The Essential Writings of Ralph Waldo Emerson (29 page)

In like manner the effect of every action is measured by the depth
of the sentiment from which it proceeds. The great man knew not that he was great. It took a century or two for that fact to appear. What he did, he did because he must; it was the most natural thing in the world, and grew out of the circumstances of the moment. But now, every thing he did, even to the lifting of his finger or the eating of bread, looks large, all-related, and is called an institution.

These are the demonstrations in a few particulars of the genius of nature; they show the direction of the stream. But the stream is blood; every drop is alive. Truth has not single victories; all things are its organs—not only dust and stones, but errors and lies. The laws of disease, physicians say, are as beautiful as the laws of health. Our philosophy is affirmative and readily accepts the testimony of negative facts, as every shadow points to the sun. By a divine necessity every fact in nature is constrained to offer its testimony.

Human character evermore publishes itself. The most fugitive deed and word, the mere air of doing a thing, the intimated purpose, expresses character. If you act you show character; if you sit still, if you sleep, you show it. You think because you have spoken nothing when others spoke, and have given no opinion on the times, on the church, on slavery, on marriage, on socialism, on secret societies, on the college, on parties and persons, that your verdict is still expected with curiosity as a reserved wisdom. Far otherwise; your silence answers very loud. You have no oracle to utter, and your fellow-men have learned that you cannot help them; for oracles speak. Doth not Wisdom cry and Understanding put forth her voice?

Dreadful limits are set in nature to the powers of dissimulation. Truth tyrannizes over the unwilling members of the body. Faces never lie, it is said. No man need be deceived who will study the changes of expression. When a man speaks the truth in the spirit of truth, his eye is as clear as the heavens. When he has base ends and speaks falsely, the eye is muddy and sometimes asquint.

I have heard an experienced counsellor say that he never feared the effect upon a jury of a lawyer who does not believe in his heart that his client ought to have a verdict. If he does not believe it his unbelief will appear to the jury, despite all his protestations, and will become their unbelief. This is that law whereby a work of art, of whatever kind, sets us in the same state of mind wherein the artist was when he made it.
That which we do not believe we cannot adequately say, though we may repeat the words never so often. It was this conviction which Swedenborg expressed when he described a group of persons in the spiritual world endeavoring in vain to articulate a proposition which they did not believe; but they could not, though they twisted and folded their lips even to indignation.

A man passes for what he is worth. Very idle is all curiosity concerning other people’s estimate of us, and all fear of remaining unknown is not less so. If a man know that he can do any thing—that he can do it better than any one else—he has a pledge of the acknowledgment of that fact by all persons. The world is full of judgment-days, and into every assembly that a man enters, in every action he attempts, he is gauged and stamped. In every troop of boys that whoop and run in each yard and square, a new-comer is as well and accurately weighed in the course of a few days and stamped with his right number, as if he had undergone a formal trial of his strength, speed and temper. A stranger comes from a distant school, with better dress, with trinkets in his pockets, with airs and pretentions; an older boy says to himself, ‘It’s of no use; we shall find him out tomorrow.’ ‘What has he done?’ is the divine question which searches men and transpierces every false reputation. A fop may sit in any chair of the world nor be distinguished for his hour from Homer and Washington; but there need never be any doubt concerning the respective ability of human beings. Pretension may sit still, but cannot act. Pretension never feigned an act of real greatness. Pretension never wrote an Iliad, nor drove back Xerxes, nor christianized the world, nor abolished slavery.

As much virtue as there is, so much appears; as much goodness as there is, so much reverence it commands. All the devils respect virtue. The high, the generous, the self-devoted sect will always instruct and command mankind. Never was a sincere word utterly lost. Never a magnanimity fell to the ground, but there is some heart to greet and accept it unexpectedly. A man passes for that he is worth. What he is engraves itself on his face, on his form, on his fortunes, in letters of light. Concealment avails him nothing, boasting nothing. There is confession in the glances of our eyes, in our smiles, in salutations, and the grasp of hands. His sin bedaubs him, mars all his good impression. Men know not why they do not trust him, but they do not trust him.
His vice glasses his eye, cuts lines of mean expression in his cheek, pinches the nose, sets the mark of the beast on the back of the head, and writes O fool! fool! on the forehead of a king.

If you would not be known to do any thing, never do it. A man may play the fool in the drifts of a desert, but every grain of sand shall seem to see. He may be a solitary eater, but he cannot keep his foolish counsel. A broken complexion, a swinish look, ungenerous acts and the want of due knowledge—all blab. Can a cook, a Chiffinch, an Iachimo be mistaken for Zeno or Paul? Confucius exclaimed—“How can a man be concealed? How can a man be concealed?”

On the other hand, the hero fears not that if he withhold the avowal of a just and brave act it will go unwitnessed and unloved. One knows it—himself—and is pledged by it to sweetness of peace and to nobleness of aim which will prove in the end a better proclamation of it than the relating of the incident. Virtue is the adherence in action to the nature of things and the nature of things makes it prevalent. It consists in a perpetual substitution of being for seeming, and with sublime propriety God is described as saying, I AM.

The lesson which these observations convey is, Be, and not seem. Let us acquiesce. Let us take our bloated nothingness out of the path of the divine circuits. Let us unlearn our wisdom of the world. Let us lie low in the Lord’s power and learn that truth alone makes rich and great.

If you visit your friend, why need you apologize for not having visited him, and waste his time and deface your own act? Visit him now. Let him feel that the highest love has come to see him, in thee its lowest organ. Or why need you torment yourself and friend by secret self-reproaches that you have not assisted him or complimented him with gifts and salutations heretofore? Be a gift and a benediction. Shine with real light and not with the borrowed reflection of gifts. Common men are apologies for men; they bow the head, excuse themselves with prolix reasons, and accumulate appearances because the substance is not.

We are full of these superstitions of sense, the worship of magnitude. We call the poet inactive, because he is not a president, a merchant, or a porter. We adore an institution, and do not see that it is founded on a thought which we have. But real action is in silent moments. The epochs of our life are not in the visible facts of our
choice of a calling, our marriage, our acquisition of an office, and the like, but in a silent thought by the wayside as we walk; in a thought which revises our entire manner of life and says—’Thus hast thou done, but it were better thus.’ And all our after years, like menials, serve and wait on this, and according to their ability execute its will. This revisal or correction is a constant force, which, as a tendency, reaches through our lifetime. The object of the man, the aim of these moments, is to make daylight shine through him, to suffer the law to traverse his whole being without obstruction, so that on what point soever of his doing your eye falls it shall report truly of his character, whether it be his diet, his house, his religious forms, his society, his mirth, his vote, his opposition. Now he is not homogeneous, but heterogeneous, and the ray does not traverse; there are no thorough lights, but the eye of the beholder is puzzled, detecting many unlike tendencies and a life not yet at one.

Why should we make it a point with our false modesty to disparage that man we are and that form of being assigned to us? A good man is contented. I love and honor Epaminondas, but I do not wish to be Epaminondas. I hold it more just to love the world of this hour than the world of his hour. Nor can you, if I am true, excite me to the least uneasiness by saying, ‘He acted and thou sittest still.’ I see action to be good, when the need is, and sitting still to be also good. Epaminondas, if he was the man I take him for, would have sat still with joy and peace, if his lot had been mine. Heaven is large, and affords space for all modes of love and fortitude. Why should we be busy-bodies and superserviceable? Action and inaction are alike to the true. One piece of the tree is cut for a weathercock and one for the sleeper of a bridge; the virtue of the wood is apparent in both.

I desire not to disgrace the soul. The fact that I am here certainly shows me that the soul had need of an organ here. Shall I not assume the post? Shall I skulk and dodge and duck with my unseasonable apologies and vain modesty and imagine my being here impertinent? less pertinent than Epaminondas or Homer being there? and that the soul did not know its own needs? Besides, without any reasoning on the matter, I have no discontent. The good soul nourishes me and unlocks new magazines of power and enjoyment to me every day. I will not meanly decline the immensity of good, because I have heard that it has come to others in another shape.

Besides, why should we be cowed by the name of Action? ‘T is a trick of the senses—no more. We know that the ancestor of every action is a thought. The poor mind does not seem to itself to be any thing unless it have an outside badge—some Gentoo diet, or Quaker coat, or Calvinistic prayer-meeting, or philanthropic society, or a great donation, or a high office, or, any how, some wild contrasting action to testify that it is somewhat. The rich mind lies in the sun and sleeps, and is Nature. To think is to act.

Let us, if we must have great actions, make our own so. All action is of an infinite elasticity, and the least admits of being inflated with the celestial air until it eclipses the sun and moon. Let us seek one peace by fidelity. Let me heed my duties. Why need I go gadding into the scenes and philosophy of Greek and Italian history before I have justified myself to my benefactors? How dare I read Washington’s campaigns when I have not answered the letters of my own correspondents? Is not that a just objection to much of our reading? It is a pusillanimous desertion of our work to gaze after our neighbors. It is peeping. Byron says of Jack Bunting—

He knew not what to say, and so he swore.

I may say it of our preposterous use of books—He knew not what to do, and so
he read
. I can think of nothing to fill my time with, and I find the Life of Brant. It is a very extravagant compliment to pay to Brant, or to General Schuyler, or to General Washington. My time should be as good as their time—my facts, my net of relations, as good as theirs, or either of theirs. Rather let me do my work so well that other idlers if they choose may compare my texture with the texture of these and find it identical with the best.

This over-estimate of the possibilities of Paul and Pericles, this under-estimate of our own, comes from a neglect of the fact of an identical nature. Bonaparte knew but one merit, and rewarded in one and the same way the good soldier, the good astronomer, the good poet, the good player. The poet uses the names of Cæsar, of Tamerlane, of Bonduca, of Belisarius; the painter uses the conventional story of the Virgin Mary, of Paul, of Peter. He does not therefore defer to the nature of these accidental men, of these stock heroes. If the poet write a true drama, then he is Cæsar, and not the player of Cæsar; then the selfsame
strain of thought, emotion as pure, wit as subtle, motions as swift, mounting, extravagant, and a heart as great, self-sufficing, dauntless, which on the waves of its love and hope can uplift all that is reckoned solid and precious in the world—palaces, gardens, money, navies, kingdoms—marking its own incomparable worth by the slight it casts on these gauds of men; these all are his, and by the power of these he rouses the nations. Let a man believe in God, and not in names and places and persons. Let the great soul incarnated in some woman’s form, poor and sad and single, in some Dolly or Joan, go out to service and sweep chambers and scour floors, and its effulgent daybeams cannot be muffled or hid, but to sweep and scour will instantly appear supreme and beautiful actions, the top and radiance of human life, and all people will get mops and brooms; until, lo! suddenly the great soul has enshrined itself in some other form and done some other deed, and that is now the flower and head of all living nature.

We are the photometers, we the irritable goldleaf and tinfoil that measure the accumulations of the subtle element. We know the authentic effects of the true fire through every one of its million disguises.

E
VERY PROMISE
of the soul has innumerable fulfilments; each of its joys ripens into a new want. Nature, uncontainable, flowing, forelooking, in the first sentiment of kindness anticipates already a benevolence which shall lose all particular regards in its general light. The introduction to this felicity is in a private and tender relation of one to one, which is the enchantment of human life; which, like a certain divine rage and enthusiasm, seizes on man at one period and works a revolution in his mind and body; unites him to his race, pledges him to the domestic and civic relations, carries him with new sympathy into nature, enhances the power of the senses, opens the imagination, adds to his character heroic and sacred attributes, establishes marriage and gives permanence to human society.

The natural association of the sentiment of love with the heyday of the blood seems to require that in order to portray it in vivid tints, which every youth and maid should confess to be true to their throbbing experience, one must not be too old. The delicious fancies of youth reject the least favor of a mature philosophy, as chilling with age and pedantry their purple bloom. And therefore I know I incur the imputation of unnecessary hardness and stoicism from those who compose the Court and Parliament of Love. But from these formidable censors I shall appeal to my seniors. For it is to be considered that this passion of which we speak, though it begin with the young, yet forsakes not the old, or rather suffers no one who is its servant to grow old, but makes the aged participators of it not less than the tender maiden, though in a different and nobler sort. For it is a fire that kindling its first embers in the narrow nook of a private bosom, caught from a wandering spark out of another private heart, glows and enlarges until it warms and beams upon multitudes of men and women, upon the universal heart of all, and so lights up the whole world and all
nature with its generous flames. It matters not therefore whether we attempt to describe the passion at twenty, thirty, or at eighty years. He who paints it at the first period will lose some of its later, he who paints it at the last, some of its earlier traits. Only it is to be hoped that by patience and the Muses’ aid we may attain to that inward view of the law which shall describe a truth ever young and beautiful, so central that it shall commend itself to the eye at whatever angle beholden.