was associated with the Rochester Symphony Orchestra, he refused to accept female graduates from the Eastman School of Music as players in the orchestra; hence the inaccesibility of the world of music to women.
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What does seem to be sufficiently well known is that in the history of every great male composer, from Bach to Beethoven, Haydn, Mozart Mendlessohn, Handel, Tchaikovsky, Schumann, and Mahler, a woman has played an important role in nurturing his genius. This was the theme of a book published in 1880 and written by George Upton entitled Women and Music . Here is a passage from his opening pages.
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| | The attachments of love, the bonds of friendship, the endearments of home, and the influences of society, have played an important part in shaping the careers of the great composers, and in giving color, form, and direction to the music. In all these phases of life, genius has more than once sat at the feet of beauty and executed her behests; and more than one immortal work of music may be traced to the calm, patient, steadfast love of woman in the quiet duties of home-life. Few students of music know the effects of these subtle influences.
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Upton then goes on to suggest an answer to the question, Why have there been no great composers of music? Conceding the point, he writes that
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| | Music is the highest expression of the emotions, and that woman is emotional by nature; is it not one solution of the problem that women does not reproduce them because she herself is emotional by temperament and nature, and cannot project herself outwardly, any more than she can give outward expression to other mysterious and deeply hidden traits of her nature? The emotion is a part of herself, and is as natural to her as breathing. She lives in emotion, and acts from emotion. She feels its influences, its control, and its power; but she does not see these results as man looks at them. He sees them in their full play, and can reproduce them in musical notation as a painter imitates the landscape before him. It is probably as difficult for her to express them as it would be to explain them. To confine her emotions within musical limits would be as difficult as to give expression to her religious faith in notes. Man controls his emotions, and can give an outward expression of them. In woman they are the dominating element, and so long as they are dominant she absorbs
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