The Lighter Side (54 page)

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Authors: Keith Laumer,Eric Flint

Tags: #Science fiction, #Adventure, #General, #Science Fiction - General, #Fiction, #Science Fiction & Fantasy, #Fiction - Science Fiction, #Space Opera, #Short stories, #Science Fiction - Adventure, #Science Fiction - Space Opera, #High Tech, #Science Fiction - Short Stories

BOOK: The Lighter Side
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"Looks like a different tribe," Chester said. "Much better-looking people."

"They seem to want us to follow them."

With excited beckoning gestures the natives had turned and were darting away along a path.

"Well, we happen to be going in that direction anyway."

Chester and Genie moved on along the rough trail, came to the clearing where they had watched Case battle the giant.

"Not a sign of them," said Chester, looking around. "The cages are gone, everything." They pressed on, climbed a wooded slope and emerged from the forest into a wide village street, tree-lined and shady, bordered by beds of wild flowers behind which neat huts of brick, boards or split saplings dotted a parklike lawn. From a large house halfway along the street an imposing old man emerged, clad in neatly cut shorts and vest of coarse cloth. He pulled at a vast white beard as he came toward them.

"Good Lord!" said Chester, bewildered. "This is the wrong place, Genie! What kind of setting have you landed us in this time?"

"I don't know, Chester."

"Look at the old man with the beard. He's immense. I'll swear he must be an early Mulvihill; he looks enough like Case to be his grandfather."

The old man came up, looked piercingly at Chester, then at Genie. He pulled at his beard, nodding to himself.

"Well," he said. "So you came back after all."

* * *

Chester and Genie sat with Case on benches under a wild-cherry tree at the crest of a rise that fell away to a blue lake under steep pine-covered hills. A native girl poured brown wine from a stone jar into irregular mugs of heavy glass.

"Tell me that again, slow and easy, Chester," said Case. "You say it's the same day as when you left here?"

"For Genie it is. I lived through ten months."

"You
do
look different, Chester. I guess there's more to this business than meets the eye. That damn computer must have its time meters scrambled."

"Case, we thought they'd be roasting you alive. How did you manage to get into their good graces?"

"Well, let's see. The last I saw of you two, you were sneaking off behind a tree. I kept juggling for an hour. Then I did a few back flips and handstands, and then I got them to give me a rope and rigged it and did some rope-walking. By that time they'd noticed you were gone. I made a few motions to give 'em the idea you'd flown away in good demon style. They didn't care much; they wanted to see more ropework."

"By that time you must have thought we'd abandoned you."

"I admit I was a little mad at first when you didn't come charging over the hill with the Marines in tow. I guess it took a couple of years to get used to the idea I was stuck here. I figured something had happened to you, and I'd better just make the best of it. By that time I rated pretty high with the locals. They let me have the best den back in the thicket, and brought me all the food I wanted. It wasn't fancy but it was an easy life. Course, after thirty years . . . "

"Thirty years!"

Case nodded his white-maned head. "Yep. Near as I can tell. I used to cut notches in a tree for the years, but sometimes I was so busy I forgot."

"Busy? Doing what?"

"Well, there I was laying around all day, doing nothing, watching the natives scratch for a living, dirty, hungry, ignorant, dying of diseases, getting chewed up by bears or wildcats. And the food they gave me—half-raw dog meat, pounded raw turnips, now and then a mess of sour berries. Every now and then I'd have to put on a show, a little juggling or acrobatic work, just enough to keep the evil spirits out of town.

"Then one day I got to thinking. The country around here was the kind of real estate some smart developer could make a fortune out of back home. All it needed was the brush cut back and the trees trimmed and the lake shore cleaned up and garbage piles carted off somewhere and some fruit trees and flowers planted . . . 

"Well, before I could do any tree-trimming I had to have an ax. That meant I needed some iron. By that time I could get by O.K. in the native language. I asked 'em if they knew any place where there was red dirt; told 'em it was important magic. A few weeks later a hunting party came back from the other side of the lake with some pretty good samples. The witch doctor had some coal—used it to carve gods out of, 'cause it was easy to work. I built a furnace and piled it full of lumps of ore and chunks of coal and set it off, and, sure enough, after a couple of hours melted iron started running out the bottom of the furnace."

"Case, what do you know about smelting iron?" Chester interrupted. "You didn't happen to bring along
The Handyman's Home Smelter's Handbook
, did you?"

"I used to blacksmith for the show in a pinch," Case said. "I didn't know much—but I learned.

"I cast half a dozen ax and hatchet heads in clay molds the first time. They came out pretty good. I sharpened 'em up on a flat stone, and then heated 'em and dunked 'em in a pot of water. They hardened pretty good. Later on I got the formula down pat. It depends mostly on how much coal and stuff you've got in with the ore."

"A carbon content of between .7 and 1.7 percent produces the optimum combination of hardness and malleability," said Genie.

"I wish you'd been here, kid," said Case with a sigh. "You could have been a big help. But we managed. I pounded out a knife blade and fitted a handle to it and used that to cut ax handles. Then I put the natives to work clearing land—and it wasn't for show. The local wild life couldn't sneak up on the village any more—no cover. I had 'em root out all the bushes and coarse stuff, and the native grasses took over. We undercut all the trees as high as a man could reach. Then I had 'em shape the trees, pull down all the vines and stuff. Made it look like a regular park around here.

"Then we went to work on the lake. We made up some flat boats and got out and cleaned up the dead branches and cattails and then did a little dredging; built up a nice beach along this side. I rigged some fishing gear out of leather strips, showed 'em how to catch trout, and then staged a big fish fry. They didn't want to touch the fish; wasn't what their grandpaws ate, I guess. These kids were as conservative as a bunch of Ivy League alumni. But I gave 'em the old magic routine and they tried it. Now they spend half their time out on the lake. We made up a couple of saws and I showed 'em how to slice a tree into boards, and we built a few rowboats. Funny thing was, before long a couple of boys were ahead of me on boat-building—and fishing too. I made 'em up some bows and arrows and cast some iron arrowheads. Made up skinning knives and showed 'em how to scrape a hide and work it till it was soft.

"There were a lot of wild sheep and cattle around. We made up a batch of braided ropes and went out and brought in a couple of young goats and a half-grown critter that looked like an overgrown Texas longhorn. Later on we got a couple of newborn calves, a male and a female. In a couple of years we had a nice herd going. We let 'em graze the park here to keep the grass down. And o' course I showed 'em how to milk and we experimented around and made some cheese."

"I didn't know you knew that much about animal husbandry," Chester put in.

"Anybody that's worked around a circus knows which end of a critter to feed. That was the least of my problems. I was getting a lot of pleasure out of admiring the beach and the park, and thinking what a pile of dough I could make out of it if I had it all back home. Then I'd see a couple of the local gals come trotting by, buck naked, grimy, fat, with stringy hair, and pretty gamy, if you got too close to 'em." Case sighed. "And I wasn't much better, I guess. I'd kinda got out of the habit of shaving, and there wasn't too much point in taking a bath if you had to put the same old leather drawers back on. So I decided it was time to give a little thought to developing the feminine industries."

"The first thing I needed was some cloth, to get away from the smell of hides. I tried some wool off these goats we keep. It wasn't much good. We scouted around for some wild cotton, but couldn't find any. Finally discovered a kind of flax. Went to work and rigged up a spinning wheel. That took the best part of a year, but we finally worked it out. We spun up a big batch of yarn. I had a loom ready; that wasn't so hard. We set it up and wove us a blanket.

"Well, I trained a few of the girls, and set 'em to work spinning and weaving. Made up some needles out of bone; couldn't manage it in steel. I wasn't much of a seamster, but I had lots of time. I cobbled up a pair of breeches for myself first, then a shirt. But heck, it's too warm here for sleeves, and anyway they're hard to make. I settled on a vest; it's just right to keep the chill off on a cool morning."

"What about the winter?"

"Funny thing, there don't seem to be any seasons here. Stays about like this year around."

"Pre-Ice Age," Genie murmured.

"Then I had to make soap. I messed around with animal fat and ashes and finally worked out a pretty good formula. I had to make 'em wash, at first, but I gave 'em the old Great Spirit routine, and pretty soon they were down at the lake scrubbing something every time I turned around. They're as bad as a bunch of Methodists when it comes to trying to make points upstairs with something easier than laying off sin. And once you get clean, you itch if you start letting dirt pile up again—and you start noticing your roommate—so the last few holdouts got dunked and scrubbed.

"Then I saw the need for a little civic improvement. The dump where we'd been living all this time was alive with fleas and rats and the damnedest collection of chewed bones, worn-out hides, magic frogs' innards, mummified totem animals, and other junk—just like Grandma's attic back home. They were a little mad at first when I burned it down. I told 'em it was the word from on high and that the place had to go, but there was a crafty little devil of a witch doctor that had the confounded gall to stand up and call me a liar. Imagine!"

"Well, after all, Case, you had been telling them everything you'd been doing was divinely ordained."

"Worked pretty good, too. It might even be true. Anyway, after I took the witch doctor down and dumped him in the lake, nobody else complained."

"You were lucky he let it go at that. From what I've read about shamans, they can be dangerous enemies."

"Oh, I hadn't taught anybody to swim yet."

"You mean you drowned him? Case, wasn't that a little drastic?"

"Maybe. But I figured that if I was setting up a society, I might as well do it along realistic lines. There's no point in letting somebody half your size push you around—especially when you're right. A weakling makes as bad a dictator as anybody else. The way I saw it, it was up to me to stand up for my ideas."

"The next big man might not be as interested in the public welfare as you were, Case. What then?"

"To tell you the truth, Chester, I wasn't interested in the public welfare. I was only interested in making a comfortable place for me to live in. I wanted clean, healthy people around, because I don't like smelling dirty, sick ones. I wanted them to live good so they'd have the time and inclination to learn the things I was trying to teach them, like fishing—so I could eat fish; raising beef, so I could eat steak—and, later on, painting pictures that I could look at and making music for me to hear and taking an interest in cookery so they could lay on a good feed for me and being happy so there'd be a nice atmosphere in the village. In the end I discovered that I got a lot more pleasure out of associating with a nice bunch of people than out of anything else.

"I started some of 'em wood-carving, and other ones farming, and some of them making glass. I scoured the woods for new plants we could raise for food, and I kept trying out new dirt samples for other metals. Now we've got copper and lead and a little gold—and I've trained people to go on looking. I've started 'em thinking about things and trying new ideas. And ever since I drowned the witch doctor, I've played down the spirit angle. The younger generation doesn't need the threat of spooks to do things; they've got an interest that keeps them busy. A lot of them are way ahead of me now. They learn fast. I wouldn't be surprised if one of 'em doesn't invent chemistry any day now, or fire up a steam engine, or discover medicine."

"But a tyrant . . . "

"Any tyrant that sets up shop around here better be damned sure he doesn't develop any unpopular taste," said Case. "These folks put up with me because I bring 'em good things. They're selfish, just like me. I've established a precedent. The next boss better keep it up, or he'll be joining the witch doctor."

"It seems to have worked out well," Chester said, looking around at the peaceful village in the gathering twilight. "Still, I can't help feeling you should have instilled a little more idealism in them. Suppose they fall on hard times? What if the climate changes, or an epidemic strikes, or even a forest fire?"

"I don't think phony idealism would help. As far as I can see, all these schemes to make people squeeze into somebody's Grand Plan for Elevating Humanity usually end up with the elevatees on the short end of the stick. Everybody has his place in this village and a job to do that he's good at. My shoemakers can hold their heads up and the same goes for the fishermen and the hunters and the miners and the weavers and the vintners and the potmakers."

"What about the arts? With this materialistic orientation . . . "

"Everybody dances and everybody sings. They all play games and they all make statues out of mud and they all paint. Some are better than others, but it's doing it that counts. In our setup everybody's an artist, not just a few half-cracked far-outers."

"There don't seem to be many people here," said Genie. "Not more than three hundred, I'd estimate."

"Too many people in one place mean problems. Sanitation, transportation, noise, conflict of interests. There's plenty of wide-open real estate. I've got twelve other villages going within fifty miles of here—and none of them have over three hundred people. Everybody can have all the kids they want, but if you put the village over the three hundred mark, off you go to start your own. There's always plenty of volunteers to go along—people that want to get a good spot right on a lake or river, or hunters that like the idea of a virgin territory. There's a lot of trade among the towns, and the men usually get their wives from another village. Seems like it's human nature to prefer to go to bed with a stranger."

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