The Flamethrowers (20 page)

“Another thing about the majority of China girls,” Marvin had said that afternoon, my first one back at work, as he adjusted a round silver
reflector, “is they don’t ride motorcycles. And their portraits don’t suggest trauma. They don’t show up covered with bruises.”

He and Eric were annoyed with me.

“The problem with the bruises is they make you not anonymous,” Eric chimed in.

“You’re not supposed to evoke real life. Just the hermetic world of a smiling woman holding the color chart.”

“Yeah. Anonymous. Friendly. Comely. Various -ly’s.”

Marvin and Eric had me do my hair and makeup and try on outfits as if each of our minor, in-office photo shoots were my one chance to make it in Hollywood, when in reality it didn’t matter what I looked like. Technically they could have used any face. All they needed was a natural skin tone—any living female would do—in contrast to the color chart. But the film industry tradition was that reasonably attractive young women did this work, posing for film leader so the lab technicians could make color corrections. I didn’t just hold up the color chart. I placed it lovingly in my hands like it was the answer to a television game show question. I smiled in a tentative but friendly way, as if some vaguely intimate possibility might exist between me and whoever caught a glimpse of me on film, just the slightest possibility.

*  *  *

SAVE YOUR FREEDOM FOR A RAINY DAY

It was still there on the wall of the women’s room at Rudy’s.

Also: “Long live the king.”

“Who?”

“Le roi.”

“Roy who?”

“Roy G. Biv.”

“Fucker owes me $$$.”

On another wall: “Looking for an enemy. Tall. Slim. Ruthless. With a sense of humor.”

SO HOW DO WE FIND EACH OTHER? Someone had written underneath in big hasty block letters.

I went to rejoin Giddle and Sandro, who were probably stiffly awaiting my return, having exactly nothing in common but me. I felt a hand on my shoulder and turned around. It was Ronnie. He was wearing mirrored aviator glasses. He smiled and I saw that his front tooth was chipped.

“What happened to your tooth?”

He ignored the question, which was very Ronnie.

“Ronnie, you look like a Nuremberg defendant in those glasses,” Sandro said, motioning to the waitress. “Could we have four slivovitz? And what happened to your tooth?”

“I was riding a mechanical bull. Oh, shit. Saul is here.”

“You went to Texas,” Giddle said. “Is that what they really do there? Ride mechanical bulls?”

Ronnie ignored her. He and Sandro both had little patience for Giddle, less than she seemed to have for them.

“Skip the bull,” Sandro said. “Ha-ha. Tell us about the trip.”

Ronnie had gone to visit the artist Saul Oppler in Port Arthur.

“It was a disaster. I shouldn’t have gone. But he called me up one night sounding desperate. Three a.m. and he’s complaining bitterly about how much he hates Port Arthur. He’s stuck down there for some kind of family stuff, and whines that he misses his pet rabbits, which he’d left under the care of a New York assistant and blah-blah-blah. ‘Saul,’ I said, ‘do you want me to get those rabbits and bring them down to you? Would you like me to do that?’ ‘Gosh, Ronnie,’ he says, ‘I don’t want to put you out. But the truth is, it would mean so much to me if you were able to do that. You could take my Jaguar.’ I thought, why the hell not?”

“Uh-oh,” said Sandro.

“I left that same night. I’d never driven an E-type Jaguar before, and I had to stop and get different
shoes
because my goddamn sneakers were too bulky or puffy or something to handle the tight little Jaguar pedals. Twice I almost drove off the road because I couldn’t get to the brake adequately. The pedals on that car were so close together they were designed for like Italian driving moccasins. You know, really supple kidskin
leather. Buttery little shoes that barely have a sole, just a faint slip of leather, so you can feel every nuance of the accelerator and clutch. Professional dance slippers would have been best. I couldn’t find any of those. Nothing even close. I was at a truck stop in Maryland. They had key chains with crabs in sunglasses. Stun guns. Packages of tube socks, which everyone knows are for the truckers, for no-mess masturbation while driving. They didn’t have any Italian shoes. I bought women’s bedroom slippers, Dearfoams, size thirteen. After I slit the heel they fit me perfect. I was ripping down I-85 in Oppler’s E-type with his rabbits in the back, wearing my Dearfoams, and somehow managed not to get pulled over. I felt like Mario Andretti. I understand that Reno here set a record and dazzled the Italians, but let’s not forget Ronnie’s death race through Texas. Wasting people. Like the two fruitcakes in a souped-up Monte Carlo who tried to overtake me. Later I almost hit an armadillo. I drove all night. Got to Port Arthur in the late afternoon. Horrible place, by the way. Big, squat refineries, air that smells of burning tires. Snakes dangling from the trees, trying to stay cool, I guess. And dead ones, flat paddles of jerky fused to the road. In the middle of the gravel drive into the property was a giant lizard eating a baguette, one of those really cheap and fluffy grocery store baguettes. Sickening, this lizard tearing off hunks of bread and devouring them. I park, and Oppler comes out of his studio and starts limping toward the car, I guess his leg was asleep or something. He’s calling to those rabbits like they know their names and are going to be happy to see him. I’m thinking, isn’t he amazed by how quickly I got here? Isn’t he going to at least mention it? I was redlining his Jaguar. I pissed in a Dr Pepper bottle. When it was full I pissed in a potato chips bag. I broke the law. Gave up a night’s sleep. Forwent the tube socks at the truck stop.”

“Incredible self-control,” Sandro said.

“All in the name of doing Saul a favor. I mean, you try to help a person. He opens the car door and leans in the back and makes this sound. A wailing. High-pitched.”

“Oh, no,” Sandro said, and put his hands over his face, feigning a brace for disaster.

“Yeah, that’s right. Those goddamn rabbits were dead.”

“You forgot to check on them.”

“My job was transport. And I didn’t hear any complaints from back there. But I had the windows down and there was a lot of truck traffic—especially on the 10. I don’t know what happened. They just . . . died.”

“That’s why you’re wearing those sunglasses,” Sandro said. “The guilt is doing you in. Did you give them any water, Ronnie?”

“No, I did not give them any
water
. Listen, if he’d wanted a night nurse he should have called one. He called me. And there I was, in this hellacious armpit of the gulf and Saul is not speaking to me. He refuses to come out of his living quarters. He’s got these black drag queens working around the property, feeding chickens, running his tea tray. They look like football players. Local Texas high school football players, in nightgowns. Biddy and Pumpkin Ray. They don’t serve me any tea. Just dirty looks for killing Saul’s rabbits. I figured I’d get a quick night’s catch-up and leave at the crack of dawn. Put his car back and pretend the whole thing never happened. I was in the guest cottage and had to listen to birds screeching and chirping all night. Apparently it was mating season for something called the ovenbird. All night long I heard this teacher teacher teacher. Teacher teacher teacher. I was fantasizing about calling the sheriff and getting these ovenbirds hauled away in a paddy wagon. I got up in the morning, shook the scorpions out of my boots, opened the cottage door, and there was a rooster, staring me down. It was tall. I could tell what it was thinking:
You’re my size
. An unusually tall rooster and it would not let me pass. It lunged and all I could do to save myself was grab something from a nearby lumber pile and swing. I ended up having to go for broke. Double down. Thing just would not let up. Saul came out in his pajamas. Didn’t say a word. Just picked up the dead rooster and started plucking. Then he lit barbecue coals. All very methodical, as if it had been in the plans from the beginning that I kill this rooster and we eat it, and that’s what we did. I killed it, he cooked it, we ate it. Seemed like he wasn’t mad at me anymore. Thing tasted like rubber bands.”

Sandro beamed. Ronnie made him happy. He loved these stories. They
were part of Ronnie’s artistic genius, even if Sandro didn’t always like Ronnie’s actual art, which was sometimes thin, he felt. Too flatly ironic, the magazine images he collected, slogans and slickness and advertising reformulated for camp effect. Sandro’s favorite piece of Ronnie’s was a blithe declaration Ronnie once made that he hoped to photograph every living person. Sandro said it was Ronnie’s best work and something on the level of a poem: a gesture with no possible rebuttal. It didn’t matter that it was never made. That it was unmakeable was its brilliance.

“Let me ask you something,” Sandro said. “How many scorpions were in your boots?”

“Just one. Drunk. Waddled under a bush and went back to sleep.”

It was my turn to report on my trip. I left out the part where the man tells me I won’t look as good in a body bag. He’d meant to shame me and I wouldn’t give him the satisfaction of shaming me again, in front of my friends. I also left out the part about the invitation to go to Italy in the spring. I told them about Stretch, and the wind knocking me sideways, and how I ended up driving the
Spirit of Italy
.

“To Stretch,” Ronnie said, holding up his slivovitz. “Poor guy is probably waiting for you now. He’ll wait for years. He’ll tell everyone, this girl came through town—”

“All right, all right,” Sandro said.

Ronnie smiled at him.
“Jeal-ouseee, is there no cure,”
he sang. “How exciting that Sandro and Stretch are going to have a log pull. A hay-bale-tossing contest. A proper duel.”

“We’ve moved on from Stretch,” Sandro said.

It hadn’t occurred to me that a guy living in a motel would make Sandro jealous. I was touched.

Giddle hadn’t gone anywhere. Only to Coney Island. “But it
felt
far away,” she said. “The far-awayness tugs at you as you rumble out there on the F train. You finally reach Coney Island and think, I’ll never see home again. I went several days in a row. It was like taking tiny vacations to Europe.”

“Place is a nightmare,” Ronnie said. “It’s nothing like Europe. It’s awful to go there even once.”

“Once is good,” Sandro said. “Maybe once a year, even.”

Sandro had taken me there in winter, just after we met. All the rides were chained down. Guard dogs barked at us, mean and lonely, behind fences. We’d walked out on the beach, which was covered with snow. The moon was out and full, and the waves pushed glowing white piles of snow up onto the shore. We’d gone to a Russian restaurant farther down Brighton Beach Avenue. The waiter set down a bottle of vodka frozen in a block of ice. Sandro ordered caviars and creamed salads and steaks like it was our wedding night. The restaurant was darkly lit, with a spinning mirrored ball and a tuxedoed Bulgarian entertainer playing a mellotron. There was a party of Russians on the dance floor. They gave off a feeling of hysterical doom as they danced, the men circling a woman in a short sweater dress who looked eight months pregnant. Later, they all returned to their table and took turns pouring vodka down one another’s throats. Sandro and I stumbled out late, our minds cold and hazed with winter vodka, snowflakes in our hair. Sandro said he loved me. The way he kissed the snow from my eyelashes, wrapped me in his warmth, I believed him.

“It’s not a nightmare, Ronnie,” Giddle said. “The thing about Coney Island is you have to go with goals in mind. I wanted to win something. A hot-dog-eating contest. A big stuffed purple panda. Once I’d actually won it, I dragged it up and down the boardwalk until it was so dirty it looked like something I’d found in the Holland Tunnel. You have to ride the Skydiver and win a big ugly prize and live on Nathan’s hot dogs or you will never understand Coney Island.”

“Well, I guess it’s my loss,” Ronnie said, but in a distracted way. I could tell he wished she’d shut up. Not that the details Ronnie shared were all that different. There was not enough separation between Giddle’s basic reality and Coney Island. That was the difference. She gave it a patina of irony, but Coney Island was probably the only Europe Giddle could afford, while Ronnie and Sandro did not have those limitations. Sandro because he was a Valera. Ronnie was self-invented, some kind of orphan, but he knew precisely how to make rich people feel at ease. Which was to say, he made them feel slightly insecure and
self-doubting. As a result, they wanted something higher than Ronnie’s disdain, for which they were willing to pay a great deal to collect his artwork, and win his approval and even friendship, or what felt to them like friendship.

“Saul,” Ronnie said, as Saul Oppler passed our booth. The great Saul Oppler. I’d never seen him in person. He was not the kind of artist you ran into at Rudy’s. You read about him in magazines, alongside photo-essays on the homes he kept in Nantucket and Greece and Ischia. He was huge and powerful-looking but very old, with strangely smooth, rubbery skin, a deep tan like you saw on people who wintered in Florida, and crisp, sherbet-colored clothing, also like you saw on people who lived in Florida.

Ronnie stood and offered his hand to Saul, but Saul wouldn’t take it. He looked at Ronnie, his gaze bright and sharp and wounded. He was breathing in a labored way.

“Stay away from me,” he said. He turned and moved toward the back of the room.

“Ronnie,” Giddle said, “I thought you ate a chicken together. Patched things. He looks really pissed.”

“Yeah, well, you know what, Giddle? I made that part up.”

“Why?” she asked.

“Because people like a happy ending.”

*  *  *

We left Giddle at the bar and headed for Ronnie’s studio, where he wanted us to stop en route to dinner at Stanley and Gloria Kastle’s. Ronnie lived above a fortune cookie factory on Broome and Wooster. When we turned down his street, I spotted the White Lady up ahead. The White Lady was not always in white, only sometimes, and always at night. A white wig. White makeup. White cotton gloves. There were few lights on Broome, but she stood out.