Authors: Nathanael West
Tags: #Fiction, #Classics
“Dionysius! Dionysius! I call on the wine-god because his begetting and birth were so different from Janey’s, so different from yours, so different from mine. I call on Dionysius in order to explain the tragedy. A tragedy that is not alone Janey’s, but one that is the tragedy of all of us.
“Who among us can boast that he was born three times, as was Dionysius?—once from the womb of ‘hapless Semele,’ once from the thigh of Zeus, and once from the flames. Or who can say, like Christ, that he was born of a virgin? Or who can even claim to have been born as was Gargantua? Alas! none of us. Yet it is necessary for us to compete—as it was necessary for Janey to compete—with Dionysius the thrice born, Christ son of God, Gargantua born ‘midst a torrent of tripe at a most memorable party. You hear the thunder, you see the lightning, you smell the forests, you drink wine—and you attempt to be as was Christ, Dionysius, Gargantua! You who were born from the womb, covered with slime and foul blood, ‘midst cries of anguish and suffering.
“At your birth, instead of the Three Kings, the Dove, the Star of Bethlehem, there was only old Doctor Haasenschweitz who wore rubber gloves and carried a towel over his arm like a waiter.
“And how did the lover, your father, come to his beloved? [After a warm day, in the office he had seen two dogs in the street.] Did he come in the shape of a swan, a bull, or a shower of gold? No!’ But with his pants unsupported by braces, came he from the bathroom.”…
B. Hamlet Darwin towered over his glass of cognac, and, in the theatre of his mind, over a cringing audience—tempestuous, gallant, headstrong, lovable Beagle Dionysius Hamlet Darwin. Up into his giant heart there welled a profound feeling of love for humanity. He choked with emotion as he realized the truth of his observations. Terrible indeed was the competition in which his hearers spent their lives; a competition that demanded their being more than animals.
He raised his hand as though to bless them, and the customers and waiters were silent. Gently, yet with a sense of mighty love, he murmured, “Ah my children.” Then, sweeping the Café Carcas with tear-dimmed, eagle’s eyes, he cried: “Yet, ah yet, are you expected to compete with Christ whose father is God, with Dionysius whose father is God; you who were Janey Davenport, or one conceived in an offhand manner on a rainy afternoon.”
After building up his tear-jerker routine for a repeat, he blacked out and went into his juggling for the curtain. He climaxed the finale by keeping in the air an Ivory Tower, a Still White Bird, the Holy Grail, the Nails, the Scourge, the Thorns, and a piece of the True Cross.
“Well, what do you think of them?”
Balso awoke and saw Miss McGeeney, the biographer of Samuel Perkins, sitting beside him at the café table. “Think of what?”
“The two letters you just read,” Miss McGeeney said impatiently. “They form part of a novel I’m writing in the manner of Richardson. Give me your candid opinion: do you think the epistolary style too old-fashioned?”
Refreshed by the nap he had taken, Balso examined his interrogator with interest. She was a fine figure of a woman. He wanted to please her and said:
“A stormy wind blows through your pages, sweeping the reader breathless…witchery and madness. Comparable to George Bernard Shaw. It is a drama of passion that has all the appeal of wild living and the open road. Comparable to George Bernard Shaw. There’s magic in its pages, and warm strong sympathy for an alien race.”
“Thank you,” she said with precision.
How gracious is a woman grateful, thought Balso. He felt young again: the heel of a loaf, a piece of cheese, a bottle of wine and an apple. Clear speakers, naked in the sun. Young students: and the days are very full, and the nights burst with excitement, and life is a torrent roaring.
“Oh!” Balso exclaimed, carried away by these memories of his youth. “Oh!” His mouth formed an 0 with lips torn angry in laying duck’s eggs from a chicken’s rectum.
“Oh, what?” Miss McGeeney was obviously annoyed.
“Oh, I loved a girl once. All day she did nothing but place bits of meat on the petals of flowers. She choked the rose with butter and cake crumbs, soiling the crispness of its dainty petals with gravy and cheese. She wanted the rose to attract flies, not butterflies or bees. She wanted to make of her garden a…”
“Balso! Balso! Is it you?” cried Miss McGeeney, spilling what was left of his beer, much to the disgust of the waiter who hovered near.
“Balso! Balso! Is it you?” she cried again before he could answer. “Don’t you recognize me? I’m Mary. Mary McGeeney, your old sweetheart.”
Balso realized that she was indeed Mary. Changed, alas! but with much of the old Mary left, particularly about the eyes. No longer was she dry and stick-like, but a woman, warmly moist.
They sat and devoured each other with looks until the waiter suggested that they leave as he wanted to close the place and go home.
They left arm-in-arm, walking as in a dream. Balso did the steering and they soon found themselves behind a thick clump of bushes. Miss McGeeney lay down on her back with her hands behind her head and her knees wide apart. Balso stood over her and began a speech the intent of which was obvious.
“First,” he said, “let us consider the political aspect. You who talk of Liberty and cling to the protection of Dogma in the face of Life and the Army of Unutterable Physical Law, cast, I say, cast free the anchors, let go the moorings of your desires! Let to the breezes flap the standard of your revolt!
“Also we must consider the philosophical aspects of the proposed act. Nature has lent you for a brief time a few organs capable of giving pleasure. Among these are to be listed the sexual ones. The organs of sex offer in reward for their intelligent use a very intense type of pleasure. Pleasure, it is necessary to admit, is the only good. It is only reasonable to say that if pleasure is desirable—and who besides a few fanatics say it is not?—one should get all the pleasure possible. First it is important to dissociate certain commonplace ideas. As a thinking person, as an individualist—and you are both of these, are you not, love?—it is necessary to dissociate the idea of pleasure from that of generation. Furthermore, it is necessary to disregard one’s unreasonable moral training. Sex, not marriage, is a sacrament. You admit it? Then why allow an ancient, inherited code to foist on you, a thinking being, the old, outmoded strictures? Sexual acts are not sins, errors, faults, weaknesses. The sexual acts give pleasure, and pleasure is desirable. So come, Mary, let us have some fun.
“And for the sake of Art, Mary. You desire to write, do you not, love? And you must admit that without knowing what all the shooting is about, a sincere artist is badly handicapped. How can you portray men if you have never known a man? How can you read and understand, see and understand, without ever having known the divine excitement? How can you hope to motivate a theft, a murder, a rape, a suicide, convincingly? And are you ever out of themes? In my bed, love, you will find new themes, new interpretations, new experiences. You will be able to judge for yourself whether love is only three minutes of rapture followed by a feeling of profound disgust, or the all-consuming fire, the divine principle, a foretaste of the joys of heaven? Come, Mary McGeeney, to bed and a new world.
“And now, finally, we come to the Time-argument. Do not confuse what I shall say under this head with the theories so much in vogue among the metaphysicians and physicists, those weavers of the wind. My ‘Time’ is that of the poets. In a little while, love, you will be dead; that is my burden. In a little while, we all will be dead. Golden lads and chimney-sweeps, all dead. And when dying, will you be able to say, I turn down an empty glass, having drunk to the full, lived to the full? Is it not madness to deny life? Hurry! Hurry! for all is soon over. Blown, 0 rose! in the morning, thou shalt fade ere noon. Do you realize the tune the clock is playing? The seconds, how they fly! All is soon over! All is soon over! Let us snatch, while yet we may, in this brief span, whose briefness merely gilds the bubble so soon destroyed, some few delights. Have you thought of the grave? 0 love! have you thought of the grave and of the change that shall come over your fair body? Your most beautiful bride—though now she be pleasant and sweet to the nose—will be damnably mouldy a hundred years hence. 0 how small a part of time they share, that are so wonderous sweet and fair. Ah, make the most of what we yet may spend before we too into the dust descend. Into the dust, Mary! Thy sweet plenty, in the dust. I tremble, I burn for thy sweet embrace. Be not miserly with thy white flesh. Give your gracious body, for such a short time lent you. Give, for in tile giving you shall receive and still have what you give. Only time can rob you of your flesh, I cannot. And time will rob you—it will, it will! And those who husbanded the golden grain, and those who flung it to the wind like rain…”
Here Balso threw himself to the ground beside his beloved.
How did she receive him? At first, by saying no.
No. No! Innocent, confused. Oh Balso! Oh Balso! with pictures of the old farm house, old pump, old folks at home, and the old oaken bucket—ivy over all.
Sir! Stamping her tiny foot—imperative, irate. Sir, how dare you, sir! Do you presume? Down, Rover, I say down! The prying thumbs of insolent chauffeurs. The queen chooses. Elizabeth of England, Catherine of Russia, Faustina of Rome.
These two noes graded into two yes-and-noes.
No…Oh…Oh, no. Eyes aswim with tears. Voice throaty, husky with repressed passion. Oh, how sweet, sweetheart, sweetheart, sweetheart. Oh, I’m melting. My very bones are liquid. I’ll swoon if you don’t leave me alone. Leave me alone, I’m dizzy. No…No! You beast!
No: No, Balso, not tonight. No, not tonight. No! I’m sorry, Balso, but not tonight. Some other time, perhaps yes, but not tonight. Please be a dear, not tonight. Please!
But Balso would not take no for an answer, and he soon obtained the following yeses:
Allowing hot breath to escape from between moist, open lips: eyes upset, murmurs love. Tiger skin on divan. Spanish shawl on grand piano. Altar of Love. Church and Brothel. Odors of Ind and Afric. There’s Egypt in your eyes. Rich, opulent love; beautiful, tapestried love; oriental, perfumed love.
Hard-bitten. Casual. Smart. Been there before. I’ve had policemen. No trace of a feminine whimper. Decidedly revisiting well-known, well-plowed ground. No new trees, wells, or even fences.
Desperate for life. Live! Experience! Live one’s own. Your body is an instrument, an organ or a drum. Harmony. Order. Breasts. The apple of my eye, the pear of my abdomen. What is life without love? I burn! I ache! Hurrah!
Moooompitcher yaaaah. Oh I never hoped to know the passion, the sensuality hidden within you—yes, yes. Drag me down into the mire, drag. Yes! And with your hair the lust from my eyes brush. Yes…Yes…Ooh! Ah!
The miracle was made manifest. The Two became One. The One that is all things and yet no one of them: the priest and the god, the immolation, the sacrificial rite, the libation offered to ancestors, the incantation, the sacrificial egg, the altar, the ego and the alter ego, as well as the father, the child, and the grandfather of the universe, the mystic doctrine, the purification, the syllable “Om,” the path, the master, the witness, the receptacle, the Spirit of Public School i86, the last ferry that leaves for Weehawken at seven.
His body broke free of the bard. It took on a life of its own; a life that knew nothing of the poet Balso. Only to death can this release be likened—to the mechanics of decay. After death the body takes command; it performs the manual of disintegration with a marvelous certainty. So now, his body performed the evolutions of love with a like sureness.
In this activity, Home and Duty, Love and Art, were forgotten.
An army moved in his body, an eager army of hurrying sensations. These sensations marched at first methodically and then hysterically, but always with precision. The army of his body commenced a long intricate drill, a long involved ceremony. A ceremony whose ritual unwound and manoeuvred itself with the confidence and training of chemicals acting under the stimulus of a catalytic agent.
His body screamed and shouted as it marched and uncoiled; then, with one heaving shout of triumph, it fell back quiet.
The army that a moment before had been thundering in his body retreated slowly—victorious, relieved.