the Complete Western Stories Of Elmore Leonard (2004) (64 page)

Tobin added, "Or is he busy cleaning the stable?"

"He's breaking a horse," Brady stated.

I said, "Breaking a horse ?"

Brady turned on me. "That's what I said, breaking a horse!"

Tobin must have been as surprised as any of us; but he wouldn't show it. He just shrugged. "Well, I guess one wing's as good as two for that anyway." Without her expecting it he grabbed Mrs. Lefton's arm.

"Honey, your husband waits on me. Why shouldn't you?" He gave her a little push toward the bar and that snaky quirt of his slapped backhanded across where her bustle was.

Brady said something, but I don't know what . . . because I heard a step behind me. I just glanced, then came full around realizing who it was. John Lefton.

Chapter
Four
.

BUT NOT THE John Lefton we had seen the last time. He didn't have on a hat and his wool shirt was dirty from sweat and dust. His hair was cut shorter than before and hung down a little over his forehead; his jaw was clean-shaved, but he was wearing a full-grown cavalry kind of mustache.

That's where the big difference was: the mustache, and the eyes that were dark and clear and looking straight ahead to Tobin.

He walked past us and as he did I saw the quirt hanging from his wrist. I remembered Brady saying that he'd been breaking a horse, but somehow you got the idea he was wearing it for another reason.

He walked right up to Tobin and said, without wasting breath, "Mr.

Royal, I've been waiting some months to see you again."

Tobin was half smiling, but you could tell it was put on, while he tried to figure out the change in this man. Tobin moved a little bit. He cocked his hip and leaned his hand on the bar to show he was relaxed.

"First," John Lefton said, "I want to thank you for what you did."

Tobin frowned then. "What'd I do?"

"If you don't know," Lefton said, "I'm not going to explain it. But you must know what I'm going to give you."

Tobin still looked puzzled. He didn't say anything and suddenly Lefton's quirt slashed across Tobin's hand on the edge of the bar.

"You know now?"

Tobin knew. Maybe he couldn't believe it, but he knew and in the instant he was pushing himself from the bar, dipping that stung hand to get at the Navy Colt. The barrel was just clear of the holster when Lefton's quirt cracked Tobin's wrist like a pistol shot, and slapped the Colt right out of his hand. For a moment Tobin was wide open, not sure what to do. Then he saw it coming and tried to cover, but not soon enough and Lefton's quirt lashed across his face cutting him from cheekbone to nose. The quirt came back, catching him across the forehead and his hat went spinning.

Tobin threw up his arms to cover his face, but now Lefton let go of the quirt. He came up with a fist under Tobin's jaw, and when Tobin's guard came apart, the same fist chopped back-handed, like a counterpunch, and smacked hard. This man knew how to fight. The fist swung low again, into Tobin's belly, and when he doubled up, Lefton's knee came up against his jaw. That straightened Tobin good. When he was just about upright the fist came around like a sledgehammer and the next second Tobin was spread-eagle on the floor.

He must have been conscious, though I don't know how; for the
n
Lefton looked down at him and said, "You know what you're going to do now, don't you? As soon as you find a left-handed currycomb." We just stood there until he got Tobin to his feet and out the door; then Brady said, "Mrs. Lefton, you've got yourself a man." And the way he said man, it meant everything it could mean plus how Joe Brady felt about the matter.

Mrs. Lefton smiled. "I've known that for some time," she sai
d
mildly--to tell us that there had never been any doubt about it as far as she was concerned. She excused herself right after that.

As soon as the door closed behind her, Brady, like a little kid with a story to tell, filled in the part we didn't know about.

He said on that day last May, after we'd gone, Lefton came back in and poured himself a mescal drink. But he didn't drink it. He just stared at it for the longest time. Maybe fifteen or twenty minutes. Suddenly, then, he swept the drink off and brought his fist down on the bar hard enough to break a bone. He held on to the bar then with his head down and Brady said he thought the man was going to cry. But he never did, and after a minute he went outside.

THE CHANGE IN him began right after that, Brady told. It was as if Tobin's quirt had jolted him back to reality. He found himself at deep bottom and now there was only one direction to go, if he had the guts.

Not until a few days later, Brady said, did he realize that Lefton had stopped drinking. He started drawing his wages, did his work all right, and about the middle of July he disappeared for three days. When he came back he had four mustangs on a string. The next day he built a mesquite corral off back of the adobes and that night he wrote a letter to his wife.

By the time his wife arrived, the end of August, Lefton had broken and sold better than a dozen horses. Understand now, when he started this he didn't know the first thing about breaking horses. What happened was, the time he disappeared, he went to Sudan to find something to invest in with the money he'd saved. He happened to talk to a mustanger who told him there was money in horse trading if he could stand getting his insides jolted up.

Lefton hired a couple of Tonkawa boys to scare up green horses and from that day on he was in business. The mustanger in Sudan taught him a few things, but most of it Lefton learned himself. The hard way.

He took a beating from those horses, but he never quit and Brady said it was like watching a man do penance. Maybe Lefton felt the same way about it, I don't know.

Brady said that two weeks ago, when Lefton's count had reached forty sold he'd wondered why Lefton stayed around instead of expanding and locating where business would be better. Brady said today, though, he understood why Lefton had wanted to stay.

We all agreed that what we saw that afternoon was one of the finest experiences of our lives. Still, neither Chris, Kite, Vicente or me ever talked about it to anyone. You couldn't tell the second part without telling the first, and we still didn't want to do that.

Tobin Royal stayed with us. I'll give him credit for that. Working with us after what we'd seen. After that day he didn't talk so much. But those times he did start, after a few drinks or something, I'd look at him and touch my cheek. His fingers would go up and feel where the quirt had lashed him and he would shut up. There was no scar there, but maybe there was to Tobin. One that would always stay with him.

Chapter
25 The Longest Day of His Life
.

Western Novel and Short Stories, October 1956
.

Chapter
One
.

New Job THROUGH THE down-pointed field glasses, his gaze inched from left to right along the road that twisted narrowly through the ravine. Where he sat, hunched forward with his legs crossed and with his elbows resting on raised knees to steady the field glasses, the ground dropped away before him in a long grassy sweep; though across from him the slope climbed steeply into dwarf oak and above the trees a pale-orange wall of sandstone rose seamed and shadowed into sun glare. Below and to the right, the road passed into tree shadow and seemed to end there.

"How far to Glennan's place?"

"About four miles," the man who was next to him kneeling on one knee said. He was twice the age of the man with the field glasses, nearing fifty, and studying the end of the ravine his eyes half closed, tightening his face in a teeth-clenched grimace. His name was Joe Mauren, in charge of road construction for the Hatch & Hodges Stage Line Company.

"Past the trees," Mauren said, "the road drops down through a draw for maybe two miles. You come to grass then and you think you're ou
t
of it, but follow the wagon tracks and you go down through another pass. Then you're out and you'll see the house back off a ways. It's built close to deep pinyon and sometimes you can't see it for shadows, but you will this time of day." "Then twelve miles beyond it to the Rock of Ages mine," Steve Brady, the man with the field glasses, said.

"About that," Mauren said.

The field glasses moved left again. "Will you have to do any work along here?"

"No, those scrub oaks catch anything that falls."

"Just back where you're working now."

"That's the only dangerous place."

"The mine's been hauling through for three months," Brady said.

"Rock slides don't worry them."

"The driver of an eight-team ore wagon isn't a stage full of passengers," Mauren said. "If we expect people to ride over this stretch, we have to make it near presentable."

"So two miles back to your construction site and eight back of that to Contention," Steve Brady said. He lowered the field glasses. "Twentysix miles from Contention to Rock of Ages."

"You'll go far," Mauren said dryly.

"I see why we need a stop at Glennan's place," Brady said.

Mauren nodded. "To calm their nerves and slack their thirst."

"Will Glennan serve whiskey?"

"He blame well better," Mauren said, rising. "Else you don't give him the franchise. That's an unwritten rule, boy." He watched Brady get to his feet, brushing his right leg and the seat of his pants.

"New job, new suit," Mauren said. "And by the time you get to Glennan's the suit's going to be powder-colored instead of dark gray."

Brady turned, his free hand brushing the lapels now. "Does it look all right?"

"About a size too small. You look all hands, Steve. Like you're ready to grab something." Mauren almost smiled. "Like that little Kitty Glennan."

"She must be something, the way you talk."

"It'll make the tears run out of your eyes, Steve. She's that pretty."

"The suit's all right then, huh?"

"Take the shooter off and you'll be able to button it." Mauren was looking at the Colt that Brady wore on his right hip.

"It feels good open," Brady said.

Mauren studied him up and down. "Suits are fine, but you get used to wearing them and before you know it you're up in Prescott behind a desk. Like your pa."

"That might'n be so bad."

"You try it, boy. A week and you'd go back to driving or shotgun riding just to get away." They mounted their horses and Mauren said, "You've wasted enough time. Now do something for your pay."

"I'll try and come back this way," Brady said.

"Do that now," Mauren answered. He reined tightly and moved off through the pinyon pine.

FOR A MOMENT Brady watched him, then slipped the glasses into a saddlebag, tight-turned his own mount and slanted down the slope to the road below. He reached the end of the ravine and followed the double wagon ruts into the trees, feeling the relief of the shade now and he pushed his hat up from his forehead, thinking then: Maybe I should've got a new one. The tan Stetson was dusty and dark-stained around the band, but it felt good.

The fact was, everything felt good. It was good to be here and good to see the things there were to see and good to be going where he was going.

He thought of Mr. Glennan whom he had never seen before--Mr.

J. F. Glennan--and tried to picture him.

"Mr. Glennan, my name's Brady, with Hatch and Hodges, come with the franchise agreement for you to sign." No--

"Hello Mr. Glennan, my name's Brady, with Hatch and Hodges--you sure got a nice place. Fine for a stage stop, trees for shade and not much building on to do. Here's the agreement, Mr. Glennan. I think you'll like working for"--no--"being with the company. Take me. I been with Hatch and Hodges for eight years; since I was a sixteen-year-old boy."

Then what?

"Yes, sir. I like it very much. See, my father is general manager up to Prescott. He said, 'Steve, if you're going to work for me you're going t
o
start at the bottom and pull your ownself up.' Which is what I did-- starting as a stable boy in the Prescott yard."

He thought: He's not interested in that.

But thought then: You got to talk, don't you? You have to be friendly.

"Then I went out, Mr. G1ennan. Went to work for Mr. Rindo who's agent up on the Gila Ford to San Carlos run. Then my Uncle Joe Mauren, who isn't my uncle but that's what I call him, made me his shotgun messenger. Uncle Joe drove then. Now he's in charge of all construction. But when I was with him he taught me everything there is to know--how to drive, how to read sign, how to shoot. . . . But you met him! Mr. Mauren? The one first talked to you a couple weeks ago?"

See, he thought. You talk enough and it comes right back to where you started.

"So then I drove a stage for four years and then, just last week, was named a supervisor for the Bisbee to Contention section and for this new line that goes up to Rock of Ages. And that's why I'm the one calling on you with the franchise agreement."

See? Right back again.

You talk all your life and you don't worry about it, he thought. But when it's your job to talk then you worry like it's some new thing to learn. Like it's harder than hitting something with a Colt gun or driving a three-team stage.