Shades of Mao: The Posthumous Cult of the Great Leader (68 page)

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Authors: Geremie Barme

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BOOK: Shades of Mao: The Posthumous Cult of the Great Leader
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Page 221
Drunk in the Rapeseed Patch
Li Jian
Of the many quaint retakes on the Mao age, Li Jian's 1980 short story "Drunk in the Rapeseed Patch" is one of the earliest. It is the tale of a Red Guard becalmed in an isolated village who gives herself in marriage and bondage to the poor-and-lower middle peasantry while keeping her spirit alive by living in a petit-bourgeois dreamworld.
In this story, Li Jian, an erstwhile staunch Maoist,
1
makes pointed use of Mao quotes in a way common in everyday lifein particular as part of Beijing banterbut with a more earnest literary purpose. Although predating the Mao Cult of the late 1980s by nearly a decade, an excerpt of the story is included here for its value as a literary artifact. The Mao quotes are printed in bold type out of respect for Cultural Revolution convention.
"Good wine and coffee,
I only want a glass,
it reminds me of the past
when I had one glass after another. . ."
She sang while walking. Her carefully-creased pants made her look neat and casual.
It was autumn and the willows that lined the road were changing colour. The wind was crisp and carried a few yellowing leaves in its wake.
There was a touch of red in the distance, not red flags but the kite of a young girl.
"I'm drunk. . ."
She leaned against a willow, her hands combing through her hair roughly.
"Am I drunk?"
She moved away from the tree and continued her way forward unsteadily.
"I . . . really . . . want to sleep some more. . . ."
She could vaguely make out a yellow field through the willows and realized it was rapeseed.
"I . . . really . . . want to sleep some more. . . ."
She started crying as she ran towards the field and fell into its embrace.

 

Page 222
"I'm not drunk.
It's just that my heart is broken.
But why are you,
little rapeseed flowers,
weeping too?
If you are brokenhearted,
I'll join you in a glass . . ."
She lay there as though she was on a bed of yellow brocade.
She picked some rapeseed and flicked it against her breasts and sang:
"One glass after another . . .
one glass after another . . ."
The intoxicating effect of the wine hit her and she felt dizzy.
"What's wrong?"
A man who looked like a peasant with a hoe over his shoulder was standing there.
She jumped with a start.
"I'm . . . a Red Guard."
She flicked her braided hair back and set her Red Guard armband straight.
"A Red Guard . . ."
He didn't seem to understand.
". . . but what are you doing in our mountains?"
"Revolution, rebellion, struggle, link-ups."
"All by yourself."
"No . . . but I've been cut off from my company."
He looked into the sky:
"It's getting dark. Stay here."
She went back to the village with him.
The village was called Eight Mile Ravine and consisted of about twenty families scattered through the hills. Before Liberation it had been a Revolutionary Base. Later, in particular after the communes, Party cadres virtually never came here. There was no electricity and someone went to the commune once a week to collect the papers.
"You're . . ."
That night she stayed at his place and asked him:
"How come all the women in the village are deaf, mute or crippled?"
"You don't understand," he said as he rolled himself a cigarette. "We're so poor here and the weather's so badsand storms in the summer, snow in the winterand we survive just eating gruel made out of dried sweet potatoes, that no decent-looking girl would ever come here."
Her eyes lit up:

 

Page 223
"So poverty has made you think of change. You want to act, to carry out revolution."
"Revolt against what? It's our lot to cut grass for our animals."
She slept on his heated
kang
bed.
She woke to find him kneeling beside her.
"What do you think you're doing?"
His face went bright red:
"I just wanted to kiss a girl from the city . . ."
"You hooligan."
She jumped up.
"Red Guard . . ."
He knelt and clasped her by the calf, tears flowing down his face.
"I'm 35 and I've never been with a woman. I was a hired labourer . . ."
Suddenly she recalled the Chairman's Highest Directive:
There would be no revolution without the poor peasants. If we negate them we are negating the revolution. If we reject them we are rejecting the revolution itself!
"We're class brothers."
She was so moved that she pulled him up.
"Just one kiss . . ."
He stood before her staring in a daze.
"The nation is our nation, the society our society. If we don't speak out who will. If we don't act who will?"
The Chairman's Highest Directive was like a revolutionary bomb that exploded in the depths of her soul:
The sufferings of the poor and lower middle peasants are our own sufferings. Their difficulties are our difficulties. We must fight against every selfish thought and concern ourselves with the cares of the poor and lower middle peasants.
She blushed.
He bundled her onto the bed in a mad frenzy, then blew out the light.
Her Red Guard armband was soon flecked with blood . . .
The East is Red, the Sun Rises. She greeted her first morning in Eight Mile Ravine. . . .
Notes
1. See Kam Louie, "Literary Double-Think in Post-Mao China: The Case of Li Jian," p. 30; and Beijingshi wenlian yanjiubu, ed.,
Zhengming zuopin xuanbian,
vol. 2, pp. 69-87.

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