The Magic Mountain (46 page)

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Authors: Thomas Mann

BOOK: The Magic Mountain
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It had stopped snowing, the sky began to clear. The blue-grey cloud-masses parted to admit glimpses of the sun, whose rays gave a bluish cast to the scene. Then it grew altogether fair; a bright hard frost and settled winter splendour reigned in the middle of November. The arch of the loggia framed a glorious panorama of snow-powdered forest, softly filled passes and ravines, white, sunlit valleys, and radiant blue heavens above all. In the evening, when the almost full moon appeared, the world lay in enchanted splendour, marvellous. Crystal and diamond it glittered far and wide, the forest stood up very black and white, the quarter of the heavens where the moon was not showed deeply dark, embroidered with stars. On the flashing surface of the snow, shadows, so strong, so sharp and clearly outlined that they seemed almost more real than the objects themselves, fell from houses, trees, and telegraph-poles. An hour or so after sunset there would be some fourteen degrees of frost. The world seemed spellbound in icy purity, its earthly blemishes veiled; it lay fixed in a deathlike, enchanted trance.
Hans Castorp stopped until far into the night in his balcony above the ensorcelled
winter scene—much longer than Joachim, who retired at ten or a little later. His excellent chair, with the sectional mattress and the neck-roll, he pulled close to the snow-cushioned balustrade; at his hand was the white table with the lighted readinglamp, a stack of books, and a glass of creamy milk, the “evening milk” which was brought to each of the guests’ rooms at nine o’clock. Hans Castorp put a dash of cognac in his, to make it more palatable. Already he had availed himself of all his means of protection against the cold, the entire outfit: lay ensconced well up to his chest in the buttoned-up sleeping-sack he had acquired in one of the well-furnished shops in the Platz, with the two camel’s-hair rugs folded over it in accordance with the ritual. He wore his winter suit, with a short fur jacket atop, a woollen cap, felt boots, and heavily lined gloves, which, however, could not prevent the stiffening of his fingers.
What held him so late—often until midnight and beyond, long after the “bad” Russian pair had left their loge—was partly the magic of the winter night, into which, until eleven, were woven the mounting strains of music from near and far. But even more it was inertia and excitement, both of these at once, and in combination: bodily inertia, the physical fatigue which hated any idea of moving; and mental excitement, the busy preoccupation of his thoughts with certain new and fascinating studies upon which the young man had embarked, and which left his brain no rest. The weather affected him, his organism was stimulated by the cold; he ate enormously, attacking the mighty Berghof meals, where the roast goose followed upon the roast beef, with the usual Berghof appetite, which was always even larger in winter than in summer. At the same time he had a perpetual craving for sleep; in the daytime, as well as on the moonlit evenings, he would drop off over his books, and then, after a few minutes’ unconsciousness, betake himself again to research. Talk fatigued him. He was more inclined than had been his habit to rapid, unrestrained, even reckless speech; but if he talked with Joachim, as they went on their snowy walks, he was liable to be overtaken by giddiness and trembling, would feel dazed and tipsy, and the blood would mount to his head. His curve had gone up since the oncoming of winter, and Hofrat Behrens had let fall something about injections; these were usually given in cases of obstinate high temperature, and Joachim and at least two-thirds of the guests had them. But he himself felt sure that the increase in his bodily heat had to do with the mental activity and excitation which kept him in his chair on the balcony until deep into the glittering, frosty night. The reading which held him so late suggested such an explanation to his mind.
No little reading was done, in the rest-halls and private loggias of the International Sanatorium Berghof; largely, however, by the new-comers and “short-timers,” for the patients of many months’ or years’ standing had long learned to kill time without mental effort or means of distraction, by dint of a certain inner virtuosity they came to possess. They even considered it beginners’ awkwardness to glue yourself to a book. It was enough to have one lying in your lap or on your little table, in case of need. The collection of the establishment was an amplification of the literature found in a dentist’s waiting-room—in many languages, profusely illustrated, and offered free of charge. The guests exchanged volumes from the loan-library down in the Platz; now and again there would be a book for which everybody scrambled, even the condescending old inhabitants reaching out their hands with ill-concealed eagerness. At the moment it was a cheap paper-backed volume, introduced by Herr Albin, and entitled
The Art of Seduction:
a very literal translation from the French, preserving even the syntax of that language, and thus gaining in elegance and pungency of presentation. In matter it was an exposition of the philosophy of sensual passion, developed in a spirit of debonair and man-of-the-worldly paganism. Frau Stöhr had read it early, and pronounced it simply ravishing. Frau Magnus, the same who had lost her albumen tolerance, agreed unreservedly. Her husband the brewer purported to have profited personally by a perusal, but regretted that his wife should have taken up that sort of thing, because such reading spoiled the women and gave them immodest ideas. His remarks not a little increased the circulation of the volume. Two ladies of the lower rest-hall, Frau Redisch, the wife of a Polish industrial magnate, and Frau Hessenfeld, a widow from Berlin, both of these new arrivals since October, claimed the book at the same time, and a regrettable incident arose after dinner, yes, more than regrettable, for there was a violent scene, overheard by Hans Castorp, in his loggia above. It ended in spasms of hysteria on the part of one of the women—it might have been Frau Redisch, but equally well it might have been Frau Hessenfeld—and she was borne away beside herself to her own room. The youth of the place had got hold of the treatise before those of riper years; studying it in part in groups, after supper, in their various rooms. Hans Castorp himself saw the youth with the finger-nail hand it to Fränzchen Oberdank in the dining-room—she was a new arrival and a light case, a flaxen-haired young thing whose mother had just brought her to the sanatorium. There may have been exceptions; there may have been those who employed the hours of the rest-cure with some serious intellectual occupation, some conceivably profitable study, either by way of keeping in touch with life in the lowlands, or in order to give weight and depth to the passing hour, that it might not be pure time and nothing else besides. Perhaps here and there was one—not, of course, to mention Herr Settembrini, with his zeal for eliminating human suffering, or Joachim with his Russian primer yes, there might be one, or two, thus occupied; if not among the guests in the dining-room, which seemed not very likely, then among the bedridden and moribund. Hans Castorp inclined to believe it. He himself, after imbibing all that
Ocean Steamships
had to offer him, had ordered certain books from home, some of them bearing on his profession, and they had arrived with his winter clothing: scientific engineering, technique of ship-building, and the like. But these volumes lay now neglected in favour of other textbooks belonging to quite a different field, an interest in which had seized upon the young man: anatomy, physiology, biology, works in German, French and English, sent up to the Berghof by the book-dealer in the village, obviously because Hans Castorp had ordered them, as was indeed the case. He had done so of his own motion, without telling anyone, on a solitary walk he took down to the Platz while Joachim was occupied with the weekly weighing or injection. His cousin was surprised when he saw the books in Hans Castorp’s hands. They were expensive, as scientific works always are: the prices were marked on the wrappers and inside the front covers. Joachim asked why, if his cousin wanted to read such books, he had not borrowed them of the Hofrat, who surely possessed a wellchosen stock. The young man answered that it was quite a different thing to read when the book was one’s own; for his part, he loved to mark them and underline passages in pencil. Joachim could hear, hours on end, the noise made by the paperknife going through the uncut leaves.
The volumes were heavy, unhandy. Hans Castorp propped them against his chest or stomach as he lay; they were heavy, but he did not mind. Lying there, his mouth half open, he let his eye glide down the learned page, upon which fell the light from his red-shaded lamp, though he might have read, if need were, by the brilliance of the moonlight alone. He read, following the lines down the page with his head, until at the bottom his chin lay sunk upon his breast—and in this position the reader would pause perhaps for reflection, dozing a little or musing in half-slumber, before lifting his eyes to the next page. He probed profoundly. While the moon took its appointed way above the crystalline splendours of the mountain valley, he read of organized matter, of the properties of protoplasm, that sensitive substance maintaining itself in extraordinary fluctuation between building up and breaking down; of form developing out of rudimentary, but always present, primordia; read with compelling interest of life, and its sacred, impure mysteries.
What was life? No one knew. It was undoubtedly aware of itself, so soon as it was life; but it did not know what it was. Consciousness, as exhibited by susceptibility to stimulus, was undoubtedly, to a certain degree, present in the lowest, most undeveloped stages of life; it was impossible to fix the first appearance of conscious processes at any point in the history of the individual or the race; impossible to make consciousness contingent upon, say, the presence of a nervous system. The lowest animal forms had no nervous systems, still less a cerebrum; yet no one would venture to deny them the capacity for responding to stimuli. One could suspend life; not merely particular sense-organs, not only nervous reactions, but life itself. One could temporarily suspend the irritability to sensation of every form of living matter in the plant as well as in the animal kingdom; one could narcotize ova and spermatozoa with chloroform, chloral hydrate, or morphine. Consciousness, then, was simply a function of matter organized into life; a function that in higher manifestations turned upon its avatar and became an effort to explore and explain the phenomenon it displayed—a hopeful-hopeless project of life to achieve self-knowledge, nature in recoil—and vainly, in the event, since she cannot be resolved in knowledge, nor life, when all is said, listen to itself.
What was life? No one knew. No one knew the actual point whence it sprang, where it kindled itself. Nothing in the domain of life seemed uncausated, or insufficiently causated, from that point on; but life itself seemed without antecedent. If there was anything that might be said about it, it was this: it must be so highly developed, structurally, that nothing even distantly related to it was present in the inorganic world. Between the protean amœba and the vertebrate the difference was slight, unessential, as compared to that between the simplest living organism and that nature which did not even deserve to be called dead, because it was inorganic. For death was only the logical negation of life; but between life and inanimate nature yawned a gulf which research strove in vain to bridge. They tried to close it with hypotheses, which it swallowed down without becoming any the less deep or broad. Seeking for a connecting link, they had condescended to the preposterous assumption of structureless living matter, unorganized organisms, which darted together of themselves in the albumen solution, like crystals in the mother-liquor; yet organic differentiation still remained at once condition and expression of all life. One could point to no form of life that did not owe its existence to procreation by parents. They had fished the primeval slime out of the depth of the sea, and great had been the jubilation—but the end of it all had been shame and confusion. For it turned out that they had mistaken a precipitate of sulphate of lime for protoplasm. But then, to avoid giving pause before a miracle—for life that built itself up out of, and fell in decay into, the same sort of matter as inorganic nature, would have been, happening of itself, miraculous—they were driven to believe in a spontaneous generation—that is, in the emergence of the organic from the inorganic—which was just as much of a miracle. Thus they went on, devising intermediate stages and transitions, assuming the existence of organisms which stood lower down than any yet known, but themselves had as forerunners still more primitive efforts of nature to achieve life: primitive forms of which no one would ever catch sight, for they were all of less than microscopic size, and previous to whose hypothetic existence the synthesis of protein compounds must already have taken place.
What then was life? It was warmth, the warmth generated by a form-preserving instability, a fever of matter, which accompanied the process of ceaseless decay and repair of albumen molecules that were too impossibly complicated, too impossibly ingenious in structure. It was the existence of the actually impossible-to-exist, of a half-sweet, half-painful balancing, or scarcely balancing, in this restricted and feverish process of decay and renewal, upon the point of existence. It was not matter and it was not spirit, but something between the two, a phenomenon conveyed by matter, like the rainbow on the waterfall, and like the flame. Yet why not material—it was sentient to the point of desire and disgust, the shamelessness of matter become sensible of itself, the incontinent form of being. It was a secret and ardent stirring in the frozen chastity of the universal; it was a stolen and voluptuous impurity of sucking and secreting; an exhalation of carbonic acid gas and material impurities of mysterious origin and composition. It was a pullulation, an unfolding, a form-building (made possible by the overbalancing of its instability, yet controlled by the laws of growth inherent within it), of something brewed out of water, albumen, salt and fats, which was called flesh, and which became form, beauty, a lofty image, and yet all the time the essence of sensuality and desire. For this form and beauty were not spiritborne; nor, like the form and beauty of sculpture, conveyed by a neutral and spiritconsumed substance, which could in all purity make beauty perceptible to the senses. Rather was it conveyed and shaped by the somehow awakened voluptuousness of matter, of the organic, dying-living substance itself, the reeking flesh.

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