The Hellraiser Films and Their Legacy (54 page)

12.
Alan Jones, Rawhead Rex,
Cinefantastique
7, no. 5 (December 1987).

13.
Ibid.

14.
In his review for
Starburst
magazine (no. 103, March 1987) Alan Jones described Rex as looking suspiciously like a freaked-out member of Sigue Sigue Sputnik.

15.
Stanley Waiter, Catching up with Clive Barker, in Anthony Timpone, ed.,
Fangoria: Masters of the Dark,
126.Waiters interview with Barker was originally featured in
Fangoria
magazine (May 1986).

16.
Bradley would finally get to play the derelict later in the series, for
Hellraiser: Hellseeker
(Rick Bota, 2002).

17.
Hellraiser
Boxed Set, released by Anchor Bay, 2004. Supplementary Disc:
The Forbidden Interviews
.

18.
George R.R. Martin, ed.,
Night Visions
(London: Arrow, 1987), 202.

19.
Ibid., 205.

20.
Ibid., 280.

21.
Ibid., 205.

22.
Barker quoted from the In the Picture section of
Sight and Sound
56, no. 4 (Autumn 1987), 234.

23.
George R. R. Martin, ed.,
Night Visions,
291.

24.
Ibid., 236.

25.
Ibid., 209.

26.
Ibid., 234.

27.
Phil Nutman, Hammering Our
Hellraiser
, in Anthony Timpone, ed.,
Fangoria: Masters of the Dark
, 136. Nutmans article was originally featured in
Fangoria
magazine (March 1987).

28.
The documentary featurette
Hellraiser: Resurrection
, U.S. DVD.

29.
Audio Commentary for U.S.
Hellraiser
Laserdisc.

30.
U.S.
Hellraiser
Laserdisc.

31.
Simon Bamford, interview by Nick Vince in
Pandemonium: Further Explorations into the Worlds of Clive Barker,
edited by Michael Brown (New York: Eclipse Books, 1991), 88.

32.
Nick Vince, interview by Diane Keating, 1991.

33.
Doug Bradley,
Behind the Mask of the Horror Actor
(London: Titan Books, 1996/2004), 209.

34.
The documentary featurette
Hellraiser: Resurrection
. U.S. DVD.

35.
There were concerns at one point that the title
Hellraiser
wouldnt prove palatable to some in the American South. One of the other suggested titles came from a production coordinator called Claire St. John, who thought
What a Woman Would Do for a Good Fuck
best summed up the story.

36.
The Hellraiser Chronicles,
ed. Stephen Jones (London: Titan, 1992), 7.

37.
Douglas E. Winter, The Heights and Depths of
Hellraiser
, in Anthony Timpone, ed.,
Fangoria: Masters of the Dark
, 146.

38.
Films and Filming,
no. 389 (February 1987), 23.

39.
Hellraiser
Boxed Set: Anchor Bay, 2004. Supplementary Disc:
The Forbidden Interviews.

40.
U.S.
Hellraiser
Laserdisc, commentary by Clive Barker.

41.
In the Picture,
Sight and Sound
56, no. 4 (Autumn 1987), 234.

42.
U.S.
Hellraiser
Laserdisc, commentary by Clive Barker.

Chapter 2

1.
Clive Barker, The Tragical History of Dr. Faustus, in
Horror: 100 Best Books,
eds. Stephen Jones and Kim Newman (New York: Carroll & Graff, 1988/2000).

2.
Hellraiser
screenplay, 21.

3.
Brigid Cherry, Brian Robb and Andrew Wilson,
Weaveworld
, in
Nexus,
no. 4 (November-December, 1987).

4.
Hellraiser,
screenplay, 34.

5.
George R.R. Martin, ed.,
Night Visions
(London: Arrow, 1987), 202.

6.
Audio Commentary for U.S.
Hellraiser
DVD.

7.
Most recently in Under the Skin,
Hellraiser
DVD Extra. Henrik Ibsen (18281906), born in Skien, Norway, was noted for social problem plays like
A Dolls House
(1879).

8.
Gary Hoppenstand, The Secret Self, in
Pandemonium,
ed. Michael Brown (New York: Eclipse Books, 1991), 945.

9.
Edgar Allan Poe,
The Selected Works of Edgar Allan Poe
(Ann Arbor, Michigan: Mundus, 2002), 486.

10.
Hellraiser
Boxed Set, Supplementary Disc:
Salom
Interviews.

11.
Iconography is the collective term for visual motifs and style in a film. This includes dress codes and conventions (such as pin-stripe suits for gangster movies). Because it is a visual medium, color also plays a role in signification, and historical examples include the traditional black slinky dress for the femme fatale of film noir, and the lighter colors of the lawman hero in westerns.

12.
Carol Clover,
Men, Women and Chainsaws
(London: BFI, 1992),39. See also Vera Dikas informative essay, The Stalker Film, from
American Horrors,
edited by Gregory A. Waller (Champaign: University of Illinois Press, 1988).

13.
Hellraiser,
script, 54C (amended 3 November 1986).

14.
Martin, ed.,
Night Visions,
213.

15.
Under the Skin: Doug Bradley on
Hellraiser
.
Hellraiser
Boxed Set.

Chapter 3

1.
Clive Barker Speaking at UCLA, February 25, 1987.

2.
The Marquis de Sade (Donatien Alphonse Franois de Sade, 17401814) was possibly the most infamous writer in French history. His published work gave rise to the term sadismthe enjoyment of cruelty, often with a sexual bent. Arrested after many scandals and condemned to twenty-seven years in various prisons, he wrote sexually explicit material, including
Les Journes de Sodome
(
The 120 Days of Sodom
178285),
Justine
(1791), and a ten-volume novel
Les Crimes de LAmour
(
Crimes of Passion,
1800).

3.
George R.R. Martin, ed.,
Night Visions
(London: Arrow, 1987), 205.

4.
The documentary featurette
Hellraiser: Resurrection
. U.S. DVD.

5.
Fear in the Dark,
TV Documentary (1991).

6.
Doug Bradley: Pinned Down, in
Hellbreed,
no. 2 (June 1995), 21.

7.
The documentary featurette
Hellraiser: Resurrection
. U.S. DVD.

8.
The Hellraiser Chronicles,
80.

9.
Hellraiser: Resurrection
. U.S. DVD.

10.
Doug Bradley,
Behind the Mask of the Horror Actor
(London: Titan Books, 1996/2004), 211.

Chapter 4

1.
Hellraiser
: Barkers Box of Delights, interview by Nigel Floyd in
Samhain
no. 4 (July/August 1987), 6.

2.
Hellraiser: Resurrection
. U.S. DVD.

3.
Clive Barker, ed.,
The Essential Clive Barker
(London: HarperCollins, 1999), 16.

4.
George Christy, The Great Life,
The Hollywood Reporter,
November 17, 1987.

5.
Douglas E. Winter, Give Me B-Movies or Give Me Death! Published in
Faces of Fear
(1985) and reprinted in
Clive Barkers Shadows in Eden
, 30.

6.
Fear in the Dark
.

7.
Douglas E. Winter, Raising Hell with Clive Barker, in
Rod Serlings The Twilight Zone Magazine
7, no. 5 (December 1987).

Chapter 5

1.
Kim Newman,
Hellraiser
Review,
Monthly Film Bulletin
54, no. 644 (September 1987), 276.

2.
http://www.groovymovie.info and http://www.ironworks.demon.co.uk

Chapter 6

1.
Alan Jones,
Hellbound: Hellraiser II,
Cinefantastique
19, no. 1 (January 2, 1989).

2.
Ibid.

3.
Peter Atkins, A Dogs Tail, in
Shadows in Eden,
ed. Stephen Jones (Lancaster, Pennsylvania: Underwood-Miller 1991), 115.

4.
Ibid.

5.
South Bank Show: Clive Barker
(London Weekend Television, 1994).

6.
Ibid.

7.
Michael Brown, ed.,
Pandemonium
(New York: Eclipse Books, 1991), 38.

8.
Edwin Pouncey, Go Straight to Hell,
New Musical Express
(April 2, 1988).

9.
Hellbound: Lost in the Labyrinth
Documentary.
Hellraiser
Boxed Set released by Anchor Bay, 2004.

10.
Ibid.

11.
Hellbound: Hellraiser II,
Audio Commentary.
Hellraiser
Boxed Set.

12.
Dread,
no.1, 1991, 11.

13.
Hellbound: Lost in the Labyrinth
Documentary.
Hellraiser
Boxed Set.

14.
On-set Interview:
Hellraiser
Boxed Set.

15.
Hellbound
, second draft screenplay (November 1, 1987), 74.

16.
Ibid., 96.

17.
Stephen Jones, ed.,
Clive Barkers AZ of Horror
(London: BBC Books, 1997), 202.

18.
On-set Interview:
Hellraiser
Boxed Set.

19.
Ibid.

20.
Doug Bradley,
Behind the Mask of the Horror Actor
(London: Titan Books, 1996/2004), 245.

21.
Samhain,
no. 9 (June/July 1988), 6.

22.
Hellbound: Lost in the Labyrinth
Documentary.
Hellraiser
Boxed Set.

23.
Michael Brown, ed.,
Pandemonium
, 85.

24.
John Skipp and Craig Spector, Pinewood Studios, March 1989.

25.
Hellbound: Hellraiser II,
Audio Commentary.
Hellraiser
Boxed Set.

26.
Dave Hughes, Clive Barker in the Flesh,
Skeleton Crew,
no. III/IV (1988).

27.
Source: http://www.the-numbers.com/movies/series/

28.
Bob Strauss, Director Conjures Up His Hades,
Chicago Sun-Times,
December 25, 1988.

Chapter 7

1.
When asked to write about his favorite horror movie, Peter Atkins chose the film
Orphe
for PS Publishings 2005 book,
Cinema Macabre
, edited by Mark Morris. N.B. Paul Kane wrote about
Hellraiser
.

2.
Samhain,
no. 11 (October/November 1988), 12.

3.
Hellbound: Hellraiser II,
2004 DVD release, audio commentary with Peter Atkins and Tony Randel.

4.
Keeping Company with Cannibal Witches,
Daily Telegraph
, January 6, 1990.

5.
Ansel Dibell,
Plot
(London: Robinson, 1988), 102.

Chapter Eight

1.
Aleister Crowley (18751947) was an English magician and occultist who described himself as The Beast of the Apocalypse. He practiced rites of sex magic and blood sacrifice, but despite his excesses some consider him one of the most brilliant magicians of modern times.
Dictionary of the Occult
(London: Brockhampton Press, 1996).

2.
Hellbound: Hellraiser II,
Audio Commentary.
Hellraiser
Boxed Set.

3.
Ibid.

Chapter 9

1.
The
Bible
Revelations 19:20.

2.
Ibid., 20:10.

3.
Ibid., 21:8.

4.
The
Bible,
Revelations 20:3, 17:8, 9:1; Romans 10:7; Psalms 69:15; Numbers 16:3134; Isaiah.5:14; Ezekie1 16:20.

5.
The
Bible,
Revelations 14:911.

6.
The
Bible
. Matthew 8:12.

7.
Stuart Gordon,
The Paranormal: An Illustrated Encyclopaedia
(London: Headline, 1992), 88.

8.
Dictionary of the Occult
(Geddes and Grosset, 1996), 54.

9.
Nicholas Vince, Look See. Online at www.cenobite.com.

10.
Doug Bradley,
Behind the Mask of the Horror Actor
(London: Titan, 1996/2004), 216.

11.
William Wilson Goodson, Jr., The Origin of Pinhead,
Cinefantastique
22, no. 6 (June 1992), 26.

Chapter 10

1.
Samhain,
no. 12 (December 1988/January 1989), 25.

2.
Ibid., 26.

3.
Ibid.

4.
Ibid.

5.
Hellbound: Hellraiser II,
Audio Commentary.
Hellraiser
Boxed Set released by Anchor Bay, 2004.

6.
Films and Filming,
no. 416 (June 1989), 38.

7.
Gorezone,
no. 5 (January 1989).

8.
Daily News,
December 28, 1988.

9.
Ibid., December 23, 1988.

10.
Variety,
September 14, 1988, 27.

11.
Monthly Film Bulletin
56, no. 666 (July 1989), 206.

12.
Dave Hughes, Clive Barker in the Flesh,
Skeleton Crew,
no. III/IV (1988).