The Horror in the Museum (17 page)

It was only for an instant that Audrey saw the things. The reptiles were of every size, of uncountable numbers, and apparently of several varieties; and even as she looked, two or three of them reared their heads as if to strike at Walker. She did not faint—it was Walker’s crash to the floor that extinguished the lantern and plunged her into blackness. He had not screamed a second time— fright had paralysed him, and he fell as if shot by a silent arrow from no mortal’s bow. To Audrey the entire world seemed to whirl about fantastically, mingling with the nightmare from which she had started.

Voluntary motion of any sort was impossible, for will and the sense of reality had left her. She fell back inertly on her pillow, hoping that she would wake soon. No actual sense of what had happened penetrated her mind for some time. Then, little by little, the suspicion that she was really awake began to dawn on her; and she was convulsed with a mounting blend of panic and grief which made her long to shriek out despite the inhibiting spell which kept her mute.

Walker was gone, and she had not been able to help him. He had died of snakes, just as the old witch-woman had predicted when he was a little boy. Poor Wolf had not been able to help, either—probably he had not even awaked from his senile stupor. And now the crawling things must be coming for her, writhing closer and closer every moment in the dark, perhaps even now twining slipperily about the bedposts and oozing up over the coarse woollen blankets. Unconsciously she crept under the clothes and trembled.

It must be the curse of Yig. He had sent his monstrous children on All-Hallows’ Night, and they had taken Walker first. Why was that—wasn’t he innocent enough? Why not come straight for her— hadn’t she killed those little rattlers alone? Then she thought of the curse’s form as told by the Indians. She wouldn’t be killed—just turned to a spotted snake. Ugh! So she would be like those things she had glimpsed on the floor—those things which Yig had sent to get her and enroll her among their number! She tried to mumble a charm that Walker had taught her, but found she could not utter a single sound.

The noisy ticking of the alarm-clock sounded above the maddening beat of the distant tom-toms. The snakes were taking a long time—did they mean to delay on purpose to play on her nerves? Every now and then she thought she felt a steady, insidious pressure on the bedclothes, but each time it turned out to be only the automatic twitchings of her overwrought nerves. The clock ticked on in the dark, and a change came slowly over her thoughts.

Those snakes
couldn’t
have taken so long! They couldn’t be Yig’s messengers after all, but just natural rattlers that were nested below the rock and had been drawn there by the fire. They weren’t coming for her, perhaps—perhaps they had sated themselves on poor Walker. Where were they now? Gone? Coiled by the fire? Still crawling over the prone corpse of their victim? The clock ticked, and the distant drums throbbed on.

At the thought of her husband’s body lying there in the pitch blackness a thrill of purely physical horror passed over Audrey. That story of Sally Compton’s about the man back in Scott County! He, too, had been bitten by a whole bunch of rattlesnakes, and what had happened to him? The poison had rotted the flesh and swelled the whole corpse, and in the end the bloated thing had
burst
horribly—burst horribly with a detestable
popping
noise. Was that what was happening to Walker down there on the rock floor? Instinctively she felt she had begun to
listen
for something too terrible even to name to herself.

The clock ticked on, keeping a kind of mocking, sardonic time with the far-off drumming that the night-wind brought. She wished it were a striking clock, so that she could know how long this eldritch vigil must last. She cursed the toughness of fibre that kept her from fainting, and wondered what sort of relief the dawn could bring, after all. Probably neighbours would pass—no doubt somebody would call—would they find her still sane? Was she still sane now?

Morbidly listening, Audrey all at once became aware of something which she had to verify with every effort of her will before she could believe it; and which, once verified, she did not know whether to welcome or dread.
The distant beating of the Indian tom-toms had ceased.
They had always maddened her—but had not Walker regarded them as a bulwark against nameless evil from outside, the universe? What were some of those things he had repeated to her in whispers after talking with Grey Eagle and the Wichita medicine-men?

She did not relish this new and sudden silence, after all! There was something sinister about it. The loud-ticking clock seemed abnormal in its new loneliness. Capable at last of conscious motion, she shook the covers from her face and looked into the darkness toward the window. It must have cleared after the moon set, for she saw the square aperture distinctly against the background of stars.

Then without warning came that shocking, unutterable sound— ugh!—that dull, putrid
pop
of cleft skin and escaping poison in the dark. God!—Sally’s story—that obscene stench, and this gnawing, clawing silence! It was too much. The bonds of muteness snapped, and the black night waxed reverberant with Audrey’s screams of stark, unbridled frenzy.

Consciousness did not pass away with the shock. How merciful if only it had! Amidst the echoes of her shrieking Audrey still saw the star-sprinkled square of window ahead, and heard the doom-boding ticking of that frightful clock. Did she hear another sound? Was that square window still a perfect square? She was in no condition to weigh the evidence of her senses or distinguish between fact and hallucination.

No—that window was
not
a perfect square.
Something had encroached on the lower edge.
Nor was the ticking of the clock the only sound in the room. There was, beyond dispute, a heavy breathing neither her own nor poor Wolf’s. Wolf slept very silently, and his wakeful wheezing was unmistakable. Then Audrey saw against the stars the black, daemoniac silhouette of something
anthropoid—the undulant bulk of a gigantic head and shoulders fumbling slowly toward her.

“Y’aaaah! Y’aaaah! Go away! Go away! Go away, snake-devil! Go ‘way, Yig! I didn’t mean to kill ‘em—I was feared he’d be scairt of ‘em. Don’t, Yig, don’t! I didn’t go for to hurt yore chillen—don’t come nigh me—don’t change me into no spotted snake!”

But the half-formless head and shoulders only lurched onward toward the bed, very silently.

Everything snapped at once inside Audrey’s head, and in a second she had turned from a cowering child to a raging madwoman. She knew where the axe was—hung against the wall on those pegs near the lantern. It was within easy reach, and she could find it in the dark. Before she was conscious of anything further it was in her hands, and she was creeping toward the foot of the bed—toward the monstrous head and shoulders that every moment groped their way nearer. Had there been any light, the look on her face would not have been pleasant to see.

“Take
that,
you! And
that,
and
that,
and
that!”

She was laughing shrilly now, and her cackles mounted higher as she saw that the starlight beyond the window was yielding to the dim prophetic pallor of coming dawn.

Dr. McNeill wiped the perspiration from his forehead and put on his glasses again. I waited for him to resume, and as he kept silent I spoke softly.

“She lived? She was found? Was it ever explained?”

The doctor cleared his throat.

“Yes—she lived, in a way. And it was explained. I told you there was no bewitchment—only cruel, pitiful, material horror.”

It was Sally Compton who had made the discovery. She had ridden over to the Davis cabin the next afternoon to talk over the party with Audrey, and had seen no smoke from the chimney. That was queer. It had turned very warm again, yet Audrey was usually cooking something at that hour. The mules were making hungry-sounding noises in the barn, and there was no sign of old Wolf sunning himself in the accustomed spot by the door.

Altogether, Sally did not like the look of the place, so was very timid and hesitant as she dismounted and knocked. She got no answer but waited some time before trying the crude door of split logs. The lock, it appeared, was unfastened; and she slowly pushed her way in. Then, perceiving what was there, she reeled back, gasped, and clung to the jamb to preserve her balance.

A terrible odour had welled out as she opened the door, but that was not what had stunned her. It was what she had seen. For within that shadowy cabin monstrous things had happened and three shocking objects remained on the floor to awe and baffle the beholder.

Near the burned-out fireplace was the great dog—purple decay on the skin left bare by mange and old age, and the whole carcass burst by the puffing effect of rattlesnake poison. It must have been bitten by a veritable legion of the reptiles.

To the right of the door was the axe-hacked remnant of what had been a man—clad in a nightshirt, and with the shattered bulk of a lantern clenched in one hand.
He was totally free from any sign of snake-bite.
Near him lay the ensanguined axe, carelessly discarded.

And wriggling flat on the floor was a loathsome, vacant-eyed thing that had been a woman, but was now only a mute mad caricature. All that this thing could do was to hiss, and hiss, and hiss.

Both the doctor and I were brushing cold drops from our foreheads by this time. He poured something from a flask on his desk, took a nip, and handed another glass to me. I could only suggest tremulously and stupidly:

“So Walker had only fainted that first time—the screams roused him, and the axe did the rest?”

“Yes.” Dr. McNeill’s voice was low. “But he met his death from snakes just the same. It was his fear working in two ways—it made him faint, and it made him fill his wife with the wild stories that caused her to strike out when she thought she saw the snake-devil.”

I thought for a moment.

“And Audrey—wasn’t it queer how the curse of Yig seemed to work itself out on her? I suppose the impression of hissing snakes had been fairly ground into her.”

“Yes. There were lucid spells at first, but they got to be fewer and fewer. Her hair came white at the roots as it grew, and later began to fall out. The skin grew blotchy, and when she died—”

I interrupted with a start.

“Died?
Then what was that—that thing downstairs?”

McNeill spoke gravely.

“That
is what was born to her three-quarters of a year afterward. There were three more of them—two were even worse—but this is the only one that lived.”

Zealia Bishop

It is only within the last few years that most people have stopped thinking of the West as a
new
land. I suppose the idea gained ground because our own especial civilisation happens to be new there; but nowadays explorers are digging beneath the surface and bringing up whole chapters of life that rose and fell among these plains and mountains before recorded history began. We think nothing of a Pueblo village 2500 years old, and it hardly jolts us when archaeologists put the sub-pedregal culture of Mexico back to 17,000 or 18,000 B. C. We hear rumours of still older things, too—of primitive man contemporaneous with extinct animals and known today only through a few fragmentary bones and artifacts— so that the idea of newness is fading out pretty rapidly. Europeans usually catch the sense of immemorial ancientness and deep deposits from successive life-streams better than we do. Only a couple of years ago a British author spoke of Arizona as a “moon-dim region, very lovely in its way, and stark and old—an ancient, lonely land”. Yet I believe I have a deeper sense of the stupefying—almost horrible—ancientness of the West than any European. It all comes from an incident that happened in 1928; an incident which I’d greatly like to dismiss as three-quarters hallucination, but which has left such a frightfully firm impression on my memory that I
can’t put it off very easily. It was in Oklahoma, where my work as an American Indian ethnologist constantly takes me and where I had come upon some devilishly strange and disconcerting matters before. Make no mistake-Oklahoma is a lot more than a mere pioneers’ and promoters’ frontier. There are old, old tribes with old, old memories there; and when the tom-toms beat ceaselessly over brooding plains in the autumn the spirits of men are brought dangerously close to primal, whispered things. I am white and Eastern enough myself, but anybody is welcome to know that the rites of Yig, Father of Snakes, can get a real shudder out of me any day. I have heard and seen too much to be “sophisticated” in such matters. And so it is with this incident of 1928. I’d like to laugh it off—but I can’t.

I had gone into Oklahoma to track down and correlate one of the many ghost tales which were current among the white settlers, but which had strong Indian corroboration, and—I felt sure—an ultimate Indian source. They were very curious, these open-air ghost tales; and though they sounded flat and prosaic in the mouths of the white people, they had earmarks of linkage with some of the richest and obscurest phases of native mythology. All of them were woven around the vast, lonely, artificial-looking mounds in the western part of the state, and all of them involved apparitions of exceedingly strange aspect and equipment.

The commonest, and among the oldest, became quite famous in 1892, when a government marshal named John Willis went into the mound region after horse-thieves and came out with a wild yarn of nocturnal cavalry horses in the air between great armies of invisible spectres—battles that involved the rush of hooves and feet, the thud of blows, the clank of metal on metal, the muffled cries of warriors, and the fall of human and equine bodies. These things happened by moonlight, and frightened his horse as well as himself. The sounds persisted an hour at a time; vivid, but subdued as if brought from a distance by a wind, and unaccompanied by any glimpse of the armies themselves. Later on Willis learned that the seat of the sounds was a notoriously haunted spot, shunned by settlers and Indians alike. Many had seen, or half seen, the warring horsemen in the sky, and had furnished dim, ambiguous descriptions. The settlers described the ghostly fighters as Indians, though of no familiar tribe, and having the most singular costumes and weapons. They even went so far as to say that they could not be sure the horses were really horses.