The Chiron Confession (Dominium Dei) (4 page)

“Ex-consul now,” Ludlumus rebuked the guard. “Now stand back.”

Ludlumus stepped forward and stuck the burning torch between the prisoner’s legs, scorching his genitals until the consul of Rome screamed like a wretched animal. Only then did Ludlumus pull the torch back. “What is the true identity of Chiron?”

“Acilius Glabrio,” Clemens said, barely loud enough for the guard to hear him. “Acilius Glabrio was Chiron.”

“Nice try,” Ludlumus replied. “But I already had a word with the former consul before his death. I assure you, he’s not Chiron. Try again.”

Clemens refused to talk, and Ludlumus applied the fire.

“My God!” screamed Clemens, writhing in agony, his chains clanging. “You’re the devil!”

“Save your breath and tell me what I want to know.” Ludlumus applied the fire yet again, this time for a long minute, until the sweet odor of burnt flesh filled the cell. Clemens was crying now, weeping with inhuman suffering. Ludlumus noticed the Praetorian staring at him in horrific disbelief. “What are you looking at?”

The guard said nothing.

Ludlumus produced a wax tablet and shoved it into the guard’s face. “Sign this.”

The guard took it and read the writing. “What is this?”

“The prisoner’s confession.”

The guard looked puzzled. “But he hasn’t confessed anything.”

“You do make things difficult, don’t you?” said Ludlumus as he pulled out the dagger and whipped it across the young soldier’s throat, catching him just beneath the chin strap of his helmet. The guard opened his mouth but produced only a gurgling sound as he collapsed to the floor.

Clemens stared at the fallen legionary and then at Ludlumus. He lifted his gaze to the ceiling, screaming all the louder. “God in Heaven! Have mercy on me!”

Ludlumus, meanwhile, calmly took the slain Praetorian’s hand, pressed the ring finger to the wax to get the impression from the insignia and slipped the tablet inside his toga. He then unhooked the keys from the guard’s belt and unlocked Clemens. The consul fell to his knees, too weak to stand.

“It’s a good thing the guard got your confession down before you killed him, Clemens,” said Ludlumus, tossing the knife his way. “And I’m lucky I called his friend from outside to come in, or else you would have killed me.” With that Ludlumus called out, “Guard, help me! The prisoner is loose!”

There was a rattling of a key in the lock, the door swung open and the other guard rushed in to see Ludlumus stagger to his feet.

“The prisoner killed him and almost took me too!” Ludlumus cried out.

The guard ran to his fallen colleague, saw the knife and then kicked the defenseless Clemens until he was flat against the wall. He turned to Ludlumus.

“Are you all right, sir?”

“I’m fine,” Ludlumus replied. “Just make sure the prisoner’s on in five minutes.”

Ludlumus left the cell and emerged a few minutes later inside Gate XXXIV of the Coliseum. More than 80,000 fans had packed the stands today. Ludlumus was pleased with the turnout as he walked past the Doric columns to his section. The arena was surrounded by a metal grating, twelve cubits in front of the first tier of seats, which protected the public from the wild beasts. On the first tier ranged the marble seats of the privileged. Above those were the second and third tiers for the ordinary public. Even the plebes in the top gallery would be able to follow the drama that was about to unfold below them.

The imperial box for the Emperor, his family and invited guests was the easiest place to pick out because it had the best seats in the stadium, on the first tier on the northern side of the arena, and was protected by a bronze balustrade. The imperial bodyguard detail wordlessly allowed Ludlumus into the box. There he took his place at the right hand of Domitian.

Domitian said, “That didn’t take long.”

“Long enough. He killed one of your guards. With the very dagger you awarded him upon his consulship.”

“I never thought he had it in him,” Domitian said.

“The Dei will do that to a man, I suppose. But I did extract a confession.”

Ludlumus produced the wax tablet and handed it to Caesar.

Domitian looked at the confession, his face turning livid. “But I’m throwing a party for him tonight!”

“Mmm.” Ludlumus did his best to look devastated. “Although he’s a good decade younger than I am, I once considered myself his protégé in the theater.”

“Terrible. But you look like you are holding up well under the circumstances.”

“Thank you, Your Highness.”

Ludlumus noted with satisfaction that a low stone wall had already been set up by the propmasters. A fresh layer of white sand glistened in the sun, all the better to show off fresh blood. Now a warrior in armor walked into the arena to the frenzied applause of the crowd. “Romulus! Romulus! Romulus!” they all chanted.

Instantly Clemens was launched into the scene from a hidden elevator shaft.

The mob now chanted louder. “Remus! Remus! Remus!”

Ludlumus glanced at Domitian, who nodded approvingly at the send-off he had prepared for Clemens in this re-telling of the founding of Rome. Romulus and Remus were brothers. As legend had it, Remus mocked the little wall his brother Romulus had begun building for the new city, jumping over it and back to show just how puny it was. Romulus didn’t like that and killed Remus on the spot. For this re-enactment, Ludlumus had the propmasters dress “Romulus” in the royal purple and gold as a stand-in for Domitian, while Clemens, as close to a brother as Domitian had left in this world, stood in for himself.

Ludlumus was quite proud of his work here. Only a former thespian like himself would appreciate the scale with which his beastmasters cleared more than 5,000 wild beasts from the morning’s animal acts off the arena floor in order for the propmasters to erect the scene for today’s lunchtime execution and, when that was over, the afternoon’s gladiatorial contests.

Sadly, Clemens didn’t seem up to the demands of his role. Standing wobbly on the floor of the great stadium, he barely had time to brace himself before the first stab from the sword of Romulus struck him. The blade went clean through him and out his back. Slowly Romulus withdrew his blood-tipped blade. As it was the only thing keeping poor Clemens up, the late consul collapsed to the ground, dead.

Ludlumus held back a smile as he watched the arena attendants pick up what was left of Clemens. Their assistants carried the corpse off while they hastily turned over the blood-stained sand for the next act.

It was all over too soon, Ludlumus lamented.

Athanasius of Athens would not die so easily.

T
he dreams were different, but the girl was always the same. Young, maybe 17, long black hair, dark eyes, and tears of blood trickling down her tragic face. Sometimes she was the harlot Rahab in ancient Jericho, and he was the enemy spy sent to bring down the walls. Other times she was a beauty named Aphrodite in a future Greece under the rule of Germania. This night she had no name, but he knew it was present day. She was in a cave somewhere, calling out to him in the darkness. She possessed the secret of the ages, a mystery he had to unravel, or his mission would fail and the world would be doomed. In the haze of dream, he stumbled down an endless cave, his hands feeling the walls as they narrowed, his feet tripping over jagged rocks. “I’ll find you! I’ll find you!” he cried out, and then slipped, tumbling over and over into space.

Athanasius of Athens awoke from his nightmare, gasping for breath, the sound of trumpets outside piercing the air. He sat up and let his eyes adjust. Shafts of sunlight streamed through the drapes and marble columns onto a vast mosaic floor. He looked over at Helena’s empty side of the bed and put his hand on it. It was cool to the touch.

What time was it?

He put on a robe and walked onto the balcony of his hillside villa, taking in the spectacular view of the city below. To the west were dazzling white terraces and marble columns cascading down the cypress-covered hills to the Circus Maximus and the winding Tiber beyond. To the east was the intersection of Rome’s two great boulevards, the Via Appia and the Via Sacra, and, in the middle, Rome’s great coliseum known as the Flavian Amphitheater. The roar of a crowd wafted up on the wings of the breeze. The lunchtime executions must have begun.

He frowned. It must be noon already.

On his better days the playwright Athanasius religiously followed a strict regimen. He would wake before dawn, leave Helena in their warm bed and put in a good hour or two writing his next play. Then he would leave their villa on Caelian Hill and head over to the Circus Maximus to run laps and maybe shoot some arrows—he was a marksman archer—before the heat of the day set in. He found his best ideas flowed while he ran, and it kept alive his fantasy that at age 25 he could still run the marathons he once did as a boy outside Corinth back in Greece. After lunch he would enjoy the baths, a relaxing massage, and perhaps take in an afternoon rest with Helena before answering letters, supervising rehearsals at the Theater of Pompey, or attending to the problems of everyday life, which he limited each day to the single turn of an hour-glass. Then he and Helena would enjoy dinner with friends in the city or stroll along the Tiber and watch the imperial barges delivering the world’s luxuries to Rome. They would cap off the evening by attending various parties and then retiring to bed with each other.

It was, in short, the perfect Epicurean life he had always imagined as a boy, filled with friends, food, freedom and sex. Lots of sex.

Those were the good days.

On his bad days, he slept until noon, hung over from a late party or a nightmare induced by his creativity-enhancing leaves. Having missed his peak writing time, and not feeling up to laps at the Circus Maximus, he’d still have lunch with friends, go to the baths, enjoy a massage and a nap, albeit alone because the ever-practical Helena would be upset with him for his lethargy. All the same, they’d go out to dinner and perhaps see one of his own productions, just so he could validate that he existed. Then on to the can’t-miss parties where the wine would loosen his lips and he’d talk about his writing and productions and delight the great of Rome with his humor and wit, praying to the Muses that he’d remember what he had said the next morning so he could write it down. He rarely did, of course, and too often the first time it all came back was while attending a rival’s production when he heard the actors utter his stolen lines.

This was one of the bad days. He could feel it.

It was noon already, after all.

•    •    •

Helena was in the courtyard, where she emerged dripping from a bathing pool. Behind her was a gigantic, half-finished sculpture of herself in the guise of the goddess of love. The sculptor Colonius had been taking his sweet time with the hammer and chisel, Athanasius thought, and was months behind. He could hardly blame him.

Helena caught sight of him and wrapped a clingy gown around her supple, golden body. Then she turned to face him with her two round breasts and a smile.

“The toast of Rome has awakened!” she announced.

A true Amazon in height, she stood almost a head taller than him in her bare feet, and he was by no means average. She was a sight to behold with her hair of gold, flawless features and eyes of sapphire blue that betrayed an intelligence her beauty often masked to mad distraction. He had fallen for her instantly. The miracle was that of all the senators, noblemen and charioteers to choose from, Helena, the glory of Rome herself, had chosen him.

“My Aphrodite,” he said.

“This year’s model.” She kissed him on the lips. “But I’ll always be your Helena.”

“You let me sleep in. Half the day is gone.”

“And half your delirium. You know how you get before an opening. I spared us both.”

She was right about that. Tonight was the premiere of
Opus Gloria
, his greatest and most controversial work yet, and he was a wreck. He needed it to be well-received, to secure his marriage to Helena. Her well-connected Roman family was quite wealthy at one time but had lost much of their fortune. If not for the modeling that her beauty brought her, and she had earned quite a bit from it, she would have been penniless by now, or married to a man she did not love. All the money in the world would never quench her fear of poverty, Athanasius knew, but they had agreed that the success of
Opus Gloria
would go a long way and be enough for them to marry. Next month would mark a full year living together, when Roman law regarded them as married. But she had planned a huge, multi-day wedding celebration, and he had planned to take her to Greece afterward to meet his mother and cousins, where there would be another wedding party.

So in truth the affections of Helena could not be bought, but they still had to be paid for. Thus the significance of
Opus Gloria
and his success in this Roman world, which would mean little to him without Helena by his side.

“I suppose you are right,” he told her and kissed her back.

She smiled. “Repeat that line over and over in your head tonight, and all will be well.”

He laughed. If only his father were still alive to meet Helena and see his success as a playwright. His father always told him to take pride in his heritage and “show the Romans what the Greeks are still made of.” His memory made Athanasius suddenly reconsider the staging of tonight’s performance.

Helena saw it in an instant. “Now what?”

“I still don’t know why we should have to go to the Palace of the Flavians tonight to see my own play,” he said. “Caesar and the rest should be coming to the Pompey to see it. That’s the proper venue. The stage has already lost its place to the Games of the Flavian Amphitheater. Soon it will drop behind the races of the Circus Maximus when its latest incarnation is completed. If it falls another notch, I might fall off with it.”

“Oh, Athanasius. Only you would find a way to diminish your achievement. You are bigger than the stage. What playwright wouldn’t give his right hand to enjoy a venue at the palace? Besides, you heard what Maximus said about the Pompey. It has too many sinister associations for Domitian. Why would he want to celebrate your opus at the very place where Julius Caesar was assassinated backstage? It might give people ideas.”