The Fountainhead (54 page)

Ellsworth, thought Mrs. Toohey at times, happy and frightened, is going to be a saint; he doesn’t care about material things at all; not one bit. This was true. Ellsworth did not care about material things.

He was a thin, pale boy with a bad stomach, and his mother had to watch his diet, as well as his tendency to frequent colds in the head. His sonorous voice was astonishing in his puny frame. He sang in the choir, where he had no rivals. At school he was a model pupil. He always knew his lessons, had the neatest copybooks, the cleanest fingernails, loved Sunday school and preferred reading to athletic games, in which he had no chance. He was not too good at mathematics—which he disliked—but excellent at history, English, civics and penmanship; later, at psychology and sociology.

He studied conscientiously and hard. He was not like Johnny Stokes, who never listened in class, seldom opened a book at home, yet knew everything almost before the teacher had explained it. Learning came to Johnny automatically, as did all things: his able little fists, his healthy body, his startling good looks, his overexuberant vitality. But Johnny did the shocking and the unexpected; Ellsworth did the expected, better than anyone had ever seen it done. When they came to compositions, Johnny would stun the class by some brilliant display of rebellion. Given the theme of “School Days—The Golden Age,” Johnny came through with a masterly essay on how he hated school and why. Ellsworth delivered a prose poem on the glory of school days, which was reprinted in a local newspaper.

Besides, Ellsworth had Johnny beaten hollow when it came to names and dates; Ellsworth’s memory was like a spread of liquid cement: it held anything that fell upon it. Johnny was a shooting geyser; Ellsworth was a sponge.

The children called him “Elsie Toohey.” They usually let him have his way, and avoided him when possible, but not openly; they could not figure him out. He was helpful and dependable when they needed assistance with their lessons; he had a sharp wit and could ruin any child by the apt nickname he coined, the kind that hurt; he drew devastating cartoons on fences; he had all the earmarks of a sissy, but somehow he could not be classified as one; he had too much self-assurance and quiet, disturbingly wise contempt for everybody. He was afraid of nothing.

He would march right up to the strongest boys, in the middle of the street, and state, not yell, in a clear voice that carried for blocks, state without anger—no one had ever seen Ellsworth Toohey angry—“Johnny Stokes’s got a patch on his ass. Johnny Stokes lives in a rented flat. Willie Lovett is a dunce. Pat Noonan is a fish eater.” Johnny never gave him a beating, and neither did the other boys, because Ellsworth wore glasses.

He could not take part in ball games, and was the only child who boasted about it, instead of feeling frustrated or ashamed like the other boys with substandard bodies. He considered athletics vulgar and said so; the brain, he said, was mightier than the brawn; he meant it.

He had no close personal friends. He was considered impartial and incorruptible. There were two incidents in his childhood of which his mother was very proud.

It happened that the wealthy, popular Willie Lovett gave a birthday party on the same day as Drippy Munn, son of a widowed seamstress, a whining boy whose nose was always running. Nobody accepted Drippy’s invitation, except the children who were never invited anywhere. Of those asked for both occasions, Ellsworth Toohey was the only one who snubbed Willie Lovett and went to Drippy Munn’s party, a miserable affair from which he expected and received no pleasure. Willie Lovett’s enemies howled and taunted Willie for months afterward—about being passed up in favor of Drippy Munn.

It happened that Pat Noonan offered Ellsworth a bag of jelly beans in exchange for a surreptitious peek at his test paper. Ellsworth took the jelly beans and allowed Pat to copy his test. A week later, Ellsworth marched up to the teacher, laid the jelly beans, untouched, upon her desk and confessed his crime, without naming the other culprit. All her efforts to extract that name could not budge him; Ellsworth remained silent; he explained only that the guilty boy was one of the best students, and he could not sacrifice the boy’s record to the demands of his own conscience. He was the only one punished—kept after school for two hours. Then the teacher had to drop the matter and let the test marks remain as they were. But it threw suspicion on the grades of Johnny Stokes, Pat Noonan, and all the best pupils of the class, except Ellsworth Toohey.

Ellsworth was eleven years old when his mother died. Aunt Adeline, his father’s maiden sister, came to live with them and run the Toohey household. Aunt Adeline was a tall, capable woman to whom the word “horse” clung in conjunction with the words “sense” and “face.” The secret sorrow of her life was that she had never inspired romance. Helen became her immediate favorite. She considered Ellsworth an imp out of hell. But Ellsworth never wavered in his manner of grave courtesy toward Aunt Adeline. He leaped to pick up her handkerchief, to move her chair, when they had company, particularly masculine company. He sent her beautiful Valentines on the appropriate day—with paper lace, rosebuds and love poems. He sang “Sweet Adeline” at the top of his town crier’s voice. “You’re a maggot, Elsie,” she told him once. “You feed on sores.” “Then I’ll never starve,” he answered. After a while they reached a state of armed neutrality. Ellsworth was left to grow up as he pleased.

In high school Ellsworth became a local celebrity—the star orator. For years the school did not refer to a promising boy as a good speaker, but as “a Toohey.” He won every contest. Afterward, members of the audience spoke about “that beautiful boy”; they did not remember the sorry little figure with the sunken chest, inadequate legs and glasses; they remembered the voice. He won every debate. He could prove anything. Once, after beating Willie Lovett with the affirmative of “The Pen is Mightier than the Sword,” he challenged Willie to reverse their positions, took the negative and won again.

Until the age of sixteen Ellsworth felt himself drawn to the career of a minister. He thought a great deal about religion. He talked about God and the spirit. He read extensively on the subject. He read more books on the history of the church than on the substance of faith. He brought his audience to tears in one of his greatest oratorical triumphs with the theme of “The meek shall inherit the earth.”

At this period he began to acquire friends. He liked to speak of faith and he found those who liked to listen. Only, he discovered that the bright, the strong, the able boys of his class felt no need of listening, felt no need of him at all. But the suffering and the ill-endowed came to him. Drippy Munn began to follow him about with the silent devotion of a dog. Billy Wilson lost his mother, and came wandering to the Toohey house in the evenings, to sit with Ellsworth on the porch, listening, shivering once in a while, saying nothing, his eyes wide, dry and pleading. Skinny Dix got infantile paralysis—and would lie in bed, watching the street corner beyond the window, waiting for Ellsworth. Rusty Hazelton failed to pass in his grades, and sat for many hours, crying, with Ellsworth’s cold, steady hand on his shoulder.

It was never clear whether they all discovered Ellsworth or Ellsworth discovered them. It seemed to work more like a law of nature: as nature allows no vacuum, so pain and Ellsworth Toohey drew each other. His rich, beautiful voice said to them:

“It’s good to suffer. Don’t complain. Bear, bow, accept—and be grateful that God has made you suffer. For this makes you better than the people who are laughing and happy. If you don’t understand this, don’t try to understand. Everything bad comes from the mind, because the mind asks too many questions. It is blessed to believe, not to understand. So if you didn’t get passing grades, be glad of it. It means that you are better than the smart boys who think too much and too easily.”

People said it was touching, the way Ellsworth’s friends clung to him. After they had taken him for a while, they could not do without him. It was like a drug habit.

Ellsworth was fifteen, when he astonished the Bible-class teacher by an odd question. The teacher had been elaborating upon the text: “What shall it profit a man, if he shall gain the whole world, and lose his own soul?” Ellsworth asked: “Then, in order to be truly wealthy, a man should collect souls?” The teacher was about to ask him what the hell did he mean, but controlled himself and asked what did he mean. Ellsworth would not eludicate.

At the age of sixteen, Ellsworth lost interest in religion. He discovered socialism.

His transition shocked Aunt Adeline. “In the first place, it is blasphemous and drivel,” she said. “In the second place, it doesn’t make sense. I’m surprised at you, Elsie. ‘The poor in spirit’—that was fine, but just ‘the poor’—that doesn’t sound respectable at all. Besides, it’s not like you. You’re not cut out to make big trouble—only little trouble. Something’s crazy somewhere, Elsie. It just don’t fit. It’s not like you at all.” “In the first place, my dear aunt,” he answered, “don’t call me Elsie. In the second place, you’re wrong.”

The change seemed to be good for Ellsworth. He did not become an aggressive zealot. He became gentler, quieter, milder. He became more attentively considerate of people. It was as if something had taken the nervous edges off his personality and given him new confidence. Those around him began to like him. Aunt Adeline stopped worrying. Nothing actual seemed to come of his preoccupation with revolutionary theories. He joined no political party. He read a great deal and he attended a few dubious meetings, where he spoke once or twice, not too well, but mostly sat in a corner, listening, watching, thinking.

Ellsworth went to Harvard. His mother had willed her life insurance for that specific purpose. At Harvard his scholastic record was superlative. He majored in history. Aunt Adeline had expected to see him go in for economics and sociology; she half feared that he would end up as a social worker. He didn’t. He became absorbed in literature and the fine arts. It baffled her a little; it was a new trait in him; he had never shown any particular tendency in that direction. “You’re not the arty kind, Elsie,” she stated. “It don’t fit.” “You’re wrong, auntie,” he said.

Ellsworth’s relations with his fellow students were the most unusual of his achievements at Harvard. He made himself accepted. Among the proud young descendants of proud old names, he did not hide the fact of his humble background; he exaggerated it. He did not tell them that his father was the manager of a shoe store; he said that his father was a shoe cobbler. He said it without defiance, bitterness or proletarian arrogance; he said it as if it were a joke on him and—if one looked closely into his smile—on them. He acted like a snob; not a flagrant snob, but a natural, innocent one who tries very hard not to be snobbish. He was polite, not in the manner of one seeking favor, but in the manner of one granting it. His attitude was contagious. People did not question the reasons of his superiority; they took it for granted that such reasons existed. It became amusing, at first, to accept “Monk” Toohey; then it became distinctive and progressive. If this was a victory Ellsworth did not seem conscious of it as such; he did not seem to care. He moved among all these unformed youths, with the assurance of a man who has a plan, a long-range plan set in every detail, and who can spare nothing but amusement for the small incidentals of his way. His smile had a secret, closed quality, the smile of a shopkeeper counting profits—even though nothing in particular seemed to be happening.

He did not talk about God and the nobility of suffering. He talked about the masses. He proved to a rapt audience, at bull sessions lasting till dawn, that religion bred selfishness; because, he stated, religion overemphasized the importance of the individual spirit; religion preached nothing but a single concern—the salvation of one’s own soul.

“To achieve virtue in the absolute sense,” said Ellsworth Toohey, “a man must be willing to take the foulest crimes upon his soul—for the sake of his brothers. To mortify the flesh is nothing. To mortify the soul is the only act of virtue. So you think you love the broad mass of mankind? You know nothing of love. You give two bucks to a strike fund and you think you’ve done your duty? You poor fools! No gift is worth a damn, unless it’s the most precious thing you’ve got. Give your soul. To a lie? Yes, if others believe it. To deceit? Yes, if others need it. To treachery, knavery, crime? Yes! To whatever it is that seems lowest and vilest in your eyes. Only when you can feel contempt for your own priceless little ego, only then can you achieve the true, broad peace of selflessness, the merging of your spirit with the vast collective spirit of mankind. There is no room for the love of others within the tight, crowded miser’s hole of a private ego. Be empty in order to be filled. ‘He that loveth his life shall lose it; and he that hateth his life in this world shall keep it unto life eternal.’ The opium peddlers of the church had something there, but they didn’t know what they had. Self-abnegation? Yes, my friends, by all means. But one doesn’t abnegate by keeping one’s self pure and proud of its own purity. The sacrifice that includes the destruction of one’s soul—ah, but what am I talking about? This is only for heroes to grasp and to achieve.”

He did not have much success among the poor boys working their way through college. He acquired a sizable following among the young heirs, the second and third generation millionaires. He offered them an achievement of which they felt capable.

He graduated with high honors. When he came to New York, he was preceded by a small, private fame; a few trickles of rumor had seeped down from Harvard about an unusual person named Ellsworth Toohey; a few people, among the extreme intellectuals and the extremely wealthy, heard these rumors and promptly forgot what they heard, but remembered the name; it remained in their minds with a vague connotation of such things as brilliance, courage, idealism.

People began to ooze toward Ellsworth Toohey; the right kind of people, those who soon found him to be a spiritual necessity. The other kind did not come; there seemed to be an instinct about it. When someone commented on the loyalty of Toohey’s following—he had no title, program or organization, but somehow his circle was called a following from the first—an envious rival remarked: “Toohey draws the sticky kind. You know the two things that stick best: mud and glue.” Toohey overheard it and shrugged, smiling, and said: “Oh, come, come, there are many more: adhesive plaster, leeches, taffy, wet socks, rubber girdles, chewing gum and tapioca pudding.” Moving away, he added over his shoulder, without smiling: “And cement.”