The House of Mirth (14 page)

     The words were hardly spoken when she realized their infelicity. It seemed to be her fate to appear at her worst to Selden.
     "I thought, on the contrary," he returned lightly, "that I had been the means of proving they were more important to you than anything else."
     It was as if the eager current of her being had been checked by a sudden obstacle which drove it back upon itself. She looked at him helplessly, like a hurt or frightened child: this real self of hers, which he had the faculty of drawing out of the depths, was so little accustomed to go alone!
     The appeal of her helplessness touched in him, as it always did, a latent chord of inclination. It would have meant nothing to him to discover that his nearness made her more brilliant, but this glimpse of a twilight mood to which he alone had the clue seemed once more to set him in a world apart with her.
     "At least you can't think worse things of me than you say!" she exclaimed with a trembling laugh; but before he could answer, the flow of comprehension between them was abruptly stayed by the reappearance of Gus Trenor, who advanced with Mr. Rosedale in his wake.
     "Hang it, Lily, I thought you'd given me the slip: Rosedale and I have been hunting all over for you!"
     His voice had a note of conjugal familiarity: Miss Bart fancied she detected in Rosedale's eye a twinkling perception of the fact, and the idea turned her dislike of him to repugnance.
     She returned his profound bow with a slight nod, made more disdainful by the sense of Selden's surprise that she should number Rosedale among her acquaintances. Trenor had turned away, and his companion continued to stand before Miss Bart, alert and expectant, his lips parted in a smile at whatever she might be about to say, and his very back conscious of the privilege of being seen with her.
     It was the moment for tact; for the quick bridging over of gaps; but Selden still leaned against the window, a detached observer of the scene, and under the spell of his observation Lily felt herself powerless to exert her usual arts. The dread of Selden's suspecting that there was any need for her to propitiate such a man as Rosedale checked the trivial phrases of politeness. Rosedale still stood before her in an expectant attitude, and she continued to face him in silence, her glance just level with his polished baldness. The look put the finishing touch to what her silence implied.
     He reddened slowly, shifting from one foot to the other, fingered the plump black pearl in his tie, and gave a nervous twist to his moustache; then, running his eye over her, he drew back, and said, with a side-glance at Selden: "Upon my soul, I never saw a more ripping get-up. Is that the last creation of the dress-maker you go to see at the Benedick? If so, I wonder all the other women don't go to her too!"
     The words were projected sharply against Lily's silence, and she saw in a flash that her own act had given them their emphasis. In ordinary talk they might have passed unheeded; but following on her prolonged pause they acquired a special meaning. She felt, without looking, that Selden had immediately seized it, and would inevitably connect the allusion with her visit to himself. The consciousness increased her irritation against Rosedale, but also her feeling that now, if ever, was the moment to propitiate him, hateful as it was to do so in Selden's presence.
     "How do you know the other women don't go to my dress-maker?" she returned. "You see I'm not afraid to give her address to my friends!"
     Her glance and accent so plainly included Rosedale in this privileged circle that his small eyes puckered with gratification, and a knowing smile drew up his moustache.
     "By Jove, you needn't be!" he declared. "You could give 'em the whole outfit and win at a canter!"
     "Ah, that's nice of you; and it would be nicer still if you would carry me off to a quiet corner, and get me a glass of lemonade or some innocent drink before we all have to rush for the train."
     She turned away as she spoke, letting him strut at her side through the gathering groups on the terrace, while every nerve in her throbbed with the consciousness of what Selden must have thought of the scene.
     But under her angry sense of the perverseness of things, and the light surface of her talk with Rosedale, a third idea persisted: she did not mean to leave without an attempt to discover the truth about Percy Gryce. Chance, or perhaps his own resolve, had kept them apart since his hasty withdrawal from Bellomont; but Miss Bart was an expert in making the most of the unexpected, and the distasteful incidents of the last few minutes–the revelation to Selden of precisely that part of her life which she most wished him to ignore–increased her longing for shelter, for escape from such humiliating contingencies. Any definite situation would be more tolerable than this buffeting of chances, which kept her in an attitude of uneasy alertness toward every possibility of life.
     Indoors there was a general sense of dispersal in the air, as of an audience gathering itself up for departure after the principal actors had left the stage; but among the remaining groups, Lily could discover neither Gryce nor the youngest Miss Van Osburgh. That both should be missing struck her with foreboding; and she charmed Mr. Rosedale by proposing that they should make their way to the conservatories at the farther end of the house. There were just enough people left in the long suite of rooms to make their progress conspicuous, and Lily was aware of being followed by looks of amusement and interrogation, which glanced off as harmlessly from her indifference as from her companion's self-satisfaction. She cared very little at that moment about being seen with Rosedale: all her thoughts were centred on the object of her search. The latter, however, was not discoverable in the conservatories, and Lily, oppressed by a sudden conviction of failure, was casting about for a way to rid herself of her now superfluous companion, when they came upon Mrs. Van Osburgh, flushed and exhausted, but beaming with the consciousness of duty performed.
     She glanced at them a moment with the benign but vacant eye of the tired hostess, to whom her guests have become mere whirling spots in a kaleidoscope of fatigue; then her attention became suddenly fixed, and she seized on Miss Bart with a confidential gesture. "My dear Lily, I haven't had time for a word with you, and now I suppose you are just off. Have you seen Evie? She's been looking everywhere for you: she wanted to tell you her little secret; but I daresay you have guessed it already. The engagement is not to be announced till next week–but you are such a friend of Mr. Gryce's that they both wished you to be the first to know of their happiness."
     In Mrs. Peniston's youth, fashion had returned to town in October; therefore on the tenth day of the month the blinds of her Fifth Avenue residence were drawn up, and the eyes of the Dying Gladiator in bronze who occupied the drawing-room window resumed their survey of that deserted thoroughfare.
     The first two weeks after her return represented to Mrs. Peniston the domestic equivalent of a religious retreat. She "went through" the linen and blankets in the precise spirit of the penitent exploring the inner folds of conscience; she sought for moths as the stricken soul seeks for lurking infirmities. The topmost shelf of every closet was made to yield up its secret, cellar and coal-bin were probed to their darkest depths and, as a final stage in the lustral rites, the entire house was swathed in penitential white and deluged with expiatory soapsuds.
     It was on this phase of the proceedings that Miss Bart entered on the afternoon of her return from the Van Osburgh wedding. The journey back to town had not been calculated to soothe her nerves. Though Evie Van Osburgh's engagement was still officially a secret, it was one of which the innumerable intimate friends of the family were already possessed; and the trainful of returning guests buzzed with allusions and anticipations. Lily was acutely aware of her own part in this drama of innuendo: she knew the exact quality of the amusement the situation evoked. The crude forms in which her friends took their pleasure included a loud enjoyment of such complications: the zest of surprising destiny in the act of playing a practical joke. Lily knew well enough how to bear herself in difficult situations. She had, to a shade, the exact manner between victory and defeat: every insinuation was shed without an effort by the bright indifference of her manner. But she was beginning to feel the strain of the attitude; the reaction was more rapid, and she lapsed to a deeper self-disgust.
    
     As was always the case with her, this moral repulsion found a physical outlet in a quickened distaste for her surroundings. She revolted from the complacent ugliness of Mrs. Peniston's black walnut, from the slippery gloss of the vestibule tiles, and the mingled odour of sapolio and furniture-polish that met her at the door.
     The stairs were still carpetless, and on the way up to her room she was arrested on the landing by an encroaching tide of soapsuds. Gathering up her skirts, she drew aside with an impatient gesture; and as she did so she had the odd sensation of having already found herself in the same situation but in different surroundings. It seemed to her that she was again descending the staircase from Selden's rooms; and looking down to remonstrate with the dispenser of the soapy flood, she found herself met by a lifted stare which had once before confronted her under similar circumstances. It was the char-woman of the Benedick who, resting on crimson elbows, examined her with the same unflinching curiosity, the same apparent reluctance to let her pass. On this occasion, however, Miss Bart was on her own ground.
     "Don't you see that I wish to go by? Please move your pail," she said sharply.
     The woman at first seemed not to hear; then, without a word of excuse, she pushed back her pail and dragged a wet floor-cloth across the landing, keeping her eyes fixed on Lily while the latter swept by. It was insufferable that Mrs. Peniston should have such creatures about the house; and Lily entered her room resolved that the woman should be dismissed that evening.
     Mrs. Peniston, however, was at the moment inaccessible to remonstrance: since early morning she had been shut up with her maid, going over her furs, a process which formed the culminating episode in the drama of household renovation. In the evening also Lily found herself alone, for her aunt, who rarely dined out, had responded to the summons of a Van Alstyne cousin who was passing through town. The house, in its state of unnatural immaculateness and order, was as dreary as a tomb, and as Lily, turning from her brief repast between shrouded sideboards, wandered into the newly-uncovered glare of the drawing-room she felt as though she were buried alive in the stifling limits of Mrs. Peniston's existence.
     She usually contrived to avoid being at home during the season of domestic renewal. On the present occasion, however, a variety of reasons had combined to bring her to town; and foremost among them was the fact that she had fewer invitations than usual for the autumn. She had so long been accustomed to pass from one country-house to another, till the close of the holidays brought her friends to town, that the unfilled gaps of time confronting her produced a sharp sense of waning popularity. It was as she had said to Selden–people were tired of her. They would welcome her in a new character, but as Miss Bart they knew her by heart. She knew herself by heart too, and was sick of the old story. There were moments when she longed blindly for anything different, anything strange, remote and untried; but the utmost reach of her imagination did not go beyond picturing her usual life in a new setting. She could not figure herself as anywhere but in a drawing-room, diffusing elegance as a flower sheds perfume.
     Meanwhile, as October advanced she had to face the alternative of returning to the Trenors or joining her aunt in town. Even the desolating dulness of New York in October, and the soapy discomforts of Mrs. Peniston's interior, seemed preferable to what might await her at Bellomont; and with an air of heroic devotion she announced her intention of remaining with her aunt till the holidays.
     Sacrifices of this nature are sometimes received with feelings as mixed as those which actuate them; and Mrs. Peniston remarked to her confidential maid that, if any of the family were to be with her at such a crisis (though for forty years she had been thought competent to see to the hanging of her own curtains), she would certainly have preferred Miss Grace to Miss Lily. Grace Stepney was an obscure cousin, of adaptable manners and vicarious interests, who "ran in" to sit with Mrs. Peniston when Lily dined out too continuously; who played bezique, picked up dropped stitches, read out the deaths from the Times, and sincerely admired the purple satin drawing-room curtains, the Dying Gladiator in the window, and the seven-by-five painting of Niagara which represented the one artistic excess of Mr. Peniston's temperate career.
     Mrs. Peniston, under ordinary circumstances, was as much bored by her excellent cousin as the recipient of such services usually is by the person who performs them. She greatly preferred the brilliant and unreliable Lily, who did not know one end of a crochet-needle from the other, and had frequently wounded her susceptibilities by suggesting that the drawing-room should be "done over." But when it came to hunting for missing napkins, or helping to decide whether the backstairs needed re-carpeting, Grace's judgment was certainly sounder than Lily's: not to mention the fact that the latter resented the smell of beeswax and brown soap, and behaved as though she thought a house ought to keep clean of itself, without extraneous assistance.
     Seated under the cheerless blaze of the drawing-room chandelier–Mrs. Peniston never lit the lamps unless there was "company"–Lily seemed to watch her own figure retreating down vistas of neutral-tinted dulness to a middle age like Grace Stepney's. When she ceased to amuse Judy Trenor and her friends she would have to fall back on amusing Mrs. Peniston; whichever way she looked she saw only a future of servitude to the whims of others, never the possibility of asserting her own eager individuality.
     A ring at the door-bell, sounding emphatically through the empty house, roused her suddenly to the extent of her boredom. It was as though all the weariness of the past months had culminated in the vacuity of that interminable evening. If only the ring meant a summons from the outer world–a token that she was still remembered and wanted!