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Authors: Sandra Brown

Tags: #Legal, #Suspense, #Fiction, #General, #Georgia, #Thrillers, #Rich people, #Atlanta (Ga.), #Trials (Murder), #Legal stories, #Rich People - Georgia

Smash Cut (11 page)

BOOK: Smash Cut
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Maggie stood up and growled. Seconds later Derek’s doorbell rang. He looked at the clock on his desk. “Who the hell?”
He’d come home, bringing a carryout dinner with him. He ate it while catching the first few innings of the Braves’ game on TV, then went into his home office, where he’d been working for the rest of the evening. It would take him several days to bring himself up to speed on everything that had transpired while he was away, and he got more done at home after hours than he did in the office when his attention was in high demand.
Barefoot, wearing only gym shorts and an old T-shirt, he went through the house, turning on lights. He wasn’t expecting company, and certainly wasn’t expecting the person he saw through the peephole of his front door.
He undid the lock and opened the door. “What the hell are you doing here?”
Creighton Wheeler brushed past him and strode in. “I want you to get her off my back. I don’t care how much it costs, or what strings you have to pull, or what hoops you have to jump through. Do whatever you have to, just get her to leave me the fuck alone.”
“Come in,” Derek said caustically as he swung shut his front door.
“She’s gone beyond finger-pointing and name-calling.”
“First of all, who is ‘she’? Roberta Kimball?”
“Julie Rutledge,” Creighton said, enunciating. “At first it was just insulting remarks dropped here and there. She’s moved past that—” He broke off and warily regarded Maggie, who was still growling. “She won’t bite, will she?”
Derek ordered his dog to sit. She’d responded to the anger in his voice, but it was his unexpected guest, not Maggie, who’d made him mad as hell. “Where do you get off, coming to my house at this time of night, storming in here? You’ve got your gall.”
“And a lot of money.”
Derek closed the distance between them and jabbed his finger toward Creighton’s face. “Which entitles you to
nothing
. Certainly not the right to barge in on me at home. I will not represent you. I don’t know how to make it any clearer.”
Creighton assumed that arrogant stance that had caused Derek to despise him on sight. Derek didn’t quail, and eventually something in his angry demeanor must have penetrated. Gradually, Creighton took several steps backward. He patted the space between them with both hands. “All right, all right. I’m sorry I didn’t call ahead of time. That was rude. But it was imperative that I speak with you.”
“Then you should have called my office and made an appointment during business hours.”
“Would you have seen me?”
“No.”
Creighton made a gesture that said,
Exactly.
“I said everything I had to say to you this afternoon.”
“When we met this afternoon, Julie Rutledge wasn’t stalking me.”
“Stalking
you?”
“That’s right. She’s lost her reason. She must be suffering from post-traumatic stress caused by the shooting. Something. I don’t know. I wouldn’t care except that she’s focused her craziness on me. She’s accusing me of taking some part in that cock-up robbery when my uncle got shot. Yes, she actually said, ‘I know you were behind his murder.’”
Julie had deceived Derek, but he didn’t believe her to be unreasonable, suffering from PTSD, or crazy. In fact, quite the opposite. But he wasn’t supposed to know her personally. He said, “She didn’t appear to be deranged when I saw her on television.”
Creighton seemed not to hear that. “I’m going to get a restraining order against her. Or rather, you are.”
“I beg your pardon?”
“Tomorrow. I want you to go to a judge, or whatever it is you do to get a restraining order. In the frame of mind she’s in, God knows what she’s likely to do. I don’t want her anywhere near me. Get a restraining order, so she can be arrested if she invades my privacy.”
“It’s not that easy, Creighton.”
“The harder it is, the more money you’ll make, so what are you worried about?”
Derek was worried that he might yet knock this rich son of a bitch on his ass for thinking that anything—including Derek Mitchell—was attainable if you threw enough money at it. But slugging him wouldn’t accomplish anything except possibly getting himself sued, so he exercised amazing self-control and asked, “What set you off? What happened? What gave you the impression that Ms. Rutledge is a danger to your person?”
To demonstrate that he was prepared to listen, Derek backed into a chair and sat down. Maggie parked herself at his feet and kept a suspicious eye on the man in the impeccably tailored cream-colored suit as he paced the entryway and told Derek about an encounter with Julie Rutledge at a nightclub called Christy’s.
When he finished, Derek asked, “What was she doing there?”
“Haven’t you been listening? She was stalking me.”
“Was she with anyone?”
“I don’t know. I don’t believe so.” Creighton’s fingers were flexing and extending at his sides, revealing his impatience. “What the fuck difference does it make whether she was alone or not? I caught her staring at me in the mirror. I won’t have her trailing me. You’ve got to do something about it.”
“Wrong. I don’t.” Calmly Derek folded his arms over his chest. “You and Julie Rutledge happened to see each other in a popular bar. A chance encounter—”
“Chance, my ass.”
“A chance meeting in a public place does not stalking make.”
“She followed me there.”
Derek raised one shoulder. “Possibly.”
“Definitely.”
“Do you have proof of that?”
“Of course not, I just know.”
“She’s followed you before?”
“I haven’t seen her, but that doesn’t mean she wasn’t hiding in the background.”
It was all Derek could do to keep a straight face. “Hiding in the background? Like behind the shrubbery? Why would she want to spy on you, Creighton?”
“Because she’s delusional.”
“Have you seen her lurking around your place? Your Porsche? Your tennis locker?” Derek saw that Creighton didn’t like his intentional gibes.
“You think this is funny?” he asked tightly.
Derek dropped the nonsense and came to his feet. “If Julie Rutledge starts calling you in the middle of the night issuing death threats, or begins sending you dire messages through the mail, or boils a bunny in your spaghetti pot…” He paused, waiting for Creighton to comment. When he didn’t, he said, “That was a movie reference.”
“I got it,” Creighton said in that taut voice that barely moved his lips.
“If she starts doing things like that,
then
would be the time to apply for a restraining order.”
“You would handle it?”
With reluctance, and only because he was tired and wanted Creighton Wheeler out of his house, Derek said, “I would consider it.”
Creighton didn’t look happy, but he appeared mollified, certainly calmer. “All right then. Good. I’ll be in touch.”
Derek went to the front door and opened it. As Creighton walked past him, Derek caught his shoulder and turned the younger man to face him. “I don’t care how much money you’ve got, don’t ever,
ever
, come to my house again.”
Creighton snuffled a laugh. “Or what?”
“Or I’ll hurt you.”
Creighton flashed his most handsome smile. “Promise?” Then he blew Derek an air kiss and sauntered toward his Porsche parked at the curb.

CHAPTER
11

A
DOYENNE OF ATLANTA SOCIETY PASSED JULIE AN ENVELOPE. “Here’s your tax receipt. You can fill in the amount of the market value of the painting. What should be the floor of the bidding?”
Chez Jean had donated a painting to be auctioned that night at a charity event to raise money for a new children’s cancer hospital. “One of her earlier works sold last week in Sausalito for seventy-two hundred.”
“Let’s make the floor five thousand.”
“I hope it’ll bring a lot more.”
“I’m sure it will.” The older woman assessed the painting with a discerning eye. “I intend to bid on it myself.”
Julie smiled. “Good luck.” She went on to explain how she planned to get the painting to the venue. Kate was discussing the merits of a work with another customer, an elderly gentleman who frequently stopped in but had never actually purchased anything. Julie suspected that he made his rounds of local shops in search of company rather than merchandise, but she and Kate enjoyed his visits. He never outstayed his welcome.
When the chime above the gallery door announced a new arrival, Julie turned, ready to greet a customer. Instead, Detectives Kimball and Sanford came in, and if they’d been outfitted in riot gear they couldn’t have looked more like police officers. Their bearing was official. Everyone fell silent and stared.
“Good morning,” Julie said pleasantly.
The two responded appropriately.
“I’ll be right with you.”
“Take your time,” said Kimball, who seemed more at ease than Sanford, although Julie suspected that the female detective’s nonchalance was a pose. Roberta Kimball didn’t strike her as someone who frequented art galleries.
Julie turned back to the society matron. “I’ll stay after the event and crate the painting for the new buyer to ensure it won’t be damaged in transit.”
“That would be lovely.” Her wrinkled face took on a sad aspect as she patted Julie’s hand. “I know this is a terrible time for you, dear.” She cast a glance at the two detectives, who were studying the artworks—or pretending to. “Paul was a wonderful person. I still can’t believe he died in such a horrible manner.”
With that, the woman left. The elderly gentleman kissed Kate on the cheek and made his departure.
“Looks like we’ve cleared the room,” Kimball said. “Sorry about that.”
“You didn’t cost us a sale. What brings you?”
The two detectives looked toward Kate, who was standing nearby, seeming uncertain of what she should do. Julie made introductions, which were followed by an awkward silence.
Kate asked, “Would anyone like an espresso?”
“I would, thanks,” Kimball said. Sanford declined.
“We’ll be in the parlor,” Julie told Kate, who excused herself to get the refreshment.
Julie showed them the way. At this same time yesterday, she’d been sharing the parlor with Derek Mitchell. She wondered if she would ever go into the room again without thinking of him. Doubtful. He seemed to have left his essence, which assailed her as the three of them filed in.
The detectives sat down on the short sofa. Julie took a chair facing them. Sanford began by holding up a manila envelope. “We have more pictures.”
“Of the same man?”
Kimball nodded. “We’ve got him passing through the lobby the two days prior to the crime. One of the pictures is a pretty good shot.”
“May I see?”
Sanford opened the envelope, withdrew several eight-by-ten glossies, and passed them to Julie. “The top one is the best.”
Kate came in bearing a small tray with a demitasse cup of espresso for Kimball. She served it while Julie studied the photograph. It was superior to the one she’d seen the day before, but not by much. It was grainy and out of focus. She flipped through the others, but as Sanford had said, the top one was the best of the lot.
“It’s definitely the same man in all of them,” she said.
Kimball sipped her espresso and gave Kate a nod of thanks.
“Unmistakably the same man,” Julie continued. “But I’ve never seen him before.”
Sanford’s disappointment showed. “You’re certain?”
“Positive. I don’t know him.”
Sanford sat back, stretched his arms out along the back of the sofa. He looked at Kate. “I’d take a glass of water if you’ve got it.”
Kate, who was looking over Julie’s shoulder at the photograph, jumped to obey. “Certainly. Julie?”
“No thank you.”
The young woman went out, leaving Julie alone with the two detectives, who were studying her with a concentration similar to that with which Derek Mitchell had studied the painting of the naked fat man.
“What is it?” she asked.
“Walk us through it again,” Sanford said.
“The holdup?”
“The whole thing. From the time you and Paul Wheeler left the suite.”
She looked at Kimball, whose expression remained implacable. She’d finished her espresso and was sitting forward with her elbows on her knees. Sanford was still leaning back against the cushion. Both looked on full alert.
Julie patiently repeated her account. When she reached the point where she first saw the robber, she stopped. “Maybe if you’d tell me what you’re particularly interested in, I could—”
“We don’t want you to skip anything,” Kimball said. “Keep going, please.”
Julie waited while Kate came in and served Sanford his water, then picked up at her stopping point and talked them through the entirety of it, ending with the arrival of the paramedics. “Until they got there, no one was able to pull me away from Paul. I held him until I was forced to let go.”
No one said anything for several moments. Sanford took a drink from his glass of water, then placed it on the table beside Kimball’s empty demitasse cup. Kimball was the first to break the uncomfortable silence.
“We sent these new photos to the others. All have come back negative on an ID, same as you.”
“The robber had on the mask, the sunglasses, the gloves. It would be impossible to match him to the man in these photographs.”
“Right,” Kimball said. “We didn’t count on getting that lucky. But, while we had them on the phone, we had each of them talk through it again, just as we did you. And something the ladies said—both of them, independently—struck us. Something we either hadn’t caught before or hadn’t paid attention to.”
Julie shifted her gaze to Sanford, but his liquid eyes gave nothing away. In the true spirit of their partnership, she suspected they had decided earlier that Kimball should take the lead this time round.
Looking back at her, Julie asked, “Well, what was it?”
“You didn’t kneel. When the robber demanded that everybody drop to their knees, you remained standing.”
“I knelt.”
“But not right away. Why?” Kimball pressed. “Here’s a masked man aiming a gun at you, yelling for you to drop. One of the women from Nashville admits to being so scared, she wet herself. She dropped to the floor immediately, afraid that if she didn’t he would shoot her. Her friend did the same.”
“The man from California—” Julie began.
Kimball cut her off. “Says he was too frozen with fear to move. Then the robber poked the pistol at him and told him to get down, and he did. You didn’t. They all say you defied him. You argued with him, told him that Wheeler had arthritic knees. It was ultimately he, Wheeler, who pulled you down beside him.”
Sanford, finally becoming engaged, lowered his arms and sat forward, matching the posture of his partner. “Are you extraordinarily brave, Ms. Rutledge?”
“I’ve never considered myself to be, but my courage has never been tested to that extent. People react differently to mortal fear. I don’t think we know how we’ll react until we’re placed in that kind of situation. I don’t remember feeling particularly brave.”
“What were you feeling?” Kimball asked.
She hesitated, then replied, “Resignation.”
There was a short pause, then Sanford said, “You thought he’d kill you no matter what you did?”
She met the detective’s incisive gaze, then looked at Kimball, who was watching her just as intently. “I knew he would. I knew the instant I saw him that the robbery was bogus. He was there to kill Paul and, I was sure, to kill me, too.
“If I didn’t kneel down as soon as he ordered it, I think it was because I knew it wouldn’t change the outcome. I was staring into the lenses of his sunglasses trying to see through them.”
“In the hope of persuading him not to kill you?”
“No. To identify his eyes.”
“Did you?”
She lowered her head, shaking it. “I was looking for Creighton.”
“It wasn’t him, Ms. Rutledge.”
“I know that now.”
The gallery phone rang. Julie heard Kate’s muted French accent through the walls, “Chez Jean. I’m sorry, she’s in a meeting just now.”
She’s being interrogated by the police.
That would have been a more accurate statement. This interview had taken on the tone of an interrogation, and it was making her distinctly uneasy.
“Why is this important now? What difference does it make at what point I knelt?”
Sanford spoke in a low voice. “You say that, whether you had knelt or not, it wouldn’t have changed the outcome.”
“And it didn’t.”
“Paul Wheeler is dead, but you’re still here.”
“Stating the obvious,” Julie said.
“Well, yeah, see that’s why this could be significant,” Sanford said.
Julie looked at them in turn. “Forgive me, Detectives. I’m still missing your point.”
“Here’s the point, Ms. Rutledge,” Kimball said. “The case could be made that you didn’t kneel when the robber ordered you to…because you knew you weren’t in any danger from him.”
BOOK: Smash Cut
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