'Requa,'''
Women Writing in America: Voices in Collage
(Hanover, N.H.: University Press of New England, 1984), 70.
|
9
. Yonnondio: From the Thirties
(New York: Delacorte Press/Seymour Lawrence, 1974), viii. Subsequent references appear in the text.
|
10. "I Stand Here Ironing," in
Tell Me a Riddle
(New York: Dell Delta, 1989), 12.
|
11. "The Shaping of a Canon: U.S. Fiction 1960-1975," in Robert van Hallberg, ed.
Canons
(Chicago: University of Chicago Press, 1983), passim.; quotations 390, 395-396.
|
12. Parts of this analysis appear in somewhat different form in my essay, "Rereading
Tell Me a Riddle
in the Age of Deconstruction," in Shelley Fisher Fishkin and Elaine Hedges, eds.,
Listening to 'Silences': New Essays in Feminist Criticism
(New York: Oxford University Press, 1994).
|
13. Dorothy Parker, "Book Reviews," review of
Tell Me a Riddle, Esquire
(June 1962): 64.
|
14. William H. Peden, "Dilemmas of Day-to-Day Living," review of
Tell Me a Riddle, New York Times Book Review
(November 12, 1961): 54.
|
16. "Introduction," Kay Hoyle Nelson and Nancy Huse, eds.,
The Critical Response to Tillie Olsen
(New York: Greenwood Press, forthcoming), 16.
|
17. Cited in Nelson, The Critical Response, 5.
|
18. Ellen Cronan Rose, "Limning: Or Why Tillie Writes,"
Hollins Critic
13.2 (April 1976): 1-13.
|
19. Catherine R. Stimpson, "Tillie Olsen: Witness as Servant."
Polit: A Journal for Literature and Politics
1.2 (Fall 1977): 1-12.
|
20. Judith Newton and Deborah Rosenfelt, "Introduction: Toward a Materialist-Feminist Criticism,"
Feminist Criticism and Social Change: Sex, Class, and Race in Literature and Culture
(New York: Methuen, 1985).
|
21. "Literature of Resistance: The Intersection of Feminism and the Communist Left in Meridel Le Sueur and Tillie Olsen," in Lennard J. Davis and M. Bella Mirabella, eds.,
Left Politics and the Literary Profession
(New York: Columbia University Press, 1990); Constance Coiner,
Better Red: The Writing and Resistance of Tillie
|
|
