The Count of Monte Cristo (The Wild and Wanton Edition) (23 page)

After continuing some time in profound meditation, the young man suddenly exclaimed, “I have found what you were in search of!”

Faria started: “Have you, indeed?” cried he, raising his head with quick anxiety; “pray, let me know what it is you have discovered?”

“The corridor through which you have bored your way from the cell you occupy here, extends in the same direction as the outer gallery, does it not?”

“It does.”

“And is not above fifteen feet from it?”

“About that.”

“Well, then, I will tell you what we must do. We must pierce through the corridor by forming a side opening about the middle, as it were the top part of a cross. This time you will lay your plans more accurately; we shall get out into the gallery you have described; kill the sentinel who guards it, and make our escape. All we require to insure success is courage, and that you possess, and strength, which I am not deficient in; as for patience, you have abundantly proved yours — you shall now see me prove mine.”

“One instant, my dear friend,” replied the abbe; “it is clear you do not understand the nature of the courage with which I am endowed, and what use I intend making of my strength. As for patience, I consider that I have abundantly exercised that in beginning every morning the task of the night before, and every night renewing the task of the day. But then, young man (and I pray of you to give me your full attention), then I thought I could not be doing anything displeasing to the Almighty in trying to set an innocent being at liberty — one who had committed no offence, and merited not condemnation.”

“And have your notions changed?” asked Dantes with much surprise; “do you think yourself more guilty in making the attempt since you have encountered me?”

“No; neither do I wish to incur guilt. Hitherto I have fancied myself merely waging war against circumstances, not men. I have thought it no sin to bore through a wall, or destroy a staircase; but I cannot so easily persuade myself to pierce a heart or take away a life.” A slight movement of surprise escaped Dantes.

“Is it possible,” said he, “that where your liberty is at stake you can allow any such scruple to deter you from obtaining it?”

“Tell me,” replied Faria, “what has hindered you from knocking down your jailer with a piece of wood torn from your bedstead, dressing yourself in his clothes, and endeavoring to escape?”

“Simply the fact that the idea never occurred to me,” answered Dantes.

“Because,” said the old man, “the natural repugnance to the commission of such a crime prevented you from thinking of it; and so it ever is because in simple and allowable things our natural instincts keep us from deviating from the strict line of duty. The tiger, whose nature teaches him to delight in shedding blood, needs but the sense of smell to show him when his prey is within his reach, and by following this instinct he is enabled to measure the leap necessary to permit him to spring on his victim; but man, on the contrary, loathes the idea of blood — it is not alone that the laws of social life inspire him with a shrinking dread of taking life; his natural construction and physiological formation” —

Dantes was confused and silent at this explanation of the thoughts which had unconsciously been working in his mind, or rather soul; for there are two distinct sorts of ideas, those that proceed from the head and those that emanate from the heart.

“Since my imprisonment,” said Faria, “I have thought over all the most celebrated cases of escape on record. They have rarely been successful. Those that have been crowned with full success have been long meditated upon, and carefully arranged; such, for instance, as the escape of the Duc de Beaufort from the Chateau de Vincennes, that of the Abbe Dubuquoi from For l’Eveque; of Latude from the Bastille. Then there are those for which chance sometimes affords opportunity, and those are the best of all. Let us, therefore, wait patiently for some favorable moment, and when it presents itself, profit by it.”

“Ah,” said Dantes, “you might well endure the tedious delay; you were constantly employed in the task you set yourself, and when weary with toil, you had your hopes to refresh and encourage you.”

“I assure you,” replied the old man, “I did not turn to that source for recreation or support.”

“What did you do then?”

“I wrote or studied.”

“Were you then permitted the use of pens, ink, and paper?”

“Oh, no,” answered the abbe; “I had none but what I made for myself.”

“You made paper, pens and ink?”

“Yes.”

Dantes gazed with admiration, but he had some difficulty in believing. Faria saw this.

“When you pay me a visit in my cell, my young friend,” said he, “I will show you an entire work, the fruits of the thoughts and reflections of my whole life; many of them meditated over in the shades of the Colosseum at Rome, at the foot of St. Mark’s column at Venice, and on the borders of the Arno at Florence, little imagining at the time that they would be arranged in order within the walls of the Chateau d’If. The work I speak of is called ‘A Treatise on the Possibility of a General Monarchy in Italy,’ and will make one large quarto volume.”

“And on what have you written all this?”

“On two of my shirts. I invented a preparation that makes linen as smooth and as easy to write on as parchment.”

“You are, then, a chemist?”

“Somewhat; I know Lavoisier, and was the intimate friend of Cabanis.”

“But for such a work you must have needed books — had you any?”

“I had nearly five thousand volumes in my library at Rome; but after reading them over many times, I found out that with one hundred and fifty well-chosen books a man possesses, if not a complete summary of all human knowledge, at least all that a man need really know. I devoted three years of my life to reading and studying these one hundred and fifty volumes, till I knew them nearly by heart; so that since I have been in prison, a very slight effort of memory has enabled me to recall their contents as readily as though the pages were open before me. I could recite you the whole of Thucydides, Xenophon, Plutarch, Titus Livius, Tacitus, Strada, Jornandes, Dante, Montaigne, Shakespeare, Spinoza, Machiavelli, and Bossuet. I name only the most important.”

“You are, doubtless, acquainted with a variety of languages, so as to have been able to read all these?”

“Yes, I speak five of the modern tongues — that is to say, German, French, Italian, English, and Spanish; by the aid of ancient Greek I learned modern Greek — I don’t speak it so well as I could wish, but I am still trying to improve myself.”

“Improve yourself!” repeated Dantes; “why, how can you manage to do so?”

“Why, I made a vocabulary of the words I knew; turned, returned, and arranged them, so as to enable me to express my thoughts through their medium. I know nearly one thousand words, which is all that is absolutely necessary, although I believe there are nearly one hundred thousand in the dictionaries. I cannot hope to be very fluent, but I certainly should have no difficulty in explaining my wants and wishes; and that would be quite as much as I should ever require.”

Stronger grew the wonder of Dantes, who almost fancied he had to do with one gifted with supernatural powers; still hoping to find some imperfection which might bring him down to a level with human beings, he added, “Then if you were not furnished with pens, how did you manage to write the work you speak of?”

“I made myself some excellent ones, which would be universally preferred to all others if once known. You are aware what huge whitings are served to us on maigre days. Well, I selected the cartilages of the heads of these fishes, and you can scarcely imagine the delight with which I welcomed the arrival of each Wednesday, Friday, and Saturday, as affording me the means of increasing my stock of pens; for I will freely confess that my historical labors have been my greatest solace and relief. While retracing the past, I forget the present; and traversing at will the path of history I cease to remember that I am myself a prisoner.”

“But the ink,” said Dantes; “of what did you make your ink?”

“There was formerly a fireplace in my dungeon,” replied Faria, “but it was closed up long ere I became an occupant of this prison. Still, it must have been many years in use, for it was thickly covered with a coating of soot; this soot I dissolved in a portion of the wine brought to me every Sunday, and I assure you a better ink cannot be desired. For very important notes, for which closer attention is required, I pricked one of my fingers, and wrote with my own blood.”

“And when,” asked Dantes, “may I see all this?”

“Whenever you please,” replied the abbe.

“Oh, then let it be directly!” exclaimed the young man.

“Follow me, then,” said the abbe, as he re-entered the subterranean passage, in which he soon disappeared, followed by Dantes.

After having passed with tolerable ease through the subterranean passage, which, however, did not admit of their holding themselves erect, the two friends reached the further end of the corridor, into which the abbe’s cell opened; from that point the passage became much narrower, and barely permitted one to creep through on hands and knees. The floor of the abbe’s cell was paved, and it had been by raising one of the stones in the most obscure corner that Faria had to been able to commence the laborious task of which Dantes had witnessed the completion.

As he entered the chamber of his friend, Dantes cast around one eager and searching glance in quest of the expected marvels, but nothing more than common met his view.

“It is well,” said the abbe; “we have some hours before us — it is now just a quarter past twelve o’clock.” Instinctively Dantes turned round to observe by what watch or clock the abbe had been able to accurately to specify the hour.

“Look at this ray of light which enters by my window,” said the abbe, “and then observe the lines traced on the wall. Well, by means of these lines, which are in accordance with the double motion of the earth, and the ellipse it describes round the sun, I am enabled to ascertain the precise hour with more minuteness than if I possessed a watch; for that might be broken or deranged in its movements, while the sun and earth never vary in their appointed paths.”

This last explanation was wholly lost upon Dantes, who had always imagined, from seeing the sun rise from behind the mountains and set in the Mediterranean, that it moved, and not the earth. A double movement of the globe he inhabited, and of which he could feel nothing, appeared to him perfectly impossible. Each word that fell from his companion’s lips seemed fraught with the mysteries of science, as worthy of digging out as the gold and diamonds in the mines of Guzerat and Golconda, which he could just recollect having visited during a voyage made in his earliest youth.

“Come,” said he to the abbe, “I am anxious to see your treasures.”

The abbe smiled, and, proceeding to the disused fireplace, raised, by the help of his chisel, a long stone, which had doubtless been the hearth, beneath which was a cavity of considerable depth, serving as a safe depository of the articles mentioned to Dantes.

“What do you wish to see first?” asked the abbe.

“Oh, your great work on the monarchy of Italy!”

Faria then drew forth from his hiding-place three or four rolls of linen, laid one over the other, like folds of papyrus. These rolls consisted of slips of cloth about four inches wide and eighteen long; they were all carefully numbered and closely covered with writing, so legible that Dantes could easily read it, as well as make out the sense — it being in Italian, a language he, as a Provencal, perfectly understood.

“There,” said he, “there is the work complete. I wrote the word finis at the end of the sixty-eighth strip about a week ago. I have torn up two of my shirts, and as many handkerchiefs as I was master of, to complete the precious pages. Should I ever get out of prison and find in all Italy a printer courageous enough to publish what I have composed, my literary reputation is forever secured.”

“I see,” answered Dantes. “Now let me behold the curious pens with which you have written your work.”

“Look!” said Faria, showing to the young man a slender stick about six inches long, and much resembling the size of the handle of a fine painting-brush, to the end of which was tied, by a piece of thread, one of those cartilages of which the abbe had before spoken to Dantes; it was pointed, and divided at the nib like an ordinary pen. Dantes examined it with intense admiration, then looked around to see the instrument with which it had been shaped so correctly into form.

“Ah, yes,” said Faria; “the penknife. That’s my masterpiece. I made it, as well as this larger knife, out of an old iron candlestick.” The penknife was sharp and keen as a razor; as for the other knife, it would serve a double purpose, and with it one could cut and thrust.

Dantes examined the various articles shown to him with the same attention that he had bestowed on the curiosities and strange tools exhibited in the shops at Marseilles as the works of the savages in the South Seas from whence they had been brought by the different trading vessels.

“As for the ink,” said Faria, “I told you how I managed to obtain that — and I only just make it from time to time, as I require it.”

“One thing still puzzles me,” observed Dantes, “and that is how you managed to do all this by daylight?”

“I worked at night also,” replied Faria.

“Night! — why, for heaven’s sake, are your eyes like cats’, that you can see to work in the dark?”

“Indeed they are not; but God has supplied man with the intelligence that enables him to overcome the limitations of natural conditions. I furnished myself with a light.”

“You did? Pray tell me how.”

“I separated the fat from the meat served to me, melted it, and so made oil — here is my lamp.” So saying, the abbe exhibited a sort of torch very similar to those used in public illuminations.

“But light?”

“Here are two flints and a piece of burnt linen.”

“And matches?”

“I pretended that I had a disorder of the skin, and asked for a little sulphur, which was readily supplied.” Dantes laid the different things he had been looking at on the table, and stood with his head drooping on his breast, as though overwhelmed by the perseverance and strength of Faria’s mind.