The Fortress of Solitude (18 page)

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Authors: Jonathan Lethem

Tags: #Fiction, #General, #Literary, #Race relations, #Male friendship, #Social Science, #Brooklyn (New York; N.Y.), #Bildungsromans, #Teenage boys, #Discrimination & Race Relations

BOOK: The Fortress of Solitude
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There were just three other white kids in the school, all girls, with their own girl factors to work out. One shared Dylan’s homeroom, an Italian girl, black-haired and sullen and tiny, dwarfed by the girls all around them who exploded with hormonal authority. The black and Puerto Rican girls had risen to some other place where they were rightly furious at anything in view, jostling at one another and at the teachers in a rage of sex. However, their very size offered an approach: it was feasible to pass unseen below. Homeroom was a place for honing silence in a theater of noise and so the Italian girl and Dylan never spoke. As for Arthur Lomb, Dylan supposed he and the other boy had been kept apart intentionally by some unseen pitying intelligence, to avoid making both more conspicuous in their resemblance. This was a policy Dylan endorsed heartily, whether it existed outside of his own brain or not. Even at that remove, Arthur Lomb bore the mingled stink of Dylan’s oppression mixed with his own, so that it was hard to tell where one began and the other left off. Dylan wasn’t in any hurry to get closer. Really, he wanted no part of Arthur Lomb.

It was the library where they finally spoke. Dylan and Arthur Lomb’s two homerooms had been deposited there together for a period, the school librarian covering some unexplained absence of teachers for an afternoon, a blip in the routine nobody cared about anyway. Most kids sent to the library never arrived there, ended up outside the building instead, taking the word as a euphemism for
class dismissed
. So the I.S. 293 library was drab but peaceful, an eddy of calm. Below a poster advertising
A Hero Ain’t Nothin’ But a Sandwich
, a book the library didn’t actually offer, Dylan placed himself against a wall and flipped open issue number two of the Marvel Comics adaptation of
Logan’s Run
. As the period ticked away glacially, Arthur Lomb buzzed him twice, squinting to see the title of the comic, then pursing lips in false concentration as he mimed browsing the half-empty shelves nearby, before stepping close enough for Dylan to hear him speak in an angry, clenched whisper.

“That guy George Perez can’t draw Farrah Fawcett to save his life.”

This was a startling allusion to several bodies of knowledge simultaneously. Dylan could only glare, his curiosity mingled with the certainty that he and Arthur Lomb were more objectionable, more unpardonable, together than apart. Up close Arthur Lomb had a blinky agitated quality to his features which made Dylan himself want to knock him down. His face seemed to reach for something, his features like a grasping hand. Dylan wondered if there might be a pair of glasses tucked in the background somewhere, perhaps in a side pocket of the monumental blue backpack.

Dylan hurried the comic book into his binder. He’d bought it on Court Street at lunchtime and debated allowing it to be seen inside the school, a breach of general good sense. It was a lousy comic, though, stiff with fidelity to the movie, and Dylan had decided he wouldn’t care anymore than he’d be surprised if it was taken away. This, a conversation with his homely double, wasn’t the price he’d expected to pay. But Arthur Lomb seemed to sense the dent he’d made in Dylan’s attention and pressed on.

He smirked again at the comic book where it had vanished into the binder.

“Seen it?”

“What?”


Logan’s Run
.”

Fuck you looking at?
Dylan wanted to shriek at Arthur Lomb, before it was too late, before Dylan succumbed to his loneliness and allowed himself to meet Arthur, the other white boy.

“Not yet,” Dylan said instead.

“Farrah Fawcett is a
fox
.”

Dylan didn’t answer. He couldn’t know, and was only chagrined that he even knew what Arthur Lomb was talking about.

“Don’t feel bad. I bought ten copies of
Logan’s Run #1
.” Arthur Lomb spoke in a hurried whisper, showing some awareness of his surroundings, but compelled to spill what he had, to force Dylan know to him. “You
have
to buy number ones, it’s an investment. I’ve got ten of
Eternals
, ten of
2001
, ten of
Omega
, ten of
Ragman
, ten of
Kobra
. And all those comics stink. You know the comics shop on Seventh Avenue? The buildings on that corner are all brand-new because a plane crashed there, you heard about it? A 747 tried to crash-land in Prospect Park and missed, no kidding. Big disaster. Anyway, guy runs that shop is an a-hole. I stole a copy of
Blue Beetle #1
from him once. It was pathetically easy. Blue Beetle is Charlton, you ever hear of
Charlton
Comics? Went out of business. Number one’s a number one, doesn’t matter. You know
Fantastic Four #1
goes for four hundred dollars? The Blue Beetle might be an all-time record for the stupidest character ever. He was drawn by Ditko, guy who created Spider-Man. Ditko can’t really draw, that’s the weird thing. Makes everything look like a cartoon. Doesn’t matter, it’s a number one. Put it in plastic and put it on the shelf, that’s what I say. You use plastic, don’t you?”

“Of course,” said Dylan resentfully.

He understood every word Arthur Lomb said. Worse, he felt his sensibility colonized by Arthur’s, his future interests co-opted.

They were doomed to friendship.

chapter  
8

T
hree weeks earlier, Dylan Ebdus had stood on the slate in front of Mingus Rude’s stoop, waiting.

Women trudged little kids to kindergarten at the Y or moved alone up Nevins to the subway. Two gays from Pacific Street tugged leashed dachshunds, in another world. A bunch of black girls swept up from the projects to gather Marilla, who was in high school now, at Sarah J. Hale, down on Third Avenue. They shared a cigarette for breakfast, rumbled around the corner in a ball of smoke and laughter. All under the angled morning light, distant Jersey haze, merry solvent-factory stink getting you mildly high, the pillar of the Williamsburg Savings Bank clock tower organizing the sky, time different on its two visible faces but either way it was time to go, today the first day of school everywhere in the world, possibly. This day when summer ended was as hot as summer, even at eight in the morning.

Only one thing wrong with this picture, as the block cleared, the bus breathed past, a dog barked in a cycle like code. Dylan standing in long pants and with his backpack full of unruined binder pages and dumb pencils and hidden glasses and still-virgin El Marko. He felt like an apple skinned for inspection at the new school, already souring in the sun. Those dogs could tell and probably anybody else too, he stank of panic.

If Mingus Rude would walk with him up Dean Street to Smith or Court, walk through the doors of the school with him, side by side, it might be different.

Dylan went to the shuttered basement window and rapped. Mingus’s own entrance under the stairs had no doorbell.

Dylan should have planned it with him in advance, he saw now.

Up the stoop, he rang the bell.

He rang it again, shifting in his Keds, anxious, time ticking away, the day and the prospect of seventh grade rapidly spoiling with him in the sun.

Then, like an irrational puppet, panicked, he leaned on the doorbell and let it ring in a continuous trill.

He was still ringing it when the door opened.

It wasn’t Mingus, but Barrett Rude Junior in a white bathrobe, naked underneath, unhidden to the street, arms braced in the door, looking down. Face clotted with sleep, he blinked in the slanted, scouring light. He lifted his arm to cover his eyes with shade, looking like he wanted to wave the day off as a bad idea, a passing mistake.

“Hell you doing, Little Dylan?”

Dylan took a step back from the door, to the first step down.

“Don’t
never
be ringing my doorbell seven in the morning, man.”

“Mingus—”

“You’ll see Mingus at the
got-damn
school.” Barrett Rude was waking into his anger, his voice like a cloud of hammers. “Get out of here now.”

Seventh grade was where it turned out when you finally joined Mingus Rude in the main building Mingus Rude was never there. As if Mingus walked another Dean Street to school, another Court Street, had actually all this time gone to another I.S. 293 entirely. The only evidence in the opposite direction was the proliferation of
DOSE
tags on lampposts and mailboxes and on trucks which moved wearily through the neighborhood, Mingus’s handiwork spread in a nimbus with the school building at the center. Every few days, it seemed, produced a fresh supply. Dylan would covertly push a forefinger against the metal, wondering if he could measure in the tackiness of the ink the tag’s vintage. If his finger stuck slightly Dylan imagined he’d followed Mingus by minutes to the spot, barely missed catching him in the act.

For three weeks Mingus Rude was like the flying man, a rumor with himself Dylan couldn’t confirm. Mingus’s vacancy from his own schooldays, and from Dylan’s, was the secret premise of an existence which was otherwise unchanged except by being worse every possible way. Seventh grade was sixth grade desublimated, uncorked. It was the
Lord of the Rings
trilogy to sixth grade’s
The Hobbit
, the real story at last, all the ominous foreshadowed stuff flushed from the margins and into view. It wasn’t for children, seventh grade. You could read the stress of even entering the building in the postures of the teachers, the security guards. Nobody could relax in such a racial and hormonal disaster area.

Bodies ranged like ugly cartoons, as though someone without talent was scribbling in flesh.

The biggest shapes were the angriest. That’s what they were, shapes—between hiding your glasses and averting your gaze you were Mr. Magoo now. The less you met anyone’s eyes the less chance you’d ever risk doing it, a self-fulfilling program.

Chinese kids had apparently gotten some warning well in advance, and had thoroughly disappeared.

Puerto Rican or Dominican kids seemed to be tiptoeing away from the scene of everything. They decorated themselves differently and spoke more Spanish each passing hour. The way they occupied space in homeroom or gym class they were there and not there, an operation of mass adjacency.

The scariest fights were between two black girls.

On Court Street and Smith Street it wasn’t even clear who was and wasn’t in your school. Other bodies floated around, loose elements. A couple of black kids might corner you and ask, “You Italian or a white boy?” and all you’d know for sure was not to point out that the Italian kids
were
white. A black kid might be scared of something, might be watching his back on Court like an Italian kid watched his on Smith, but whatever they were scared of it was never going to be you. Anyway, no Italian kid would’ve answered
I’m Italian
. He’d have said
Fuck you
think
I am?
Or just grabbed his dick through his pants and sucked his teeth, flared his nostrils.

You, you were a million miles from any such procedure.

More in the market for a case of fake asthma.

 

The day after Dylan Ebdus and Arthur Lomb spoke of the Blue Beetle in the library, Mingus Rude resurfaced. At three o’clock, the hour when the doors were thrown open and the school exploded onto the October-bright pavement, when Court Street shopkeepers stood arms-crossed in doorways, their jaws chewing gum or nothing at all, just chewing under narrowed eyes. Dylan used the Butler Street entrance, looking to be lost in the flow of anonymous faces as he left the building, hoping to be carried a distance down Court Street disguised in a clot of anybodies before exposing himself as a solitary white boy. Today he stopped. Mingus sat cross-legged on the rise of a mailbox on the corner of Court and Butler, regarding the manic outflow of kids with a Buddha’s calm, as though from an even greater height than the mailbox, another planet maybe. He might have been sitting there placidly for hours, unnoticed by the school security guards or the older Italian teenagers who roamed Court, that’s how it felt. Dylan understood at once that not only hadn’t Mingus been inside the school today, he’d never crossed its doors since summer, since the start of his eighth-grade year.

“Yo, Dill-man!” said Mingus, laughing. “I was looking for you, man. Where you been?”

Mingus unfolded his legs and slid off the mailbox, pulled Dylan sideways out of the crowd, like there was never a question they left school together, like they’d done it every day for three weeks. They crossed Court, into Cobble Hill, Dylan hitching his backpack high on his shoulders and trotting to keep up. Mingus led him up Clinton Street to Atlantic Avenue, kids from I.S. 293 all left instantly behind. There the neighborhood opened out, the shipyards visible under the Brooklyn-Queens Expressway, the avenue tilting down to the yellow-glinting water. It was as though Mingus knew paths from the school Dylan in his stupefaction couldn’t have plotted for himself.

“I haven’t seen you—” Dylan began.


Whenever you call me, I’ll be there
,” Mingus sang. “
Whenever you need me, I’ll be there

I been a-round!
Here.” He crumpled a couple of dollars into Dylan’s hands and nodded him to the Arab newsstand on the corner of Clinton. “Get me a pack of Kools, Super-D.” He tipped his head again. “I’ll be over here.”

“I can’t buy cigarettes.”

“Say it’s for your mom, say she always comes in there. He’ll sell it to you, don’t worry. Better let me hold your backpack.”

Dylan tried not to turn his head at the rack of comics as he stepped into the narrow, darkened corridor of a shop.

“Uh, pack of Kools. It’s for my mother.”

The operation unfolded precisely as scripted. The guy raised an eyebrow at the word
mother
, then slid the Kools across the linoleum counter with nothing besides a grunt.

Back outside, Mingus stashed both cigarettes and change in his jacket-of-mystery, then led Dylan back along Clinton, toward the park on Amity Street.

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