The Bottom of the Harbor (3 page)

Louie went over and took the man's money and gave him his change. Two waiters were standing at a service table in the rear, filling salt shakers, and Louie gestured to one of them to come up front and take charge of the cash register. Then he got himself another cup of coffee and sat back down and started talking again. “When I bought this restaurant,” he said, “I wasn't too enthusiastic about the building. I had it in mind to build up the restaurant and find a location somewhere else in the market and move, the trade would follow. Instead of which, after a while I got very closely attached to the building. Why I did is one of those matters, it really doesn't make much sense. It's all mixed up with the name of a street in Brooklyn, and it goes back to the last place I worked in before I came here. That was Joe's in Brooklyn, the old Nevins Street Joe's, Nevins just off Flatbush Avenue Extension. I was a waiter there seven years, and it was the best place I ever worked in. Joe's is part of a chain now, the Brass Rail chain. In my time, it was run by a very high-type Italian restaurant man named Joe Sartori, and it was the biggest chophouse in Brooklyn—fifty waiters, a main floor, a balcony; a ladies' dining room, and a Roman Garden. Joe's was a hangout for Brooklyn political bosses and officeholders, and it got a class of trade we called the old Brooklyn family trade, the rich old intermarried families that made their money out of Brooklyn real estate and Brooklyn docks and Brooklyn streetcar lines and Brooklyn gasworks. They had their money sunk way down deep in Brooklyn. I don't know how it is now, they've probably all moved into apartment houses, but in those days a good many of them lived in steep-stoop, stain-glass mansions sitting up as solid as banks on Brooklyn Heights and Park Slope and over around Fort Greene Park. They were a big-eating class of people, and they believed in patronizing the good old Brooklyn restaurants. You'd see them in Joe's, and you'd seen them in Gage & Tollner's and Lundy's and Tappen's and Villepigue's. There was a high percentage of rich old independent women among them, widows and divorced ladies and maiden ladies. They were a class within a class. They wore clothes that hadn't been the style for years, and they wore the biggest hats I ever saw, and the ugliest. They all seemed to know each other since their childhood days, and they all had some peculiarity, and they all had one foot in the grave, and they all had big appetites. They had traveled widely, and they were good judges of food, and they knew how to order a meal. Some were poison, to say the least, and some were just as nice as they could be. On the whole, I liked them; they broke the monotony. Some always came to my station; if my tables were full, they'd sit in some leather chairs Mr. Sartori had up front and wait. One was a widow named Mrs. Frelinghuysen. She was very old and tiny and delicate, and she ate like a horse. She ate like she thought any meal might be her last meal. She was a little lame from rheumatism, and she used a walking stick that had a snake's head for a knob, a snake's head carved out of ivory. She had a pleasant voice, a beautiful voice, and she made the most surprising funny remarks. They were coarse remarks, the humor in them. She made some remarks on occasion that had me wondering did I hear right. Everybody liked her, the way she hung on to life; and everybody tried to do things for her. I remember Mr. Sartori one night went out in the rain and got her a cab. ‘She's such a thin little thing,' he said when he came back in. ‘There's nothing to her,' he said, ‘but six bones and one gut and a set of teeth and a big hat with a bird on it.' Her peculiarity was she always brought her own silver. It was old family silver. She'd have it wrapped up in a linen napkin in her handbag, and she'd get it out and set her own place. After she finished eating, I'd take it to the kitchen and wash it, and she'd stuff it back in her handbag. She'd always start off with one dozen oysters in winter or one dozen clams in summer, and she'd gobble them down and go on from there. She could get more out of a lobster than anybody I ever saw. You'd think she'd got everything she possibly could, and then she'd pull the little legs off that most people don't even bother with, and suck the juice out of them. Sometimes, if it was a slow night and I was just standing around, she'd call me over and talk to me while she ate. She'd talk about people and past times, and she knew a lot; she had kept her eyes open while she was going through life.

“My hours in Joe's were ten in the morning to nine at night. In the afternoons, I'd take a break from three to four-thirty. I saw so much rich food I usually didn't want any lunch, the way old waiters get—just a crust of bread, or some fruit. If it was a nice day, I'd step over to Albee Square and go into an old fancy-fruit store named Ecklebe & Guyer's and pick me out a piece of fruit—an orange or two, or a bunch of grapes, or one of those big red pomegranates that split open when they're ripe the same as figs and their juice is so strong and red it purifies the blood. Then I'd go over to Schermerhorn Street. Schermerhorn was a block and a half west of Joe's. There were some trees along Schermerhorn, and some benches under the trees. Young women would sit along there with their babies, and old men would sit along there the whole day through and read papers and play checkers and discuss matters. And I'd sit there the little time I had and rest my feet and eat my fruit and read the
New York Times
—my purpose reading the
New York Times,
I was trying to improve my English. Schermerhorn Street was a peaceful old backwater street, so nice and quiet, and I liked it. It did me good to sit down there and rest. One afternoon the thought occurred to me, ‘Who the hell was Schermerhorn?' So that night it happened Mrs. Frelinghuysen was in, and I asked her who was Schermerhorn that the street's named for. She knew, all right. Oh, Jesus, she more than knew. She saw I was interested, and from then on that was one of the main subjects she talked to me about—Old New York street names and neighborhood names; Old New York this, Old New York that. She knew a great many facts and figures and skeletons in the closet that her mother and her grandmother and her aunts had passed on down to her relating to the old New York Dutch families that they call the Knickerbockers—those that dissipated too much and dissipated all their property away and died out and disappeared, and those that are still around. Holland Dutch, not German Dutch, the way I used to think it meant. The Schermerhorns are one of the oldest of the old Dutch families, according to her, and one of the best. They were big landowners in Dutch days, and they still are, and they go back so deep in Old New York that if you went any deeper you wouldn't find anything but Indians and bones and bears. Mrs. Frelinghuysen was well acquainted with the Schermerhorn family. She had been to Schermerhorn weddings and Schermerhorn funerals. I remember she told about a Schermerhorn girl she went to school with who belonged to the eighth generation, I think it was, in direct descent from old Jacob Schermerhorn who came here from Schermerhorn, Holland, in the sixteen-thirties, and this girl died and was buried in the Schermerhorn plot in Trinity Church cemetery up in Washington Heights, and one day many years later driving down from Connecticut Mrs. Frelinghuysen got to thinking about her and stopped off at the cemetery and looked around in there and located her grave and put some jonquils on it.”

At this moment a fishmonger opened the door of the restaurant and put his head in and interrupted Louie. “Hey, Louie,” he called out, “has Little Joe been in?”

“Little Joe that's a lumper on the pier,” asked Louie, “or Little Joe that works for Chesebro, Robbins?”

“The lumper,” said the fishmonger.

“He was in and out an hour ago,” said Louie. “He snook in and got a cup of coffee and was out and gone the moment he finished it.”

“If you see him,” the fishmonger said, “tell him they want him on the pier. A couple of draggers just came in—the
Felicia
from New Bedford and the
Positive
from Gloucester—and the
Ann Elizabeth Kristin
from Stonington is out in the river, on her way in.”

Louie nodded, and the fishmonger went away. “To continue about Mrs. Frelinghuysen,” Louie said, “she died in 1927. The next year, I got married. The next year was the year the stock market crashed. The next year, I quit Joe's and came over here and bought this restaurant and rented this building. I rented it from a real-estate company, the Charles F. Noyes Company, and I paid my rent to them, and I took it for granted they owned it. One afternoon four years later, the early part of 1934, around in March, I was standing at the cash register in here and a long black limousine drove up out front and parked, and a uniform chauffeur got out and came in and said Mrs. Schermerhorn wanted to speak to me, and I looked at him and said, ‘What do you mean—Mrs. Schermerhorn?' And he said, ‘Mrs. Schermerhorn that owns this building.' So I went out on the sidewalk, and there was a lady sitting in the limousine, her appearance was quite beautiful, and she said she was Mrs. Arthur F. Schermerhorn and her husband had died in September the year before and she was taking a look at some of the buildings the estate owned and the Noyes company was the agent for. So she asked me some questions concerning what shape the building was in, and the like of that. Which I answered to the best of my ability. Then I told her I was certainly surprised for various reasons to hear this was Schermerhorn property. I told her, ‘Frankly,' I said, ‘I'm amazed to hear it.' I asked her did she know anything about the history of the building, how old it was, and she said she didn't, she hadn't ever even seen it before, it was just one of a number of properties that had come down to her husband from his father. Even her husband, she said, she doubted if he had known much about the building. I had a lot of questions I wanted to ask, and I asked her to get out and come in and have some coffee and take a look around, but I guess she figured the signboard
SLOPPY LOUIE'S RESTAURANT
meant what it said. She thanked me and said she had to be getting on, and she gave the chauffeur an address, and they drove off and I never saw her again.

“I went back inside and stood there and thought it over, and the effect it had on me, the simple fact my building was an old Schermerhorn building, it may sound foolish, but it pleased me very much. The feeling I had, it connected me with the past. It connected me with Old New York. It connected Sloppy Louie's Restaurant with Old New York. It made the building look much better to me. Instead of just an old run-down building in the fish market, the way it looked to me before, it had a history to it, connections going back, and I liked that. It stirred up my curiosity to know more. A day or so later, I went over and asked the people at the Noyes company would they mind telling me something about the history of the building, but they didn't know anything about it. They had only took over the management of it in 1929, the year before I rented it, and the company that had been the previous agent had gone out of business. They said to go to the City Department of Buildings in the Municipal Building. Which I did, but the man in there, he looked up my building and couldn't find any file on it, and he said it's hard to date a good many old buildings down in my part of town because a fire in the Building Department around 1890 destroyed some cases of papers relating to them—permits and specifications and all that. He advised me to go to the Hall of Records on Chambers Street, where deeds are recorded. I went over there, and they showed me the deed, but it wasn't any help. It described the lot, but all it said about the building, it said ‘the building thereon,' and didn't give any date on it. So I gave up. Well, there's a nice old gentleman eats in here sometimes who works for the Title Guarantee & Trust Company, an old Yankee fisheater, and we were talking one day, and it happened he told me that Title Guarantee has tons and tons of records on New York City property stored away in their vaults that they refer to when they're deciding whether or not the title to a piece of property is clear. ‘Do me a favor,' I said, ‘and look up the records on 92 South Street—nothing private or financial; just the history—and I'll treat you to the best broiled lobster you ever had. I'll treat you to broiled lobster six Fridays in a row,' I said, ‘and I'll broil the lobsters myself.'

“The next time he came in, he said he had took a look in the Title Guarantee vaults for me, and had talked to a title searcher over there who's an expert on South Street property, and he read me off some notes he had made. It seems all this end of South Street used to be under water. The East River flowed over it. Then the city filled it in and divided it into lots. In February, 1804, a merchant by the name of Peter Schermerhorn, a descendant of Jacob Schermerhorn, was given grants to the lot my building now stands on—92 South—and the lot next to it—93 South, a corner lot, the corner of South and Fulton. Schermerhorn put up a four-story brick-and-frame building on each of these lots—stores on the street floors and flats above. In 1872, 1873, or 1874—my friend from Title Guarantee wasn't able to determine the exact year—the heirs and assigns of Peter Schermerhorn ripped these buildings down and put up two six-story brick buildings exactly alike side by side on 92 and 93. Those buildings are this one here and the one next door. The Schermerhorns put them up for hotel purposes, and they were designed so they could be used as one building—there's a party wall between them, and in those days there were sets of doors on each floor leading from one building to the other. This building had that old hand-pull elevator in it from bottom to top, and the other building had a wide staircase in it from bottom to top. The Schermerhorns didn't skimp on materials; they used heart pine for beams and they used hand-molded, air-dried, kiln-burned Hudson River brick. The Schermerhorns leased the buildings to two hotel men named Frederick and Henry Lemmermann, and the first lease on record is 1874. The name of the hotel was the Fulton Ferry Hotel. The hotel saloon occupied the whole bottom floor of the building next door, and the hotel restaurant was right in here, and they had a combined lobby and billiard room that occupied the second floor of both buildings, and they had a reading room in the front half of the third floor of this building and rooms in the rear half, and all the rest of the space in both buildings was single rooms and double rooms and suites. At that time, there were passenger-line steamship docks all along South Street, lines that went to every part of the world, and out-of-town people waiting for passage on the various steamers would stay at the Fulton Ferry Hotel. Also, the Brooklyn Bridge hadn't yet been built, and the Fulton Ferry was the principal ferry to Brooklyn, and the ferryhouse stood directly in front of the hotel. On account of the ferry, Fulton Street was like a funnel; damned near everything headed for Brooklyn went through it. It was full of foot traffic and horse-drawn traffic day and night, and South and Fulton was one of the most ideal saloon corners in the city.