The Girl in the Flammable Skirt (8 page)

BOOK: The Girl in the Flammable Skirt
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Muttering man went to loud man’s house with a gun.

“Hello,” he muttered, “I’m here to steal from you.”

Loud man didn’t quite hear him right. “You’re here to what? Speak up.”

“Steal,” said muttering man as loud as he could which was
not loud at all, “I want to steal things. Like some jewelry. Like your mirror. Like your wife.”

Loud man was angry, flushed a becoming pink and said many things, including Let me tell you what I honestly think.

“Please,” muttered muttering man, “tell away.”

“I think you’re my employee!” said loud man in a huge voice, “and I Think You’re Fired!”

Muttering man fired the gun and hit loud man in the knee. Loud man yelled and sat on the floor. Muttering man squared his shoulders and took what he asked for.

First, he told the trembling wife to wait at the door. He tried to catch a glimpse of her face, to see what kind of woman such a good-looking fellow would nab, but he couldn’t see much underneath her overhanging hair.

Next, he told loud man to remove his gold necklace which he happily slipped over his own ugly head.

“I’ve never had a necklace,” he muttered, pleased.

Finally, he walked up and down the halls looking for the perfect mirror to snatch. He passed several boring oval ones but when he turned the corner and walked into the master bedroom, he found exactly what he was looking for. Hanging on the wall, just opposite the large bed, was a huge rectangular mirror in a lavish silver frame. Mumbling under his breath in delight, muttering man gently lifted it off its hook. This mirror had been reflecting loud good-looking man for years and so had turned soft and complacent, and was likely to be kind to even muttering man’s harsh features. He took a quick peek at his necklaced self and fought down the blast of hope.

With some difficulty, he angled the huge mirror under his arm and shoved the wife into the passenger seat of the car, leaving loud man howling in the house. Muttering man started the engine and took off down the street. He glanced sideways at the wife, examining her profile, searching for beauty. She was okay-looking. She didn’t look like a movie star or anything. She looked sort of like four different people he’d met before. She stared straight ahead. After fifteen minutes, he dumped her off at the side of the road because she didn’t talk and muttering man wasn’t good with silent people. Plus, he wanted to be alone with the mirror.

“Bye,” he said to her, “sorry.”

She watched him through the window with large eyes. “That necklace is giving you a rash,” she said. “It’s made of nickel.”

He itched the back of his neck. Before he pulled away, he threw her a couple cigarettes and a pack of matches from the glove compartment. She gave a little wave. Muttering man ignored her and pushed down on the gas. Less than ten miles later, he slowed and pulled to the side of the road. He lifted the mirror onto his lap. Running his fingers in and over the silvery nubs, he fully explored the outside before he dared to look in. He could sense the blob of his face sitting inside the frame, unfocused and patient, waiting to be seen.

3. Visitor at Haggie and Mona’s

“Mona,” said Haggie, “I’m tired.”

Mona was stretching her leg up to the edge of the living room couch. “You’re always tired,” she said. She put her chin on her knee.

Haggie settled deeper into the green chair, the softest chair ever made. “Hand me that pillow, will you?”

“No.” She reached forward and held her foot.

Haggie sighed. He could feel the start of that warm feeling inside his mouth, the feeling that he could catch sleep if he was quiet enough. He felt hyperaware of his tongue, how awkwardly it fit.

Leaning down, Mona spoke to her knee. “You’ll just doze off and you sleep way too much,” she said. “You practically just woke up.”

“I know,” he said, dragging a hand down his face, “you’re absolutely right. Now hand me that pillow so I can take a nap and think about that.”

“Haggie,” said Mona, switching legs, “come on.”

Mona was Haggie’s one remaining friend. The rest had gone to other cities and lost his phone number. Haggie sat around all day, living off money in the bank from a car crash court settlement, while Mona trotted off each morning to work for a temp company. She typed something like a million words per minute. She was
always
offered the job at the place she temped, but she always said no. She liked the wanting far
more than the getting, and, of course, was the same with men. She had this little box in her room containing already two disengaged engagement rings. She’d told the men: Sorry, I can’t keep this, but oddly enough, they each had wanted her to. She seemed to attract very generous men. As a memento of me, they said, little knowing there was another such souvenir residing in a box on her dresser.

Haggie tugged on his tongue. It felt mushy and grainy and when he pinched it hard, he felt nothing.

“Are you doing anything tonight?” she asked, chin on her other knee.

“Me?” he garbled, still holding onto his tongue, “tonight?” Mona swung her leg down, and gripping the side of the couch like a barre, began a set of pliés.

He released his fingers and swallowed. “Tonight?” he said, clearly this time, “nothing. Those bowling friends of yours are having a party but I said no. They asked if you wanted to go but I said you didn’t. Do you?” He paused. Mona didn’t answer. “They all want you, you know.”

“Really?” Mona, in mid-plié, dimpled up, pleased. “Which ones? All? Really? What exactly did they say?”

Haggie scratched his head. He didn’t even know if it was true, he just liked to see Mona leap for things.

Mona bent down and touched her head to her knees. “I have a date anyway,” she said, voice muted.

Haggie let his body slump into the chair. He hated it when Mona went out—the house felt dead without her. “Hey,” he said, “please. The pillow?” He pointed again to the couch,
just a few feet out of his reach. His blood felt weighted, each corpuscle dragging its own tiny wheelbarrow of rocks.

“Haggie.” Mona shook out her legs and looked at him. “Go outside.”

“Blech,” he said to the ceiling, “I hate outside.”

She walked over and stroked his hair. “Do something good,” she said, “Haggie. Do something.”

He leaned briefly into her hand. She smelled like vanilla and laundry detergent. “I really would,” Haggie said, “you know, really. If I could only get out of this damn chair.”

Mona touched his cheek. She stood next to him for a moment, then gave a little sigh and disappeared into her bedroom. Haggie turned his head and watched her doorway for a while, eventually closing his eyes. After forty-five minutes, Mona emerged, shiny, in a brown dress. Haggie was drifting off.

“Hag,” she said. “Wait, wake up, I have a question.” She twirled around. “High heels or not?” Haggie shook his head awake, looked at her and tried to focus.

“No,” he said after a minute, voice gravelly, rubbing an eye, “you’re too peppy already. Wear boots,” he said. “Weigh yourself down a little.”

She stuck out her tongue at him but vanished into her bedroom again and came out in two minutes wearing lace-up brown boots.

“Lovely,” Haggie said.

There was a knock at the door.

“There he is,” said Haggie, “Monsieur Pronto.”

Mona looked at her watch. “No,” she said, “I’m picking him up. Are you expecting anyone?”

He laughed. “My illicit lover,” he said. He sank deeper into the chair. “Maybe we’re getting mugged. Didn’t I tell you? We should get bars on our windows.”

The knock interrupted again: rap rap rap.

Mona went to the door. She peeped in the peephole. “It’s a woman. Who is it?” she called.

A muffled voice came through.

Mona looked at Haggie. “Should I let her in?”

“Is she cute?” he asked.

Mona rolled her eyes. “I don’t know,” she said, “her hair is covering her face.” She opened the door.

“Hello,” said Mona, “how can I help you?”

The woman tugged off her wedding ring. “Please,” she said, holding it forward, “please, will you take this in exchange for a place to stay?”

Haggie burst out laughing.

Mona shook her head. “Oh no,” she said, “I can’t keep that.” The woman’s hand was trembling as she held the ring forward, and the edge of her dress was charred black.

“Haggie,” Mona said, “shut up. Stop laughing. She wants to stay here.”

“Fine,” he called from the chair, eyes closing. “But tell this one to keep the ring.”

Mona opened the door wider. “Please,” she said, “come on in, you look so tired.” She took the woman by the elbow and guided her into the living room. “Haggie,” she said, “get
out of the chair, Hag, can’t you see this woman has been through something terrible and is about to collapse?”

Haggie sat there for a second. “But the sofa,” he said, pointing ineffectually.

Mona glared at him. “Haggie.” The woman’s legs started to curve beneath her. Haggie put one hand on each arm of the chair and hoisted himself up, wobbling a bit on his feet.

“Where are you from?” Mona asked, leaning down to relace the top of her right boot.

The woman closed her eyes. “Sinai,” she said. Haggie sat on the floor.

“What did she say?” Mona whispered, relacing the left boot for the hell of it. “Did she say cyanide?”

He looked up and noticed the woman was already asleep.

“Faster than me, even,” he said with respect.

“Do you think she’s a poisoner?” Mona hissed.

Haggie laughed.

“Sssh,” said Mona, “she’s sleeping.”

“Her dress is burnt,” he said.

“I know,” said Mona, “she smells like smoke, too. Camp-fire smoke or something.” She stood up. “Listen, Hag, I’ve got to go. Are you okay? Should I stay? What if she poisons you?”

Haggie made an attempt at a scared face but he couldn’t get himself to do it. He felt too tired. “Go, Mona,” he said. He laid his head back on the arm of the sofa.

Mona paused. “Do you think she’s sick?”

“She’s just tired.” His voice was fading. “She just needs
some sleep.” The sofa arm dug into his neck. “I can’t believe she wanted to give you her ring.”

Mona smiled and checked herself one last time in the mirror. As soon as the front door closed and the clop-clop of her tightly laced boots faded away, Haggie tried to doze off, but the floor was hard beneath him and the air felt clotted and thick without Mona stirring it up, and he couldn’t find the familiar relief of that slow descending weight.

Heaving himself up, he sat on the couch. He almost twitched, craving the comfort of his chair. The woman snored lightly now. She had flushed skin and her eyelashes made simple black arcs on her cheeks.

“Hello lady,” said Haggie, “wake up and talk to me.” She kept sleeping, sending out her breath to the air and pulling it back in. Private.

It made him feel worse to be awake when there was someone else there that was asleep. The house seemed twice as big and twice as lonely. Dragging himself up, Haggie lumbered over to the bathroom. He wondered: was it possible to die simply from an absence of tempo? Sure, Mona was ruled by some kind of frenetic march, but there was no doubt that
something
was moving her inside—Haggie’s internal rhythms were so slow that he wondered if they counted as rhythms at all.

Inside the bathroom, he opened up the medicine cabinet above the sink; sometimes Mona kept sleeping pills in there that she used when she was too wound up. Which was often. Holding the mirrored door, Haggie took down the tiny red-brown
bottle. He read the label.
Do not exceed two in six hours
. Haggie spilled them out on his hand; they shimmered like miniature moons. I’m bigger than she is, besides, he thought. He took nine, his lucky number, and washed them down with a handful of water from the tap. That should do something, he thought. Because I don’t have my chair. And I’m tired, he thought again. I’m very tired and I want to sleep. He sat down on the floor of the bathroom and waited for a strange feeling to overtake him. The woman in his chair stopped snoring and the house filled with darkness and quiet.

4.

When he had finished exploring every knob and bump in the frame, he took in a breath and got ready to face the mirror straight on. He fiddled with the itchy gold necklace. This time would be different, in this fancy man’s mirror, this good-looking man’s looking glass. He crossed his fingers inside the chain and let his eyes shift in and focus.

5. At the Side of the Road

That night, I sleep in a bush. I don’t sleep very well there, but I never do, I’ve never been a good sleeper. I can’t ever get comfortable. So it’s okay; the dirt on my cheek is okay, doesn’t make any difference to me. A pillow is no better.

I dream about my husband. I am dreaming that he is going to the refrigerator to fix himself a sandwich, my food, my
bread, my self—digested then gone—and that’s when the shot rings out and that’s when I’m off, in the race, I’m off. He grabs his knee, and I’m out the door. I’m a racer, I’m so fast. In my dream, I run a lap around the world and some people in another country build a monument around my footprint.

When I wake up, I want to walk for a long time, I think I could walk forever and never get tired. I take one of the cigarettes that man left me and smoke it, it’s been a long time since I did that, and when I stub it out in the bush, it catches on something and the bush starts to burn. Just near the bottom, but it is burning, the bush is on fire. The air is dry, sure, but it was one tiny cigarette and so I am shocked and I look at the bush burn and then I think: maybe this is something spiritual. Here, by the side of the road, just me without any money, just me wanting a new place to go, this is the time for something spiritual to happen, this is my right timing. I wait for God to speak to me.

The flames snap and hiss.

A couple drivers pass by and slow: Want a Ride? but I shake my head, no, and it’s not because I’m worried about rapists, I’m not. Something is about to happen here—something big. I’m going to hear what this bush has to say to me and then I’m going to walk forever by myself since I never have and because it’s a better quiet outside than it is in a car and because all I took was one puff and I set something on fire. Me. The bush keeps crackling. I wonder, what will it tell me? What is it that I need to hear? I lean in closer and listen
with my whole being. I can’t tell what it’s saying. I can’t find any words, just that fire sound, the sound of cracking and bursting. I start to feel a bit panicked—what if it speaks in a different language? What would I do then? The warmth of the flames flushes my face.

BOOK: The Girl in the Flammable Skirt
13.57Mb size Format: txt, pdf, ePub
ads

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