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Authors: Jonathan Kellerman

The Golem of Hollywood

BOOK: The Golem of Hollywood
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ALSO BY JONATHAN KELLERMAN

ALEX DELAWARE NOVELS

Killer
(2014)

Guilt
(2013)

Victims
(2012)

Mystery
(2011)

Deception
(2010)

Evidence
(2009)

Bones
(2008)

Compulsion
(2008)

Obsession
(2007)

Gone
(2006)

Rage
(2005)

Therapy
(2004)

A Cold Heart
(2003)

The Murder Book
(2002)

Flesh and Blood
(2001)

Dr. Death
(2000)

Monster
(1999)

Survival of the Fittest
(1997)

The Clinic
(1997)

The Web
(1996)

Self-Defense
(1995)

Bad Love
(1994)

Devil's Waltz
(1993)

Private Eyes
(1992)

Time Bomb
(1990)

Silent Partner
(1989)

Over the Edge
(1987)

Blood Test
(1986)

When the Bough Breaks
(1985)

OTHER NOVELS

True Detectives
(2009)

Capital Crimes
(with Faye Kellerman, 2006)

Twisted
(2004)

Double Homicide
(with Faye Kellerman, 2004)

The Conspiracy Club
(2003)

Billy Straight
(1998)

The Butcher's Theater
(1988)

NONFICTION

With Strings Attached: The Art and Beauty of Vintage Guitars
(2008)

Savage Spawn: Reflections on Violent Children
(1999)

Helping the Fearful Child
(1981)

Psychological Aspects of Childhood Cancer
(1980)

FOR CHILDREN (WRITTEN AND ILLUSTRATED)

Jonathan Kellerman's ABC of Weird Creatures
(1995)

Daddy, Daddy, Can You Touch the Sky?
(1994)

ALSO BY JESSE KELLERMAN

Potboiler
(2012)

The Executor
(2010)

The Genius
(2008)

Trouble
(2007)

Sunstroke
(2006)

G. P. PUTNAM'S SONS

Publishers Since 1838

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street

New York, New York 10014

USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

penguin.com

A Penguin Random House Company

Copyright © 2014 by Jonathan Kellerman and Jesse Kellerman

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Library of Congress Cataloging-in-Publication Data

Kellerman, Jonathan.

The Golem of Hollywood / Jonathan Kellerman and Jesse Kellerman.

p. cm.

ISBN 978-1-101-59716-3

1. Golem—Fiction. 2. Murder—Investigation—Fiction. 3. Suspense fiction. 4. Horror fiction. I. Kellerman, Jesse. II. Title.

PS3561.E3865G65 2014 2013051043

813'.54—dc23

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors' imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Version_1

CONTENTS

ALSO BY JONATHAN KELLERMAN AND JESSE KELLERMAN

TITLE PAGE

COPYRIGHT

 

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

THE OFFERING

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

THE LAND OF NOD

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

ENOCH

CHAPTER TWENTY

CHAPTER TWENTY-ONE

CHAPTER TWENTY-TWO

CHAPTER TWENTY-THREE

CHAPTER TWENTY-FOUR

THE TOWER

CHAPTER TWENTY-FIVE

CHAPTER TWENTY-SIX

CHAPTER TWENTY-SEVEN

CHAPTER TWENTY-EIGHT

CHAPTER TWENTY-NINE

THE BEGINNING OF FOREVER

CHAPTER THIRTY

CHAPTER THIRTY-ONE

CHAPTER THIRTY-TWO

CHAPTER THIRTY-THREE

GILGUL

CHAPTER THIRTY-FOUR

CHAPTER THIRTY-FIVE

CHAPTER THIRTY-SIX

CHAPTER THIRTY-SEVEN

THE GARRET

CHAPTER THIRTY-EIGHT

CHAPTER THIRTY-NINE

CHAPTER FORTY

CHAPTER FORTY-ONE

CHAPTER FORTY-TWO

CHAPTER FORTY-THREE

CHAPTER FORTY-FOUR

CHAPTER FORTY-FIVE

CHAPTER FORTY-SIX

THE WHEEL

CHAPTER FORTY-SEVEN

CHAPTER FORTY-EIGHT

UNION

CHAPTER FORTY-NINE

CHAPTER FIFTY

CHAPTER FIFTY-ONE

CHAPTER FIFTY-TWO

CHAPTER FIFTY-THREE

THE SHATTERING OF THE VESSEL

CHAPTER FIFTY-FOUR

CHAPTER FIFTY-FIVE

CHAPTER FIFTY-SIX

CHAPTER FIFTY-SEVEN

EPILOGUE

 

ACKNOWLEDGMENTS

CHAPTER ONE

PRAGUE
,
CZECH
REPUBLIC

SPRING
2011

H
eap had followed the girl for days.

The watch was an important part of it, the most delicious part: sinking into the background while that wonderful brain of his roared in high gear, eyes, ears, everything finely tuned.

People tended to underestimate him. They always had. At Eton: two nights locked in a broom closet. At Oxford, they laughed, they did, the horsefaced girls and the cooing boys. And dear Papa, Lord of the Manor, Chancellor of the Purse Strings.
All that school and you a bloody office boy.

But underestimated is close to unnoticed.

Heap capitalized on that.

She could be any girl who struck his fancy.

Eye the herd.

Cull.

The bright-eyed brunette in Brussels.

Her virtual twin in Barcelona.

The early work, glorious countryside afternoons, honing his technique.

The unmistakable tingle came on him like a fit of sick. Though Heap wasn't fool enough to deny that he preferred a certain species: dark hair, sharp features. Lower class, not too bright, not bad-looking but well shy of pretty.

Smallish body, except he demanded a big chest. The soft, yielding pressure never failed to excite.

This one was perfect.

—

H
E
HAD
FIRST
SPOTTED
her walking east along the Charles Bridge. He'd been skulking round for two weeks by then, taking in the sights, waiting for an opportunity to present itself. He liked Prague. He'd visited before and never left disappointed.

Among the jean-clad magpies, the wattled American tourists, the leather-voiced buskers, and the minimally talented portrait artists, she had stood out for her modesty. Limp skirt, tight hair, focused and grim, she hurried along, cheeks carved out by the midmorning glare off the Vltava.

Perfect.

He tried to follow her but she melted into the crowd. The next day, he returned, hopeful, prepared, attentive. Opening his guidebook, he pretended to reread a gray box headed
Did you know?
The bridge had eggs mixed into its concrete for added strength. Good King Charles IV had commandeered every last egg in the kingdom, and they had obeyed, the stupid, slobbering masses, showing up to place them obsequiously at his royal feet.

Did Heap know?

Yes, he did. He knew everything worth knowing and much besides.

Even the guidebook underestimated him.

She passed again at the same time. And the day after that. Three days running he watched her. A girl of fixed habits. Lovely.

Her first stop was a café near the bridge. She donned a red apron, cleared tables for change. At dusk, she left Old Town for New Town, exchanged the red apron for a black one, bussing trays and refilling steins at a beer hall that, by the smell of it, catered to the locals. Photos of the entrées in the window showed sausages smothered in that vile, muddy sauce they put on everything.

From beneath the trolley stand, Heap watched her flit here and there. Twice passersby paused to ask him a question in Czech, which Heap took to mean that he appeared, as ever, unremarkable. He replied, in French, that he spoke no Czech.

At midnight, the girl finished mopping up. She doused the restaurant's lights, and a few minutes later, a window two floors up blinked yellow, and her pale arm drew the blind.

It would be a squalid rented room, then. A sad and hopeless life.

Delicious.

He considered finding a way into her flat. Blitzing her in her own bedroom.

Appealing notion. But Heap despised senseless risk. It came of watching Papa burn thousands on football, cricket, anything involving imbeciles and a ball, pouring the fortune of centuries down the grimy throats of bookmakers. Never the most discriminating chap, Papa. How he loved to remind Heap that it would all be gone before Heap saw a penny. Heap was nothing like him and therefore deserved nothing.

Someday Heap would let him know what he thought of that.

To the task at hand: no sense changing the pattern. The pattern worked. He'd take her on the street like the others.

Leaving an empty-eyed shell propped against a dustbin or a wall, waiting to be discovered by some privileged citizen of the free world.

Heap examined an unmarked door to the right of the restaurant, six anonymous buzzer pushes. Never mind her name. He preferred to think of them numerically. Easier to catalog. He had the librarian's spirit in him, he did. She would be number nine.

—

O
N
THE
SEVENTH
NIGHT
, a Thursday, Number Nine went up to her room as usual but reemerged soon after, a feather duster in one hand, a folded square of white cloth in the other.

He gave her slack, then followed north as she crossed into Old Town
Square, uncomfortably alive with pedestrians. He clung to shadows on Maiselova as they entered Josefov, the former Jewish quarter.

He had come this way days before, while reacquainting himself with the city. It was the thing to do, see the old Jewish places. Dutifully he had elbowed through the revolting gawking swarms, tour guides prattling about Slavic tolerance while their charges snap snap snapped away. Heap didn't care enough about Jews as a group to summon genuine loathing. He regarded them with the same contempt he had for all lesser humanity, which included everyone except himself and a select few. Those Jews he'd known at school were self-satisfied twits laboring to be more Christian than the Christians.

The girl turned right at a shambling yellow wreck of a building. The Old-New Synagogue. Curious name to go along with a curious design. Part Gothic, part Renaissance, the result a rather clumsy porridge, homely crenellated roof and skimpy windows. Far more old than new. But then Prague had no end of old buildings. They were common as streetwalkers. He'd drunk his fill.

An alleyway unfurled along the synagogue's south side, ending at a wide set of ten steps that in turn ran up to the shuttered shops of
Street. Heap wondered if Nine was headed there, to tidy up at one of the boutiques.

Instead she went left at the foot of the steps, disappearing behind the synagogue. Heap crept along the alley in crepe-soled shoes, reaching the steps and stealing a glance.

She stood on a small cobbled terrace, facing the rear of the synagogue, into which was set an arched iron door, rudely studded. A trio of rubbish bins constituted the exterior decor. She had flapped open the white cloth and was tying it around her waist: yet another apron. Heap smiled to imagine her closet, nothing but aprons in every color. So many secret identities she had, each more wretched than the last.

She picked up the feather duster from where she'd laid it, against the wall. She shook it out. Shook her head, as well, as if banishing drowsiness.

Industrious little
charwoman
. Two full-time jobs and now this.

Who said the work ethic was dead?

He might have taken her right then, but a duet of drunken laughter came bounding along
, and Heap continued slowly up the steps, watching the girl peripherally.

She withdrew a key from her jeans and let herself into the synagogue through the iron door. The lock clanked.

He took up a vigil beneath a lamppost, opposite the synagogue's dark visage. A series of metal rungs in the brick ran up to a second arched door, a shabby wooden echo of the iron one, thirty-five feet off the ground and opening illogically onto thin air.

The garret.
Did you know?
There, the world-famous (according to whom, Heap wondered) Rabbi Loew had conjured the golem, a mythical mud-creature who roamed the ghetto, protecting its inhabitants. The selfsame rabbi had a statue of himself in a grand square, he did. While following the girl, Heap had pretended to stop and take its picture.

Hideously undignified, really. Mud was one step above shit.

The legend had become the wellspring of a gaudy commercialism, the monster's lumpy form cropping up on signs and menus, mugs and pennants. In one particularly rank bistro near Heap's hotel you could buy a brown-sauce-soaked Golem Burger and wash it down with Golemtinis enough to rot your liver.

People would pay for anything.

People were disgusting.

The laughter of the couple had faded in the warm wind.

Heap decided to give it one more night. More foreplay made for a better climax.

—

F
RIDAY
EVENING
, the Old-New was a busy place, worshippers filing in, some stopping to talk to a blond man stationed out front with a
walkie-talkie. With smiles all around, and everyone afforded entry, the attempt at security struck Heap as a bit of a sham.

Nevertheless he'd come prepared, his better suit (his only decent suit since Papa had screwed tight the tap), a mild white shirt, and his old school tie, plus inoffensive flat-lensed specs. Approaching the entrance, he hunched to take off some height, blousing his jacket, eliminating the bulge of his inside pocket.

The blond guard was more of a boy, hardly out of nappies. He shifted his body to block Heap's progress, addressing him in a throaty, vulgar accent. “Can I help you?”

“I'm here to pray,” Heap said.

“Pray,” the guard said, as if that were the strangest reason to visit a house of worship.

“You know. Give thanks. Praise God.” Heap smiled. “Perhaps it'll help.”

“Help?”

“World a mess and all that.”

The guard studied him. “You want to come into the
shul?

Dense little turd.
“Indeed.”

“To pray for the world.”

Heap lowered the level a few notches. “That and personal good fortune, mate.”

“You are Jewish?”

“I'm here, am I not?”

The guard smiled. “Please, you can tell me: what is the last holiday?”

“Sorry?”

“The most recent Jewish holiday.”

A furious moment while Heap ransacked the files. A light sweat broke out on his forehead. He resisted the urge to wipe it away. Aware that he was taking an awfully long time, he coughed up what he had. “Well, then, that would be Passover, would it not?”

The guard said, “Passover.”

“Reckon so, yes.”

The guard said, “You are British.”

There's a clever lad.
Heap nodded.

“I can see your passport, please?”

“One wouldn't think one would need it to pray.”

The guard made a show of taking out his keys and locking the synagogue door. He gave Heap a condescending pat on the shoulder. “Wait here, please.”

He sauntered off down the street, murmuring into his walkie-talkie while Heap swam in the red tide of his mind. The sheer nerve: to
touch
him. He puffed his chest against the bulge. Stag bone handle. Six-inch blade.
Ought to give thanks of your own, mate.

Twenty yards hence, the guard stopped at a doorway. A second man materialized and the two of them conferred, appraising him openly. The sweat kept oozing. Sometimes the sweat was a problem. A drop ran in Heap's eye and stung and he blinked it away. He knew when he wasn't wanted. He could be patient. He left the guards talking and went on his way.

—

E
VERY
MAN
HAS
HIS
LIMITS
, though. After six more days without a fair chance, he was aroused to the brink of madness, and he decided that tonight would be the night, come what may, and how lovely it would be.

By three a.m., she'd been inside the synagogue for over two hours. Heap slouched in darkness near the steps, listening to distant bleats from somewhere well beyond the Jewish quarter, rolling the knife handle between his fingers. He began to wonder if she'd snuck in a brief nap. Busy girl, she must be falling off her feet.

The iron door screamed on its hinges.

Number Nine stepped out toting a sizable plastic tub. She turned her back to him, headed for the rubbish bins, hoisted the tub and dumped it out noisily, clanking cans and rushing paper, and he unfolded the blade
(oiled and silent, a welcome release it was, like his lungs filling with fresh air) and moved on her.

BOOK: The Golem of Hollywood
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