Read The Language of Trees Online
Authors: Ilie Ruby
Ganondagan
Located ten miles north of the city of Canandaigua in Victor, New York, Ganondagan State Historic Site claims 611 acres of sacred lands. Dedicated to the education and preservation of Seneca history and culture, the site holds yearly festivals and tours. Along with workshops and lectures, there is a replica bark longhouse that has been constructed in order to mark the site of the French raid of 1687, the spot where 150 longhouses once stood and were decimated in a battle over fur trade. Visitors are welcome any time of year, but summer and fall are the most popular.
To find out more about Ganondagan, please visit their Web site at www.ganonda gan.org.
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Facts and Legends
The name Canandaigua comes from the Seneca word
Kanan-darque,
which means the “Chosen Spot.” The area surrounds the deep and narrow lake, where two sacred hillsâSouth Hill and Bare Hillâstand near the south end. According to legend, the Seneca Nation of Indians was born in a gorge near Clark's Gully, a deeply cut ravine lined with lacy ferns that creep out of the layered shale walls at the foot of South Hill, which rises 1,100 feet above the lake. The gully is little known and unmarked but for the pine, beech, and maple branches that capture the sunlight. The Seneca call South Hill
Nundawao
, where their ancestors emerged, giving birth to a world far more mystical. The Seneca refer to themselves as
Onondowaga
, “people of the great hill.” It is said that Canandaigua Lake and the other Finger Lakes were
formed when the Creator placed his hand on the earth designating this as the chosen place to live. The region became known as the Finger Lakes, and Canandaigua, in Western New York, was the “little finger.”
The legend of Bare Hill is widely known. This 865-foot hill marks the place where a little boy in a Seneca village raised a pet serpent that grew to a monstrous size, eventually devouring all the men and women there. When the young boy shot the serpent with an arrow, it wriggled and writhed down the path in a death struggle, wearing away all the vegetation. As it fell to the shore, it spit out the heads of its victims into the lake. Folks say the large smooth white stones found in the lake today are the skulls of the Seneca people. Geologists call these stones
septaria
.
For years, nothing grew on Bare Hill, not a single tree, bush, or blade of grass. Today, though the snake's path is still clear, the summit is so thick with brush the lake can hardly be seen. A flurry of wildflowers appears in autumn: goldenrod, asters, sweet pea, Queen Anne's lace, daisy fleabane.
The Canandaigua snake monster is another legend, and may well be linked to the Seneca legend of the serpent. Years ago, a steamboat captain was rumored to carry a shotgun on board whenever he sailed Canandaigua. The arcade manager at Roseland Amusement Park told the local newspaper that the snake's head looked like a huge pickle barrel. Then there were countless others who saw it, but never spoke of what they'd seen.
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The Seneca
The Seneca Nation is part of the Iroquois Confederacy. Legend has it that several hundred years ago, a Huron prophet sailed across Lake Ontario in a white stone canoe spreading his message of peace to five warring tribesâSeneca, Cayuga, Onondaga, Oneida, and Mohawkâuniting them all under one roof. They became known as the
Haudenosaunee
, or Iroquois. The Seneca, a matriarchal society, were the Keepers of the Western Door, and the Confederacy chose the white pine as its symbol because its
needles grow in bunches of five to represent the five tribes. Later, the Tuscarora joined them. They placed the eagle on top of the pine symbol because it could see farthest and yell the loudest. If anyone tried to disturb the great law of peace they'd be warned by its screaming.
I
WOULD LIKE TO
thank the following people who have taught me such insightful things about writing over the years: Tony DeFusto, Dr. James Ragan, Shelly Lowenkopf, James W. Brown, the late James O'Connell, Dan Smetanka, and the community at Grub Street Writers in Boston.
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M
ANY EYES HAVE PASSED
across these pages, and I am grateful to all, but for their enduring friendship and unwavering belief in me and this book: David Flynn, James Fedolfi, Stephen Bourassa, and Jill Rosenfeld. Thanks to George V. Barden and the people of Canandaigua for verifying facts and folklore, and the good folks at Ganondagan State Historic Site for letting me explore just a little bit of their beautiful land. Thanks to Sally Wofford-Girand of Brick House Literary Agents for keeping the faith, and to Lucia Macro and her team at Avon/Harper Collins, for their vision and enthusiasm in making this a reality.
Â
T
HANKS FINALLY TO MY
husband, who will travel to distant lands with me and take momentous leaps to make visions come true, and to my three children, now home from Africa, for teaching me the true meaning of resiliency and second chances.
ILIE RUBY
is a painter and short story author. She lives near Boston, Massachusetts, with her husband and the three children they adopted from Africa.
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T
HE
L
ANGUAGE OF
T
REES
Cover design by Amanda Kain
Cover photograph of trees by Lloyd Ziff/Gallery Stock
Cover photograph of figure in water by Richard Jenkins
This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author's imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.
THE LANGUAGE OF TREES
. Copyright © 2010 by Ilie Ruby. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
F
IRST
A
VON PAPERBACK EDITION PUBLISHED
2010.
Library of Congress Cataloging-in-Publication Data
Ruby, Ilie.
The language of trees / Ilie Ruby.â1st Avon pbk. ed.
p. cm.
ISBN 978-0-06-189864-8 (pbk.)
1. Young womenâFiction. 2. Self-realization in womenâFiction. I. Title.
PS3618.U324L36 Â Â Â 2010
813'.6âdc22 Â Â Â Â Â Â Â Â 2009045027
EPub Edition © June 2010 ISBN: 978-0-06-200655-4
10 9 8 7 6 5 4 3 2 1
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