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Authors: Steven Harper

The Doomsday Vault

BOOK: The Doomsday Vault
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Table of Contents
 
 
 
LONDON AFTER MIDNIGHT
Alice was surrounded—zombies to her left and right, a zombie in the cab ahead of her, and a brick wall behind. No doorways to dodge into, no stairs to climb. Nowhere to flee . . .
“Get away!” she screamed at them. “Get away from me!”
A shot cracked through the fog. The head of the zombie woman exploded like a ripe melon. An awful smell washed over Alice as the body dropped to the sidewalk. Alice gaped. A horse rode up—two horses, no, four—their iron shoes clattering on the cobblestones. One of the riders rushed at Alice, stomping over the zombie woman's corpse.
“Up you come,” the rider said, hauling Alice up behind the saddle. Alice barely had time to register the fact that her rescuer was a woman in leather trousers before the horse wheeled around and cantered back the way it had come.
“Who are you?” Alice demanded. “What's going on?”
“We're here to help,” the woman said.
ROC
Published by New American Library, a division of
Penguin Group (USA) Inc., 375 Hudson Street,
New York, New York 10014, USA
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Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
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Penguin Books Ltd., Registered Offices:
80 Strand, London WC2R 0RL, England
First published by Roc, an imprint of New American Library, a division of Penguin Group (USA) Inc.
First Printing, November 2011
Copyright © Steven Piziks, 2011
All rights reserved
ISBN : 978-1-101-55883-6
 
REGISTERED TRADEMARK—MARCA REGISTRADA
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
PUBLISHER'S NOTE
This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.
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http://us.penguingroup.com

To my son, Aleksandr, the most amazing and
resilient person I know. I love you always, Sasha.
ACKNOWLEDGMENTS
Many thanks to the members of the Untitled Writers Group (Cindy, Christian, Diana, Erica, Jonathan, Mary Beth, Merrie, Sarah, and Steve) for their endlessly patient critiques—and gourmet snack supply.
PART I
Chapter One
T
he zombie lurched out of the yellow fog and reached for the door on Alice's hansom cab. Alice Michaels shied away.
“Driver!” she shouted.
“I see it, miss.” The driver leaned down from his seat above and behind Alice and cracked the zombie smartly across the forearms with his carriage whip. The zombie groaned. Its face was a mass of open sores, and its skin had worn through in places, exposing red muscle beneath. Old rags barely covered its body. Fear and adrenaline thrilled through Alice's veins as the zombie's festering arm reached through the open sides of the cab. She pushed herself away from it, but there wasn't much room in the little two-wheeled cab, and The Dress hindered her movements. The driver lashed down with the whip again. The zombie abruptly let the cab go, and the driver smacked the reins across the horse's rump. Alice clutched a handle inside the cab as it bounced across the cobblestones, the wheels pounding as hard as her heart. Despite herself, she turned on the leather-covered seat and looked out the rear window. The zombie was already fading into the night and mist.
A particularly rough bounce jolted Alice to her teeth. “You can slow down now,” she called. “It's gone.”
The driver obeyed, and Alice resettled The Dress about her. The Dress was a deep violet affair with multiple flounces, fashionably puffed sleeves, and a short matching shawl to ward off the damp spring chill. The layers formed a heavy shell around her, concealing her pounding heart and shaking knees beneath a veneer of smooth satin. It had cost Father an enormous sum, and Alice realized she had been more afraid of the zombie's tearing The Dress than of the creature's touching and infecting her.
“You all right, miss?” the driver called down from his seat.
“I'm fine. Thank you for fending it off.”
The driver touched the brim of his high hat, and Alice realized she was required to tip him extra. She made a mental inventory of the coins in her purse and decided she could do it, but only if the driver on the return trip would be willing to wait while she ran into the house for tuppence. It would make her look foolish, but there was nothing for it.
Yellow gaslights lit the London evening as the horse clopped through winding streets, the driver keeping carefully to the better-traveled avenues. Other carriages and cabs pulled by horses both living and mechanical joined them. Overhead, Alice heard the faint
whup-whup-whup
noise of a dirigible's propellers, and its massive, blunt shape made a black spot among the misty stars. Restaurants and pubs kept their doors open and their windows lit—lights kept the zombies at bay. Smells of coal smoke, manure, and wet wool permeated the air. People strolled in couples or groups on the sidewalks, heading to or from concerts, plays, parties, celebrations, and other social events. It was a Saturday evening in May, and the London spring season was in full swing. Alice watched the men in their dark trousers and coats, and the women in their skirts that belled and swayed with every step, and she wondered what flaws each one was hiding beneath sartorial perfection.
Mere clothing wouldn't hide Alice's shortcomings. A new dress couldn't smooth over the fact that she was still unmarried at the age of twenty-two, or that twelve years ago, her mother and brother had died in the same outbreak of clockwork plague that had left her father a cripple, or that three years ago, Alice had become engaged to Frederick, heir to the Earl of Trent, only to watch the clockwork plague kill him as well. After that, no one wanted anything much to do with the Michaels family. Their fortunes, both monetary and social, had declined sharply. Alice would gladly have found some kind of useful work, but traditional society had long ago decreed that the daughter of a baron was expected to be a lady of leisure, no matter how badly her family might need money, and her family's history with the clockwork plague precluded her from trying to find a position as a lady-in-waiting. This dance was her last chance to redeem the Michaelses' social graces.
The cab drew up to a large three-story town house with a cobblestoned courtyard and fountain out front. Electric lights, the new fashion, blazed in all the windows, and a short line of cabs and carriages snaked around the courtyard. Alice checked the pocket watch inside her purse. Nine fifteen. She had arrived late, but not fashionably late—all part of her strategy. The majority of the guests would arrive after ten, and Alice hoped her arrival to a nearly empty ballroom would allow her lack of an escort to go unnoticed, or at least unremarked. Alice's mother would have been her first choice as escort, of course, and her brother second, but neither of them was available.
While they were waiting in line, Alice paid—and generously tipped—the driver so she wouldn't have to do so in front of her hosts. The daughter of a traditional baron didn't handle financial transactions, but Alice didn't have much choice, sitting in the shabby cab she had hired herself. She couldn't help but notice that many of the other conveyances were richly appointed private carriages or, at a minimum, hired cabs of a better class than hers. A few were pulled by steam-snorting mechanical horses. The couple directly behind Alice arrived in a rickshaw pulled by a brass automaton shaped roughly like a man. Alice stared thoughtfully at it, trying to trace how the gears underneath its smooth metal skin would be put together, where the pistons would be placed, how the boiler would deliver proper power. It would be so much more interesting to spend the evening pulling the automaton apart and putting it back together than—
The woman in the rickshaw glanced at Alice's little hired hansom, cracked open her fan, and whispered something behind it to her male companion. They both laughed. Alice's cheeks burned, and she sat rigidly upright in her seat, determined to brazen this out. Father had used up his final favors among certain business contacts to get Alice this invitation, and she wasn't going to fail him.
At last, Alice's cab came to the front door. A footman in gold livery helped her down, but she had to walk through the double doors into the house by herself. Light music—all sweet strings in a major key—drifted from the house's interior. Inside was a large, marble-floored foyer, where a starched servant girl took Alice's shawl and pointed her toward the main ballroom. Alice, back straight, pleasant smile on her lips, swayed toward the door, where Lady Greenfellow, the hostess, had stationed herself to greet her guests. She was a heavyset woman whose wrinkled face belied her jet-black hair, and her dark green dress wrapped her high and low. Alice extended a gloved hand.
BOOK: The Doomsday Vault
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