Critical Praise for
Artificial Light
by James Greer
*Winner of the California Book Award Silver Medal for First Fiction
“Greer does a superb job of transcending conventional genrefication, bringing something fresh to contemporary literature … A very enjoyable read [with a] highly inventive structure, full of eccentricities and rock music factoids.”
—
Library Journal
“Ambitious and intriguing … Strong writing and shrewd perceptions prevail, backed by wry humor, compelling stumblebum characters, and arresting insights into the dream of art.”
—
Booklist
“Greer’s prose shines [with] moments where the writing becomes urgent and truly moving. This is the way the real and the invented Kurt [Cobain] would have wanted it.”
—
Los Angeles Times Book Review
“
Artificial Light
mixes genres for a complex and rewarding head scratch. It’s a love letter to an unlovable city relayed in prose that is fluid with depth and reverberation.”
—
Eye Weekly
(Toronto, Canada)
“Greer is drunk on words and uses this altered state like a hit man with a zip gun, delivering a scattering of one poetic paragraph after another … At times he comes on like a late-night booze hound, purging his drunken philosophies and theories in haphazard but engaging fashion … He is enthralling, slightly buzzed tippler of poetic phrases and brilliant insights.”
—
Dayton Daily News
“Big-ambition fiction … Carries a whiff of classic Bret Easton Ellis.”
—
Time Out New York
“
Artificial Light
is an ambitious … and deliberately perplexing novel about love; of rock ’n’ roll, of substance abuse, of late-night bars, of language, of what or whoever is inaccessible.”
—
Magnet
“Greer concocts his story in a refreshing way that makes it difficult not to get lost in this wonderful tangle of a story that’s punctuated by hauntingly beautiful prose.”
—
Chart
(Canada)
“When is flight not-flight? How does a dead (very dead) celebrity manage to be not-dead? Why are Dayton, Ohio, and not-Dayton so endgame-compatible? James Greer eats being and non-being for breakfast, and his tale is one of Parmenidian oompah and shebang. As apocalyptic page-turners go,
Artificial Light
beats the bejeezus out of the last dozen Thomas Pynchons, the last nineteen Don DeLillos, and the last forty-three Kurt Vonneguts. I wouldn’t shit ya.”
—Richard Meltzer, author of
A Whore Just Like the Rest
“Fiat Lux gleams like an onyx from a vivid and darkly mythical world. She is impossible to forget and her skewed cynicism and solipsistic melancholy linger long after you’ve turned the final page. Greer’s writing is lean and poetic, shot through with sagacious observations and demented humor, but at the heart of his strange semi—sci fi world there is a huge human tenderness, moments of heart-rending lyrical beauty, and a rabid breathtaking imagination.”
—Helen Walsh, author of
Brass
“
Artificial Light
skates on the purity of confession. It’s a brutal reveal; an Abyss Narrative with hooks. Read it in a rush of abomination and rise above, rise above.”
—Stephen Malkmus
This is a work of fiction. All names, characters, places, and incidents are a product of the author’s imagination. Any resemblance to real events or persons, living or dead, is entirely coincidental.
Published by Akashic Books
©2010 James Greer
ePUB ISBN 13: 978-1-936-07076-3
ISBN-13: 978-1-933354-97-2
Library of Congress Control Number: 2009922939
Akashic Books
PO Box 1456
New York, NY 10009
[email protected]
www.akashicbooks.com
To W.W.
CONTENTS
1. HOW GUY FORGET ENDED UP IN A COMA
10. GUY PREPARES TO MEET HIS BROTHER MARCUS TWO WEEKS BEFORE THE KOREAN CHECK-CASHING FIASCO
14. THE NIGHT GUY MET VIOLET MCKNIGHT, FIVE MONTHS BEFORE THE KOREAN CHECK-CASHING FIASCO
35. WHAT HAPPENED NEXT WAS JUST DUMB, IN THE IMMEDIATE AFTERMATH OF THE KOREAN CHECK-CASHING FIASCO
45. SIMILIA SIMILIBUS CURANTUR
46. GUY’S MOM COOKS AN IN-ORDINATE AMOUNT OF FOOD FOR NO ONE
47. WHAT HAPPENED TO THE VILLAIN SVEN TRANSVOORT
48. BILLY VISITS GUY IN THE HOSPITAL WITH HIS NEW GIRLFRIEND, JULIA