They walked along the rows of tents together, weaving their way between jugglers and mimes and fire eaters. At last they reached a small tent with a sign outside reading
JULIE HOROWITZ, FAMED MYSTIC. TALK TO YOUR DEPARTED LOVED ONES.
âGive me a minute,' said Jim, and ducked his way in through the tent-flap. Inside, in tangerine-colored gloom, a young woman in upswept glasses was sitting at a small card table, with Tarot cards spread out in front of her. She looked more like a secretary from a 1960s comedy show like
The Beverly Hillbillies
than a âfamed mystic', capable of talking to departed loved ones.
âHi,' said Jim. âI was wondering if you could possibly help me to track down a spirit.'
âOf course. I can find
anybody,
so long as they've passed over. Who is it â somebody who was very close to you?'
âActually, I don't know them at all.'
âBut you have a name? I have to have a name to call on.'
âUnh-hunh. All I know is that something walked through a woman's back yard a couple of days ago, and it may be responsible for drowning her son.'
âI don't understand how I can help you, I'm afraid.'
âI need you to come to her house and tell me if it really was a spirit, and, if it
was
a spirit, exactly what species of spirit it was.'
Julie Horowitz took off her glasses and stared at Jim solemnly with bulging, unfocused eyes. âYou're talking about something called a spirit-trace. I'm afraid that's way out of my league. I find spirits by connecting the yearning grief of the living with the bitter regret of the recently dead. I don't do random manifestations. Especially random manifestations that might be irritated at being interfered with.'
âDo you know somebody who does?'
âI'm sorry ⦠I don't think you'll find anybody like that here. We're not ghost hunters, we're more like an encounter group between the living and the passed-over.'
âI see. Well, thanks for your time, anyhow.'
âYou're welcome. But if you
do
manage to find somebody to do a spirit-trace for you, you should be very, very careful. I heard about a medium in Bel Air who tried to trace the spirit in some movie producer's house, and she hasn't been able to stop screaming ever since. Literally.'
âGreat, thanks for the advice.' Jim pushed his way out of the tent and back into the sunlight. âNo luck, I'm afraid,' he said. âThese people can let you talk to your dead Aunt Rhoda, but that's about as far as it goes.'
âMaybe we can go for lunch now?' asked Karen.
âSure,' Jim agreed. âJennie, how about I run you home? I'll have another try tomorrow. I know a couple of people who might be able to help me.'
âAll right,' said Jennie. Her disappointment was hidden behind her large dark sunglasses, but Jim could hear it in her voice. He took her arm and led her through the crowds toward the park entrance.
They were passing a stall hung with hundreds of different mirrors when Jim saw the white-faced young woman in black reflected in almost every one of them. She was looking at him out of mirrors with gilded frames, mirrors surrounded by seashells, hand mirrors with brass fairies for handles, distorting mirrors and mirrors with strangely tinted glass. Beside her stood a mime in a baggy white Pierrot outfit, with a face as cement-white as hers, and a black-painted slash for a mouth.
Jim turned around â while Karen and Jennie, not realizing that he had stopped, continued walking toward the entrance. The young woman stayed where she was, but she kept on staring at him with the faintest of smiles, her lips as white as the rest of her face. She had a broad forehead, and wide-apart eyes that were gray as a winter sky. Her dress was shiny black silk, with a close-fitting bodice and a full skirt, almost medieval. She was very full-breasted, with a large silver cross in her cleavage.
Jim walked up to her. The mime moved closer to her, as if he were protecting her.
âExcuse me,' Jim asked her. âBut do you
know
me?'
âNo,' she smiled. âBut I know what you want.'
âOh, yes? Is that why you've been following me?'
âI wasn't following you. I was waiting for you to find me.'
âOkay then, it looks like I have. My name's Jim Rook.'
She held out her hand. It was very soft, long-fingered and surprisingly cold. âSusan Silverstone,' she said. âAnd this is my friend Medlar Tree.'
Jim gave the mime an army-style salute. âNice to meet you, Mr Tree.'
âMedlar Tree is his whole name,' said Susan Silverstone. âThe medlar tree is the least known of all the magic trees. You can't eat its fruit until it looks as if it's rotten, but it's a strong charm against devils and all kinds of black mischief.'
âI see,' said Jim, turned back to Medlar Tree and said, âSorry.' The mime gave him a sweeping bow. Jim had always detested mimes. As a language teacher, he thought that their deliberate refusal to talk was the worst kind of social arrogance.
âSo what do you think I'm looking for?' he asked Susan Silverstone.
âThe same thing as most people: reassurance. But you want a very special kind of reassurance, don't you? You want to find out if something
wicked
has come this way.'
âHow do you know that?'
She touched her temples with her fingertips, and gave him the most extraordinary look that any woman had ever given him in his life. It was like tilting your head back and staring up at the sky at night and seeing that all the stars had gone out.
âI know because I'm a sensitive, and you're looking for a sensitive, aren't you? I know because I can feel your anxiety from fifty feet away. I know because the woman you're with has just been bereaved, and she's trying to find a reason why.'
Jim took off his sunglasses. âAre you trying to pull something here?'
âOf course not,' said Susan Silverstone. âYou can ask anybody here. I'm renowned for my interpretation of other people's auras.' Behind her, Medlar Tree pulled his mouth downward like a theatrical mask, and disapprovingly waggled his head from side to side.
Jim said, âThe way I've been walking around asking people questions, it isn't hard to work out that I'm looking for something, especially since I'm not exactly dressed like Jimi Hendrix. And it isn't hard to guess that this lady has been recently bereaved. Who else walks around totally dressed in black on a hot day like this? Apart from you.'
âThen let me impress you a little more. Your anxiety has something to do with water, doesn't it?'
Jim said nothing, but Medlar Tree began to perform a breaststroke in mid-air, and blow out his cheeks as if he were swimming. For the first time in a long time, Jim felt like gratuitously punching a person in the nose.
âMore exactly, your anxiety has something to do with somebody drowning.'
Karen and Jennie had realized that Jim was no longer walking alongside, and Jennie had turned back. âJim?' she said, looking at Susan Silverstone in apprehension. âIs everything all right?'
âThis lady seems to know what we're here for,' said Jim.
âCan she do a spirit-trace?'
âOf course,' said Susan Silverstone. âSpirit-tracing is one of my specialties.'
âHow much do you charge?'
âYou've just lost your child. You don't think I'd ask you for money, do you?'
âHow do you know about that?' said Jennie. âDid you tell her that, Jim?'
Susan Silverstone laid a hand on Jennie's sleeve. She had silver rings on every finger and on her thumb. Beside her, Medlar Tree rubbed his eyes as if he were sobbing in grief. Jim gave him his famous death-stare, but all he did was pout and flounce.
Susan Silverstone said, gently, âI didn't need to be told. Mothers who have lost their children have a special look about them ⦠the saddest look that you can ever imagine.'
âThen you'll help me? I'm sure there was somebody there when Mike went under the water.'
âI'll take a look for you,' Susan Silverstone reassured her. âIf there was anything there, then believe me, I'll know.'
Karen came up and joined them. She pulled a face at Jim and tapped her wristwatch. âCome on, Jim, if we're going to make it up the coast before twelve â¦'
âIf I'm going to do a spirit-trace for you, it'll have to be now,' said Susan Silverstone. âI'm going to Bakersfield this afternoon, for orchard counseling.'
â
Orchard counseling?
' asked Karen.
âOf course. Trees can get stressed too, you know, just like people. Sometimes scores of them can be seriously traumatized. You can sense it, the minute you walk into the orchard. It's a bad, bad feeling, like there's an electric storm brewing. It unsettles the farm workers and it can have a totally devastating effect on fruit production.'
âNow I've heard everything,' said Karen. âMy lunch is canceled because an orange grove has the heebie-jeebies.'
âI'm really sorry, Karen,' Jim told her. âHow about we go for dinner instead? I can book a table at the Palm.'
âWell, I'm sorry, too, Jim. Especially since this is the last day we're going to be able to spend together.'
âWait up a minute,' Jim asked Jennie and Susan Silverstone. He took Karen aside, next to a wholefood stall. âListen,' he said, âI can't just turn my back on this. Jennie asked me for help and this is the only way I know how.'
âThat's a pretty pathetic excuse for spending the rest of the day with some busty mystic in a low-cut dress.'
âWhat are you talking about? I didn't even notice her dress.'
âSo you're blind as well as unreliable?'
âLook, okay, I noticed the dress but I don't care about the dress. I care about you. I was going to wait until later to ask you this, but the reason why I wanted to take you up the coast today was to find out if you'd consider coming to Washington with me.'
âWhen?'
âOn Wednesday, when I leave. Or maybe join me in a week or two, when you've had the chance to pack up your things.'
âYou mean you want me to come to Washington
permanently
? To
live
with you?'
âIs that such a terrible idea?'
âNuts?' asked the woman behind the wholefood stall. âPulses?'
Karen laid her hand on Jim's shoulder. âJim ⦠I'm really fond of you. I almost love you. But can you see us
living
together? I'm fanatical about neatness, you know that. My sweaters are all folded away by color. My shoes all have shoe-trees. You can call me anally retentive if you like. But you â well, all I can say is that your closet is the nearest thing I've ever seen to a one-man rummage sale and your sock drawer looks like the snakepit in
Indiana Jones
. And your
bathroom
. Who else do you know who keeps half a bicycle and a set of golf clubs in their
bathroom
? Apart from that, we're so mentally different. I believe in facts and figures and empirical proof, but what do you believe in? Spirits, and demons, and weird things that nobody else can see. I like Mozart and you like Hootie and the Blowfish. I like step aerobics and you like slouching on the couch. I like brown rice and you like cheeseburgers. Jim â you make me laugh a lot. Sometimes you even inspire me. But if we tried to live together, we'd end up murdering each other, I promise you.'
Jim frowned at her for a long time, still holding her hands in his. Eventually he said, âIs that a no?'
B
y the time they drove up to Jennie's house in Jim's bruised old Eldorado, the midday heat had turned the sky an eerie cadmium yellow, as if the end of the world was only a few hours away. In the yard there was no wind at all, none. Heat rippled up from the bricks and the surface of the swimming pool was so glassy that the pool appeared to be empty.
âYour husband not home?' asked Susan Silverstone, stalking around the pool, looking sharply from side to side. She was wearing tiny gold-rimmed sunglasses with red lenses. Medlar Tree made himself comfortable on one of the sunbeds and started to roll a ping-pong ball between his fingers.
Jennie said, âDoug's spending a few days with his brother in San Luis Capistrano.'
âHe didn't stay to support you?'
âHe doesn't believe I experienced anything. He thinks I'm making it up, because it was my fault that Mike was drowned. He always wanted a son more than anything.'
âSounds like a regular guy.'
âI can't blame him. He's absolutely shattered.'
âAnd you're not, I suppose?'
Susan Silverstone walked around the pool again and again, her hands raised in front of her face as if she were praying. After about the tenth or eleventh circuit, she stopped by the oleanders on the far side of the pool, away from the house. She frowned, and then she said, âThere was something here. It left the yard by way of these bushes.'
âYou're right,' said Jennie, breathlessly. âI saw the bushes move right where you're standing, and the footprints wereâ'
Susan Silverstone raised her hand. âDon't tell me where the footprints were. Don't tell me anything. The spirit-trace has to be pure, without any prejudice whatsoever.'
She came back around the pool and picked up a cushion from one of the sunbeds. She laid it down on the brick patio and knelt on it, spreading her dress all around her like a black convolvulus flower.
Out of a black woven bag she produced a large diamond-shaped crystal, and something which looked like a shiny white ashtray. She set the ashtray down on the ground in front of her, and then she balanced the crystal in the center of it, on one of its points. Jim stared at it and said, âHow does she
do
that?' Medlar Tree responded by balancing his ping-pong ball on the tip of his nose and rolling his eyes. Jim instantly snatched the ball and crushed it in his fist. âDon't you understand that somebody died here, you cretin?'