The Count of Monte Cristo (50 page)

"What is his name—for, of course, you know?"

"The Count of Monte Cristo."

"That is not a family name?"

"No, it is the name of the island he has purchased."

"And he is a count?"

"A Tuscan count."

"Well, we must put up with that," said the countess, who was herself from one of the oldest Venetian families. "What sort of a man is he?"

"Ask the Vicomte de Morcerf."

"You hear, M. de Morcerf, I am referred to you," said the countess.

"We should be very hard to please, madam," returned Albert, "did we not think him delightful. A friend of ten years' standing could not have done more for us, or with a more perfect courtesy."

"Come," observed the countess, smiling, "I see my vampire is only some millionaire, who has taken the appearance of Lara in order to avoid being confounded with M. de Rothschild; and you have seen her?"

"Her?"

"The beautiful Greek of yesterday."

"No; we heard, I think, the sound of her guzla, but she remained perfectly invisible."

"When you say invisible," interrupted Albert, "it is only to keep up the mystery; for whom do you take the blue domino at the window with the white curtains?"

"Where was this window with white hangings?" asked the countess.

"At the Rospoli Palace."

"The count had three windows at the Rospoli Palace?"

"Yes. Did you pass through the Corso?"

"Yes."

"Well, did you notice two windows hung with yellow damask, and one with white damask with a red cross? Those were the count's windows."

"Why, he must be a nabob. Do you know what those three windows were worth?"

"Two or three hundred Roman crowns?"

"Two or three thousand."

"The deuce."

"Does his island produce him such a revenue?"

"It does not bring him a baiocco."

"Then why did he purchase it?"

"For a whim."

"He is an original, then?"

"In reality," observed Albert, "he seemed to me somewhat eccentric; were he at Paris, and a frequenter of the theatres, I should say he was a poor devil literally mad. This morning he made two or three exits worthy of Didier or Anthony." At this moment a fresh visitor entered, and, according to custom, Franz gave up his seat to him. This circumstance had, moreover, the effect of changing the conversation; an hour afterwards the two friends returned to their hotel. Signor Pastrini had already set about procuring their disguises for the morrow; and he assured them that they would be perfectly satisfied. The next morning, at nine o'clock, he entered Franz's room, followed by a tailor, who had eight or ten Roman peasant costumes on his arm; they selected two exactly alike, and charged the tailor to sew on each of their hats about twenty yards of ribbon, and to procure them two of the long silk sashes of different colors with which the lower orders decorate themselves on fete–days. Albert was impatient to see how he looked in his new dress—a jacket and breeches of blue velvet, silk stockings with clocks, shoes with buckles, and a silk waistcoat. This picturesque attire set him off to great advantage; and when he had bound the scarf around his waist, and when his hat, placed coquettishly on one side, let fall on his shoulder a stream of ribbons, Franz was forced to confess that costume has much to do with the physical superiority we accord to certain nations. The Turks used to be so picturesque with their long and flowing robes, but are they not now hideous with their blue frocks buttoned up to the chin, and their red caps, which make them look like a bottle of wine with a red seal? Franz complimented Albert, who looked at himself in the glass with an unequivocal smile of satisfaction. They were thus engaged when the Count of Monte Cristo entered.

"Gentlemen," said he, "although a companion is agreeable, perfect freedom is sometimes still more agreeable. I come to say that to–day, and for the remainder of the Carnival, I leave the carriage entirely at your disposal. The host will tell you I have three or four more, so that you will not inconvenience me in any way. Make use of it, I pray you, for your pleasure or your business."

The young men wished to decline, but they could find no good reason for refusing an offer which was so agreeable to them. The Count of Monte Cristo remained a quarter of an hour with them, conversing on all subjects with the greatest ease. He was, as we have already said, perfectly well acquainted with the literature of all countries. A glance at the walls of his salon proved to Franz and Albert that he was a connoisseur of pictures. A few words he let fall showed them that he was no stranger to the sciences, and he seemed much occupied with chemistry. The two friends did not venture to return the count the breakfast he had given them; it would have been too absurd to offer him in exchange for his excellent table the very inferior one of Signor Pastrini. They told him so frankly, and he received their excuses with the air of a man who appreciated their delicacy. Albert was charmed with the count's manners, and he was only prevented from recognizing him for a perfect gentleman by reason of his varied knowledge. The permission to do what he liked with the carriage pleased him above all, for the fair peasants had appeared in a most elegant carriage the preceding evening, and Albert was not sorry to be upon an equal footing with them. At half–past one they descended, the coachman and footman had put on their livery over their disguises, which gave them a more ridiculous appearance than ever, and which gained them the applause of Franz and Albert. Albert had fastened the faded bunch of violets to his button–hole. At the first sound of the bell they hastened into the Corso by the Via Vittoria. At the second turn, a bunch of fresh violets, thrown from a carriage filled with harlequins, indicated to Albert that, like himself and his friend, the peasants had changed their costume, also; and whether it was the result of chance, or whether a similar feeling had possessed them both, while he had changed his costume they had assumed his.

Albert placed the fresh bouquet in his button–hole, but he kept the faded one in his hand; and when he again met the calash, he raised it to his lips, an action which seemed greatly to amuse not only the fair lady who had thrown it, but her joyous companions also. The day was as gay as the preceding one, perhaps even more animated and noisy; the count appeared for an instant at his window, but when they again passed he had disappeared. It is almost needless to say that the flirtation between Albert and the fair peasant continued all day. In the evening, on his return, Franz found a letter from the embassy, informing him that he would have the honor of being received by his holiness the next day. At each previous visit he had made to Rome, he had solicited and obtained the same favor; and incited as much by a religious feeling as by gratitude, he was unwilling to quit the capital of the Christian world without laying his respectful homage at the feet of one of St. Peter's successors who has set the rare example of all the virtues. He did not then think of the Carnival, for in spite of his condescension and touching kindness, one cannot incline one's self without awe before the venerable and noble old man called Gregory XVI. On his return from the Vatican, Franz carefully avoided the Corso; he brought away with him a treasure of pious thoughts, to which the mad gayety of the maskers would have been profanation. At ten minutes past five Albert entered overjoyed. The harlequin had reassumed her peasant's costume, and as she passed she raised her mask. She was charming. Franz congratulated Albert, who received his congratulations with the air of a man conscious that they are merited. He had recognized by certain unmistakable signs, that his fair incognita belonged to the aristocracy. He had made up his mind to write to her the next day. Franz remarked, while he gave these details, that Albert seemed to have something to ask of him, but that he was unwilling to ask it. He insisted upon it, declaring beforehand that he was willing to make any sacrifice the other wished. Albert let himself be pressed just as long as friendship required, and then avowed to Franz that he would do him a great favor by allowing him to occupy the carriage alone the next day. Albert attributed to Franz's absence the extreme kindness of the fair peasant in raising her mask. Franz was not sufficiently egotistical to stop Albert in the middle of an adventure that promised to prove so agreeable to his curiosity and so flattering to his vanity. He felt assured that the perfect indiscretion of his friend would duly inform him of all that happened; and as, during three years that he had travelled all over Italy, a similar piece of good fortune had never fallen to his share, Franz was by no means sorry to learn how to act on such an occasion. He therefore promised Albert that he would content himself the morrow with witnessing the Carnival from the windows of the Rospoli Palace.

The next morning he saw Albert pass and repass, holding an enormous bouquet, which he doubtless meant to make the bearer of his amorous epistle. This belief was changed into certainty when Franz saw the bouquet (conspicuous by a circle of white camellias) in the hand of a charming harlequin dressed in rose–colored satin. The evening was no longer joy, but delirium. Albert nothing doubted but that the fair unknown would reply in the same manner. Franz anticipated his wishes by saying that the noise fatigued him, and that he should pass the next day in writing and looking over his journal. Albert was not deceived, for the next evening Franz saw him enter triumphantly shaking a folded paper which he held by one corner. "Well," said he, "was I mistaken?"

"She has answered you!" cried Franz.

"Read." This word was pronounced in a manner impossible to describe. Franz took the letter, and read:—

Tuesday evening, at seven o'clock, descend from your carriage opposite the Via dei Pontefici, and follow the Roman peasant who snatches your torch from you. When you arrive at the first step of the church of San Giacomo, be sure to fasten a knot of rose–colored ribbons to the shoulder of your harlequin costume, in order that you may be recognized. Until then you will not see me.

Constancy and Discretion.

"Well," asked he, when Franz had finished, "what do you think of that?"

"I think that the adventure is assuming a very agreeable appearance."

"I think so, also," replied Albert; "and I very much fear you will go alone to the Duke of Bracciano's ball." Franz and Albert had received that morning an invitation from the celebrated Roman banker. "Take care, Albert," said Franz. "All the nobility of Rome will be present, and if your fair incognita belong to the higher class of society, she must go there."

"Whether she goes there or not, my opinion is still the same," returned Albert. "You have read the letter?"

"Yes."

"You know how imperfectly the women of the mezzo cito are educated in Italy?" (This is the name of the lower class.)

"Yes."

"Well, read the letter again. Look at the writing, and find if you can, any blemish in the language or orthography." (The writing was, in reality, charming, and the orthography irreproachable.) "You are born to good fortune," said Franz, as he returned the letter.

"Laugh as much as you will," replied Albert, "I am in love."

"You alarm me," cried Franz. "I see that I shall not only go alone to the Duke of Bracciano's, but also return to Florence alone."

"If my unknown be as amiable as she is beautiful," said Albert, "I shall fix myself at Rome for six weeks, at least. I adore Rome, and I have always had a great taste for archaeology."

"Come, two or three more such adventures, and I do not despair of seeing you a member of the Academy." Doubtless Albert was about to discuss seriously his right to the academic chair when they were informed that dinner was ready. Albert's love had not taken away his appetite. He hastened with Franz to seat himself, free to recommence the discussion after dinner. After dinner, the Count of Monte Cristo was announced. They had not seen him for two days. Signor Pastrini informed them that business had called him to Civita Vecchia. He had started the previous evening, and had only returned an hour since. He was charming. Whether he kept a watch over himself, or whether by accident he did not sound the acrimonious chords that in other circumstances had been touched, he was to–night like everybody else. The man was an enigma to Franz. The count must feel sure that Franz recognized him; and yet he had not let fall a single word indicating any previous acquaintance between them. On his side, however great Franz's desire was to allude to their former interview, the fear of being disagreeable to the man who had loaded him and his friend with kindness prevented him from mentioning it. The count had learned that the two friends had sent to secure a box at the Argentina Theatre, and were told they were all let. In consequence, he brought them the key of his own—at least such was the apparent motive of his visit. Franz and Albert made some difficulty, alleging their fear of depriving him of it; but the count replied that, as he was going to the Palli Theatre, the box at the Argentina Theatre would be lost if they did not profit by it. This assurance determined the two friends to accept it.

Franz had by degrees become accustomed to the count's pallor, which had so forcibly struck him at their first meeting. He could not refrain from admiring the severe beauty of his features, the only defect, or rather the principal quality of which was the pallor. Truly, a Byronic hero! Franz could not, we will not say see him, but even think of him without imagining his stern head upon Manfred's shoulders, or beneath Lara's helmet. His forehead was marked with the line that indicates the constant presence of bitter thoughts; he had the fiery eyes that seem to penetrate to the very soul, and the haughty and disdainful upper lip that gives to the words it utters a peculiar character that impresses them on the minds of those to whom they are addressed. The count was no longer young. He was at least forty; and yet it was easy to understand that he was formed to rule the young men with whom he associated at present. And, to complete his resemblance with the fantastic heroes of the English poet, the count seemed to have the power of fascination. Albert was constantly expatiating on their good fortune in meeting such a man. Franz was less enthusiastic; but the count exercised over him also the ascendency a strong mind always acquires over a mind less domineering. He thought several times of the project the count had of visiting Paris; and he had no doubt but that, with his eccentric character, his characteristic face, and his colossal fortune, he would produce a great effect there. And yet he did not wish to be at Paris when the count was there. The evening passed as evenings mostly pass at Italian theatres; that is, not in listening to the music, but in paying visits and conversing. The Countess G——wished to revive the subject of the count, but Franz announced he had something far newer to tell her, and, in spite of Albert's demonstrations of false modesty, he informed the countess of the great event which had preoccupied them for the last three days. As similar intrigues are not uncommon in Italy, if we may credit travellers, the comtess did not manifest the least incredulity, but congratulated Albert on his success. They promised, upon separating, to meet at the Duke of Bracciano's ball, to which all Rome was invited. The heroine of the bouquet kept her word; she gave Albert no sign of her existence the morrow or the day after.