“That is why I saw the thing when it crossed between us. Against your spaceall it was another shade of gray—an outline. So I put out mine and waited for it to show against that—it was our only chance, Cliff.

“It was curious at first, I think, and it knew we couldn’t see it—which is why it waited to attack. But when Bat’s actions gave it away it moved. So I waited to see that flicker against the spaceall and then I let him have it. It’s really very simple.…”

Cliff laughed a bit shakily. “But what
was
this gray thing? I don’t get it.”

“I think it was what made the
Empress
a derelict. Something out of space, maybe, or from another world somewhere.” She waved her hands. “It’s invisible because it’s a color beyond our range of sight. It must have stayed in here all these years. And it kills—it must—when its curiosity is satisfied.” Swiftly she described the scene in the cabin and the strange behavior of the gem pile which had betrayed the creature to her.

Cliff did not return his blaster to its holder. “Any more of them on board, d’you think?” He didn’t look pleased at the prospect.

Steena turned to Bat. He was paying particular attention to the space between two front toes in the process of a complete bath. “I don’t think so. But Bat will tell us if there are. He can see them clearly, I believe.”

But there weren’t any more and two weeks later Cliff, Steena and Bat brought the
Empress
into the Lunar quarantine station. And that is the end of Steena’s story because, as we have been told, happy marriages need no chronicles. And Steena had found someone who knew of her gray world and did not find it too hard to share with her—someone besides Bat. It turned out to be a real love match.