The Chesapeake Diaries Series (210 page)

“There’s something else you should see.” Carly walked to the paintings and went through them one by one, searching for something. Her hand stopped
on a large painted frame. “You might want to sit down for this one.”

“Why?”

“Did you know your mother painted?”

“I know she dabbled in watercolors sometimes.” Ellie nodded. “But I don’t remember that she was ever very serious about it.”

“If she wasn’t, she should have been.” Carly lifted the painting and turned it around for Ellie to see.

A very young golden-haired child sat in the midst of a garden, tall white daisies and some low-growing pink flowers surrounding her.

“That looks like …” Ellie came closer, her eyes narrowed.

“You.”

“It
is
me.” Ellie momentarily struggled for words. “I’ve seen that dress before. I found it in a box with some other baby clothes that my mother must have saved. But how do you know for certain that she was the artist?”

“She signed it here, in the corner.” Carly pointed out the name in black print.

“Lynley Rose,” Ellie murmured. “Not Lynley Sebastian or Lynley Chapman. Just her first and middle names.” She smiled. “Years ago, a cosmetic company marketed a nail polish and lipstick called Lynley Rose. There was a big marketing campaign, magazine ads, billboards. I was only about five or six then, but I remember.”

She stared at the painting a moment longer. “I must have been two or three when she painted this.” She looked up at Carly. “I wonder why she didn’t sign her full name.”

“Maybe she was hoping to exhibit it someday and wanted to be judged by her talent alone, not her celebrity name,” Carly suggested.

“Maybe.”

“Ellie, didn’t you say that you’d never been here before?” Carly asked after studying the painting for another moment.

“As far as I know, I hadn’t been.” Ellie lifted the painting and brought it into better light. “But that’s the carriage house here in the background. And right over here is the corner of the back porch.” Ellie looked up. “She could have painted it from memory.”

“Maybe she brought you here and you just don’t remember.”

Ellie shook her head. “I don’t think my dad would have let her.”

“Maybe she did it when he was away on business. He used to travel a lot, as I remember,” Carly reminded her.

“That would explain a few things,” Ellie conceded. “Like why some of the wallpapers look vaguely familiar. Funny how she must have loved it here so much, and yet he could never understand the attraction it held for her.”

“Do you?”

“Oh, yes. I do now, anyway. Back then, when I was younger, it was all glitz and glamour with my dad.” Ellie dusted the glass over the child’s face with her fingers. “Everywhere we went with him, it was like New Year’s Eve and the Fourth of July and Christmas all at the same time. He always made St. Dennis sound like the last place in the world anyone would want to come to.”

“Your father was wrong about a lot of things.”

“So true.” Ellie held the painting. “Let’s take these downstairs and wash off the glass so we can see them better.”

“We’ll take them down but we’ll just dust with a dry cloth. I’d hate for any moisture to find its way under the glass and spoil a masterpiece.”

“I don’t think my mom’s dabbling would qualify as a masterpiece.”

“We’ll see what we see once we’re downstairs in better light.” Carly grabbed the portrait of Lilly and headed for the steps.

It took several trips, but soon all of the paintings from the attic had been brought into the living room. After they’d been propped up against the bookcases and dusted, Carly sat on the sofa and just stared at their findings.

Carly looked up when Ellie came into the room, carrying two mugs of tea.

“I made chamomile,” Ellie told her. “It’s supposed to soothe and relax.”

“It’s going to take more than tea to relax me tonight.” Carly wrapped her hands around the mug Ellie offered her. “This has been the most incredible weekend of my life.”

Ellie laughed. “I really doubt that.”

“It’s hard to explain what a find like this means to someone like me.” Carly took a sip of tea. “I’ve worked very hard to make Summit Galleries a respected name in the art world, and yet there are so many people who still consider me a lightweight because my parents funded the start-up. I always feel like the Rodney Dangerfield of the art world.”

“Your parents haven’t supported you or the gallery for years.”

“Absolutely true. But no one knows that. I can’t very well shout from the rooftops that yes, family money started me off but yay! Now I’m self-supporting.” Carly made a face. “It sounds like the lady protesteth too much.” She took another sip of tea. “But these paintings … this find …” She shook her head from side to side. “Maybe now people will take me a little more seriously.”

“You certainly deserve it,” Ellie agreed. “I’m so happy to have a small part in that.”

“A small part?” Carly laughed. “You own these paintings. At least, we’re assuming you do. For you to entrust them to me is huge.”

“There’s no one else I’d consider entrusting them to.”

“Thank you, sweetie. I promise to get as much for each of them as I can. When this is over, you’ll have enough money to start up a new business or go and do whatever you want.”

“That would be nice. I still don’t know where I’ll go or what I’ll do, but it’s nice to know I’ll have some options I hadn’t planned on.”

Carly returned her attention to the paintings while Ellie sat on the sofa, Dune curled up next to her, the dog’s head on her lap. For a few moments, the only sounds were the clock ticking on the mantel and the dog’s breathing.

“You used to paint, too,” Carly said. “I remember at school, you did some watercolors that were really pretty. I seem to recall the head of the art department
entered a couple of them in state and regional competitions.”

“I won a few of those.” Ellie smiled grimly. “The feds permitted me to keep the awards since I’d earned them before my father started robbing unsuspecting folks of their life savings.”

Several other minutes passed in silence before Carly said, “I have an idea.”

“Should I be frightened?”

Carly smiled. “I think you should write a book about these women. Your great-great-grandmother. Your great-aunt. Your mother. We’ll self-publish it if we have to, but it could be incredible. We could have pages of photographs of the paintings and release the book right before we put the paintings on display.” She turned shining eyes to Ellie. “The publicity will be phenomenal. Three generations of artists in the same family, written by their one common descendant. You have to do it, El.” Carly paused. “We could include a few of your works, too.”

“Forget that. I don’t have any ‘works.’ Just a few old amateur paintings and I don’t even know where they are. Besides, I was never serious about it and I really wasn’t that good.”

“That can be debated.” Carly looked pensive. “Well, what about your grandmother? Lynley’s mother? Did she paint as well?”

“I have no idea.” Ellie shook her head. “She and my grandfather moved to California before I was born. They died out there in a boating accident. I don’t know anything about them, really. Since I came to St. Dennis, I did learn that they more or less handed
my mother over to Lilly when Mom was just a child, but I don’t even know much about that.”

“Maybe someone in town can shed some light on all that, too. But it doesn’t matter. If we market this all the right way, when we finally send the paintings to auction, you’re going make a fortune.”

“The book is a fabulous idea, Car, except for one thing.” Ellie momentarily stopped petting the dog and Dune pawed at her to resume. “I know nothing about Carolina, very little about Lilly, and apparently I didn’t know my mother as well as I thought I did.”

“There are still people here in St. Dennis who remember Lilly. You could interview them.” Carly’s enthusiasm for the idea was growing. “And I’ll bet you could learn a lot about your mother’s life here at the same time.”

“I don’t know what I’d say to people. How can I interview people here as Ellie Ryder and then have this book written by Ellis Chapman, surrounded by all the publicity you’re talking about. Everyone will know what a liar I am.” Ellie got up and began to pace. “Everyone will know what a fraud I am.”

“Well, I guess that’s a choice you’re going to have to make,” Carly said slowly. “On the one hand, you can maximize what you’ll make on the paintings through the book and the publicity, which will reveal who you really are, or you can skip the book and continue to protect your identity, and make half—a third—of what you could have gotten for the paintings.”

Ellie felt her stomach churn with anxiety.

“I guess the real question is, do the people here mean so much to you that you’d forfeit making a potential
killing? I mean, all along you’ve been planning on leaving and not looking back anyway, right? So what’s the difference what they think of you?”

Ellie thought about the look in Cam’s eyes when he set her on her feet after he’d carried her across the library’s lawn, about the feel of his hands on her arms and the way her heart had skipped a beat or two when she realized he was drawn to her as much as she was drawn to him.

“I don’t know,” she told Carly. “I think a book with my name on it might bring back the scandal all over again.”

“Maybe. But you have time to think it over. In the meantime, let’s get some cloths and start cleaning up these beauties. And then let’s go back upstairs and see if we missed any the first time around.…”

Cameron turned on his back-porch lights, stepped outside, and inhaled deeply. In the warm months, the nearby marsh was sometimes unpleasantly odoriferous. Now, in November, he caught whiffs of the very last of the sweet autumn clematis and the scent of drying cattails, but no decaying fish or rotting vegetation, for which he was grateful.

All in all, Cam had liked living here. In the daylight hours, he could watch the osprey and the hawks hunt and the red-winged blackbirds flit across the wetland area. Now, at night, the marsh wrapped in deep shadow, there was sound but no sight. Some small creature, a rabbit, most likely, shrieked in the darkness as the deadly talons of an owl sank in and carried it off. The owls were nesting now. He’d heard
their calls back and forth from tree to tree over the past week, mate seeking mate. One night he’d even seen a pair sitting on the branch of a tree outside his bedroom window, their bodies silhouetted against the moonlit sky.

The bungalow that sat a long stone’s throw from the edge of the marsh was the latest in Cam’s home improvement projects. He’d watched the market closely and picked up the place for a song when the children of the former owners decided the house would require more work than they wanted to take on. So far, Cam had replaced the roof, the front and back porches, and two bathrooms. He’d stripped and repainted all the rooms and was partly through the kitchen renovation. Once he finished replacing the cabinets, floor, and installed new appliances, he’d be ready to sell and move on to his next project.

He already had a place in mind. But that house wouldn’t be flipped. That house—the Cavanaughs’ house—was meant to be his, pure and simple.

Why Ellie wouldn’t just sell it to him right now and spare herself the time and the money she’d have to put into it—well, that just didn’t make any sense at all.

Cam wouldn’t mind helping her out, of course. Whatever he did in the house now would be less he’d have to do later, and he’d be paid in Ted Cavanaugh’s duck decoys to boot. How sweet a deal was that? Cam meant to earn every one of them. They should stay in St. Dennis—preferably in that house.

Besides, he figured if he had a hand in the renovations, things would be done to his satisfaction and done right. Nothing worse than having to rip out
someone else’s shoddy work. He’d been down that road more times than he could count, and he wasn’t about to let some hack muck up his house. If Ellie were left to her own devices, God only knew who she would end up hiring to do all those jobs she couldn’t do herself.

Which brought him right back to the question of why would she bother when she had a buyer right under her nose, willing to negotiate a fair sale price today.

He would miss the big garage here, though. The Cavanaugh house did have the carriage house, but it, too, needed a lot of work. The garage here not only housed the tools he needed for his contracting work, but provided space for his sideline, making furniture—mostly tables—from reclaimed barn boards. The entire second floor of the oversize garage was filled with boards he got from Clay when one of the old barns on the Madison farm was razed. Clay had offered Cameron all of the salvage wood in exchange for Cam helping to dismantle the building and for aiding in the construction of a hop barn where Clay and Wade could cure the hops they were growing to make their beer. Of course, Cameron had jumped at the chance; prime aged barn board was becoming increasingly scarce. His latest project was almost finished: a trestle table for Brooke and Jesse that was intended as a wedding gift. It was especially apropos, he’d decided, the wood being from a barn on Brooke’s family farm, and he’d been working on it for several months whenever he had a few minutes to spare.