That Gallagher Girl (32 page)

Prologue
Summer 2001

‘Hey, you! What do you think you're doing?'

It was a girl's voice, brittle as cut crystal. Río, daydreaming amongst sea pinks, wondered if the words were directed at her. Lazily, she turned over onto her tummy, pushed a strand of hair back from her face, and leaned her chin on her forearms. From her vantage point atop the low cliff she had a clear view of the shore, picture-postcard pretty today, with lacy wavelets fringing the sand. Below, on the old slipway that fronted Coral Cottage, a girl of around twelve years old stood, arms ramrod stiff, hands clenched into fists.

‘You!' said the girl again. ‘Didn't you hear me? I asked what you were doing.'

The boy squatting on the sandstone glanced up, took in the blonde curls, the belly top, the day-glo-pink pedal-pushers, the strappy sandals, then resumed his scrutiny of the rock pool that had been formed by the receding tide. ‘I'm looking for crabs,' he told her.

‘Smartarse. I didn't mean that. I meant – what are you doing on my land?'

‘Your land, is it?' murmured the boy. ‘I don't think so, Barbie-girl.'

‘You may not think so, but I
know
so. That's my daddy's slipway, and you're trespassing. And don't call me Barbie-girl, farm-boy.'

Río smiled, and reached for her sunglasses. Bogtrotter versus city slicker made for the best spectator sport.

‘Shut up your yapping, will you? There's a donkey up in the field beyond trying to feed her newborn. You'll put the frighteners on the pair of them.'

Río saw the girl's mouth open, then shut again. ‘A donkey? You mean there's a donkey with a baby?'

‘Yip.' The boy rose to his feet. ‘I'll show you, if you like.'

The girl looked uncertain. ‘I'm not supposed to go beyond the slipway.'

‘Why's that?'

‘I've got new sandals on. I might get them dirty.'

The boy shrugged. ‘Take 'em off.'

‘Take my shoes
off
?'

‘They're not nailed to your feet, are they?'

From the field beyond came a melancholy bray.

‘What's that?' asked the girl.

‘That's Dorcas.'

‘Dorcas is the mother donkey?'

‘Yip.'

‘What's her baby called?'

‘She doesn't have a name yet.'

‘What age is she?'

‘A week.'

‘A week! Cute!'

‘She's cute, all right,' said the boy, moving away from the slipway.

The girl gave a covert glance over her shoulder, then reached down, unfastened her sandals and stepped down from the slipway onto the sand.

‘My name's Isabella,' she said, as she caught up with him. ‘What's yours?'

‘Finn. Do you want some liquorice?'

‘Hel
lo
? Don't you know the rule about not taking sweets from strangers?'

‘Liquorice isn't really a sweet. It's a kind of plant. Have you clapped eyes on a donkey before?'

‘Yes, of course. On the telly. What's that stuff?'

‘That's spraint.'

‘What's spraint?'

‘Otter poo.'

‘Ew!'

Finn laughed. ‘Wait till you see donkey poo.'

The children's voices receded as they moved further down the beach. Río was just about to call out to Finn, to warn him to mind Isabella's feet on the cattle grid, when new voices made her turn and look to her left.

Two men were strolling along the embankment that flanked the shoreline. One sported a shooting stick, the other had a leather folder tucked under his arm. Both were muttering into mobile phones, and both wore unweathered Barbours and pristine green wellies. City boys playing at being country squires, Río decided.

The men clambered down the embankment, then meandered along the sand until they came to a standstill directly below Río's eyrie.

‘Get your people to call mine,' barked one man into his Nokia, and: ‘I'll get my people to call yours,' barked the other into his, and then both men snapped their phones shut and slid them into their pockets.

As Isabella and Finn disappeared round the headland, Río heard Dorcas greet them with an enthusiastic bray. One of the men looked up, then raised a hand to shade his eyes from the sun. Leaning as he was on his shooting stick, he looked like a male model from one of the naffer Sunday supplements.

‘What's that bloody racket, James?' he asked.

‘A donkey. You'd better get used to it,' said the man with the folder. ‘Noise pollution in the country is as rampant as it is in the city, only different. You'll be waking up to the sound of sheep baaing all over the place.'

‘And birdsong. Felicity's having a statue of some Indian goodess shipped in from Nepal, so she can greet the dawn every morning from her yoga pavilion.'

Yay! Río realised she was in for some top-quality eavesdropping. Yoga pavilions! Indian goddesses! What kind of half-wits were these?

‘Did Felicity mention that she wants me to relocate the pavilion further up the garden,' asked the man called James, ‘in order to maximise the view?'

Sunday Supplement Man swivelled round to survey the bay, then nodded. ‘She's right. Imagine starting the day with that vista spread out in front of you.'

‘She'll be like stout Cortez.'

‘I beg your pardon?'

‘Stout Cortez. Upon his peak in Darien. It's Keats, you know.'

‘Oh, yes.'

Río smiled. Something about the man's demeanous told her he was bluffing, and that he didn't have a clue about stout Cortez or Keats.

‘You'll be able to moor your pleasure craft there,' observed James, indicating a buoy that bobbed some fifty yards out to sea. ‘That's where the previous owners used to moor their row boat, according to the agent.'

‘I'll need a rigid inflatable to take me out. I assume there'll be space in the garage for an RIB as well as the Cherokee?'

‘Of course. And space for the garden tractor too. I was mindful of all that when I drew up the dimensions. But while you're in residence you'll be able to leave your RIB on the foreshore below the gate.' James indicated the five-bar gate that opened onto the foreshore. It was the gate into the old orchard that adjoined the property, the orchard where Río had often picnicked as a child because it was a designated right of way onto the beach.

‘That's commonage, yeah?'

‘Strictly speaking, yes.' James opened his folder, and drew out an A6 sheet. ‘But if you plant a lawn – see here, where it's marked on the plan – that stretch of foreshore could easily be incorporated into the garden.'

‘Could be dodgy. People can be very territorial.'

James shrugged. ‘Only someone with local knowledge will know it's an established right of way, Adair. And I don't imagine many locals go strolling here, away from the beaten track.'

I do! thought Río indignantly.
I
go strolling here! And not only that, but I go skinny-dipping here too. And picnicking. And once upon a time I even managed some alfresco lovemaking here. Try planting a lawn on that foreshore,
Adair
, and I'll tether Dorcas there and have her crap all over it!

‘I don't want to make any enemies, James,' said Adair. ‘It's going to look bad enough, pulling down the cottage and putting up a structure ten times its size.'

‘I shouldn't worry too much about that. The cottage would be sure to have a demolition order slapped on it within the next year or so in any case – if you hadn't had the nous to snap it up first. Derelict buildings are anathema to the boys in Health and Safety.'

‘And anathema to every developer worth the name.' Spreading an expansive arm that took in the foreshore, the embankment and the cottage that Río knew lay nestled in the tangle of ancient trees beyond, Adair – looking more like Sunday Supplement Man then ever – sighed with contentment and said: ‘This will be our bucolic retreat, far from the maddening crowd. Our very own Withering Heights. There's a literary reference for you!'

If Río hand't felt so pissed off, she might have sniggered.

‘Have you dreamed up a new name?' James asked, with alacrity. ‘“Coral Cottage” will be a serious misnomer once you've increased the square footage.'

‘How about “Coral Castle”?' suggested Adair, with a laugh.

‘That may be more accurate,' agreed James. ‘But it's hardly the most diplomatic of choices, if you want to keep the locals on your side.'

‘You're right. As I said, I don't want to make any enemies.'

Río bit down hard on her lip in an effort to stop herself shouting out the retort that sprang instantly to mind. But she was hungry for more insider knowledge and had no wish to alert these city gents to her presence – not just yet, anyway.

‘I've done a fair amount of tweaking since we last spoke.'

‘Good man, James!'

‘Allow me to show you the redrafts.' James spread a sheaf of plans over a flat rock, and both men hunkered down to study the drawings. ‘As I said, I've changed the aspect of the yoga pavilion. It'll mean less privacy, but by angling it a fraction more to the east it will catch the morning sun full on, and . . .'

And on. And on. And
on
the architect went. Several more minutes of prime eavesdropping went by, during which time Río learned the following: the house was to have underfloor heating. It was also to have a vast feature fireplace in the sitting room, floor-to-ceiling triple-glazed windows throughout, and state-of-the art white goods in the catering kitchen. It was to have two family bathrooms, three en suite bathrooms, a downstairs shower room, and a hot tub on the deck. It was to have an entertainment suite, a games room and a bar, as well as a home gym and a home spa and a home office so that Adair could keep in touch with his business associates in Dublin and London and New York. It was to have a guest suite with
more
en suite bathrooms, where Felicity's friends could take up residence when they came down from Dublin for house parties. It was to have a swimming pool – a swimming pool, fifty yards from the sea! – and, of course, it was to have a walk-in wardrobe-cum-dressing room in Felicity's suite, where, Río presumed, the lady of the house could stash her Ralph Lauren casuals. It was – in James's words – ‘a home with a kick'.

A home with a
kick
? Whatever happened to a home with a heart? Or was home in Celtic Tiger Ireland no longer where the heart was? Was it more imperative to construct a great big kick-arse des res that announced to the world your great big kick-arse status?

‘Felicity can start compiling her invitation list,' was Adair's final observation, as the two men got up to go. ‘She's planning some serious parties. She's asked Louis if Boyzone might be available for the house-warming.'

Boyzone! What planet were these people living on? Río rose stiffly to her feet and followed their progress from behind the dark lenses of her sunglasses. Their voices came back to her intermittently on the breeze as they trudged along the sand. They were talking money now. They were talking millions.

‘Adair?' A woman wearing a butterscotch suede shirtwaister and matching loafers was making her way with difficulty along the overgrown path that flanked Coral Cottage. Her hair was swishy and stripy with highlights, her tan looked airbrushed, and her accent was a grown-up version of Isabella's. ‘
Adair!
' she called again. ‘Where's Izzy got to?'

‘I thought she was with you?' said Adair.

‘No, no! I thought she was with
you
. Where on earth
is
she?'

‘Maybe she's exploring.'

‘Well, I hope she's not. I told her if she set foot on the beach that she was
not
to go beyond the slipway. Izzy?
Isabella!
' The woman's eyes scanned the shoreline, and then her hands flew to her neck and clasped at the pearls that encircled it. ‘Ohmigod. There are her sandals.'

‘Where?'

‘There, on the slipway. See? But
where is Isabella
?'

The tableau the three of them struck looked so much like something out of a Greek tragedy that Río felt like a
deus ex machina
as she stepped forward to the edge of the cliff.

About the Author

Kate Thompson is an award-winning former actress. She is happily married with one daughter, and divides her time between Dublin and the West of Ireland, where she swims off some of the most beautiful beaches in the world.
That Gallagher Girl
is her thirteenth novel.

For more information about Kate, please go to www.kate-thompson.com.

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Copyright

This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author's imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Copyright © Kate Thompson 2010

Kate Thompson asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

ISBN-13: 978-1-84756-101-5

EPub Edition © 2011 ISBN: 9780007431083

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