The Magicians (50 page)

Read The Magicians Online

Authors: Lev Grossman

Tags: #Fiction, #Fantasy, #Epic, #Contemporary, #Literary

BOOK: The Magicians
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That wasn’t so bad, he told himself. This wasn’t such a nightmare. He risked a shuddering sigh of relief. Was that really it? Had they gotten everything?
Janet had finally thawed from her frozen state and was busy with something. Unlike everything else they’d seen, the fleshy, headless four-legged creature was neither humanoid nor obviously related to any terrestrial fauna. It was radially symmetrical, like a starfish, with no obvious front or back or face. It stood unreadable in a dark corner, taking sudden scary little hops in unexpected directions. It had a large faceted gem embedded in its back. Decoration? Or was that its eye? Its brain?
“Hey.” Fen snapped her fingers in Janet’s direction. “Hey!” Evidently she’d forgotten Janet’s name. “Leave that. Leave the grimling to us.”
Janet ignored her. She continued to take wary steps toward it. Quentin wished she wouldn’t. She was in no kind of emotional state to be working magic.
“Janet!” he shouted.
“Shit,” Dint said distinctly.
It was a businesslike “shit”—another damn mess for him to clean up. He brought his wand back out from wherever he’d stashed it.
But before he could act Janet reached carefully behind her back and brought out something small but heavy. Gripping it with both hands, she made a small adjustment and then fired five shots into the creature at close range. The pistol bounced upward with each shot, and each time she carefully re-aimed it. The sound was shattering in the low-ceilinged chamber. One shot struck sparks off the jewel in the grimling’s back. It sank to the floor, shivering and deflating like a parade balloon, still expressionless. It made a high urgent whistling sound. By the fifth shot it was visibly dead.
Nothing and nobody in the room moved. Janet turned around. The tears she had shed earlier were already dry.
She glared at them.
“What the fuck are you looking at?” she said.
 
 
It got colder the deeper they went. At six stories underground Quentin was shivering in his heavy sweater and thinking nostalgically about the warm puffy parkas they’d abandoned way back by the sunny little stream. They broke for a rest in a circular room with a beautiful lapis lazuli spiral inlaid in the floor. Dark green ambient light emanated from somewhere, like the light in an aquarium. Dint sat in the lotus position, wrapped his cape around him, and meditated. A gap of about six inches separated him from the floor. Fen did calisthenics. The break was clearly not for their benefit; they were like professional mountaineers impatiently shepherding a herd of rich fat cats up the slopes of Mount Everest. The Brakebills party was a package they were contractually obligated to deliver.
Alice sat by herself on a stone bench, her back against a pillar, looking blankly at a mosaic on the wall depicting a sea monster, a creature like an octopus but much larger and with many more than eight legs. Quentin straddled the bench at the other end, facing her. Her eyes flicked over to his for a long moment. There was not a hint of either contrition or forgiveness in them. He made sure his eyes looked the same.
They watched the mosaic. The little squares that made up the sea creature were moving very slowly, rearranging themselves on the wall. The crude blue waves rolled along very gradually. It was easy decorative magic. There was a bathroom floor at Brakebills that had much the same effect. Alice felt like a black hole that was trying to pull him in, rip the flesh clean off him with its sheer toxic gravity.
Finally she took out her canteen and used it to wet a spare white sock.
“Let’s do something about your nose,” she said.
She reached out to dab at his face, but at the last minute he realized he didn’t want her to touch him. He took the sock himself, carefully. It turned pink as he wiped at his upper lip.
“So what was it like,” Quentin said. “When you let the demon out.”
Now that the high of combat was gone, and she was no longer in danger, his anger came creeping back. The anesthetic was wearing off. It was an effort not to say anything vicious. She hiked her foot up onto the bench and started undoing the laces on her sneakers.
“It felt good,” she said carefully. “I thought it would hurt, but it was kind of a relief. Like sneezing. I never felt like I could really breathe with that thing inside me.”
“Interesting. Did it feel as good as fucking Penny?”
He’d actually thought he was going to be civil, but it was too hard. The words came out of his mouth of their own malevolent volition. He wondered what else he would say. I’ve got all kinds of demons inside of me, he thought. Not just the one.
If he’d managed to hurt Alice, she didn’t let it show. She carefully peeled off a sock. A nasty white blister covered the entire ball of her foot. They watched the mosaic some more. A little boat had floated into the scene, a lifeboat maybe, or a launch from a whaler. It was crowded with tiny people. It looked pretty much like a done deal that the sea creature was going to crush the little boat in its many long green arms.
“That was—” She stopped and started over. “That wasn’t good.”
“So why did you do it.”
Alice tilted her head, thoughtfully, but her face was white.
“To get back at you. Because I was feeling like shit about myself. Because I didn’t think you would care. Because I was drunk, and he came on pretty strong—”
“So he raped you.”
“No, Quentin, he did not—”
“Never mind. Stop talking.”
“I don’t think I understood how much it would hurt you—”
“Just stop talking, I can’t talk to you anymore, I can’t hear anything you’re saying!”
He’d started that little speech speaking normally and he ended it shouting. In a way fighting like this was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse. Quentin leaned forward, all the way forward, until he had placed his forehead on the cool marble of the bench in front of him. His eyes were closed. He wondered what time it was. His head felt a little spinny. He could fall asleep right there, he thought. Just like this. He wanted to tell Alice he didn’t love her, but he couldn’t, because it wasn’t true. It was the one lie he couldn’t quite tell.
“I wish this were over,” Alice quietly.
“What.”
“This mission, this adventure, whatever you want to call it. I want to go home.”
“I don’t.”
“This is bad, Quentin. Somebody’s going to get hurt.”
“Good, I hope they do. If I die doing this, at least I’ll have done something. Maybe you’ll do something one of these days instead of being such a pathetic little mouse all the time.”
She said something he didn’t catch.
“What?”
“I said, don’t talk to me about death. You don’t know anything about it.”
For no reason, and against his express conscious wishes, some very tight elastic band of muscle around Quentin’s chest relaxed very slightly. Something between a laugh and a cough escaped him.
He sank back against his pillar.
“God, I am literally losing my fucking mind.”
Across the room Anaïs sat with Dint, talking intently and going over a handmade map of their progress so far that he’d sketched on what looked suspiciously like graph paper. Anaïs seemed more like a part of the guides’ gang than the Brakebills gang now. As he watched she bent over the map, deliberately smooshing her tit into Dint’s shoulder as she did so. Josh was nowhere to be seen. Penny and Eliot were dozing on the floor in the center of the room, their heads resting on their packs. Eliot had hectored Janet about the gun until he extracted a promise from her to dispose of it responsibly.
“Do you even want this anymore, Quentin?” Alice asked. “I mean, what we’re doing here? This kings and queens idea?”
“Of course I do.” He’d almost forgotten why they were here. But it was true. A throne was exactly what he needed right now. Once they were ensconced in Castle Whitespire, wreathed in glory and every possible physical comfort, then maybe he could find the strength to come to grips with all this. “You’d have to be an idiot not to.”
“You know the funny thing though?” She sat up straight, suddenly animated. “I mean the really hilarious thing? You actually don’t. You don’t even want it. Even if this whole thing came off without a hitch, you wouldn’t be happy. You gave up on Brooklyn and on Brakebills, and I fully expect you to give up on Fillory when the time comes. It makes things very simple for you, doesn’t it? Well, and of course you were always going to give up on us.
“We had problems, but we could have fixed them. But that was too easy for you. It might actually have worked, and then where would you be? You would have been stuck with me forever.”
“Problems? We had problems?” People looked up. He dropped his voice to a furious whisper. “You fucked fucking Penny! I’d say that’s a fucking problem!”
Alice ignored this. If he didn’t know better, he would have said that the tone of her voice almost resembled tenderness.
“I will stop being a mouse, Quentin. I will take some chances. If you will, for just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else. It’s here, and you’d better decide to enjoy it or you’re going to be miserable wherever you go, for the rest of your life, forever.”
“You can’t just decide to be happy.”
“No, you can’t. But you can sure as hell decide to be miserable. Is that what you want? Do you want to be the asshole who went to Fillory and was miserable there? Even in Fillory? Because that’s who you are right now.”
There was something true about what Alice was saying. But he couldn’t grasp it. It was too complex, or too simple. Too something. He thought of that first week he’d spent at Brakebills, when he and Eliot had gone sculling, and they’d watched the other rowers hunching and shivering in what to Quentin was a warm summer day. That was what he looked like to Alice. It was strange: he’d thought that doing magic was the hardest thing he would ever do, but the rest of it was so much harder. It turned out that magic was the easy part.
“Why did you come here, Alice?” he said. “If you don’t even want this?”
She looked at him evenly.
“Why do you think, Quentin? I came because of you. I came here because I wanted to take care of you.”
Quentin looked around at the others. He saw Janet sitting with her back against one wall with her eyes closed, though Quentin didn’t get the sense that she was asleep. The revolver was cradled in her lap. She wore a red T-shirt with a white star on it and khaki pants. She must be cold, he thought. As he watched she sighed and licked her lips without opening her eyes, like a little girl.
He didn’t want to be cold. Alice was still watching him. Behind her the mosaic was a swirl of green tentacles and whitecaps and floating fragments. He slid down the stone bench to her end and kissed her and bit her lower lip until she gasped.
 
 
After a certain point it was no longer possible to ignore the fact that they were lost. The hallways wound fiendishly and branched frequently. They were in a maze, and they were not solving it. Dint had become obsessive about his map, which now stretched to half a dozen sheets of graph paper that he shuffled and scribbled on intently whenever they turned a corner. At Brakebills they’d learned a spell that would leave glowing footprints behind them, but Dint thought it would just lead predators straight to them. The walls were carved with ranks of crude marching figures in profile, thousands of them, each one holding a different totem: a palm leaf, a torch, a key, a sword, a pomegranate.
It was darker here. They kept piling on light spells to anything that would take one, but the glow just didn’t seem to go as far. They fast-walked down the corridor, double-time now. The mood was that of a picnic threatened by lightning. The corridor branched and branched again and intermittently dead-ended, forcing them to backtrack. Quentin’s feet hurt in his brand-new hiking boots; a stray spur of something hard stabbed him in the same spot on his left ankle every time he took a step.
He risked a glance back the way they’d come. There was a red glow back there—something somewhere in the maze was throwing off a deep crimson light. He felt a deep-seated lack of interest in finding out what it was.
Ten minutes later they got hung up at a fork in the passageway, Dint vigorously supporting the right fork, Josh making the case, admittedly largely on intangibles, that the other fork looked “
way
more promising” and just “feels more like what we want.” The walls were painted with oddly convincing trompe-l’oeil landscapes now, crowded with tiny dancing figures. Doors slammed open and shut in the distance.
The hallway was brightening behind them. They all saw it now. It was like a subterranean sun was rising. Discipline was getting ragged. They broke into a half run, and it was too dark for Quentin to be absolutely sure that nobody lagged behind. He focused on Alice. She was panting. The back of her blouse gaped palely open where the demon had torn its way out; he could see her black bra strap, which had somehow survived the operation. He wished he had a jacket to give her.
He caught up with Dint.
“We should slow down,” Quentin panted. “We’re going to lose somebody.”
Dint shook his head. “They’re tracking us now. If we stop, they’ll mob us.”
“What the fuck, man! Didn’t you plan for this?”
“This
is
the plan, Earth child,” Dint snarled back. “You don’t like it, go home. We need kings and queens in Fillory. Is that not a thing worth dying for?”
Not really, Quentin thought. Asshole. That slutty nymph was right.
This is not your war.
They bulled through a door into a tapestry that was apparently concealing it from the other side. Behind the tapestry was a candle-lit banquet hall set with food, fresh and steaming. They were alone; it was as if the waiters who placed the dishes there had just moments earlier scampered out of sight. The table stretched out in both directions with no end points. The tapestries were rich and detailed, the silverware gleaming, the crystal goblets full of wine, deep gold and arterial purple.

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