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Authors: Alexandre Dumas (Pere)

Tags: #Adventure, #Historical Fiction

The Count of Monte Cristo (141 page)

BOOK: The Count of Monte Cristo
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"This is what you asked for," he said, "and what I promised to give you."

"I thank you from the depths of my heart," said the young man, taking the spoon from the hands of Monte Cristo. The count took another spoon, and again dipped it into the golden box. "What are you going to do, my friend?" asked Morrel, arresting his hand.

"Well, the fact is, Morrel, I was thinking that I too am weary of life, and since an opportunity presents itself"—

"Stay!" said the young man. "You who love, and are beloved; you, who have faith and hope,—oh, do not follow my example. In your case it would be a crime. Adieu, my noble and generous friend, adieu; I will go and tell Valentine what you have done for me." And slowly, though without any hesitation, only waiting to press the count's hand fervently, he swallowed the mysterious substance offered by Monte Cristo. Then they were both silent. Ali, mute and attentive, brought the pipes and coffee, and disappeared. By degrees, the light of the lamps gradually faded in the hands of the marble statues which held them, and the perfumes appeared less powerful to Morrel. Seated opposite to him, Monte Cristo watched him in the shadow, and Morrel saw nothing but the bright eyes of the count. An overpowering sadness took possession of the young man, his hands relaxed their hold, the objects in the room gradually lost their form and color, and his disturbed vision seemed to perceive doors and curtains open in the walls.

"Friend," he cried, "I feel that I am dying; thanks!" He made a last effort to extend his hand, but it fell powerless beside him. Then it appeared to him that Monte Cristo smiled, not with the strange and fearful expression which had sometimes revealed to him the secrets of his heart, but with the benevolent kindness of a father for a child. At the same time the count appeared to increase in stature, his form, nearly double its usual height, stood out in relief against the red tapestry, his black hair was thrown back, and he stood in the attitude of an avenging angel. Morrel, overpowered, turned around in the arm–chair; a delicious torpor permeated every vein. A change of ideas presented themselves to his brain, like a new design on the kaleidoscope. Enervated, prostrate, and breathless, he became unconscious of outward objects; he seemed to be entering that vague delirium preceding death. He wished once again to press the count's hand, but his own was immovable. He wished to articulate a last farewell, but his tongue lay motionless and heavy in his throat, like a stone at the mouth of a sepulchre. Involuntarily his languid eyes closed, and still through his eyelashes a well–known form seemed to move amid the obscurity with which he thought himself enveloped.

The count had just opened a door. Immediately a brilliant light from the next room, or rather from the palace adjoining, shone upon the room in which he was gently gliding into his last sleep. Then he saw a woman of marvellous beauty appear on the threshold of the door separating the two rooms. Pale, and sweetly smiling, she looked like an angel of mercy conjuring the angel of vengeance. "Is it heaven that opens before me?" thought the dying man; "that angel resembles the one I have lost." Monte Cristo pointed out Morrel to the young woman, who advanced towards him with clasped hands and a smile upon her lips.

"Valentine, Valentine!" he mentally ejaculated; but his lips uttered no sound, and as though all his strength were centred in that internal emotion, he sighed and closed his eyes. Valentine rushed towards him; his lips again moved.

"He is calling you," said the count; "he to whom you have confided your destiny—he from whom death would have separated you, calls you to him. Happily, I vanquished death. Henceforth, Valentine, you will never again be separated on earth, since he has rushed into death to find you. Without me, you would both have died. May God accept my atonement in the preservation of these two existences!"

Valentine seized the count's hand, and in her irresistible impulse of joy carried it to her lips.

"Oh, thank me again!" said the count; "tell me till you are weary, that I have restored you to happiness; you do not know how much I require this assurance."

"Oh, yes, yes, I thank you with all my heart," said Valentine; "and if you doubt the sincerity of my gratitude, oh, then, ask Haidee! ask my beloved sister Haidee, who ever since our departure from France, has caused me to wait patiently for this happy day, while talking to me of you."

"You then love Haidee?" asked Monte Cristo with an emotion he in vain endeavored to dissimulate.

"Oh, yes, with all my soul."

"Well, then, listen, Valentine," said the count; "I have a favor to ask of you."

"Of me? Oh, am I happy enough for that?"

"Yes; you have called Haidee your sister,—let her become so indeed, Valentine; render her all the gratitude you fancy that you owe to me; protect her, for" (the count's voice was thick with emotion) "henceforth she will be alone in the world."

"Alone in the world!" repeated a voice behind the count, "and why?"

Monte Cristo turned around; Haidee was standing pale, motionless, looking at the count with an expression of fearful amazement.

"Because to–morrow, Haidee, you will be free; you will then assume your proper position in society, for I will not allow my destiny to overshadow yours. Daughter of a prince, I restore to you the riches and name of your father."

Haidee became pale, and lifting her transparent hands to heaven, exclaimed in a voice stifled with tears, "Then you leave me, my lord?"

"Haidee, Haidee, you are young and beautiful; forget even my name, and be happy."

"It is well," said Haidee; "your order shall be executed, my lord; I will forget even your name, and be happy." And she stepped back to retire.

"Oh, heavens," exclaimed Valentine, who was supporting the head of Morrel on her shoulder, "do you not see how pale she is? Do you not see how she suffers?"

Haidee answered with a heartrending expression, "Why should he understand this, my sister? He is my master, and I am his slave; he has the right to notice nothing."

The count shuddered at the tones of a voice which penetrated the inmost recesses of his heart; his eyes met those of the young girl and he could not bear their brilliancy. "Oh, heavens," exclaimed Monte Cristo, "can my suspicions be correct? Haidee, would it please you not to leave me?"

"I am young," gently replied Haidee; "I love the life you have made so sweet to me, and I should be sorry to die."

"You mean, then, that if I leave you, Haidee"—

"I should die; yes, my lord."

"Do you then love me?"

"Oh, Valentine, he asks if I love him. Valentine, tell him if you love Maximilian." The count felt his heart dilate and throb; he opened his arms, and Haidee, uttering a cry, sprang into them. "Oh, yes," she cried, "I do love you! I love you as one loves a father, brother, husband! I love you as my life, for you are the best, the noblest of created beings!"

"Let it be, then, as you wish, sweet angel; God has sustained me in my struggle with my enemies, and has given me this reward; he will not let me end my triumph in suffering; I wished to punish myself, but he has pardoned me. Love me then, Haidee! Who knows? perhaps your love will make me forget all that I do not wish to remember."

"What do you mean, my lord?"

"I mean that one word from you has enlightened me more than twenty years of slow experience; I have but you in the world, Haidee; through you I again take hold on life, through you I shall suffer, through you rejoice."

"Do you hear him, Valentine?" exclaimed Haidee; "he says that through me he will suffer—through me, who would yield my life for his." The count withdrew for a moment. "Have I discovered the truth?" he said; "but whether it be for recompense or punishment, I accept my fate. Come, Haidee, come!" and throwing his arm around the young girl's waist, he pressed the hand of Valentine, and disappeared.

An hour had nearly passed, during which Valentine, breathless and motionless, watched steadfastly over Morrel. At length she felt his heart beat, a faint breath played upon his lips, a slight shudder, announcing the return of life, passed through the young man's frame. At length his eyes opened, but they were at first fixed and expressionless; then sight returned, and with it feeling and grief. "Oh," he cried, in an accent of despair, "the count has deceived me; I am yet living;" and extending his hand towards the table, he seized a knife.

"Dearest," exclaimed Valentine, with her adorable smile, "awake, and look at me!" Morrel uttered a loud exclamation, and frantic, doubtful, dazzled, as though by a celestial vision, he fell upon his knees.

The next morning at daybreak, Valentine and Morrel were walking arm–in–arm on the sea–shore, Valentine relating how Monte Cristo had appeared in her room, explained everything, revealed the crime, and, finally, how he had saved her life by enabling her to simulate death. They had found the door of the grotto opened, and gone forth; on the azure dome of heaven still glittered a few remaining stars. Morrel soon perceived a man standing among the rocks, apparently awaiting a sign from them to advance, and pointed him out to Valentine. "Ah, it is Jacopo," she said, "the captain of the yacht;" and she beckoned him towards them.

"Do you wish to speak to us?" asked Morrel.

"I have a letter to give you from the count."

"From the count!" murmured the two young people.

"Yes; read it." Morrel opened the letter, and read:—

"My Dear Maximilian,—"

"There is a felucca for you at anchor. Jacopo will carry you to Leghorn, where Monsieur Noirtier awaits his granddaughter, whom he wishes to bless before you lead her to the altar. All that is in this grotto, my friend, my house in the Champs Elysees, and my chateau at Treport, are the marriage gifts bestowed by Edmond Dantes upon the son of his old master, Morrel. Mademoiselle de Villefort will share them with you; for I entreat her to give to the poor the immense fortune reverting to her from her father, now a madman, and her brother who died last September with his mother. Tell the angel who will watch over your future destiny, Morrel, to pray sometimes for a man, who like Satan thought himself for an instant equal to God, but who now acknowledges with Christian humility that God alone possesses supreme power and infinite wisdom. Perhaps those prayers may soften the remorse he feels in his heart. As for you, Morrel, this is the secret of my conduct towards you. There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of living."

"Live, then, and be happy, beloved children of my heart, and never forget that until the day when God shall deign to reveal the future to man, all human wisdom is summed up in these two words,—"
Wait and hope
." Your friend,"

"Edmond Dantes, Count of Monte Cristo."

During the perusal of this letter, which informed Valentine for the first time of the madness of her father and the death of her brother, she became pale, a heavy sigh escaped from her bosom, and tears, not the less painful because they were silent, ran down her cheeks; her happiness cost her very dear. Morrel looked around uneasily. "But," he said, "the count's generosity is too overwhelming; Valentine will be satisfied with my humble fortune. Where is the count, friend? Lead me to him." Jacopo pointed towards the horizon. "What do you mean?" asked Valentine. "Where is the count?—where is Haidee?"

"Look!" said Jacopo.

The eyes of both were fixed upon the spot indicated by the sailor, and on the blue line separating the sky from the Mediterranean Sea, they perceived a large white sail. "Gone," said Morrel; "gone!—adieu, my friend—adieu, my father!"

"Gone," murmured Valentine; "adieu, my sweet Haidee—adieu, my sister!"

"Who can say whether we shall ever see them again?" said Morrel with tearful eyes.

"Darling," replied Valentine, "has not the count just told us that all human wisdom is summed up in two words?—"Wait and hope.""

Footnotes
[1]

"The wicked are great drinkers of water; As the flood proved once for all."

[2]

$2,600,000 in 1894.

[3]

Knocked on the head.

[4]

Beheaded.

[5]

Scott, of course: "The son of an ill–fated sire, and the father of a yet more unfortunate family, bore in his looks that cast of inauspicious melancholy by which the physiognomists of that time pretended to distinguish those who were predestined to a violent and unhappy death."—The Abbot, ch. xxii.

[6]

Guillotine.

[7]

Dr. Guillotin got the idea of his famous machine from witnessing an execution in Italy.

[8]

Brucoea ferruginea.

[9]

"Money and sanctity, Each in a moiety."

[10]

Elisabeth de Rossan, Marquise de Ganges, was one of the famous women of the court of Louis XIV. where she was known as "La Belle Provencale." She was the widow of the Marquise de Castellane when she married de Ganges, and having the misfortune to excite the enmity of her new brothers–in–law, was forced by them to take poison; and they finished her off with pistol and dagger.—Ed.

[11]

Magistrate and orator of great eloquence—chancellor of France under Louis XV.

[12]

Louis David, a famous French painter.

[13]

Ali Pasha, "The Lion," was born at Tepelini, an Albanian village at the foot of the Klissoura Mountains, in 1741. By diplomacy and success in arms he became almost supreme ruler of Albania, Epirus, and adjacent territory. Having aroused the enmity of the Sultan, he was proscribed and put to death by treachery in 1822, at the age of eighty.—Ed.

[14]

Greek militiamen in the war for independence.—Ed.

[15]

A Turkish pasha in command of the troops of a province.— Ed.

[16]

The god of fruitfulness in Grecian mythology. In Crete he was supposed to be slain in winter with the decay of vegetation and to revive in the spring. Haidee's learned reference is to the behavior of an actor in the Dionysian festivals.—Ed.

[17]

The Genoese conspirator.

[18]

Lake Maggiore.

[19]

In the old Greek legend the Atreidae, or children of Atreus, were doomed to punishment because of the abominable crime of their father. The Agamemnon of Aeschylus is based on this legend.

[20]

The performance of the civil marriage.

[21]

In Moliere's comedy, Le Misanthrope.

[22]

Literally, "the basket," because wedding gifts were originally brought in such a receptacle.

[23]

Germain Pillon was a famous French sculptor (1535-1598) His best known work is "The Three Graces," now in the Louvre.

[24]

Frederic Lemaitre—French actor (1800-1876) Robert Macaire is the hero of two favorite melodramas—"Chien de Montargis" and "Chien d'Aubry"—and the name is applied to bold criminals as a term of derision.

[25]

The Spahis are French cavalry reserved for service in Africa.

[26]

Savate: an old shoe.

[27]

Guilbert de Pixerecourt, French dramatist (1775-1844)

[28]

Pierre Puget, the sculptor–architect, was born at Marseilles in 1622.

[29]

The Carolina—not Virginia—jessamine, gelsemium sempervirens (properly speaking not a jessamine at all) has yellow blossoms. The reference is no doubt to the Wistaria frutescens.—Ed.

[30]

The miser in Moliere's comedy of "L'Avare."—Ed.

BOOK: The Count of Monte Cristo
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