The Forest of Hands and Teeth (15 page)

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Authors: Carrie Ryan

Tags: #Science Fiction, #Horror stories, #Death & Dying, #Juvenile Fiction, #Fantasy, #General, #Orphans, #Horror tales, #zombies, #Love & Romance, #Social Issues, #Horror & Ghost Stories, #Fiction, #Fantasy & Magic, #Girls & Women

BOOK: The Forest of Hands and Teeth
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“Eyelash,” he says. “Make a wish, blow on it for luck.”

The earnestness of his expression reminds me of when we were children. Of how we used to run through the fields just after a harvest when the air was full of sun and the smell of life. In that moment I remember one afternoon when all the children of the village were playing, chasing each other through the maze that our parents had cut through the corn.

Getting lost and tangled together in the late-afternoon sun as if there were nothing else in the world that mattered besides twisting along a path that led to nowhere but the middle of a field. When finding the end of the path was not quite as important as the journey to getting there.

That one afternoon, when I couldn't have been older than eight, I grabbed Harry's hand and I pulled him into the maze with me. How we laughed as we tripped our way down the many paths, going in circles, discovering dead ends. And how it began to rain, not enough to drive us out of the maze, but enough that we could quench our thirst by sticking out our tongues.

How we found a cove off the path that was easy to miss, just a narrow little entrance that opened up into a small round clearing filled with nothing but soft clover, as if this spot had never been planted or never sprouted.

A spot where the rain didn't fall and the sun still shone.

I remember how Harry and I grabbed each other's hands and spun in circles until we were dizzy with laughter and twirling and how we fell to the ground, our fingertips just touching.

Just then the most amazing rainbow burst through the rain and covered our little cove of clover. Everything around us was color and light and I remember how Harry turned his head toward me and how I turned toward him and how he said, “For luck, Mary. For us. Forever.”

The passion in his eyes at that age, still a boy, is the same that I have seen in Travis. The same I see in Harry now. I realize that I've been so angry at Harry for my own fate, as if he has been my enemy and not the friend I have always known. I can see now that his life is as constricted as mine. That we are both tumbling against the same rules and that perhaps it's unfair for me to blame him for where we find ourselves now.

And I crumble. “I want to leave here,” I tell him. My voice is nothing but a whisper.

He is silent and so I continue. Now that I've said this, I can't help but say more, can't help but speak the words that have been gathering in my head like dark clouds before the storm, building pressure and growing, and rolling over themselves in chaos.

“There's a world out there. Beyond the fence—there's another side. An end. I know it. There was a girl. Her name was Gabrielle and she came from the other side. She was an Outsider and she was here and now she's Unconsecrated and I know it was the Sisters who sacrificed her. She's the Fast One, the one in the strange red vest and she's the proof and they killed her because they didn't want us to know. They have never wanted us to know.”

My tirade leaves me panting, and I'm terrified at having let this idea out into the world, of having spoken my true desires. These are not proper thoughts—no one I know has ever expressed a desire to leave our village. To trade utopia for what may lie beyond.

“Will that make you happy, Mary?” he asks. His voice is soft, without censure or judgment.

I finally look him in the eyes. He reaches out and slips his hand into mine, the white rope dangling between us.

For a flash of a moment I hate Harry for not being Travis. And hate Travis more for never coming for me. For leaving me to this night. But most of all I hate myself for loving Harry's brother with everything that I have so that there is nothing left over for him.

And for being too much of a coward to cut him free. To use the knife to sever our bonds.

He leans forward and I realize that he smells like Travis. I have to close my eyes as he brushes his lips over my forehead. The heat from the fire almost suffocates me. His mouth moves to my ear. “Will leaving here make you happy, Mary?”

He's so tender, so eager to make me happy in ways that no one else has. Tears start to crowd in my eyes and my body begins to respond to this man as if it were his brother whispering into my ear. As if my body can't tell the difference between the two, between their whispers and the feel of their breath on my flesh.

I squeeze my eyes and nod my head. Terrified that he'll cast me out for such a desire—that he'll refuse me and I will be left to the Sisters.

“We will find a way for you to be happy, Mary. I promise you I will find a way for us.”

I nod again, unable to open my mouth and speak for fear of letting out the sobs I'm trying to trap inside.

“I just want you to be happy, my Mary,” he echoes, reaching out and tucking a strand of hair behind my ear and then leaning in to kiss the path his fingers just took. I open my eyes and look at my new dog, at the way he twitches by the fire as he sleeps his young dog dreams, likely chasing something he will never catch. The only difference between him and me being that tomorrow he will forget that he ever wanted something beyond his grasp and I will always remember.

Harry continues to trail kisses down my neck until I am forced to close my eyes, a gasp slipping through my lips like pleasure.

Eyes still closed, I raise a hand and trace the curve of his shoulder blades. I wonder if Travis's back holds these same curves. If my hand would fit against his skin the way it fits over Harry's. So many times have I relived Travis whispering in my ear, imagined Travis kissing along my jaw. Tonight I try to draw on those same memories, afraid that I've forgotten them, feeling traitorous at my own confusion.

But the visions refuse to come and I can recall nothing of Travis. It is only Harry in the firelight, his skin warm and smelling of fresh-turned soil. And I cannot help but hear Sister Tabitha's words repeat themselves around the room. About this being the life I have been given.

Not the life I have chosen.

W
hen the siren wails the next morning I am in bed. The dog Harry brought me last night as a wedding gift, whom I have named Argos, begins to bark madly, trying to decide whether to attack the noise or hide in the corner.

I feel a sharp tug on my wrist and suddenly I'm half sprawled on the floor.

“Mary, get up,” Harry shouts. He's pulled me from the bed and I stare at the rope stretched taut between us. With his free hand Harry is reaching for something on the table, and yet all I can do is stare at that rope. My mind is a haze of images from the night before: Harry kissing me, Sister Tabitha admonishing me to be a good wife and bring children to our village, Argos and his puppy dreams.

“Mary, you have to help me here!” He is yanking on the rope and I feel it bite into my wrist. I can see how his hands are shaking. He steps to my side, grabs my shoulders and pulls me to the table. He picks up the ceremonial blade left by Sister Tabitha and slides it under the Binding rope.

And then the pressure on my wrist releases. Free, Harry starts to ransack our cottage, gathering clothes and food and stuffing them into a bag.

I pick up the other end of the rope, let it slip through my fingers. The fibers are still warm where the knots around Harry's wrist used to be.

Time feels as if it has slowed, stretching taut like a thread of wool. The siren blocks out every other noise so that I can see people running past the window by the door, throwing glances over their shoulders, fog swirling around their feet so that it appears as if they are gliding, but it's all almost silent, their moves lost in the one long solid note of the alarm.

The panic I have been bred to feel doesn't come. Instead, I walk to the window, not bothering to cover my body as I watch my friends and neighbors scramble for the platforms. Even now a part of my brain, the part that is buried in my subconscious, urges me to action. Urges me to get dressed and to run. Run with the rest of them before it's too late. Before the platforms are full and all the ladders have been pulled away.

Behind me Harry is shouting orders but his words mingle with the siren, all a jumble in my head. A small part of me wonders if this siren will delay the ceremony, if there will still be time for Travis to come for me. I wonder if there really is a breach or if it's something like my mother, someone getting too close to the fence. Someone taking a risk, losing their mind, getting Infected.

Argos scratches at the floor frantically trying to dig his way out. His nails scrabble and slide uselessly on the wood and I can sense his rising panic. He lifts his head as if to howl, his teeth bared, his eyes pleading for me to do something.

Finally, I am just reaching for my skirt when I see it. A flash of bright red out of the corner of my eye as it streaks past the window. I know that color. I know how unnatural it is. I know that speed.

The Unconsecrated are here, among us. This is no drill.

Gabrielle is here.

I fumble with the buttons on my skirt and I go to the door as I pull a shirt over my head. I pause with my fingers just touching the latch. What if it's too late? My heart pounds as indecision streams through my blood. What if the platforms are already full?

I look back at Argos who is trying to determine whether to follow me, whether he trusts me to protect him. Harry is oblivious as he races around the cottage flinging open cupboards, searching for weapons.

Outside the window I see two children running through the fog, holding hands. They're brother and sister. I know them—have known them since the boy, Jacob, was born six years ago. Jacob trips and falls, grabbing at his now-bloody knee. The sister pauses, noticing that her hand is empty where it just recently held the hand of her older brother. She looks back over her shoulder at Jacob on the ground, his arm stretched out to her for help. She shakes her head, her fingers in her mouth and her eyes wide, her blond curls bouncing with the gesture.

Suddenly, her body stiffens with an age-old terror. I see a wetness appear on the front of her skirt and she stumbles back, her eyes shifting between her brother and something beyond. Jacob turns his head and then flops onto his back, using the heels of his hands to drag himself across the packed dirt. My view is blocked by the frame of the window and I have to press my face awkwardly against the glass to see what I already know is there. It's a pack of Unconsecrated shambling toward the boy. They always come in packs.

The sister takes two steps toward her brother, grabs his arm and tugs, but she's too small and weak to drag him. The Unconsecrated approach and the boy struggles against his sister, batting her little hands away, pushing her toward the platforms.

All of this takes place in the space between heartbeats and I back away from the window before my heart beats again, before I see Jacob's fate which I know all too clearly. Like the little girl I shake my head in disbelief.

This is panic. And panic means the people on the platforms will pull up the ladders early. Will do anything to save themselves first.

The hair on Argos's back spikes, his head is low and I see his body vibrate with a growl. All dogs in our village instinctually fear the Unconsecrated and have been trained to scent them. His entire being is focused on the door to our cottage, he is warning us of what exists beyond.

Something crashes into me. I'm pushed away from the window. Harry shoves the ceremonial knife into my hand and grabs my chin, his fingers digging against my jaw as he searches my eyes.

His chest heaves, sweat trickles down his temples. And then he throws open the door, dashes outside and is back before I have a chance to recover. Before I have a chance to scream or hold him back. While I am still rubbing where his thumb dug into my skin. In his arms is Jacob, who had been left for the Unconsecrated by both his sister and me. Harry drops the boy onto the bed and returns to his work gathering supplies.

He tosses a bundle to me and I clutch it to my chest with one hand, the ceremonial blade in the other. He grabs two water bladders from a hook by the door and then pauses, looking at me. I'm still standing where he pushed me against the wall.

He reaches a hand out toward me and I take it. His fingers trail along the white Binding rope on my wrist and I see a hint of a smile touch his lips. He opens his mouth to say something but I'm deaf with the continuing siren.

I feel the cottage shudder as something crashes into the door. Harry turns from me and grabs Jacob. Slings him over his shoulder. At the door Harry pauses, placing his hand against the wood, touching the Scripture carved into the frame. I want to close my eyes, to block out what is happening. To pretend as if this day has never begun—will never begin.

I try to get a feel for the blade in my hand, for my only weapon. From a young age everyone in my village is taught how to fight for a day such as this. The wood on the handle is smooth and slippery from the dampness of my palm. It feels awkward and unwieldy, and the bag of food throws me off balance.

And then, before I have a chance to rearrange myself, to prepare, Harry throws open the door and we are running.

Even encumbered with the boy, the water, an ax and his own bag of food, he's faster than I am, his steps surer than mine, my terror blurring my eyesight. Argos tangles himself around my legs, not knowing any other refuge, and I stumble.

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