The Mammoth Book of Best New Science Fiction: 23rd Annual Collection (118 page)

“Spiritual purity isn’t necessarily morality,” I said, catching the line Mr Khan had left dangling for me. “And they choose to do it to themselves. It’s something else altogether if they choose to do it to others.”

“Even if it means those others may be made better men?”

“They should be left to make their own minds up about that.”

We cruised past the green-draped faux-coffin of the martyr.

“So what then is the nature of my relationship with you? And your mother and father?”

My Mamaji, my Dadaji! Two years after that conversation, almost to the day, my flawless memory recalls, when I was a nine-year-old-in-a-four-year-old’s body and Sarasvati was a cat-lean, ebullient seven, my mother and father very gently, very peacefully, divorced. The news was broken by the two of them sitting at opposite ends of the big sofa in the lounge with the smog of Delhi glowing in the afternoon sun like a saffron robe. A full range of aeai counselling support hovered around the room, in case of tears or tantrums or anything else they couldn’t really handle. I remember feeling a suspicion of Mr Khan on the edge of my perceptions. Divorce was easy for Muslims. Three words and it was over.

“We have something to tell you, my loves,” said my mother. “It’s me and your father. Things haven’t been going so well with us for quite some time and well, we’ve decided that it’s best for everyone if we were to get a divorce.”

“But it won’t mean I’ll ever stop being your Dad,” plump Tushar said quickly. “Nothing’ll change, you’ll hardly even notice. You’ll still keep living here, Shiv will still be with me.”

Shiv. I hadn’t forgotten him – I couldn’t forget him – but he had slipped from my regard. He was more distant than a cousin, less thought of than those remote children of your parents’ cousin, to whom I’ve never considered myself related at all. I did not know how he was doing at school or who his friends were or what sports teams he was on. I did not care how he lived his life or pursued his dreams across that great wheel of lives and stories. He was gone from me.

We nodded bravely and trembled our lips with the right degree of withheld emotion and the counsel-aeais dissolved back into their component code clusters. Much later in the room we had shared as bubbling babies and which was now our mutual den, Sarasvati asked me, “What’s going to happen to us?”

“I don’t think we’ll even notice,” I said. “I’m just glad they can stop having that ugly, embarrassing sex.”

Ah! Three little letters. Sex sex sex, the juggernaut looming over our childhoods. The kiddy thrill of being naked – doubly exciting in our body-modest society – took an edge and became something I did not quite understand. Oh, I knew all the words and the locations, as Sarasvati and I played our games of doctors and patients in our den, her pulling up her little vest and pulling down her pants as I listened and examined and prodded vaguely. We knew these were grown-up things not for the eyes of grown-ups. Mamaji would have been horrified and called in squadrons of counselling ware if she had discovered our games but I had long since suborned the aeais. If she had looked at the security monitors she would have seen us watching the Cartoon Network; my own little CG
Town and Country
playing just for her. Sex games for children; everyone plays them. Bouncing up and down in the pool, pressing ourselves against the jets in the rooftop spa, suspecting
something
in the lap of artificial waves across our private places as ochre dust-smog from the failed monsoon suffocated Delhi. And when we played horsey-horsey, she riding me around like Lakshmibai the warrior Rani, there was more in the press of her thighs than just trying to hold on as I cantered across the carpets. I knew what it should be, I was mostly baffled by my body’s failure to respond the way a twelve-year old’s ought. My lust may have been twelve but my body was six. Even Miss Mukudan’s purity and innocence lost its lustre as I began to notice the way her breasts moved as she leaned over me, or the shape of her ass – demurely swathed in a sari but no concealment was enough for the lusty curiosity of boy-Brahmins – as she turned to the smart- silk board.

“Now,” said Mr Khan one day on the back seat of the Lexus. “Concerning onanism . . .” It was a dreadful realisation. By the time puberty hit me like a hammer I would be twenty-four. Mine was the rage and impotence of angels.

Now five burning years have passed and we are driving in a fast German car. I am behind the wheel. The controls have been specially modified so that I can reach the pedals, the gear-shift is a standard. If I cut you up on the Siri Ring, after the flicker of road rage, you’d wonder: that’s a child driving that Mercedes. I don’t think so. I’m of legal age. I passed my test without any bribery or coercion; well, none that I know of I am old enough to drive, get married and smoke. And I smoke. We all smoke, my Little Brahmin classmates and me. We smoke like stacks, it can’t do us any harm, though we are all wearing smogmasks. The monsoon has failed for the fourth time in seven years; whole tracts of north India are turning into dust and blowing through the hydrocarbon-clogged streets and into our lungs. A dam is being built on the Ganges, Kunda Khadar, on the border with our eastern neighbour Bharat. It is promised to slake our thirst for a generation but the Himalaya glaciers have melted into gravel and Mother Ganga is starved and frail. The devotees at the Siva temple in the middle of the Parliament Street roundabout protest at the insult to the holy river with felt-marker banners and three-pronged trisuls. We bowl past them, hooting and waving and up Sansad Marg around Vijay Chowk. The comics portraying us as Awadh’s new super-heroes were quietly dropped years ago. Now what we see about ourselves in print tends to headlines like
TINY TEARAWAYS TERRORISE TILAK NAGAR,
or
BADMAASH BABY BRAHMINS
.

There are four of us, Purrzja, Shayman, Ashurbanipal and me. We are all from the college – still the Brahminical College! – but when we are out we all have our own names, names we’ve made up for ourselves that sounds strange and alien, like our DNA. Strange and alien we make ourselves look too; our own style cobbled from any source that seems remote and outré: J-punk hair, Chinese bows and ribbons, French street sports fashion and tribal make-up entirely of our own design. We are the scariest-looking eight-year-olds on the planet. By now Sarasvati is a coltish, classy fifteen-year-old. Our closeness has unravelled; she has her own social circles and friends and crushing things of the heart that seem so important to her. Shiv, so I hear, is at his first year at the University of Awadh Delhi. He won a scholarship. Best marks in his school. He’s followed his father into informatics. Me, I howl up and down the boulevards of Delhi trapped in the body of a kid.

We race past the open arms of the Rashtrapati Bhavan. The red stone looks insubstantial as sand in the amber murk.

“That’s your home, that is, Vish,” Purrzja shouts through her mask. It’s well known that Mamaji Has Plans for me. Why should she not? Every other part of me is designed. A good legal job, a prominent practice, a safe parliamentary seat and a steady, planned ascent toward the top of whatever political party afforded the best chance of ambition. It’s assumed that one day I will lead the nation. I’m designed to rule. I floor the pedal and the big Merc leaps forward. Traffic parts like my divine counterpart churning the soma. Their autodrive aeais make them as nervous as pigeons.

Out on the Siri Ring; eight lanes of taillights in each direction, a never ceasing roar of traffic. The car eases into the flow. Despite the barriers and warning signs police pull twenty bodies a day from the soft shoulder. The ring does not obey old Indian rules of traffic. Men race here, hedge-fund managers and data-rajas and self-facilitating media mughals; racing around the twin chambers of Delhi’s heart. I flick on the auto-drive. I am not here to race. I am here for sex. I recline the driving seat, roll over and Ashurbanipal is beneath me. Her hair is drawn back behind her ear to show off the plastic curl of the ’hoek. It’s part of the look.

I snap the fingers of my right hand into my palm to activate the software in the palmer glove. I hold that hand a hovering few centimetres above her fluorescent body-paint-stained belly. I don’t touch. We never touch. That’s the rule. Sex has rules. I move my hand in a series of gestures as gentle and precise as any classical dancer’s mudras over Ashurbanipal. Not touching, never touching, never even flexing a finger. It’s not about physical touch. It’s our own thing. But inside her head, I am touching her, more intimately than any rubbing or pushing or chafing
of parts.
The ’hoek beams signals through the bone, stimulating those parts of the brain that correspond to my slow calligraphy. I am writing my signature across her body. As she in return maps the me drawn on the inside of my skull. How does it feel? Like a cat must feel when it’s stroked. Like an otter must feel diving and turning and performing its underwater acrobatics. Like a fire must feel when the wind catches it and sweeps it up a forested mountainside. And without the poetry; like I want to cringe and melt and the same time. Like I must move in a direction I can’t explain and body can’t express. Like there is something in my mouth that grows bigger with every second but never changes size, like a reverse turd, only sweet and joyful, is working its way back up into my colon. Like I need need need to pee something that isn’t pee that my body hasn’t learned yet. Like I want this to end and never end. It goes on for a long long time and terrible little crying noises come out of our eight-year-aged lips as the aeai steers us through the howling torus of traffic on Siri Ring. We are teens and we are making out in the car.

There is a coming. Oh yes, there is a coming. Like soft fireworks, or the giggling drop at the top of a Ferris wheel or the feeling you get on those nights when the air is clear and you can see out from the roof pool all the billion lights of Delhi and you are connected to every single one. Like a djinn, made of fire. Ecstatic and guilty and dirty, like you’ve shouted a dirty word at a sophisticated party. My nipples are very very sensitive.

Then I start with Purrzja. And then Shayman. As I said, it’s entirely our own thing. It’s well into dark by the time we out up our seats and straighten our clothing and re-gel our hair and I flick off the autodrive and take us up out and over the Ring on a curving off ramp to a club. It’s a bit of a freak place – nutes like it and where nutes are welcome we are usually welcome – but the door knows us – knows our money – and there are always chaati mag paps there. Tonight is no exception: we pose and pimp and preen for the cameras. I can write the society column headlines already.
GENE-TWEAK FREAKS ON COCKTAIL CLUB ORGY.
Except we don’t drink. We’re underage for that.

It’s always late when we get back. Only the house steward and aeais wait for us, gently chining that it is a school day tomorrow. Don’t they understand that those are the best nights? This night the lights are on in the big drawing room. I can see them from the approach to the car park. My mother waits for me. She’s not alone. There’s a man and a woman with her, money people, I can tell that right away from their shoes, their fingernails, their teeth, the cut of their clothes and the prickle of aeai servitors hovering around them; all those things I can assess in a glance.

“Vishnu, this is Nafisa and Dinesh Misra.”

I namaste, a vision in clashing cross-cultural trash.

“They are going to be your new Mother and Father-in-law.”

My Lovely Consort

My cats can do other tricks too; I feel you grow bored of them running in their ring. Cats! Cats! See, a clap of my hands and they go and sit on their little stools: Matsya and Kurma, Varaha and Narasimha, Vamana, Parashurama, Rama and Krishna and Buddha and Kalki. Good cats. Clever cats. Rama, stop licking yourself. Hah! One word from me and they do as they will. Now, please feel this hoop, just ordinary paper. Yes? Yes. And these, the same, yes? Yes.

I set them out around the ring. Tabby Parashurama is squeezing his eyes closed in that way that makes him look very very smug.

By the way, I must thank you for coming to watch the
Marvellous, the Magical, the Magnificent Vishnu Cat Circus.
Yes, that’s the official name. It’s on the letters of registration. Yes, and I pay whatever taxes are due. It’s a small entertainment, but at least it’s working. You have solar? Not hooked up to the zero point? Very long-sighted of you. Now: watch! Varaha, Vamana, Buddha and Kalki!

They flow from their painted stools like liquid and run around the inside of the ring, an effortless, cat-lazy lope. The trick with cat circuses, I have found, is to convince them they are doing it for themselves.

And lo! I clap my hands and in perfect unison my cats leap from their ordained orbits clean through the paper hoops. Your applause please, but not for me: for Varaha, Vamana, Buddha and Kalki. Now they run in a circle, hurdling through the hoops. What was that? Is there a lesson in every trick? What do you mean? The spiritual significance of the cats I call to perform? I hadn’t thought of that. I don’t think cats especially spiritual; quite the reverse; they are the most worldly and sensual of creatures, though the Prophet Mohammed, so it’s said, was a great lover of cats and famously cut the sleeve from his robe rather than disturb a cat that had fallen asleep there.

Now, on with the story. Where am I going? Don’t you know it’s a terrible rudeness to interrupt the storyteller? You came here to see the cat circus, not watch some old goondah spin a yarn? You’ve seen cats leap through paper hoops, what more do you want? Where am I going? Very well then, to Varanasi. No, I am not. It’s not just the bodhisofts who go to Varanasi. Here’s the deal. I have plenty more tricks in my little ring here on the sand, but to see them you will have to listen to my story and remember, the power may be working but the broadcasters are out. Nothing on your screens tonight. But you’ll like this. It’s a wedding scene. What is a story without a wedding?

Elephants bore me. When I say that I don’t mean that I find the pachyderm genus tedious, as if I have some special personal conversational relationship with them and knew all their conversational tics and ploys. Is Ganesh not the best-loved god in our entire profligate pantheon? I mean, simply, that elephants carried me; in a howdah like a small gilt temple through the streets of Delhi. Five elephants, with mahouts; one for my school friend Suresh Hira, one for Vin Johar, one for Syaman and one, my sole spit of defiance in the face of tradition, for Sarasvati, and one for me, Vishnu Nariman Raj, the gnarly groom. Delhi’s eternal, monstrous traffic broke around the horde of musicians, drummers, dancers, merry-meeters like water. The traffic news had been reporting me as a major congestion for hours. People stopped and stared, women threw rice, ayahs pointed me out to their finger-sucking grandchildren:
there, there he is, Lord Vishnu goes to his wedding.
The chati mags had been full of little else than the first dynastic Brahmin marriage. My other break with tradition: much of the gaudy I had funded myself through the judicious auctioning of the photo rights to
Gupshup
magazine. Look here am I, in white sherwani and wrinkle-ankle pants in the very best style, the traditional veil of flowers over my face, gripping my sword with one hand (a ludicrous affectation by Sreem, Delhi’s most-sought nute wedding choreographer; who could ever sword-fight from the broad back of an elephant?), with the other gripping white-knuckled to the gold-leaf coping of my swaying howdah. Have I said that riding an elephant is like being on a boat on unstill waters? Does what you glimpse through the cascading marigolds look afraid? Were you expecting someone larger?