The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon
Authors: Kevin Fedarko
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9. The Death of the
Emerald Mile
24. Beneath the River of Shooting Stars
Epilogue: The Legend of the
Emerald Mile
For my parents, Robert and Rita
If there is magic on this planet, it is contained in water.
—L
OREN
E
ISELEY
June 25, 1983
O
N
any given evening in summer, but most notably in late June, there comes a moment just after the sun has disappeared behind the rimrock, and just before the darkness has tumbled down the walls, when the bottom of the Grand Canyon gives itself over to a moment of muted grace that feels something like an act of atonement for the sins of the world. This is the fleeting interregnum between the blast-furnace heat of the day and the star-draped immensity of the night, and when it arrives, the bedrock bathes in a special kind of light, the pink-and-orange blush of a freshly opened nectarine. This is also the canyon’s loveliest hour, when there is nothing sweeter, nothing more calming to the soul, than standing along the shallows at the edge of the Colorado River and breathing in the wonder of the place. The ramparts rising nakedly for more than a vertical mile above. The locomotive-size slabs that have peeled away from the terraced cliffs and shattered to pieces far below. And most bewitching of all, the muscular, sluicing, glimmer-gilded surface of the great river itself.
But June 25, 1983, was not any given evening. Not by a long shot. And with twilight now fading, the face of the water turned menacing and unknowable as the biggest flood in a generation throttled downstream into the night.
An hour or so later, the moon appeared, ascending with stately deliberation until it was suspended in all its fullness inside the thin ribbon of sky between the rims. There it hung, fat and heavy, casting the upper faces of the cliffs in a silver and faintly malignant glaze.
Deep within the canyon’s corridor, the defile between the escarpments was too narrow to accept most of this illumination, and so the bottommost bands of rock, the ancient strata of Zoroaster granite and Vishnu schist that lined the edge of the river, were lost in shadow. But far upstream at a place called Lee’s Ferry, where a breach in the cliffs marks the spot where all river journeys through the canyon begin, the walls widened and the river was able to open itself to the sky. Here, the moonbeams streamed down the hunched shoulders of Shinarump shale and spilled across the water, etching each wave, every ripple and eddy, in a spectral radiance.
Out there in the millrace, the rush of water was broad and powerful, and as the current pushed past, it did so with an eerie silence. But if you cocked your body at just the right angle, you could detect a faint thrum, a kind of basal tremor. The frequency of that vibration was impossible for the ear to pick up, but it registered unmistakably on the hairs of the forearms, the wall of the chest, and deep in the belly. This was the muffled resonance of a runaway river, the sub-audible bell-tone of water surging with ungovernable force into the throat of the canyon.
Just beyond the riverbank, a road led away from the water, snaking off in the distance toward Highway 89, the only thruway in this remote outpost of northeastern Arizona. The surface of that road was strewn with loose gravel, and about an hour before midnight, it crunched softly with the approach of a vehicle whose driver was proceeding guardedly.
Behind the headlights loomed the boxy silhouette of a small delivery truck, a contraption whose appearance, in this place and at this hour, was perplexing because it seemed to herald the sort of business that never unfolds at the ferry—an after-hours FedEx pickup, perhaps, or the arrival of a stack of tomorrow’s newspapers. The mystery was resolved only after the driver wheeled across the parking lot at the edge of the water and it became clear that the truck was towing a metal trailer. Cradled on the bed of that trailer was a small wooden dory.
The boat’s profile was distinctive—an upturned prow that terminated in a sharp point, and a hull whose bottom was curved like the blade of a scimitar. Lashed to her decks were two sets of ten-foot oars hewn from straight-grained Oregon ash, and tucked into the footwell at the center of the boat lay a cable connecting a car battery to a pair of powerful searchlamps, the kind of devices that jacklighters use when hunting deer in the dark. There was just enough light
to make out her colors—a beryl-green hull and bright red gunwales. And if you looked closely, you could discern the black-and-gold lettering emblazoned along the right side of her bow that spelled her name:
Emerald Mile.
A
s the truck completed the arc of its turn, three figures leaped out and began racing toward the river while the driver, who had now cast off all signs of hesitation, backed the trailer smartly alongside a line of rubber rafts that were moored at the shore.
On the decks of those rafts lay a squadron of half a dozen slumbering river guides, who had arrived at the ferry’s boat ramp several hours earlier, only to be told by the National Park Service ranger that the Colorado was closed due to the flood. As the guides awoke to this burst of activity,
they scratched their heads in confusion. Then, intuiting what was about to unfold, they roused themselves from their sleeping bags and hustled over to lend a hand by loosening the straps that anchored the dory to the trailer and heaving her into the water.
