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Authors: Alexander McCall Smith

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Mma Makutsi planted a kiss on Itumelang's brow. “About a boy who was as brave as a lion? Like my Itumelang?”

Mma Ramotswe shook her head. “I was told it a long time ago by my daddy's cousin. She was the one who helped him when I was a girl.”

Mma Makutsi inclined her head respectfully. She knew about Mma Ramotswe's early years. “After your mother became late?”

“Yes,” said Mma Ramotswe. “The cousin was older than my late daddy. She was like a grandmother to me.”

“They are the ones for stories,” said Mma Makutsi. “They know all those stories about things that happened a long time ago—or did not happen.”

“It doesn't matter if they did not happen,” said Mma Ramotswe. “There are many stories about things that did not happen.” She paused. “This one was about a girl who married a lion. She did not know it when she married him, but the young man she had chosen was really a lion. He looked like an ordinary man, but there was something about him …”

“It would be the eyes,” said Mma Makutsi, glancing anxiously at Itumelang's eyes to reassure herself. “You can tell if somebody is really a lion by examining the eyes. Lions have eyes that are a bit yellow, Mma. They are like the colour of grass when there has been no rain for a while. Or sometimes they are the colour of the sand out in the Kalahari, which is also a sort of yellow colour.”

“I think that what makes a lion's eyes different from other eyes is their fierceness,” said Mma Ramotswe. “There are other animals that have eyes that colour, but they are different. They are not fierce, like a lion's eyes. They do not look at you in the same way—they do not make you wish you were somewhere else.”

Mma Makutsi agreed. “But what about this girl?” she asked. “How did she know he was a lion? Was it the eyes, do you think?”

Mma Ramotswe shook her head. “No, it was not the eyes. She did not say anything about his eyes; in fact, it was her brothers who noticed. It was the girl's brothers.”

“They could tell?”

“Yes, Mma. They noticed that by the way he smelled. If you are a lion, you cannot really disguise the way you smell. You can change the way you look, but not the way you smell.”

Mma Makutsi was thoughtful. “It is the same with people,” she said. “You can change your clothes. You can change the look of your hair. Doctors can even change the shape of your nose or ears, but you can never change the way you smell. That will always give you away.”

Mma Ramotswe was used to Mma Makutsi's theories, which were often rather unusual. This one, she thought, was distinctly unlikely, but she did not want to pursue the matter. Mma Makutsi was apt to argue a point tenaciously, and Mma Ramotswe did not want to get involved in a prolonged debate on the way people smelled.

“That may be so, Mma,” she said evenly. “Or it may not be. But the point here is that the girl's brothers told her they thought her new husband was a lion because he smelled a bit like a lion. And they said there was also something in the way he walked that reminded them of a lion.”

“Lions walk on four legs,” observed Mma Makutsi. “Was this man walking on four legs? That can be a big giveaway, Mma.”

Mma Ramotswe shook her head. “He walked normally, on two legs. But there was something in the way he walked that made them suspicious. I do not know what it was, as my cousin did not say anything about that. But you can imagine it, Mma, can't you? He would have walked with that sort of sway that lions like to use. They sway their hips a bit.”

“I have seen men walk like that,” said Mma Makutsi. “But I did not think they were lions.”

“So they told the girl, Mma,” continued Mma Ramotswe. “They said to her: this new husband is really a lion. You will have to get rid of him. And the girl was very upset.”

“It would not be a good thing to discover about your new husband,” said Mma Makutsi. “I don't know what I would do if I discovered that Phuti was a lion. It would be a very sad thing to find out.”

“I do not think your husband is a lion,” said Mma Ramotswe. “I see no evidence at all.”

“Thank heavens,” said Mma Makutsi. “It would be hard for me to go back up to Bobonong and tell my family. They would say: please do not bring your new husband up here, or he might eat our cattle.”

They both laughed. Then Mma Makutsi said, “I am worried about this young woman, Mma. What did they do?”

“The brothers made a cage,” said Mma Ramotswe. “This cage was a trap and they put a goat in it. They said, ‘If our sister's husband is really a lion, then he will smell the goat and he will go into the cage to eat it. Then the trap will close on him and we shall know.' ”

“And is that what happened?”

“Yes,” said Mma Ramotswe. “And once he was in the trap, the new husband showed that he really was a lion. He began to roar, and they saw that his teeth were like the teeth of a lion. They saw all this, Mma, and they knew. The girl, of course, was upset, but I think she got over it, once her brothers had chased her husband away.”

“It was best to have discovered it,” said Mma Makutsi. “I could not live with the uncertainty of not knowing if my husband was a lion. Could you, Mma? Could you live with uncertainty like that?”

Mma Ramotswe could not. “It is best for a woman to know her husband's weak points right at the beginning. All men have their weak points—although they try to pretend that they do not have any, they are always there. But if you know about them in advance, then you can deal with them. It is the hidden weak points that are the problem.”

They were both silent for a while. Itumelang looked up at his mother, and made his slight gurgling sound. Mma Makutsi was wondering about Phuti's weak points. There was his stammer, of course, and there was also his artificial foot and ankle—the result of that accident with the delivery truck. But although one might think of these as weak points, they were not weaknesses. Weak points were things that had
happened
to him. Weaknesses were character flaws, and Phuti had none of those.

The mention of weak points had Mma Ramotswe thinking about her own husband. Did Mr. J.L.B. Matekoni have any weaknesses? He had been a bit indecisive in taking so long over their engagement, but that indecisiveness was probably a result of his simply not being forceful enough, which was a rather attractive quality, she thought. There were more than enough forceful men about, and a man who did not try to force his will on others was a refreshing change. As far as the other common vices went, Mr. J.L.B. Matekoni had none of those: he did not drink much—other than the occasional beer—and he was never selfish. He did not gamble, nor did he look at other women, although that did not mean that other women did not look at him; Mma Ramotswe had seen them, and imagined the thoughts going through their heads:
Now there's a nice, gentle-looking man
 … Oh yes, she could just hear those thoughts, but they did not worry her unduly because she understood how those who did not have the company of a good man, who had been saddled with a bad or indifferent one, with one who never paid them much attention or showed them any affection—she could understand how such women might lay eyes on a man like Mr. J.L.B. Matekoni and dream. She did not begrudge such women their dreams. And it was a compliment to Mr. J.L.B. Matekoni that women should think such things about him, and usually the women who thought these things did not go on to flirt with him or anything like that. Except sometimes, and in those rare cases Mr. J.L.B. Matekoni was always polite and would make a pointed reference to something his wife had said or done, and that
was usually enough to put a stop to that. Unless you were somebody like Violet Sephotho, of course; she was shameless and would, if anything, be encouraged if mention were made of a wife. Mma Makutsi had many stories to tell of Violet's husband-stealing activities, including one occasion when she had flirted with a new husband
at his wedding.
Fortunately, the new mother-in-law had witnessed this and had managed to seat Violet next to an uncle who was a lay preacher and whose only topic of conversation was the Bible.

“That is a very good way of dealing with somebody like Violet Sephotho,” Mma Makutsi had said, chuckling at the recollection. “That uncle would have regarded her as a challenge—somebody who clearly needed to be saved, and he would have made a big effort to do so.”

BUT NOW ITUMELANG WAS ASLEEP
and Mma Makutsi was sitting in the kitchen, aware that she would have to start cooking the evening meal, but too excited by the news she had received that day to concentrate on any mundane task. She sat like that for almost twenty minutes, going over in her mind her short, businesslike conversation with the lawyer. Her offer for the lease of the premises had been accepted and, under the power of attorney she had granted him, he had signed it. Nothing remained to be done. For the next five years she was to be the tenant of the commercial premises on Plot 1432 Extension Two, Gaborone; she, Grace Makutsi, daughter of the last Hector Makutsi, of Bobonong—just that and nothing else, but now, all rather suddenly, it seemed, Mrs. Radiphuti, mother of Itumelang Radiphuti, and tenant in her own right of commercial premises. It was almost too much to take in, and when Phuti eventually came home she was still thinking of it all with the warm glow that comes from the contemplation of something deeply satisfying, something that one cannot quite believe has happened.

Phuti had been aware that the lawyer would phone that day
and he knew immediately. “Good news?” he said, as he entered the kitchen. “I think I can tell.”

She nodded, and he stepped forward to embrace her.

“It is all arranged,” she said. “He has signed the lease for me and I am now the tenant.”

Phuti patted her on the shoulder. “My Grace,” he said fondly. “You are a very clever woman. I am proud of you.”

She thought:
It's your money
, but she did not say it. Instead she said, “I cannot wait, Phuti. He said we can pick up the keys tomorrow.”

“I've spoken to that painter,” said Phuti. “He says that he is ready to start the moment we buy the paint.”

“Good. And the carpenter?”

“He will be ready to start next week. He says the painter can start as long as he doesn't do the part where the cupboards are going. Then he'll come in and start building all the other things. And the electrician. That Zimbabwean we use at the store says that he will drop everything and come to us the moment we need him.”

Mma Makutsi smiled. She had become aware of Phuti's influence, but had yet to become used to the ease with which he could get tradesmen to dance attendance.

“I think we could open in about a month,” she said.

“As soon as that?”

“Yes. We will need to find a chef and waiters, but that will be easy. There are always people searching for jobs. There are far too many chefs, I think.”

Phuti nodded. He assumed that she knew what she was talking about. He was not sure why there should be such an over-abundance of chefs, but perhaps she was right. “And a name, Grace? You said that you would think of a suitable name for your restaurant.”

She had already given that some thought, and a name had come into her mind unbidden. It was exactly the right name for her business, and she now announced it to Phuti: “The Handsome Man's De Luxe Café.”

Phuti hesitated. “For … for handsome men?” he asked. He was not a handsome man himself; he knew that.

“Yes,” said Mma Makutsi. Then she laughed. “Not that other men are discouraged, Rra. All will be welcome.”

“Then why call it the Handsome Man's place? Why not just the De Luxe Café?”

“Because I want it to be a fashionable restaurant, Phuti.” She considered again what she had said about everybody being welcome. That would need some qualification. “But I do not want any riff-raff coming in and eating there,” she continued. “I want this to be a big important stop on the circuit.”

Phuti thought of the riff-raff and found himself feeling sorry for them. Presumably these people—whoever they were—had to eat somewhere, and he did not like the thought of them wandering around, excluded from this … this circuit, whatever that was. “What circuit?” he asked. “What is this circuit?”

Mma Makutsi made a vaguely circular movement with her hand. “It is the circuit for fashionable people,” she said. The circular movements became wider. “It is that circuit.”

“Oh,” said Phuti. And then added, “I see.”

CHAPTER FOUR
ELECTRIC DOGS AND OTHER THINGS

T
HE MEETING
at the Sengupta house had been arranged by Mma Makutsi, who had pointedly insisted on setting it up.

“It will look better,” she said, “if I telephone to arrange a time to see these people.”

Mma Ramotswe looked up enquiringly. “But I can do that, Mma. Thank you, anyway.”

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