The Mischief of the Mistletoe: A Pink Carnation Christmas (22 page)

Turnip tugged at her hand. “Arabella?”

“All right,” whispered Arabella, snatching her hand away. “All right.”

“And this shall be a sign unto you . . .”
Sally was rattling right along, determined to get through her piece without further interruptions.

“That was a yes, wasn't it?”

“
Ye shall find the babe wrapped in swaddling clothes . . .”

“In the drawing room,” muttered Arabella. “Ten minutes.”

“I'll meet you there.” Did she mean in ten minutes or for ten minutes? Turnip decided it was wiser not to ask. He'd figure it out as he went along.

“And suddenly, there was with the angel,” Arabella prompted, and a chorus of auxiliary angels thudded heavy-footed onto the stage. A makeshift orchestra scraped out the first few bars of Handel's arrangement of “Glory to God” as the shepherds and sheep jostled their way offstage.

Even with all their interruptions, Turnip reassured himself, this performance was going better than last year's. Last year, the manger had collapsed in the first scene and wiped out the Friendly Beasts, three of whom had to be brought to the infirmary. Couldn't compete with that.

“Good will; good will; good will towards men,”
sang the chorus of angels.

Turnip looked at Arabella, but she wasn't looking at him. They would sort it all out in the drawing room. Hopefully she would have some goodwill for him.

Since she didn't seem to want to talk about personal matters, he would start with the pudding and lead up to the kiss. They could get all the serious bits out of the way, and then move on to the dramatic reenactments. As theatrical productions went, a kiss ought to be easier to stage than a Nativity scene. Fewer camels, for one thing. And no sheep.

Under cover of the hosannas, Turnip saluted Arabella and hopped out of the booth. All he had to do was get to the drawing room and everything else would follow from—

“Ooooph.” Turnip caught his foot in a shepherd's crook and went spiraling over a camel, landing with a clang on a pile of discarded morris bells.

He blinked blearily up at a very small shepherd.

“Sorry,” said Lizzy Reid.

Through the screen, he could see Arabella bury her head in her hands.

“Baaaa,” said Turnip.

A
rabella resisted the overwhelming impulse to bang her head into the lectern. Hard.

Onstage, Handel's chorus had reached its final crescendo, although Arabella doubted that Handel would have wanted to lay claim to this particular rendition.

“Excellent job, beautifully played,” she called out indiscriminately as the angels thudded past, trooping heavily off the stage. They beamed back at her, still angelic in their white robes and pasteboard halos.

Arabella could hear the rustling from the audience as parents and guests stirred in their seats, beginning to move and talk again, the more adventurous among them making their way to the refreshment table. Sally was still on her ladder, enjoying her place in the heavens too much to relinquish it quickly.

Ten minutes, she had told Turnip.

The Handel chorus had taken up at least five, maybe more. Turnip was probably already waiting in the drawing room. Alone. In the semi-darkness of a single candle.

Thinking about it, Arabella felt an entirely inappropriate tingle of anticipation.

Sally peered over the edge of the booth. “Where did Reggie go?”

Arabella mustered a very unconvincing shrug. “Oh, um, somewhere.”

“Hmm,” said Sally.

Were angels allowed to look that skeptical?

“He's probably gone to the refreshment table.” Lies, lies, all lies. God was going to strike her down any moment now. “I'm just going to, er. Um.”

Arabella fled the booth, leaving Sally perched on her ladder like a contemplative stork. If Miss Climpson wanted that ladder back, she was going to have to pry Sally down by force.

The room was thronged with a bizarre mixture of relatives, friends, and livestock. On the far side of the room, Arabella could see Margaret standing with the elder Austens. Jane and Cassandra were talking with Mlle de Fayette, while Lavinia appeared to have made the acquaintance of Lizzy Reid, who was still wearing her shepherd garb, the headdress tossed nonchalantly back over one shoulder.

Arabella had hoped that this would be a good time to introduce Lavinia and Olivia to both the school and Miss Climpson. Arabella looked at Lizzy and Lavinia. From the way Lizzy was gesticulating with her crook, Lavinia was certainly getting an introduction to the school. Lavinia looked absolutely fascinated.

Arabella rubbed her damp palms against the skirt of her dress. She was feeling as nervous as a schoolgirl, tense with a combination of anticipation and apprehension. She had never expected him to seek her out. Certainly not so assiduously. He might merely be doing the gentlemanly thing, apologizing in person, but he didn't have the air of a man about to recant a kiss, all dragging feet and shifting eyes.

Arabella had seen that before.

It had been three months ago, a chance kiss stolen in the dark corridor between the drawing room and the dining room. She had been giddy for days, all optimism and certainty—until he had avoided her at the Selwick musicale. And again at the Belliston ball. It wasn't until a dinner at her aunt's that he had deigned to speak to her of it. It had been a mistake, he had told her, all shifting eyes and dragging feet, an accident. His betrothal to her aunt had been announced that same night.

Mr. Fitzhugh's demeanor couldn't have been more dissimilar. He had seemed . . . well, happy to see her. Not as though he were trying to hide or pretend the kiss had never happened. There had been no dragging or shifting, none at all. Instead, he had made every effort to get as close to her as possible.

Which in a small prompting booth was very close indeed.

Taking deep, shallow breaths, Arabella hurried past the refreshment table, which had been set up along the back wall of the dining hall. She was nearly to the door when someone turned away from the table, directly into her path.

Arabella clapped a hand to her mouth in horror as a small mince pie went launching through the air. “Oh dear. I am sorry.”

The Chevalier de la Tour d'Argent pressed his now empty plate to his chest and bowed. “The lady who launched a thousand pies?”

“It lacks the cachet of ships,” said Arabella, preparing to pass. “I
am
sorry.”

“No. I am sorry. If I had known you had an aversion for pies, I would have flung something else in your path instead.”

Arabella shook her head. “I wasn't watching where I was going.”

The chevalier flashed his dimple at her. “One ends up in far more interesting places that way.”

Arabella looked dubiously at the long board in front of them. “Like the refreshment table?”

The chevalier gave a particularly Gallic shrug, one that encompassed the inevitability of refreshment tables in the great scheme of the world. “Even so.” Having resolved the great philosophical issues of life with three syllables and a shoulder wiggle, he turned the force of his considerable charm on Arabella. “Since you are here, perhaps you might settle a question for me.”

“Yes?” Arabella let her skirts fall, since she obviously wasn't going anywhere quickly.

Arabella glanced as inconspicuously as possible over her shoulder. The hallway on the other side of the entry hall lay dark, but she thought she could see a tiny glimmer of light all the way at the end.

The chevalier held up another of Miss Climpson's miniature mince pies. “These . . . pies. Are they intended for eating?”

Arabella let out a surprised chuckle. “Intended, yes.”

“But . . . ,” prompted the chevalier.

“Miss Climpson is my employer and these are made to her own recipe. You really cannot expect me to say anything more.”

The chevalier tapped the side of his nose. “Understood. Pity,” he added, surveying the refreshment table. “I had hoped there would be pudding.”

“Pudding?” Arabella looked at him sharply.

His attention on the table, the Chevalier appeared not to notice. “Yes,” he said mildly. “The English Christmas pudding is a source of endless fascination to me.”

“It is? I mean, is it?”

For heaven's sake. There was no reason to get all twitchy just because he had said “pudding.” It was a Christmas party. Discussion of Christmas pudding followed naturally, as the night did the day. Besides, there hadn't been any more pudding appearances since the one at Farley Castle, well over a week ago.

Mr. Fitzhugh would no doubt claim that was due to his vigilance in crouching outside the school. Arabella thought it more likely that whoever it was—presumably a student—had simply grown bored. Or come to the realization that puddings made a remarkably ineffective mode of communication.

The chevalier waxed philosophical. “It is not so much a foodstuff as it is a sort of icon. Think about it. You wish on it. You dress it up in muslin cloths. You adorn it with holly sprigs as if it were a pagan sacrifice.”

“And then we eat it,” said Arabella prosaically.

“I have heard rumors of such things,” said the chevalier, “but I prefer not to believe them.”

“Are you ever serious?” asked Arabella, in some exasperation.

“I try not to be,” said the chevalier. “I hear it does terrible things to the complexion.”

Behind him, Arabella could see a large figure lurking at the other end of the foyer. Shifting from one foot to the other, Turnip scanned the crowd. He put his whole body into the exercise, his entire torso moving as he turned his head first one way, then the other. He was, Arabella realized, looking for her.

Catching sight of her over the chevalier's shoulder, he started to raise a hand in greeting, but dropped it when he saw who she was talking to. If she didn't know better, she would say he looked hurt.

Arabella broke into whatever it was that the chevalier had been saying. “Will you excuse me, Monsieur de la Tour d'Argent? I have an, er, sheep that needs grooming for the next act.”

The chevalier bowed gallantly over her hand. “Fortunate sheep.”

Turnip scowled at the chevalier's back. If he had been ten years younger, he would have put out his tongue at him.

“You wouldn't think so if you'd seen the shepherd,” said Arabella. “And I hear fleece have fleas.”

The chevalier seemed remarkably loath to relinquish her hand. “Not in the Petit Trianon. Nor, one imagines, in Bath.”

“No. There are very few sheep in Bath,” said Arabella, exerting some pressure to retrieve her hand. In the hallway, Turnip was growing restless. “Other than the sort in the manger scene.”

Turnip shifted from one foot to the other, staring pointedly at the ceiling. There was a sprig of mistletoe dangling from the doorway above him.

“On the contrary,” said the chevalier. “There are a great many sheep in Bath, but they tend to walk on two legs.”

Arabella blinked at the chevalier. Why was he still talking? “Well, I really must be using mine,” she said. “All two of them. It was, as always, lovely—”

The games mistress had spotted Turnip beneath the mistletoe. She moved forward. Turnip moved back, looking like an early Christian who had just spotted a very large lion with a taste for fresh martyr.

“Pardon me,” said Arabella desperately, “I really must be going—”

“And so must I,” the chevalier agreed. “A very good evening to you, Miss Dempsey.”

“Happy Christmas!” Arabella called after him and rapidly looked about for Turnip.

There was no sign of him. He had either given up on her, gone straight to the drawing room, or been eaten by the games mistress. Arabella hoped it wasn't the latter. The mistletoe still dangled from the center of the door as Arabella passed under it. It looked rather forlorn up there, and slightly battered, as though someone had tried to knock it down and failed.

All the doors along the hallway were closed, in an attempt to keep the guests out of the schoolrooms. It didn't seem to have quite worked. She could hear amorous murmurs from the music room.

Someone had taken the mistletoe to heart.

At the very end of the hall, the door to the drawing room was very slightly ajar. Arabella pushed it the rest of the way open and stepped cautiously inside.

Aside from the absence of Miss Climpson's beloved china cupid, the drawing room had been restored to almost exactly its prior state after the antics of two nights ago. If one knew where to look, there were some new nicks on the legs of the chairs, and a scratch on the tabletop that hadn't been there before, but otherwise everything had been restored to its proper place. Even the drapes had been drawn demurely down.