The Crimean War (68 page)

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Authors: Orlando Figes

Tags: #History, #Military, #General, #Europe, #Other, #Russia & the Former Soviet Union, #Crimean War; 1853-1856

BOOK: The Crimean War
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Russia did not lose a lot in terms of territory but it was humbled by the Paris Treaty. Apart from the loss of its Black Sea Fleet and Bessarabia, it lost prestige in the Balkans and forfeited the gains that it had made in the Eastern Question since the eighteenth century. Russia did not recover the dominant position it had held in Europe until after 1945.
The demilitarization of the Black Sea was a major strategic blow to Russia, which was no longer able to protect its vulnerable southern coastal frontier against the British or any other fleet, should the Sultan call on them in the event of war. The destruction of the Russian Black Sea Fleet, Sevastopol and other naval docks was a humiliation. No compulsory disarmament had ever been imposed on a great power previously. Not even France had been disarmed after the Napoleonic Wars. The way Russia had been treated was unprecedented for the Concert of Europe, which was supposed to honour the principle that no great power should be humbled by others. But the allies did not really think that they were dealing with a European power in Russia. They regarded Russia as a semi-Asiatic state. During the negotiations at the Paris congress, Walewski had asked the British delegates whether it would not be too humiliating for the Russians if the Western powers installed consuls in their Black Sea ports to police the demobilization. Cowley insisted that it would not, pointing out that a similar condition had been imposed on China by the Treaty of Nanking after the First Opium War.
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In Russia itself, the Crimean defeat discredited the armed services and highlighted the need to modernize the country’s defences, not just in the strictly military sense, but also through the building of railways, industrialization, sound finances and so on. The Ministry of War lost the favoured position it had held in the government system of Nicholas I and became overshadowed by the ministries of Finance and the Interior, although unavoidably it continued to receive the lion’s share of state expenditure.
The image many Russians had built up of their country – the biggest, richest and most powerful in the world – had suddenly been shattered. Russia’s backwardness had been exposed. Calls for reform were heard from every quarter of society. Everything was open to question. The Crimean disaster had exposed the shortcomings of every institution in Russia – not just the corruption and incompetence of the military command, the technological backwardness of the army and the navy, or the inadequate roads and lack of railways that accounted for the chronic problems of supply, but the poor condition and illiteracy of the serfs who had made up the armed forces, the inability of the serf economy to sustain a state at war against the industrial powers, and the failures of autocracy itself. Critics focused on Nicholas I, whose arrogant and wilful policies had led the country to ruin and sacrificed so many lives. ‘Public opinion is now very scornful of the memory of Nicholas,’ Tiutcheva noted in her diary.
With every new setback there are bitter reproaches against his name. They accuse him of pursuing a purely personal policy, which for the sake of his own pride and glory renounced the historical traditions of Russia, failed our brothers, the Orthodox Slavs, and turned the Tsar into the Gendarme of Europe when he could and should have brought new life to the East and the Church.
 
Even in the governing élite the bankruptcy of the Nicholaevan system was recognized. ‘My God, so many victims,’ wrote the tsarist censor Alexander Nikitenko in his diary. ‘All at the behest of a mad will, drunk with absolute power and arrogance … . We have been waging war not for two years, but for thirty, maintaining an army of a million men and constantly threatening Europe. What was the point of it all? What profit, what glory has Russia reaped from this?’ A few years earlier, Nikitenko reflected, the pan-Slav nationalists in Moscow had been preaching that the West was in decline, that a new Slavic civilization under Russian leadership would take its place. ‘And now Europe has proved to us in our ignorance and apathy, our arrogant contempt for her civilization, just how decayed Russia really is! Oh what wretches we are!’
35
One of the voices calling for reform belonged to Tolstoy, whose
Sevastopol Sketches
had catapulted him to literary fame. Tolstoy’s experience of the Crimean War shaped his ideas on life and literature. He had witnessed at first hand the incompetence and corruption of many officers, and their often brutal treatment of the ordinary soldiers and sailors, whose courage and resilience had inspired him. It was in his diary of the campaign that he first developed his ideas for radical reform and vowed to fight injustice with his pen. On his way from Odessa to Sevastopol in November 1854, he was told by the pilot of his boat about the transport of the soldiers: ‘how a soldier lay down in the pouring rain on the wet bottom of the boat and fell asleep; how an officer beat a soldier for scratching himself; and how a soldier shot himself during the crossing for fear of having overstayed his leave by two days and how he was thrown overboard without burial.’ The contrast with the way he thought the ordinary soldier was treated in the Western armies brought home the need for change. ‘I spent a couple of hours chatting with French and English wounded,’ Tolstoy noted in his diary at Eski-Orda near Simferopol the same month.
Every soldier is proud of his position and respects himself, for he feels himself to be an effective spring in the army machine. Good weapons and the skill to use them, youth, and general ideas about politics and the arts give them an awareness of their own worth. With us, stupid foot and arms drills, useless weapons, oppression, age, lack of education, and bad food and keep destroy the men’s last spark of pride, and even give them too high an opinion of the enemy.
36
 
It is doubtful whether many private soldiers in the French or British army had strong ideas about the arts. As with so much Russian admiration of ‘the West’, there was a good deal of naivety in Tolstoy’s assessment, but such ideals gave energy to his reformist zeal.
On the death of Nicholas I, Tolstoy drafted ‘A Plan for the Reform of the Army’ and presented it to Count Osten-Sacken, the commander of the Sevastopol garrison, in the hope that he would forward it to the new Tsar Alexander, who was said to favour more humane policies.
On the strength of this rumour, Tolstoy opened his proposal with a bold declaration of principle that was true in part yet hardly a fair comment on the brave defenders of Sevastopol:
My conscience and sense of justice forbid me to keep silent in the face of the evil being openly perpetrated before me, causing the deaths of millions and sapping our strength and undermining our country’s honour … . We have no army, we have a horde of slaves cowed by discipline, ordered about by thieves and slave traders. This horde is not an army because it possesses neither any real loyalty to faith, tsar and fatherland – words that have been so much misused! – nor valour, nor military dignity. All it possesses are, on the one hand, passive patience and repressed discontent, and on the other, cruelty, servitude and corruption.
 
Tolstoy strongly condemned the harsh treatment of the serf soldiers. In an early version of his proposals he even went so far as to maintain that in ‘every beaten soldier’ there was a buried ‘feeling of revenge’ that was ‘too suppressed to appear yet as a real force’ but was waiting to erupt (‘and Oh Lord what horrors lie in wait for our society if that should occur’). He later cut this inflammatory sentence, on the calculation that it would scotch his reform ideas in government circles. Tolstoy called for an end to corporal punishment in the army, blaming Russia’s poor performance in the Crimean War on the brutalization of the troops. He advanced plans for the reform of the artillery, which had been shown to be so ineffective against the Minié rifles. Putting forward his ideas about how to improve the command, he delivered a devastating critique of the officers in the Crimea, denouncing them as cruel and corrupt, concerned mainly with the minutiae of the soldiers’ uniforms and drill, and serving in the army only because they were unfit for anything else. But once again he cut out a fiery passage – in which he had claimed that the senior commanders were courtiers, selected because the Tsar liked them and not for their competence – on the grounds that it would lessen his chances of getting a hearing for his plans. It was already being rumoured that he was the anonymous author of a satirical army song in which the defeats in the Crimea were blamed on the incompetence of the officers with the biggest epaulettes. The ballad circulated widely in the army and society, earning Tolstoy, as its suspected author, a reprimand from the Grand Duke Mikhail Nikolaevich, the Tsar’s brother, who accused the verses of destroying the morale of the soldiers.
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Though Tolstoy’s authorship was never established, he was denied promotion beyond second lieutenant, a rank he had obtained before his arrival in Sevastopol.
37
Tolstoy’s experience in the Crimean War had led him to question more than just the military system. The poet Afanasy Fet, who first met Tolstoy in Turgenev’s St Petersburg apartment in the winter of 1855, was struck by the young man’s ‘automatic opposition to all generally accepted opinions’. Living side by side with the ordinary soldiers in the Crimea had opened Tolstoy’s eyes to the simple virtues of the peasantry; it had set him on a restless search for a new truth, for a way to live morally as a Russian nobleman and landowner, given the injustices of serfdom. He had touched on these matters before. In
A Landowner’s Morning
(1852), he wrote about a landowner (for which read: Tolstoy) who seeks a life of happiness and justice in the country and learns that it can only be found in constant labour for the good of others less happy than himself. At around the same time, he had proposed to reduce the dues of the serfs on his estate at Yasnaya Polyana, but the serfs were suspicious of his intentions (they were not accustomed to such benevolence) and had turned his offer down. But it was only in the Crimea that Tolstoy began to feel a close attachment to the serfs in uniform – those ‘simple and kind men, whose goodness is apparent during a real war’. He was disgusted with his former life – the gambling, the whoring, the excessive feasting and drinking, the embarrassment of riches, and the lack of any real work or purpose in his life. And after the war, he threw himself into the task of living with the peasants in ‘a life of truth’ with new determination.
38
By the time of Tolstoy’s return, there was a new reformist spirit in the air. Among the more liberal and enlightened noblemen it was generally accepted that the time had come to liberate their serfs. In the words of Sergei Volkonsky, the famous Decembrist and one of Tolstoy’s distant relatives, who was released from his Siberian exile in 1856, the abolition of serfdom was ‘the least the state could do to recognize the sacrifice the peasantry has made in the last two wars: it is time to recognize that the Russian peasant is a citizen as well’. The peasant soldiers who had fought in the Crimea had been led to expect their freedom. In the spring of 1854 thousands of peasants had turned up at the recuiting stations after hearing rumours that freedom had been promised by the Tsar to any serf who volunteered for the army or navy, and there had been clashes with the soldiers and police when they were turned away. Expectations of emancipation mounted after the Crimean War. In the first six years of Alexander’s reign there were 500 peasant uprisings and strikes against the gentry on the land.
39
The new Tsar believed that the liberation of the serfs was a necessary measure to prevent a revolution. ‘It is better to abolish serfdom from above than to wait for the time when it begins to abolish itself from below,’ he told a group of Moscow noblemen in 1856. The defeat in the Crimean War had persuaded Alexander that Russia could not compete with the Western powers until it swept aside its old serf economy and modernized itself. The gentry had very little idea how to make a profit from their estates. Most of them knew next to nothing about agriculture or accounting. Yet they went on spending in the same old lavish way as they had always done, mounting up enormous debts. By 1859 one-third of the estates and two-thirds of the serfs owned by the landed nobles had been mortgaged to the state and noble banks. The economic argument for emancipation was becoming irrefutable, and many landowners were shifting willy-nilly to the free labour system by contracting other people’s serfs. Since the peasantry’s redemption payments would cancel out the gentry’s debts, the economic rationale was becoming irresistible.
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In 1858 the Tsar appointed a special commission to formulate proposals for the emancipation in consultation with provincial gentry committees. Under pressure from diehard squires to limit the reform or to fix the rules for the land transfers in their favour, the commission became bogged down in political wrangling for the best part of two years. In the end, the reactionary gentry were defeated and the moderate reformists got their way, thanks in no small measure to the personal intervention of the Tsar. The Edict of Emancipation was signed by Alexander on 19 February 1861 and read to the peasants by their parish priests. It was not as far-reaching as the peasantry had expected. The Edict allowed the landowners considerable leeway in choosing the bits of land for transfer to the peasantry, and in setting the redemption dues the peasant communes would have to pay for them, whereas the peasants had expected to be given all the land without payment.
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There were rebellions in many areas, sometimes after rumours circulated that the published law was not the one the Tsar had meant to sign but a forgery by nobles and officials who wanted to prevent the real emancipation, the long-awaited ‘Golden Manifesto’ in which the Tsar would liberate the peasants and give them all the land.

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