Sever (34 page)

“Don’t be foolish, Cecily,” Vaughn says. “You had nothing to give. You were nothing then, and you’re nothing now.” He closes the door on us.

Don’t you dare believe that, is what I would say to her if I were brave enough to speak. She clenches her jaw, tightens her grip on the purse strap, and stares out her window.

I don’t see Rowan when we make it back to the mansion, and I’m not foolish enough to ask about Gabriel, which would surely invite new wrath from Vaughn. I fear that he would kill Gabriel just to prove some sick point. In any case, Vaughn has vanished by the time an attendant opens the car door for us. We’re guided through the kitchen, which is empty and tidy, though there is the faint smell of food. I think Vaughn had been anticipating a family dinner.

When we get to the elevator, the attendant hands me a plastic key card strung on a silver necklace. The same one Linden gave to me when he decided to make me first wife.

“Housemaster Vaughn has requested that you come
with me,” the attendant says to Elle. Cecily takes the baby and the diaper bag from Elle before she’s led away.

There’s only one place in the world left for us to go. I swipe my key card, the elevator doors open, and I push the button that will take us to the wives’ floor.

For what feels like hours, I sit in the library and listen to Cecily’s brutal wails. She’s finally found whatever it took for her to grieve, but whenever I knock on her door and call to her, she falls silent, waiting for me to leave her alone.

I pace the halls, missing the perfumed must of the incense and feeling unwelcome without it. Eventually I crawl onto my old bed and close my eyes against the light of my bedside lamp. Something deep within me cannot summon the wherewithal to grieve. I drift into a dream of Linden on the wet Hawaii sand, gray, eyes closed. The image gets closer like shutter clicks in a camera. A hundred pictures of a boy without life.

With a gasp I open my eyes.

I hear a rustle in the doorway, and I turn and find Cecily standing there. She’s red-faced and wringing her hands. Wet hair sticks to her cheeks like bony copper fingers trying to pull her back. She opens her mouth to speak, but her lips are quivering, and only more tears come.

“Come here,” I say. My voice is hoarse. She takes slow steps, and I pull back the blanket so we can both crawl beneath it.

After a very long time she says, “We’re all that’s left.” And then she breaks down again, and I busy myself with holding her, saying, “I know” and “I’m here,” because if I can just keep on this way, there’s no time for me to face it myself. There is a dark place calling to me, but I will not go just yet. I know I can’t return from it.

Eventually she exhausts herself and falls into a sleep so fragile that I wake her once with my breathing. Night deepens. There is no one to turn on the hall lights. No dinner is brought to us. There is no one keeping us trapped in this room, and it seems impossible that I ever could have wanted it that way.

I’m woken from my half sleep when Cecily moves toward me. My back is to her, but I can feel the mattress shift. Her breathing is matched by the heaviness of rain that has started outside. She weaves her fingers into my hair. She thinks I’m sleeping, and she doesn’t want to wake me. She only needs to touch my hair, to make and undo little braids so that her hands can stop shaking. She only needs to not be alone.

And I stay very still, because I need it too.

Last year I was lying in this bed, half-asleep, when Linden climbed in beside me. He was warm, and he smelled like alcohol and the chocolate éclairs we’d brought home with us. This was where he burrowed against me and asked me not to leave him.

I thought I had it all worked out. I would run away. I went
through every scenario I could think of. But I never thought that he would be the one to leave me. I never thought being without him could hurt this much.

My muscles tighten. I break with a sob, and I’m surprised to hear his name come out of my mouth.

Cecily sobs too. We make horrible sounds echoing each other. I don’t know how long this goes on before she crawls out of bed. The bathroom light comes on, but she closes the door, reducing the light to slivers.

She runs the water for a very long time. I listen as her sobs taper down to sniffles and intermittent coughs. She opens the bathroom door several minutes later, shaking, silhouetted. Her hair and hands are dripping.

“Tell me about the twins,” she urges.

“What?”

“You and your brother,” she says. “When your parents died, what did you do? How did you get to a place where you could just carry on? Tell me. Tell me, because I’m sure that feeling this way is going to kill me.”

The last time I told her about the twins, she betrayed my trust. But she was a different girl all those months ago, still so easily coerced by Vaughn’s promises that we’d all be a happy family. She’s brutally wiser now.

“A feeling can’t kill you,” I say. “The twins thought the same thing as you, and they’re both still alive.”

“How?”

I go to her, and I mean to steer her back to bed, but she says that she needs air, and she leads me out into the
hallway, and then onto the elevator. We go through the labyrinth of hallways, through the kitchen, out to the rose garden. I think she was hoping to find something here, but it’s missing.

“I can’t breathe,” she says, gripping the railing of our wedding gazebo. Her words are fast and tight.

I stand beside her, all sympathy and guilt, remembering a day when I thought this demanding child of a bride was incapable of feelings.

“You are breathing,” I tell her.

She shakes her head.

“I know what you’re feeling,” I say.

“Not like this you don’t.” She slides forward until her face is on the railing. Her back heaves with the weight of her breaths. All around us is the smell of damp spring, everything still wet from the recent rain. She’s reduced to whispers. “Not like this.”

I don’t dare to touch her. Loss is a knowledge I’m sorry to have. Perhaps the only thing worse than experiencing it is watching it replay anew in someone else—all its awful stages picking up like a chorus that has to be sung.

It takes her such a long time to understand that her lungs and heart and blood are going to keep working. Nothing will stop. No feeling can be the end of a person, or else the virus would hardly be our biggest threat.

I sit on a wet step to wait for her, and to hold myself together. My own breaths are shaky; my head feels
swimmy and light. I try to find shapes in the stars—only, they don’t make sense tonight. I can’t remember what they mean.

For a while everything feels still and unreal. But then I’m filled with thoughts of what the morning will have to bring. I’ll make the bed, and then what?

When Cecily comes to sit beside me, we rest our heads together and I tell her a final story about the twins. The one whose grief drove him to set the country ablaze. And the one who found a way to love her captor.

T
HE LIBRARY
has the best view of the orange grove.

The morning is a gray photograph of a gray world where it is always raining; Cecily and I are standing at the window, watching Vaughn dig his son’s grave.

“The orange grove is a good place,” Cecily says, and her voice cracks. “Rose will be able to find him there.”

Many deaths have happened in this house, but none of the bodies were ever buried. Linden once told me that his father said the virus might be detrimental to the soil, and I never quite believed that. I believed that the bodies became Vaughn’s experiments. But after twenty-two years of working to save him, Vaughn is finally going to let Linden be at peace.

Linden is wrapped in a white sheet on a gurney, and for some reason I can’t rid myself of the worry that he’s going to be soaked by this drizzling rain.

It’s going to be a shallow grave, but it will be enough. There will be room for roots to spread out and for things to grow over him.

When Vaughn lifts the body from the gurney, Cecily grabs my shirt in both her fists. My muscles tense. Vaughn kneels by the grave, and at first I think he’s going to lower his son in and be done with it, but then he peels the sheet away from Linden’s face. My mind goes numb. That is Linden and not Linden at all.

He hugs his son, rocks him, reinforces his grip. Cecily moves to hide her face in my sleeve, but then she changes her mind and we make ourselves watch. We have to. He belonged to us—we have to. The sheet is raised again and the body is lowered, and the dirt covers him.

As he’s buried, my heart is a stone, burying itself in me.

So many things were said in the time I had with Linden. Lies were spun and things were whispered in the darkness of my bedroom. There was laughter, anger, party chatter, and occasionally the truth.

But now there are no words. Rain makes gentle noise against the house.

Cecily turns away from the window and sweeps her fingers over the table where the three of us as sister wives often took our tea. I hear a faint whimper as she moves out of the room.

For the rest of the morning I stay in the library, curled in the overstuffed chair that has always been my favorite,
and I read one of the romance novels Jenna loved. Every so often I hear the first notes of a song Cecily is playing on the keyboard, but she can only go on for a few seconds before it becomes too much effort. She doesn’t have the strength for an entire song.

She was right. There is no finality to a funeral. Linden is gone and I saw him go, but there’s still the sense that he’s somewhere. Everything in me is telling me to go outside and find him, bring him back.

It’s thundering outside. Lightning flashes. I try not to think of Linden all alone out there. I try to read what’s on the page, but I’m nearly halfway through the book, and I haven’t retained a single name, a single word of what’s happening.

An attendant comes for me. First generation, as most of them are. He stands in the doorway for a long time, hesitating. Maybe he thinks that I’m the House Governor’s widow and I’ll crumble and crack if he approaches me the wrong way. So he stares at me, and I stare at the page.

“What is it?” I say without looking up.

“The Housemaster has requested to see you downstairs. I was asked to escort you.”

I close the book, set it on the chair, leave the desperate lovers therein to find their way back to each other, or to lose each other entirely. Jenna said those stories always either ended happily or everyone died. She said,
What else is there?

Sometimes I can’t help being angry that she left me behind.

The elevator chimes as its doors open, and Cecily comes out of her bedroom. She has changed into her nightgown, and her hair is a mess. I hope this means she’s been sleeping. “Where are you taking her?” she asks the attendant.

He doesn’t know how to answer her in a way that’s safe. She is prone to temper tantrums, and Vaughn is surely on the warpath today already without having to deal with her.

“I’m only going downstairs,” I say.

“You can’t go,” she says. “You won’t come back.”

“Of course I’ll come back,” I say.

She shakes her head furiously, barricades the waiting elevator with her body. “No,” she says. “Rhine, please, no, no. I know that you won’t come back.”