The Art of Fielding: A Novel (2 page)

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Authors: Chad Harbach

Tags: #Fiction.Contemporary

BOOK: The Art of Fielding: A Novel
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When he came home from Little League games, his mother would ask how many errors he’d made. “Zero!” he’d crow, popping the pocket of his beloved glove with a balled-up fist. His mom still used the name—“Henry, put Zero away, please!”—and he winced, embarrassed, when she did. But in the safety of his mind he never thought of it any other way. Nor did he let anyone else touch Zero. If Henry happened to be on base when an inning ended, his teammates knew better than to ferry his hat and glove onto the diamond for him. “The glove is not an object in the usual sense,” said Aparicio in
The Art of Fielding.
“For the infielder to divide it from himself, even in thought, is one of the roots of error.”

Henry played shortstop, only and ever shortstop—the most demanding spot on the diamond. More ground balls were hit to the shortstop than to anyone else, and then he had to make the longest throw to first. He also had to turn double plays, cover second on steals, keep runners on second from taking long leads, make relay throws from the outfield. Every Little League coach Henry had ever had took one look at him and pointed toward right field or second base. Or else the coach didn’t point anywhere, just shrugged at the fate that had assigned him this pitiable shrimp, this born benchwarmer.

Bold nowhere else in his life, Henry was bold in this: no matter what the coach said, or what his eyebrows expressed, he would jog out to shortstop, pop his fist into Zero’s pocket, and wait. If the coach shouted at him to go to second base, or right field, or home to his mommy, he would keep standing there, blinking and dumb, popping his fist. Finally someone would hit him a grounder, and he would show what he could do.

What he could do was field. He’d spent his life studying the way the ball came off the bat, the angles and the spin, so that he knew in advance whether he should break right or left, whether the ball that came at him would bound up high or skid low to the dirt. He caught the ball cleanly, always, and made, always, a perfect throw.

Sometimes the coach would insist on putting him at second base anyway, or would leave him on the bench; he was that scrawny and pathetic-looking. But after some number of practices and games—two or twelve or twenty, depending on the stubbornness of the coach—he would wind up where he belonged, at shortstop, and his black mood would lift.

When he reached high school, things happened much the same. Coach Hinterberg later told him he’d planned to cut him until the last fifteen minutes of tryouts. Then, from the corner of his eye, he saw Henry make a diving stab of a scorching line drive and, while lying flat on his stomach, flip the ball behind his head and into the hands of the shocked second baseman: double play. The JV team carried an extra player that year, and the extra player wore a brand-new extra-small jersey.

By his junior year he was the starting varsity shortstop. After every game his mom would ask how many errors he’d made, and the answer was always Zero. That summer he played on a team sponsored by the local American Legion. He arranged his hours at the Piggly Wiggly so that he could spend weekends traveling to tournaments. For once, he didn’t have to prove himself. His teammates and Coach Hinterberg knew that, even if he didn’t hit home runs—had never, ever hit a home run—he would still help them win.

Midway through his senior season, though, a sadness set in. He was playing better than ever, but each passing inning brought him closer to the end. He had no hope of playing in college. College coaches were like girls: their eyes went straight to the biggest, bulkiest guys, regardless of what those guys were really worth. Take Andy Tsade, the first baseman on Henry’s summer team, who was going to St. Paul State on a full ride. Andy’s arm was average, his footwork was sloppy, and he always looked to Henry to tell him where to play. He’d never read
The Art of Fielding.
But he was big and left-handed and every so often he crushed one over the fence. One day he crushed one over the fence with the St. Paul coach watching, and now he got to play baseball for four more years.

Henry’s dad wanted him to come work at the metalworking shop—two of the guys were retiring at year’s end. Henry said maybe he’d go to Lankton CC for a couple of years, take some bookkeeping and accounting classes. Some of his classmates were going to college to pursue their dreams; others had no dreams, and were getting jobs and drinking beer. He couldn’t identify with either. He’d only ever wanted to play baseball.

The tournament in Peoria had been the last of the summer. Henry and his teammates lost in the semifinals to a team of enormous sluggers from Chicago. Afterward, he jogged back out to shortstop to take fifty practice grounders, the way he always did. There was nothing left to practice for, no reason to try to improve, but that didn’t mean he didn’t want to. As Coach Hinterberg tried to rip the ball past him, Henry imagined the same scenario as always: he was playing shortstop for the St. Louis Cardinals in Game 7 of the World Series, against the Yankees at Yankee Stadium, ahead by one, two outs, bases loaded. Make the last play and win it all.

As he was putting Zero into his bag, a hand gripped his shoulder and spun him around. He found himself face-to-face—or face-to-neck, since the other man was taller and wearing spikes—with the catcher from the Chicago team. Henry recognized him instantly: during the game he’d tipped Henry the pitch and then called him a name. He’d also hit a home run that cleared the center-field wall by thirty feet. Now he fixed his big amber eyes on Henry with a fierce intensity.

“I’m glad I found you.” The catcher removed his huge sweaty hand from Henry’s shoulder and proffered it. “Mike Schwartz.”

Mike Schwartz’s hair was matted and wild. Sweat and dirt streaked his face. The sweat made his eye black bleed down his cheekbones onto his heavy stubble.

“I watched you taking ground balls,” he said. “Two things impressed me. First, that you were out there working hard in this heat. Christ, I can barely walk. Takes dedication.”

Henry shrugged. “I always do that after a game.”

“The second thing is that you’re a hell of a shortstop. Great first step, great instincts. I don’t know how you got to half those balls. Where are you playing next year?”

“Playing?”

“What college. What college are you going to play baseball for?”

“Oh.” Henry paused, embarrassed both by his failure to understand the question and by the answer he would have to give. “I’m not.”

Mike Schwartz, though, seemed pleased by this. He nodded, scratched at the dark stubble on his jaw, smiled. “That’s what you think.”

S
CHWARTZ TOLD
H
ENRY
that the Westish Harpooners had been crappy for too many years to count, but with Henry’s help they were going to turn it around. He talked about sacrifice, passion, desire, attention to detail, the need to strive like a champion every day. To Henry the words sounded beautiful, like reading Aparicio but better, because Schwartz was standing right there. On the drive back to Lankton, while crammed into the jump seat of Coach Hinterberg’s Dodge Ram, he felt a kind of desolation come over him, because he figured he’d never hear from the big man again, but when he got home there was already a note on the kitchen table in Sophie’s girlish handwriting:
Call Mike Shorts!

Three days later, after three long conversations with Schwartz, conducted in secret while his parents were at work, Henry was beginning to believe. “Things are moving slowly,” said Schwartz. “The whole Admissions office is on vacation. But they’re moving. I got a copy of your high school transcript this morning. Nice job in physics.”

“My transcript?” Henry asked, baffled. “How’d you do that?”

“I called the high school.”

Henry was amazed. Perhaps that was obvious—if you want a transcript, call the high school. But he’d never met someone like Schwartz—someone who, when he wanted something, took immediate steps to acquire it. That night at dinner, he cleared his throat and told his parents about Westish College.

His mom looked pleased. “So Mr. Schwartz,” she said, “he’s the baseball coach at this college?”

“Um… not exactly. He’s more like a player on the team.”

“Oh. Well. Hm.” His mom tried to keep looking pleased. “And you never met him before last Sunday? And now all this? I have to say, it sounds a little strange.”

“Not to me.” His dad blew his nose on his napkin, leaving the usual dark streak of steel-dust snot. “I’m sure Westish College needs all the money it can scrape together. They’ll stick a hundred gullible suckers on the baseball team, as long as they pay their tuition.”

This was the dark thought Henry had been working hard to suppress: that it was too good to be true. He steadied himself with a sip of milk. “But why would Schwartz care about that?”

Jim Skrimshander grunted. “Why does anybody care about anything?”

“Love,” Sophie said. “He loves Henry. They talk on the phone all day long, like lovebirds.”

“Close, Soph.” Their dad pushed back his chair and carried his plate to the sink. “Money. I’m sure Mike Schwartz gets his cut. A thousand bucks a sucker.”

Later that night, Henry relayed the gist of this conversation to Schwartz. “Bah,” said Schwartz. “Don’t sweat it. He’ll come around.”

“You don’t know my dad.”

“He’ll come around.”

When Henry didn’t hear from Schwartz all weekend, he began to feel glum and foolish about having gotten his hopes up. But on Monday night, his dad came home and put his uneaten bag lunch back in the fridge.

“Are you feeling okay, hon?” asked Henry’s mom.

“I went out for lunch.”

“How nice,” she said. Henry had visited his dad on his lunch hour many times through the years: regardless of the weather, the guys sat outside on the benches that faced the road, backs to the shop, munching their sandwiches. “With the guys?”

“With Mike Schwartz.”

Henry looked at Sophie—sometimes, when he found himself unable to speak, Sophie did it for him. Her eyes were as wide as his. “Well well!” she said. “Tell us more!”

“He dropped by the shop around lunchtime. Took me to Murdock’s.”

Flabbergasted
was maybe not a strong or strange enough word to describe how Henry felt. Schwartz lived in Chicago, Chicago was five hundred miles away, and he’d dropped by the shop? And taken Henry’s dad to Murdock’s? And then driven back, without so much as telling Henry he’d done it, much less stopping by to say hello?

“He’s a very serious young man,” his dad was saying.

“Serious as in, Henry can go to Westish? Or serious as in, Henry
can’t
go to Westish?”

“Henry can do whatever he wants. Nobody’s stopping him from going to Westish or anywhere else. My only concern—”

“Yeay!” Sophie reached across the table and high-fived her brother. “College!”

“—is that he understands what he’s in for. Westish is not your average school. The academics are tough, and the baseball team is a full-time commitment. If Henry’s going to succeed there…”

… and Henry’s dad, who so rarely strung four words together, especially on a Monday night, went on to talk for the rest of the meal about sacrifice, passion, desire, attention to detail, the need to strive like a champion every day. He was talking just like Mike Schwartz, but he seemed not quite to realize it, and in fact he also sounded a good deal like himself, only in many more words, and with, Henry thought, a slightly more generous attitude toward his son’s talents than usual. As his dad stood up to carry his plate to the sink, he clapped Henry on the shoulder and smiled broadly. “I’m proud of you, buddy. This is a big opportunity. Grab on to it.”

It’s a miracle, Henry thought. Mike Schwartz works miracles. After that, he continued to talk to Schwartz on the phone every night, making plans, working out details—but now he did so openly, in the family room, and his dad hovered nearby, the TV on mute, cigarette going, eavesdropping and shouting out comments. Sometimes Schwartz would ask to talk to Jim. Henry would hand his dad the phone, and his dad would sit down at his desk and go over the Skrimshanders’ tax returns.

“Thanks,” Henry said into the phone, feeling sentimental, on the day he bought his bus ticket. “Thank you.”

“Don’t sweat it, Skrim,” Schwartz said. “It’s football season, and I’m going to be busy. You settle in. I’ll be in touch, okay?”

“P
HUMBER
405,” said the smiling woman. She thrust a key and a paper map into his hand, pointed to the left. “Small Quad.”

Henry slipped through a cool aperture between two buildings and emerged on a bright, bustling scene. This wasn’t Lankton CC: this was college in a movie. The buildings matched—each four or five stories high and made of squat gray weather-beaten stone, with deep-set windows and peaked, gabled roofs. The bike racks and benches were freshly painted navy. Two tall guys in shorts and flip-flops staggered toward an open doorway beneath the weight of a gigantic flat-screen TV. A squirrel tore down out of a tree and bumped against the leg of the guy walking backward—he screamed and dropped to his knees, and the corner of the TV sank into the plush new sod. The other guy laughed. The squirrel was long gone. From an upper window somewhere drifted the sound of a violin.

Henry found Phumber Hall and climbed the stairs to the top floor. The door marked 405 stood slightly ajar, and bleepy, bloopy music came through the gap. Henry lingered nervously in the stairwell. He didn’t know how many roommates he’d have, or what sort of roommates they might be, or what kind of music that was. If he’d been able to imagine the students of Westish College in any specific way, he imagined twelve hundred Mike Schwartzes, huge and mythic and grave, and twelve hundred women of the sort Mike Schwartz might date: leggy, stunning, well versed in ancient history. The whole thing, really, was too intimidating to think about. He nudged the door with his foot.

The room contained two identical steel-frame beds and two sets of identical blond-wood desks, chairs, dressers, and bookshelves. One of the beds was neatly made, with a plush seafoam-green comforter and a wealth of fluffy pillows. The other mattress was bare but for an ugly ocher stain in roughly the size and shape of a person. Both bookshelves had already been neatly filled, the books arranged by author name from Achebe through Tocqueville, with the rest of the
T
s through
Z
piled on the mantel. Henry plunked his bags down on the ocher stain and drew his beat-up copy of Aparicio Rodriguez’s
The Art of Fielding
out of his shorts’ pocket.
The Art
was the only book he’d brought with him, the only book Henry knew deeply: suddenly it seemed like this might be a terrible flaw. He prepared to wedge it between Rochefoucauld and Roethke, but lo and behold there was already a copy there, a handsome hardcover with a once-cracked spine. Henry slid it out, turned it in his hands. Inscribed on the flyleaf, in a lovely calligraphic hand, were the words
Owen Dunne.

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