The Canongate Burns (100 page)

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Authors: Robert Burns

BOOK: The Canongate Burns
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Daer, was almost certainly, in the eyes of Burns, a potential leader of a reformed Scotland.

1
Professor Dugald Stewart.

2
A reference probably to Dr Hugh Blair.

1
An interesting anticipation of a later controversy.

Ye Sons of Old Killie

Tune: Shawnboy
First printed in Cunningham, 1834.

Ye sons of old Killie, assembled by Willie,

        To follow the noble vocation;

Your thrifty old mother has scarce such another

        To sit in that honored station.

5
I've little to say, but only to pray,

        As praying's the ton of your fashion;

A prayer from the Muse you well may excuse,

        'Tis seldom her favourite passion.

Ye Powers who preside o'er the wind and the tide,

10
        Who marked each element's border;

Who formed this frame with beneficent aim,

        Whose sovereign statute is order;

Within this dear mansion may wayward contention

        Or withered envy ne'er enter;

15
May secrecy round be the mystical bound,

        And brotherly love be the centre.

A note on the manuscript of this song reads: ‘This song, wrote by Mr Burns, was sung by him in the Kilmarnock Kilwinning Lodge, in 1786, and given by him to Mr [William] Parker, who was Master of the Lodge'. William Parker is referred to in l. 1.

Epistle to Captain William Logan at Park

30th October, 1786

First printed in Cunningham, 1834.

Hail, thairm-inspirin, rattlin Willie!
fiddle string

Tho' Fortune's road be rough an' hilly

To every fiddling, rhyming billie,
fellow

        We never heed;

5
But take it like th' unback'd Fillie,
unbroken young horse

        Proud o' her speed.

When, idly goavin, whyles we saunter,
staring stupidly, wander

Yirr, Fancy barks, — awa we canter,
a growl, away

Up-hill, down-brae, till some mishanter,
hill-slope, mishap

10
        Some black Bog-hole,

Arreests us; then the scathe an' banter
harm

        We're forced to thole.

Hale be your HEART! Hale be your FIDDLE!
healthy/sound

Lang may your elbuck jink an' diddle,
long, elbow, play

15
To cheer you through the weary widdle
trouble

        O this vile Warl:
world

Until you on a cummock dridle,
short stick, totter

        A gray-hair'd Carl!
old man

Come WEALTH, come POORTITH, late or soon,
poverty

20
Heaven send your HEART-STRINGS ay IN TUNE!

And screw your TEMPER-PINS aboon
fiddle-pegs, above

        A FIFTH or mair,
more

The melancholious, sairie croon
sad notes

        O' cankrie CARE!
ill-natured

25
May still your Life, from day to day

Nae LENTE LARGO, in the play,
no, slow/monotony

But ALLEGRETTO FORTE, gay,
lively/graceful

Harmonious flow:

A sweeping, kindling, bauld STRATHSPEY,
bold, fiddle tune

30
        Encore! Bravo!

A' blessings on the cheery
gang
folk

Wha dearly like a Jig or sang;
who, song

An' never think o RIGHT an WRANG
wrong

        By square and rule,

35
But as the CLEGS O' FEELING stang,
gadflies, sting

        Are wise or fool!

My hand-wal'd CURSE keep hard in chase
-chosen

The harpy, hoodock, purse-proud RACE,
crow-like/greedy

Wha count on POORTITH as disgrace!
who, poverty

40
        Their tuneless hearts,

May FIRE-SIDE DISCORDS jar a BASS

        To a' their PARTS!

But come — your hand — my careless brither —

I' th' tither WARLD, if there 's anither,
other, another

45
An' that there is, I've little swither
doubt

        About the matter;

We, cheek for-chow, shall jog thegither,
-jowl, together

        I'se ne'er bid better.

We've faults an' failins, — granted clearly:

50
We're frail, backsliding Mortals meerly:

Eve's bonie SQUAD, Priests wyte them sheerly
blame, entirely

        For our grand fa':
fall

But still — but still — I like them dearly;

        GOD bless them a'!

55
Ochon! for poor CASTALIAN DRINKERS,
alas, inspiration/poets

When they fa' foul o' earthly Jinkers!
sprightly women

The witching, curst, delicious blinkers
alluring girls

        Hae put me hyte;
have, daft

An' gart me weet my waukrife winkers
made, wet wakeful eyes

60
        Wi' girnan spite.
snarling

But by yon Moon! an' that's high swearin;

An' every Star within my hearin!

An' by her een! wha was a dear ane,
eyes, who, one

        I'll ne'er forget;

65
I hope to gie the JADS a clearin
give, wenches

        In fair play yet!

My loss I mourn, but not repent it:

I'll seek my pursie whare I tint it:
purse, lost

Ance to the Indies I were wonted,
once, destined

70
        Some cantraip hour,
magic

By some sweet Elf I'll yet be dinted,
enchanted

        Then, VIVE L'AMOUR!

Faites mes BAISSEMAINS respectueuse,
respectful greetings

To sentimental Sister Susie,

75
And honest LUCKY; no to roose you,
praise

        Ye may be proud,

That sic a couple Fate allows ye
such

        To grace your blood.

Nae mair at present can I measure;

80
An' trowth my rhymin ware's nae treasure;
truth, no

But when in Ayr, some half-hour's leisure,

        Be 't light, be 't dark,

Sir Bard will do himself the pleasure

        To call at PARK.

Robert Burns.

Burns met William Logan in 1786 when he was a Lieutenant on half pay who had served in the American war. From the epistle it is evident Logan's skill as a fiddler warmed Burns to him. Other editors have given the title as
Epistle to Major Logan,
not the title written by Burns, since it was in the service of the West Lowland Fencibles from 1794 that Logan was designated a Major. Burns celebrates a manifestly free fellow spirit with witty extended musical analogies in his customary praise of the spontaneous over the cautionary.

Extempore Reply to an Invitation

First printed in Cunningham, 1834.

Sir,

Yours this moment I unseal,

        And faith! I'm gay and hearty!

To tell the truth and shame the deil,
devil

        I am as fou as Bartie:
drunk

But Foorsday, Sir, my promise leal,
Thursday, true

        Expect me o' your partie,

If on a beastie I can speel
horse, climb

        Or hurl in a cartie.
cart

                Yours, — Robert Burns.

        Mauchlin, Monday Night, 10 o'clock

 

The composition date of this is estimated as somtime in 1785 or 1786. Who the invitation was from is not known, but it may have been James Kennedy or John Richmond.

The Night was Still

First printed in Blackie's
Land of Burns,
1840. 

The night was still, and o'er the hill

       The moon shone on the castle wa';
wall

The mavis sang, while dew-drops hang

       Around her on the castle wa'.

Sae merrily they danc'd the ring,
so

       Frae e'enin till the cocks did craw,
from, evening, crow

And aye the owerword o' the spring

       Was Irvine's bairns are bonie a'.
children

This charming little lyric was written and given to a daughter of Dr George Lawrie in 1786.

Rusticity's Ungainly Form

First printed in Lockart, 1827.

RUSTICITY'S ungainly form

        May cloud the highest mind;

But when the heart is nobly warm,

        The good excuse will find.

Propriety's cold cautious rules

        Warm Fervour may o'erlook;

But spare poor Sensibility

        The ungentle harsh rebuke.

This was included on a blank leaf of a book given by Burns to Dr Lawrie's son Archibald. Hearsay recorded by Scott Douglas suggests the words refer to a conversation between Mrs Lawrie and Burns about Peggy Kennedy (see Scott Douglas, Kilmarnock edition, vol. II, p. 306, headnote).

Verses Intended to be Written Below a Noble Earl's Picture

First printed in Cunningham, 1834.

WHOSE is that noble, dauntless brow?

        And whose that eye of fire?

And whose that generous, Princely mien,

        Ev'n rooted Foes admire?

Stranger, to justly show that brow,

        And mark that eye of fire,

Would take HIS hand, whose vernal tints,

        His other Works admire.

Bright as a cloudless Summer-sun,

        With stately port he moves;

His guardian Seraph eyes with awe

        The noble Ward he loves.

Among th' illustrious Scottish Sons

        That Chief thou may'st discern,

Mark Scotia's fond-returning eye,

        It dwells upon GLENCAIRN.

This was written probably late in 1786. A copy was sent to Lord Glencairn on 13th January, 1787 asking permission to print the verses. Glencairn declined (see Letter 334). The verses first appear in Cunningham, although Kinsley (Vol. III, p. 1223), errs in stating that they appear first in Chalmers, 1851.

There was a Lad

Tune: Daintie Davie
First printed in Cromek, 1808.

THERE was a lad was born in Kyle,
the parish name

        But what na day o' what na style,

I doubt it 's hardly worth the while

        To be sae nice wi'
Robin
.
so

Chorus

5
Robin
was a rovin' Boy,

        Rantin', rovin', rantin', rovin';

Robin
was a rovin' Boy,

        Rantin' rovin'
Robin
.

Our monarch's hindmost year but ane
1759

10
        Was five-and-twenty days begun,

'Twas then a blast o' Janwar' Win'
1
January winds

        Blew hansel in on
Robin
.
A first gift

               
Robin
was &c.

The Gossip keekit in his loof,
glanced, face

        Quo' scho wha lives will see the proof,
quoth she, who

15
This waly boy will be nae coof,
sturdy, no fool

        I think we'll ca' him
Robin
.
call

               
Robin
was &c.

He'll hae misfortunes great an' sma',
have, small

But ay a heart aboon them a';
above

He'll be a credit 'till us a',
to

20
        We'll a' be proud o' Robin.

               
Robin
was &c.

But sure as three times three mak nine,

        I see by ilka score and line,
every

This chap will dearly like our kin',
kind

        So leeze me on thee,
Robin
.
commend

               
Robin
was &c.

25
Guid faith quo' scho I doubt you Stir,
good, she

        Ye'll gar the lasses lie aspar;
make, legs apart

But twenty fauts ye may hae waur —
faults, have worse

        So blessin's on thee,
Robin
.

               
Robin
was &c.

This features in the S. C. B. dated 9th April 1787. The chorus is adapted from a traditional song but the versification is the poet's own celebration of his birthday. The song may have been begun earlier but the lyrics here are from 1787. It is an optimistic autobiographical piece, written with future fame in mind, given the success of his Kilmarnock edition and his success in Edinburgh. It is ironic that this work was probably never sung publicly during the poet's life as it first appears in print in 1808. After the first Burns Clubs were set up in the early 19th century, it gained a growing popularity and is now one of the most sung Scots songs. The second line of the last stanza still condemns that stanza to a degree of discreet censorship in performance.

1
January 25th 1759, the date of my Bardship's vital existence. R. B.

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